<?xml version="1.0"?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
<title>Engadget - Comments for The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild</title>
<link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link>
<description>Engadget Comments for The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild</description>
<image>
<url>http://www.engadget.com/media/feedlogo.gif</url>
<title>Engadget</title>
<link>http://www.engadget.com</link>
</image>
<language>en-us</language>
<copyright>Copyright 2012 Weblogs, Inc. The contents of this feed are available for non-commercial use only.</copyright>
<generator>Blogsmith http://www.blogsmith.com/</generator><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Meh.<br><br>I've always hated Audiobooks, they seem to me to be a way for people who ordinarily don't have the patience to sit down with a good book to appear like they read.<br><br>Even when I was a kid, I used to ditch those stupid 'when you hear the chime, turn the page' tapes, and just read the goddamned book!]]></description><dc:creator><![CDATA[CJ]]></dc:creator><pubDate>Feb 27th 2009 12:35PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Patience? I don't have any patience trying to read a novel whilst driving in my car. Audiobooks serve a very useful purpose in this instance.]]></description><dc:creator><![CDATA[Jeff Harrison]]></dc:creator><pubDate>Feb 27th 2009 12:45PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[@Jeff<br>When I read an interesting book, my mind is elsewhere and I'm not very aware of on my surroundings. If an audiobook can do the same, than it's just as dangerous as talking on a cell phone while you drive. Your brain isn't dual core, you can only give your full attention to one task at a time.]]></description><dc:creator><![CDATA[Roman]]></dc:creator><pubDate>Feb 27th 2009 12:56PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[@Roman: So, you don't use your car stereo, I assume. Or talk to or listen to passengers.<br><br>@CJ: Your phrasing sounds like you'd rather maintain your elitism attained by reading books than have them be more accessible to other people. We get it, you read books, you're a freaking genius.]]></description><dc:creator><![CDATA[Joe]]></dc:creator><pubDate>Feb 27th 2009 1:29PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[I think the main point is that it takes much more concentration to listen to books than to listen to music.  I think it is a very valid concern.]]></description><dc:creator><![CDATA[0megapart!cle]]></dc:creator><pubDate>Feb 27th 2009 2:04PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[I work with several people who have lost their sight for a variety of reasons - no amount of patience is going to enable them to read a book but audio books let them continue to enjoy literature.<br><br>The stance of the Authors Guild is worrying as they seem to be saying that people with disabilities that require screen readers or similar shouldn't be allowed to access their content.]]></description><dc:creator><![CDATA[Oddly]]></dc:creator><pubDate>Feb 27th 2009 2:43PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[There's a difference between passive and active listening. Popular music only requires passive listening, especially if you're already familiar with the tune and lyrics.<br><br>Appreciation of classical music requires active listening. People do listen to it in a passive context all the time, but that's not the same type of listening.<br><br>Audiobooks, I've noticed, does require a significant amount of concentration, nearly as much as talking on the cell phone. The only difference is you can switch to passive listening (tuning out) occasionally and fill in the blanks later, while with the phone, you need to hear the entire thing to formulate an appropriate response. <br><br>It is definitely more active listening than passive listening, but maybe not as dangerous as talking on the phone.]]></description><dc:creator><![CDATA[LordAdmiral]]></dc:creator><pubDate>Feb 27th 2009 2:36PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Everyone is talking about how greedy the Authors Guild is, and how they just want a cut of the profits, but what I don't think a lot of people are realizing is that authors don't make a staggering amount of money like music artists might. They don't get much of that $7.99 paperback you buy, and I wager they don't get much out of that audiobook either. Regardless, every penny counts, and when you're talking about people potentially not buying audiobooks in the future, it makes sense for the authors guild to stand up now and say, you better raise the price of the book so that we're not losing money from our lost audiobook sales here. Sure, the publishers are getting less too, but they're always going to get more than the authors, and it's important that the authors get enough money for their work. I wouldn't mind paying an extra $2 in the future for an ebook that also gives me a good audiobook. But until that happens, it's not taking sales away from audiobooks, and I don't want to pay it. My point is, that this issue clearly has two sides, and I don't think anyone should be dismissing one side or the other right off the bat and dissing it relentlessly.]]