Nikon D3S is officially official, bringing its ISO extremes in late November
By Ross Miller 
posted October 14th 2009 12:01AM
posted October 14th 2009 12:01AM
THE IMAGING EVOLUTION CONTINUES:
THE NIKON D3S ILLUMINATES NEW LEVELS OF POWER AND PERFORMANCE FOR PROFESSIONAL PHOTOGRAPHERS
Nikon Once Again Redefines Possibilities with D-SLR Photography with Six-Figure ISO Sensitivity for Stills and Video While Enhancing Overall Performance
MELVILLE, N.Y. (Oct. 14, 2009) – Today, Nikon Inc. announced the FX-format D3S D-SLR, providing professional photographers with a powerful tool that redefines the boundaries of digital SLR versatility, while maintaining the strength of superior image quality and high speed performance inherited from the ground breaking D3. The D3S enables not only new opportunities in low-light photography, but also provides photographers with added shutter speed and aperture freedom with a base ISO sensitivity range from ISO 200 to a remarkable 12,800. Additionally, expanded ISO equivalent settings up to a staggering 102,400 are available, enabling photographers to create images previously thought impossible.
The Nikon D3S builds upon the success of the Nikon D3-the professional digital SLR that set new standards for D-SLR performance and utilizes a newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor that also integrates its amazing low-light ability to High Definition (HD) video, creating a uniquely capable multi-media tool to meet the needs of a changing imaging landscape.
"When the Nikon D3 was released, it ushered in a new era of professional digital imaging. Today, the D3S will further reinforce Nikon's leadership role in the photographic industry as a pioneer in performance-driven technologies that will again break once-rigid picture-taking barriers," said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. "The ruggedly constructed D3S was engineered to address the real-world needs of professional photographers and provides them with a tool that, when combined with their skills, delivers stunning images in a broad range of shooting conditions and assignment requirements."
Creative Vision Beyond the Human Eye
The Nikon D3S, with a base ISO sensitivity from ISO 200 to 12,800 makes it possible to capture previously impossible images-image opportunities which were often ignored because of low light levels. Now, in even more demanding lighting conditions, photographers can select expanded sensitivity settings of ISO equivalent 25,600, ISO equivalent 51,200 and an incredible ISO equivalent sensitivity of 102,400 which reveals detail in extreme low-light environments that challenge even the human eye's ability to discern subject content. In addition, a setting of ISO equivalent 100 is provided.
This industry-first, groundbreaking ISO sensitivity range will make the D3S the camera of choice for photographers who typically face extreme lighting challenges, such as indoor or nighttime sports, spot news, wedding receptions and ambitious nature photography. This broad ISO sensitivity also affords the ability to shoot at faster, action-stopping shutter speeds. D3S shooters will enjoy a major advantage in any situation where light is limited and the use of supplemental lighting is not an option. For the photojournalist, even the highest ISO setting delivers image quality to satisfy the needs of offset printing.
Big Pixels Equal Greater ISO Capabilities
The amazing low-light ability of the D3S, as well as its astounding image quality can be attributed in large part to the engineering behind the newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor, which measures 36x23.9mm. While the pixel size and count that served the D3 were maintained to deliver the pinnacle of image quality, dynamic range, phenomenal tonal gradation and outstanding color, other aspects were engineered to add versatility through broader low-noise ISO sensitivity. Individual pixels measure a large 8.45 microns, which support enhanced sensitivity to light and other qualities leading to superior image fidelity. The D3S captures light and renders images in a way that no other Nikon camera has yet to achieve, with a higher signal-to-noise ratio and an unmatched dynamic range for both stills and HD video throughout its broadened ISO range.
The Nikon D3S adds the extra benefit of an Image Sensor Cleaning function to reduce instances of image degradation resulting from dust accumulation on the optical low pass filter (OLPF) in front of the image sensor. The OLPF oscillates at four specific frequencies to release particles that would disrupt image quality. Sensor Cleaning can be set by the user to cycle automatically when the camera is powered on, turned off, or on demand.
Share the Vision with D-Movie Creativity
Whether on the frontlines or sidelines, the amazing ISO range of the D3S can also be applied while recording HD video clips to give unprecedented low-light ability for movie clips. The refined D-Movie mode for the FX-format offers smooth 1280x720 video at a cinematic 24fps, with a new algorithm that severely reduces the phenomenon of "rolling shutter" typical to D-SLRs while panning. The motion JPEG codec allows for easy extraction of single frames from a video clip and the ability to save it as a JPEG file, while the 720p HD format eases storage, provides faster wireless transfers, and offers video files that are generally easier to use in the field. Photographers can also trim movie clips on the fly by revising the start and end points, and save the edited clip as a copy while maintaining the original. Additionally, the D3S features a built-in monaural microphone, augmented by a stereo microphone input, which is perfect for hot-shoe microphone mounting or the use of wireless microphones for interviews or spot news.