></description><dc:creator><![CDATA[salmoncannon]]></dc:creator><pubDate>Feb 27th 2009 2:44PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[ The debate about listening to an audiobook in the car aside, there are other circumstances where audiobooks are handy.  For example, I always listen to audiobooks when I'm exercising.   I almost always have two books going... one I'm reading and one I listen to when working out.  And I've found that only listening to the audiobook while working out keeps me motivated to keep working out because I want to hear more of the story.   Anyway, that's just one example... I'm sure other people listen to them while cleaning house, working in the yard, etc.... CJ is way off base.]]></description><dc:creator><![CDATA[Vidikron]]></dc:creator><pubDate>Feb 27th 2009 4:27PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[@salmoncannon<br><br>The point is not content but quality.  A professional audio book has voice actors in a studio.  They also go through great lengths to "act" the parts.  They personalize each character with their voice and set the proper tone.  Tom.  Does none of this.  They are not comparable in the amount of prep and quality of the performance. It would be like seeing Cats on broadway and then paying a license fee to see 5th graders recreate it at your local highschool.<br><br>As long as these companies continue to keep slathering these devices with all sorts of DRM..  people are going to shy away..<br><br>Now will text to speech work on an unlicensed file?  such as my own personal writing or do I have to DRM it and then license it to myself?]]></description><dc:creator><![CDATA[Dave]]></dc:creator><pubDate>Feb 28th 2009 9:04AM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[I think it's a legitimate claim Paul Aiken is making. However, in my opinion, I just think that Amazon should charge $2 extra or so for the 'audiobook' rights. Otherwise, just disable it. The fatcats get their cut, the people don't feel the hurt unless they were planning on using it for an audiobook the whole time, and it doesn't really cost that much more. No fuss, no muss.]]></description><dc:creator><![CDATA[Nick Stropko]]></dc:creator><pubDate>Feb 28th 2009 11:31AM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Sounds to me like the Authors Guild would be more than happy to let the audiobook market go to shit as long as they can profit off of a computer doing all the work for them.]]></description><dc:creator><![CDATA[John]]></dc:creator><pubDate>Feb 28th 2009 11:32AM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[I still call bullshit.  I bought the text.  If I want my computer or and assistant to read it to me that's my business. These guys are a bunch of douchebags.]]></description><dc:creator><![CDATA[CraigJ]]></dc:creator><pubDate>Feb 27th 2009 12:37PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Yes, I suck at typing.  and = an.<br><br>Seriously, I hope these nimrods sue Amazon and get made fools of.  Of course, that requires an intelligent Judge and Jury, so Amazon would probably get screwed.]]></description><dc:creator><![CDATA[CraigJ]]></dc:creator><pubDate>Feb 27th 2009 12:41PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[You miss the point.  The Authors Guild isn't trying to keep YOU from doing whatever you want with the file you buy, they are simply trying to get their rightful cut of what AMAZON is selling.  Can anyone seriously argue that Amazon isn't seeing at least some amount of extra profit based on the Kindle's ability to read the book out loud?  Part of selling a Kindle is saying "hey, you can either read the file you download by yourself, or this thing can read it to you!"  People who probably would NEVER take the time to figure out how to upload a text file into a text-to-speech program go "wow, cool, I want one."  Part of the Kindle's appeal to the general public is it's ability to "magically" read the book to you.  Now, I obviously haven't seen the licenses, but I think it's safe to assume that Amazon has only licensed the rights to the texts of these author's works (or at least HAS NOT licensed any audio rights), but now Amazon is profiting from an audio version of the work.<br><br>I think the point is that Amazon is reaping genuine benefits from selling what, at the end of the day, is an audio version of the book that AMAZON hasn't paid the authors for, and the authors want their cut.  I can't say I hold that against them.]]></description><dc:creator><![CDATA[G-Money]]></dc:creator><pubDate>Feb 27th 2009 1:11PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[I think their stance is perfectly reasonable once I read it. They see a slippery slope, and when you're dealing with legal rights, you've got to intervene in the process as early as possible. If they let this first version go by, and then they let the second version go by, and then the third version comes out with an amazing new inflection algorithm that rivals the quality of audiobooks recorded by professional voice actors, they don't have much recourse. By stepping in now, they can establish early on that this can potentially give Amazon more rights to the content than the contract allows.<br><br>They don't seem to be seeking damages. They seem to want to limit the rights to the content to what was explicitly spelled out in contract.]]></description><dc:creator><![CDATA[Joe]]></dc:creator><pubDate>Feb 27th 2009 1:35PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[@G-Money: sorry man thats complete BS only thing that happens after this is the price of the book goes up.  And audiobooks are mad expensive (often times more expensive than the kindle books).<br><br>This is just ANOTHER case of an industries obsolescence due to tech.  why cant these fools just evolve and offer something new, rather than trying to sue their way into a living.<br><br>What happened to this nation of innovators?  I'm so tired of laziness, if audiobooks want to offer something more, dramatize them, hire voice actors, add sound effects.  MAKE it WORTH buying.  because text to voice is just going to get better and better, so you're "storyteller" approach is due to die soon.]]></description><dc:creator><![CDATA[drew]]></dc:creator><pubDate>Feb 27th 2009 1:36PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Q. What is the Kindle? <br>A. Nothing more than a computer designed with the display of eBooks as its main function.<br><br>Q.What is a PC?<br>A. Nothing more than a computer designed with the general functionality afforded by any loaded software.<br><br>So are we now saying that just because the main/intended use of the computer is for displaying an eBook, the eBook text has magically transformed into a hybrid electronic/audio book? What if I were to design a program for general use PCs that is designed to display an eBook and provided an easy interface for built-in text-to-speech? Are they going to then complain that all eBooks need to have this audio option enabled through a micropayment?<br><br>It is sad this guy is so afraid of technology. His quote, "We don't want to fight it, we want it to be licensed." just shows his ineptitude in understanding how to leverage emerging technologies. He is falling into the same trap that the music industry is in. They want things to remain the same and squeeze every last penny out of what they currently have instead of actively seeking new revenue streams.<br><br>I could sit here all day and burn holes in this guy's arguments, but I have to get back to work.<br>]]></description><dc:creator><![CDATA[egghead]]></dc:creator><pubDate>Feb 27th 2009 2:02PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[What if I create a program that understands a library of objects, shapes, textures, rendering methods, and converts algorithmically the adjectives and language of a scene from a book into art?  I could go out and photograph a huge amount of stuff, then create a complex system of filters and whatnot, etc.<br><br>So, in the end, I would be creating a visual representation of a book automatically.  But what happens if that rivals existing artwork?  What happens when it evolves to include digitally created actors acting out scenes in greater and greater detail?  Do movie companies want to sue me because I made something that can create a movie out of words that is functionally similar but quite different?  Will artists sue me?<br><br>What if it was a robot that paints these images?  Or act them out?<br><br>I would think the thing to worry about, in the end, is the obsolescence of people.  Will we throw away technology to reach this goal or find ways to turn it into 'markets' and obfusciate what it really is?<br><br>The ultimate problem is that the Kindle is the target because it is popular.  But in a few years any and every device will have text to speech capabilities as things trickle down.  It always happens.  And at that point you've lost the war unless you want to sue every manufacturer of PMPs or other media devices.]]></description><dc:creator><![CDATA[Jason]]></dc:creator><pubDate>Feb 27th 2009 2:18PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[@G-Money:  No, I don't think the text to speech has anything to do with the Kindle2 sales whatsoever.  It sucks.  The selling point of the Kindle and Kindle2 is that you can essentially carry a library in your pocket.]]></description><dc:creator><![CDATA[Centipede]]></dc:creator><pubDate>Feb 27th 2009 2:58PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Isnt the Kindle reading to me a private performances?]]></description><dc:creator><![CDATA[xCaine]]></dc:creator><pubDate>Feb 27th 2009 7:39PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Totally agreed. What if somebody invent a robot that can also read to you? What do they do?]]