Photographers and film makers alike will appreciate the full aperture control from a wide f/1.4 to f/16, as the FX-format sensor renders low-noise movie clips with outstanding clarity, aided by the large selection of renowned NIKKOR lenses to produce a dramatic depth of field. High Sensitivity Movie Mode allows the utilization of the entire ISO range to capture otherwise hidden details in challenging lighting conditions, more effectively than cameras with smaller sensors. Now, users can benefit from available natural light for applications such as telling a story in a journalistic style in the field or to create a gritty film noir masterpiece without CGI post production. While recording, users also have the ability to control exposure, and will enjoy the added benefits of improved contrast-detect type AF while in Tripod Live View mode.
Performance and Features Defining Versatility
The emergence of the D3 in 2007 provided photographers with a unique fusion of ruggedness, speed, versatility and image quality-characteristics which the D3S now takes even further. Photographers are able to capture images at 9 frames per second (fps) in the FX-format or at up to 11 fps in the DX crop mode, while data is transferred through a 16-bit pipeline for optimal processing speed. Additionally, the buffer has been increased, enabling continuous bursts approximately twice that of the D3 in the JPEG, TIFF or NEF (RAW) formats. Files can also be captured in either 12- or 14-bit compressed or uncompressed formats to maintain the images data integrity. Photographers can also select the new 1.2x crop mode for a modest telephoto effect, while minimally impacting resolution, as photos are captured at approximately 8.4 megapixels (9 fps).
The D3S digital SLR also features two UDMA compatible CompactFlash™ card slots that can be used for consecutive recording (overflow), simultaneous recording (backup), separating recording of RAW and JPEG files or even copying pictures between the two cards. One or both can also be designated for data-heavy D-Movie recording. Images can be displayed directly from the camera to a High Definition monitor using the camera's HDMI port and an optional cable.
The D3S features Nikon's exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes, including a phase detection handheld mode and a tripod mode. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.
To alleviate another kind of noise, the D3S also features a Quiet Shutter Mode which substantially reduces the sound of the camera's mirror-down cycle, which is perfect for shooting in sensitive environments, such as movie sets, meetings, ceremonies, or while photographing wildlife.
Technologies Engineered for Professionals
The D3S digital SLR's speed and performance is the culmination of many Nikon core technologies including the latest generation of the EXPEED™ Image Processing System. The latest iteration of this system is specially designed to keep pace with the D3S' blazing performance to provide amazing image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. Nikon's advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.
The D3S' accelerated Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance detection and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject's movement within the frame.
Nikon's exclusive 3D Color Matrix Metering II assists in ensuring accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system's sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting (ADL), used in combination with 3D Matrix Metering II helps to determine proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Photographers can also use ADL bracketing for up to five frames of ADL compensation.
To further enhance each photographer's expression of personal style, Nikon's Picture Control System allows selection of Picture Control settings including Standard, Neutral, Vivid and Monochrome. Additionally, adjustment can be made to Picture Controls to image sharpening, contrast, brightness, saturation, hue and more. Photographers then have the flexibility to save up to nine personalized Picture Controls on camera and 99 additional Picture Controls externally.
Ready for Work
Engineered for real-world functionality, the D3S is ruggedly constructed with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer's vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to 300,000 cycles for maximum accuracy and longevity. Rigid and precise magnesium alloy construction and the familiar form factor of the D3 extend consistent Nikon system synergy.
A bright and accurate viewfinder provides 100-percent coverage with 0.7x magnification. The body also houses Nikon's acclaimed 921,000-dot, 3.0-inch super density LCD monitor which is viewable up to 170 degrees, and is safeguarded by a tempered glass cover. Thanks to incredibly efficient internal circuitry, the D3S can capture up to 4200* shots per single charge of the camera's Lithium-ion battery.
System Strength Withstands the Test of Time
The D3S is fully compatible with Nikon's Creative Lighting System (CLS) affording photographers a mobile lighting solution that is easy to manage. D3S is also compatible with Nikon's GP-1 GPS receiver to gather information such as latitude, longitude, altitude and (satellite) date of shooting. Photographers can shoot tethered via USB, or use the WT-4A wireless transmitter to send images wirelessly when speed and mobility are essential. D3S users will also enjoy the system strength bolstered by a comprehensive selection of NIKKOR interchangeable lenses-long heralded for their optical superiority.