></description><dc:creator><![CDATA[optimis9]]></dc:creator><pubDate>Feb 28th 2009 11:30PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[There are no more switchboard operators- There will be no more audiobooks.]]></description><dc:creator><![CDATA[rv]]></dc:creator><pubDate>Feb 28th 2009 1:56AM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Agreed. At issue, in my mind at least, is the dual use nature of technology, and the growing awakening that we never "owned" the content we purchased. You have never bought a book (content) in your life, you've merely payed for certain rights pertaining the use of that book, and some dead trees. For hundreds of years, that was never in people's mind. Copyright was present, but easy to enforce, because violation involved the physical reproduction and transport of the product. Now, there is an exciting new way of connecting people to content, but one that is ludicrously easy and cheap to copy. Part of this is about money, after all, who wants their profitable business to become less profitable? But the other part is that publishers saw themselves as adding value to the books they sold by erecting barriers to entry. Not just anyone could publish a book. Publishers acted as the gatekeepers, keeping bad (less profitable) books out, and promoting good (more profitable) books. The good writers made millions, and the bad writers lived in cardboard boxes. Now, that's all changed. Now we (you and I) are the gatekeepers. We can evaluate and post reviews on books, share our thoughts, and reward good authors directly. We've completely circumvented the NEED for publishers. The market will be (and already is) much larger, and consequently, profitability will be much lower per book written, but more authors will move out of cardboard boxes and into houses. They won't be rich, but they'll earn a decent wage. This is exactly what will happen with all media, movies, music, books, magazines, and even software (thought to a lesser extent)]]></description><dc:creator><![CDATA[Ben]]></dc:creator><pubDate>Feb 28th 2009 2:51PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[This interview is going in circles.]]></description><dc:creator><![CDATA[Iceman]]></dc:creator><pubDate>Feb 27th 2009 12:40PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Agree. I've read it twice, and I still don't understand what exactly his argument is.]]></description><dc:creator><![CDATA[KarlW]]></dc:creator><pubDate>Feb 27th 2009 1:37PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[It's a total fail.  They don't have any real ground to stand on.  The simple fact that it's completely legal for me to read a book to my kids and they agree with that, but they want extra money to have a robot read it. It is BS and they will lose this war.  They better lose!<br><br>What about a possible technology where a robot could read a paperback out loud?  Would they then want an additional license fee for that?  And how would you measure that.<br><br>Even if the Kindle voice was just as good as James Earl Jones, it's still a robot reading to me, which should not be an additional license. I've said it in these comments before, the reason an audio book should cost more is that there was an actual performance by a voice artist or an actor.  As such there are fees that have to be paid for the initial performance and the residuals. There's no fee to pay an actor for the Kindle voice, unless of course the Kindle voice is licensed FROM James Earl Jones and then that's a different thing.  But still nothing that has to do with some writer's union.<br><br>FAIR RIGHTS FOR ROBOT READERS!!!]]></description><dc:creator><![CDATA[badweasel]]></dc:creator><pubDate>Feb 27th 2009 3:18PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[What we see here is the classic "buggy whip"* issue. We see an industry that is threatened because technology is, in the not too distant future, going to make them obsolete. Note that this isn't AUTHORS that are going to go by the wayside, but SALES FROM AUDIOBOOKS. Why are audiobooks expensive, anyway? Because good voice talent is expensive, and it is a relatively small market in which to recover the cost of someone with good oratory skills. Remember, this won't hurt eBook (or regular book) sales. It can only help them.<br><br>This is EXACTLY the same fight that is currently happening with the RIAA and MPAA - the desire to control every possible way you consume media that YOU PURCHASED, and charge you for every version. I mean, doesn't this sound a whole lot like the battle over using MP3s as ringtones? Or ripping CDs to put on your iPod? Or ripping DVDs to put on your mobile player / laptop? Or any other battle where an old industry is trying to arbitrarily profit over something that can be done easily and freely done with technology? First they try and monetize it (just pay us more for something you can already do for free), then they fight it legally (you're stealing from artists!!!), then they accept it (sometimes).<br><br>*Buggy whip: a common example of an ancillary industry that dried up as a result of new technology affecting the primary market - the manufacturers of whips used to drive buggies and horse-teams almost completely evaporated as a result of the car replacing the horse as a major method of transportation.]]></description><dc:creator><![CDATA[Brad]]></dc:creator><pubDate>Feb 27th 2009 5:22PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[I agree Iceman, not only is this interview going in circles, but Mr. Patel is approaching the interview and subject in a very sophomoric way (no offense intended Nilay).<br><br>Paul Aiken is attempting to explain the contractual, copyright, and business reasoning behind the Authors Guild position; aspects of which are clearly explained and delineated, and aspects of which are not. In response, Nilay brings up questions such as the right of individuals reading books aloud and to their children, or the Authors Guild harboring a desire to fight new technology and new markets. I'm not sure why Nilay, of all Engadget writers, is having difficulty with a company or organization that wants to protect copyright, that has issues with contractual obligations, that wants appropriate compensation when work is employed in another manner which was not originally envisioned or accounted for by either their model or their contract, and is not looking to fight Amazon or destroy a potential burgeoning market, but desires appropriate protection and payment of authors work in that new medium. I'm not trying to make arguments for the Authors Guild, or Amazon, and frankly I believe that an open discussion between the different parties which is honest and forward-looking is probably healthy at this point.<br><br>That said, I've seen a number of Engadget readers talk about what they 'want' and 'demand'... fine, they can want and demand all they like, after all that is a basic tenet of being a consumer. HOWEVER, there are often legal and business considerations that go beyond, or perhaps come between, a product or service and what the consumer wants or needs. It's not to say that the consumer has no rights, or that their desires are without merit, but discussing (not suggesting that Nilay is) an issue like this primarily in terms of "I want X", or "I demand Y" is not really appropriate or germane -- unless you're a 14 yr old.<br><br>My two cents,<br>Fraggle]]></description><dc:creator><![CDATA[Fraggle.Rock]]></dc:creator><pubDate>Feb 27th 2009 6:58PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Thanks for posting this, I really enjoyed this interview.]]></description><dc:creator><![CDATA[Zorn]]></dc:creator><pubDate>Feb 27th 2009 12:40PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[$35 for an AUDIOBOOK? christ, has this dude never heard of Audible?  They way I see it.. I use Audible to buy books I want to hear (at about $10 or $15 a book) and amazon for the ones I want to read (oh.. surprise, $10-15 a book).  I call bull on the whole thing.]]></description><dc:creator><![CDATA[Matthias]]></dc:creator><pubDate>Feb 27th 2009 12:44PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Also... come to think of it, the only thing I might really use the text to speech for is doing the NYTimes during my morning commute... to hell with them if they want to complain about that, because no one is going to be doing Daily audio recordings of a newspaper, there just aren't enough hours in a day.]]></description><dc:creator><![CDATA[Matthias]]></dc:creator><pubDate>Feb 27th 2009 3:37PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[who listens to audiobooks? I don't know why, but they always get douchebags to record them. When you read the book, you can go at your own pace, and you don't have to listen to annoying rejects.]]></description><dc:creator><![CDATA[Roman]]></dc:creator><pubDate>Feb 27th 2009 12:45PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[If they continue down this path I only see it ending up in the Authors guild vs. the users confrontation like we currently have with the Music Industry vs. the supposed pirates. Both the authors guild and music industry have valid concerns but trying to enforce them heavy-handedly only serves to turn your user base against you, and renew efforts to improve the software in question - am I the only person expecting there to be a huge step up in efforts to improving text to audio software after all this media attention? Those who forget history are doomed to repeat it, and the Author's guild is going down a strikingly similar path to that the music industry took years ago and look how well it turned out for them...]]></description><dc:creator><![CDATA[Gnormie]]></dc:creator><pubDate>Feb 27th 2009 12:48PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Quoting him, "We've never taken a position other than that they're allowed to read a book aloud to their kids. Private performances are unregulated by copyright law."   