Price and Availability
The Nikon D3S digital SLR is scheduled to be available at Nikon Authorized dealers beginning in late November 2009 at an estimated selling price of $5,199.95**. For more information, please visit www.nikonusa.com. Users can see the new D3S, along with Nikon's entire line of photographic, optical and digital imaging solutions, including the recently announced new AF-S DX Micro NIKKOR 85mm f/3.5G ED VR lens, on display at the Nikon booth (#501) at the PhotoPlus Expo in New York, from Oct. 22 to Oct. 24, 2009.
About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as "Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008." according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated its 75th anniversary of NIKKOR optics and announced the production of over 45 million NIKKOR SLR interchangeable lenses. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.
THE NIKON D3S ILLUMINATES NEW LEVELS OF POWER AND PERFORMANCE FOR PROFESSIONAL PHOTOGRAPHERS
Nikon Once Again Redefines Possibilities with D-SLR Photography with Six-Figure ISO Sensitivity for Stills and Video While Enhancing Overall Performance
MELVILLE, N.Y. (Oct. 14, 2009) – Today, Nikon Inc. announced the FX-format D3S D-SLR, providing professional photographers with a powerful tool that redefines the boundaries of digital SLR versatility, while maintaining the strength of superior image quality and high speed performance inherited from the ground breaking D3. The D3S enables not only new opportunities in low-light photography, but also provides photographers with added shutter speed and aperture freedom with a base ISO sensitivity range from ISO 200 to a remarkable 12,800. Additionally, expanded ISO equivalent settings up to a staggering 102,400 are available, enabling photographers to create images previously thought impossible.
The Nikon D3S builds upon the success of the Nikon D3-the professional digital SLR that set new standards for D-SLR performance and utilizes a newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor that also integrates its amazing low-light ability to High Definition (HD) video, creating a uniquely capable multi-media tool to meet the needs of a changing imaging landscape.
"When the Nikon D3 was released, it ushered in a new era of professional digital imaging. Today, the D3S will further reinforce Nikon's leadership role in the photographic industry as a pioneer in performance-driven technologies that will again break once-rigid picture-taking barriers," said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. "The ruggedly constructed D3S was engineered to address the real-world needs of professional photographers and provides them with a tool that, when combined with their skills, delivers stunning images in a broad range of shooting conditions and assignment requirements."
Creative Vision Beyond the Human Eye
The Nikon D3S, with a base ISO sensitivity from ISO 200 to 12,800 makes it possible to capture previously impossible images-image opportunities which were often ignored because of low light levels. Now, in even more demanding lighting conditions, photographers can select expanded sensitivity settings of ISO equivalent 25,600, ISO equivalent 51,200 and an incredible ISO equivalent sensitivity of 102,400 which reveals detail in extreme low-light environments that challenge even the human eye's ability to discern subject content. In addition, a setting of ISO equivalent 100 is provided.
This industry-first, groundbreaking ISO sensitivity range will make the D3S the camera of choice for photographers who typically face extreme lighting challenges, such as indoor or nighttime sports, spot news, wedding receptions and ambitious nature photography. This broad ISO sensitivity also affords the ability to shoot at faster, action-stopping shutter speeds. D3S shooters will enjoy a major advantage in any situation where light is limited and the use of supplemental lighting is not an option. For the photojournalist, even the highest ISO setting delivers image quality to satisfy the needs of offset printing.
Big Pixels Equal Greater ISO Capabilities
The amazing low-light ability of the D3S, as well as its astounding image quality can be attributed in large part to the engineering behind the newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor, which measures 36x23.9mm. While the pixel size and count that served the D3 were maintained to deliver the pinnacle of image quality, dynamic range, phenomenal tonal gradation and outstanding color, other aspects were engineered to add versatility through broader low-noise ISO sensitivity. Individual pixels measure a large 8.45 microns, which support enhanced sensitivity to light and other qualities leading to superior image fidelity. The D3S captures light and renders images in a way that no other Nikon camera has yet to achieve, with a higher signal-to-noise ratio and an unmatched dynamic range for both stills and HD video throughout its broadened ISO range.
The Nikon D3S adds the extra benefit of an Image Sensor Cleaning function to reduce instances of image degradation resulting from dust accumulation on the optical low pass filter (OLPF) in front of the image sensor. The OLPF oscillates at four specific frequencies to release particles that would disrupt image quality. Sensor Cleaning can be set by the user to cycle automatically when the camera is powered on, turned off, or on demand.