This helps point out the flaw in his argument.   He's taking the position that these ebook readers, which can do text-to-speech, actually create another file.  This was clear in everything he said in the interview.   This isn't true.  A performance of an ebook reader by just translating the characters into speech does not create another file which is saved or anything, so there's no derivative work.  It's just a performance.<br><br>Now if the Kindle saved these text-to-speech performances as files that could be accessed later, THEN he would have a point.  But from what I know, it doesn't do that.  So right now a Kindle translation would be a private performance.]]></description><dc:creator><![CDATA[freediverdude]]></dc:creator><pubDate>Feb 27th 2009 12:51PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Bingo.  That's the biggest legal flaw in his argument.<br><br>There's quite a few business flaws in his argument, but that's the giant gaping hole in his legal argument.]]></description><dc:creator><![CDATA[tsukata]]></dc:creator><pubDate>Feb 27th 2009 2:15PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Exactly.  The audio rights he's talking about regarding a written work should be for PUBLICATION.  The core distinction I think is whether the text-to-speech capability of the Kindle serves as a means for audio publication for a written work or if it serves as a private performance.  It raises an interesting question - how is being read to by the Kindle (my digital personal assistant) different from being read to by a human personal assistant?<br><br>I would understand if it was their desire to protect their IP, but the simple fact is that they are trying to create new revenue where there is currently no market.  They've chosen the wrong device for their target because the device they really need to go after doesn't exist yet.  They should certainly keep in mind licensing for devices whose primary  (or even secondary) purpose is to create from plain text an audio representation that rivals traditional audio books, but they're jumping the gun.<br><br>If they really want to grow their market in this area they would offer for purchase a modified version of the book that sounds better when read by text-to-speech software.  They could modify punctuation and spelling of words so that the output is closer to the author's intent.  That would actually provide some value.<br><br>I can already see where this is headed...they'll incorporate DRM for text-to-speech so that you have to check that box during checkout and pay the extra.  I think they may be surprised just how few people would check that box, though.<br><br>    ]]></description><dc:creator><![CDATA[Forrest]]></dc:creator><pubDate>Feb 27th 2009 2:42PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Also -- they would be laughed out of court if they tried to force fees upon people reading out loud.   However, Amazon is a nice, rich single target that they hope will roll over and settle up. ]]></description><dc:creator><![CDATA[greatsunjester]]></dc:creator><pubDate>Feb 27th 2009 3:00PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Forrest: I think your points are exactly the points they are trying to make.<br><br>The device they really should be going after does not yet exist - but if they wait until such a device comes out, there may be an over-saturation of devices similar to the Kindle, which would have precident leaning away from the authors. By going after the Kindle now, they are trying to block any "revenue stealing" by any future device.<br><br>They seem to not care whether you "check that box": or not. They just would like to have some control over their work. Amazon did not write the books, and ultimately should not control in what fomat they appear. The authors are the ones who spent months or years creating these works, and they should have some say in how these works are handled.<br><br>Now, I'm not saying that they are in the right, nor am I saying that Amazon is. I think this is a very gray area of copyright law since a device for this purpose and capabilities has not existed yet. I think both parties need to sit down and talk about this and work something out, otherwise there may be no ebooks for anyone to purchase (not likely, but still possible).]]></description><dc:creator><![CDATA[Musicman247]]></dc:creator><pubDate>Feb 27th 2009 4:49PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Good interview except for the whole circular conversation part. I'm glad something like this has popped up again. I hate how the consumers gets screwed when it comes to media. If I buy a cd, or dvd I want to be able to use it how I like. I don't want to pay for the same movie three times so I can watch it on my television, laptop, and iphone. <br><br>Same goes for these ebooks. The Kindle is an amazing device and just because they added a mediocre text to speech feature people shit bricks. If I wanted to actually hear an audiobook I would want it done by the author considering the emphasize he can use and how much more of an experience it would be then a computerized voice that takes the words you bought and says them. ]]></description><dc:creator><![CDATA[Jerry]]></dc:creator><pubDate>Feb 27th 2009 12:53PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[This is the major problem with most "consumer" arguments.  It's all based on what "I want."  When you buy a DVD.  You are not purchasing the movie.  You are purchasing a copy of the movie and certain rights enabling you to play the movie in certain ways.  If you want to buy "the movie" it's going to cost you a lot more than twelve dollars.<br><br>And who are the people on this blog who are constantly talking about how ABC company isn't interested in the consumer's interests... No shit!!! What do you people do for a living?  Businesses are only interested in pleasing consumers to the point that they can retain their business.  That's how business works.  If a company does a really good job of pleasing the consumers, they'll get a lot of business (Apple) but they're not pleasing the consumers for the consumer's benefit, they're pleasing them for their own benefit.<br><br>Engadget comments are usually almost entirely consumer-interest minded. The fact that there are a significant number of people seeing the Author's Guild's point on this, indicates that they're going to win this one.]]></description><dc:creator><![CDATA[Market Data]]></dc:creator><pubDate>Feb 27th 2009 7:35PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[God damned lawyers.  Throw 'em all off a cliff, and they'll sue you on the way down.]]></description><dc:creator><![CDATA[tadghostal]]></dc:creator><pubDate>Feb 27th 2009 12:51PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[On a related note, several folks are asking who listens to audio books.  I do, but I read also.  I can only (safely) do one of those activities while driving, though.  And as to "losers" recording them?  Many times it's the author him/herself who reads the books.  The majority of the remaining ones are read by professional voice actors.  Yeah, sure every once in a while you'll run across a good book slaughtered on audio by James Woods, but usually the audio recording detracts nothing.  It's really what you get used to.<br><br>Oh yeah - blind people also listen to audio books, but I don't think they'll really be abusing Kindle's text-to-speech ability.]]></description><dc:creator><![CDATA[tadghostal]]></dc:creator><pubDate>Feb 27th 2009 12:56PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[So, in some future, if a robot is sophisticated enough to sit by your child's bed and read them a story, the robot better cough up some extra dough first.]]></description><dc:creator><![CDATA[Dave]]></dc:creator><pubDate>Feb 27th 2009 12:54PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Worse yet - sue the teachers and volunteers who read books aloud to children at school, the library, or the bookstore.]]></description><dc:creator><![CDATA[tadghostal]]></dc:creator><pubDate>Feb 27th 2009 12:58PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Ahh, but what if the robot is a parent, and that parent reads the words the Kindle's screen aloud to their children?]]></description><dc:creator><![CDATA[chrism238]]></dc:creator><pubDate>Feb 27th 2009 1:07PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[But if the robot is a parent, then so to (at least partly) is their child - and at that point they wouldn't be communicating in such an efficient way - they'd probably hook up using an interface cable.  Why did Michael Jackson just pop into my head?!?]]></description><dc:creator><![CDATA[tadghostal]]></dc:creator><pubDate>Feb 27th 2009 1:20PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[Robots can have children!?]]></description><dc:creator><![CDATA[absinthe party]]></dc:creator><pubDate>Feb 27th 2009 2:45PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[No....your kid has to sit there and put quarters into the robot till it finishes the story...]]></description><dc:creator><![CDATA[KJ]]></dc:creator><pubDate>Feb 27th 2009 3:25PM</pubDate></item><item><title><![CDATA[Comments on The Engadget Interview: Paul Aiken, Executive Director of the Authors Guild]]></title><link>http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</link><guid isPermaLink="true">http://www.engadget.com/2009/02/27/the-engadget-interview-paul-aiken-executive-director-of-the-au/</guid><description><![CDATA[I really don't know what the big fuss is about. Text-to-speech sounds unemotional and people who buy audiobooks want to hear the rhythm of the prose and the personality of someone reciting the book. Text-to-speech is a nice perk, but like your grandmother doing kareokae (sp?) of Metallica's Enter Sandman, it's missing something.]]></description><dc:creator><![CDATA[STINK]]></dc:creator><pubDate>Feb 27th 2009 12:54PM</pubDate></item></channel></rss>