Share the Vision with D-Movie Creativity
Whether on the frontlines or sidelines, the amazing ISO range of the D3S can also be applied while recording HD video clips to give unprecedented low-light ability for movie clips. The refined D-Movie mode for the FX-format offers smooth 1280x720 video at a cinematic 24fps, with a new algorithm that severely reduces the phenomenon of "rolling shutter" typical to D-SLRs while panning. The motion JPEG codec allows for easy extraction of single frames from a video clip and the ability to save it as a JPEG file, while the 720p HD format eases storage, provides faster wireless transfers, and offers video files that are generally easier to use in the field. Photographers can also trim movie clips on the fly by revising the start and end points, and save the edited clip as a copy while maintaining the original. Additionally, the D3S features a built-in monaural microphone, augmented by a stereo microphone input, which is perfect for hot-shoe microphone mounting or the use of wireless microphones for interviews or spot news.
Photographers and film makers alike will appreciate the full aperture control from a wide f/1.4 to f/16, as the FX-format sensor renders low-noise movie clips with outstanding clarity, aided by the large selection of renowned NIKKOR lenses to produce a dramatic depth of field. High Sensitivity Movie Mode allows the utilization of the entire ISO range to capture otherwise hidden details in challenging lighting conditions, more effectively than cameras with smaller sensors. Now, users can benefit from available natural light for applications such as telling a story in a journalistic style in the field or to create a gritty film noir masterpiece without CGI post production. While recording, users also have the ability to control exposure, and will enjoy the added benefits of improved contrast-detect type AF while in Tripod Live View mode.
Performance and Features Defining Versatility
The emergence of the D3 in 2007 provided photographers with a unique fusion of ruggedness, speed, versatility and image quality-characteristics which the D3S now takes even further. Photographers are able to capture images at 9 frames per second (fps) in the FX-format or at up to 11 fps in the DX crop mode, while data is transferred through a 16-bit pipeline for optimal processing speed. Additionally, the buffer has been increased, enabling continuous bursts approximately twice that of the D3 in the JPEG, TIFF or NEF (RAW) formats. Files can also be captured in either 12- or 14-bit compressed or uncompressed formats to maintain the images data integrity. Photographers can also select the new 1.2x crop mode for a modest telephoto effect, while minimally impacting resolution, as photos are captured at approximately 8.4 megapixels (9 fps).
The D3S digital SLR also features two UDMA compatible CompactFlash™ card slots that can be used for consecutive recording (overflow), simultaneous recording (backup), separating recording of RAW and JPEG files or even copying pictures between the two cards. One or both can also be designated for data-heavy D-Movie recording. Images can be displayed directly from the camera to a High Definition monitor using the camera's HDMI port and an optional cable.
The D3S features Nikon's exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes, including a phase detection handheld mode and a tripod mode. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.
To alleviate another kind of noise, the D3S also features a Quiet Shutter Mode which substantially reduces the sound of the camera's mirror-down cycle, which is perfect for shooting in sensitive environments, such as movie sets, meetings, ceremonies, or while photographing wildlife.
Technologies Engineered for Professionals
The D3S digital SLR's speed and performance is the culmination of many Nikon core technologies including the latest generation of the EXPEED™ Image Processing System. The latest iteration of this system is specially designed to keep pace with the D3S' blazing performance to provide amazing image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. Nikon's advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.
The D3S' accelerated Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance detection and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject's movement within the frame.
Nikon's exclusive 3D Color Matrix Metering II assists in ensuring accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system's sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting (ADL), used in combination with 3D Matrix Metering II helps to determine proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Photographers can also use ADL bracketing for up to five frames of ADL compensation.
To further enhance each photographer's expression of personal style, Nikon's Picture Control System allows selection of Picture Control settings including Standard, Neutral, Vivid and Monochrome. Additionally, adjustment can be made to Picture Controls to image sharpening, contrast, brightness, saturation, hue and more. Photographers then have the flexibility to save up to nine personalized Picture Controls on camera and 99 additional Picture Controls externally.
Ready for Work
Engineered for real-world functionality, the D3S is ruggedly constructed with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer's vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to 300,000 cycles for maximum accuracy and longevity. Rigid and precise magnesium alloy construction and the familiar form factor of the D3 extend consistent Nikon system synergy.
A bright and accurate viewfinder provides 100-percent coverage with 0.7x magnification. The body also houses Nikon's acclaimed 921,000-dot, 3.0-inch super density LCD monitor which is viewable up to 170 degrees, and is safeguarded by a tempered glass cover. Thanks to incredibly efficient internal circuitry, the D3S can capture up to 4200* shots per single charge of the camera's Lithium-ion battery.
System Strength Withstands the Test of Time
The D3S is fully compatible with Nikon's Creative Lighting System (CLS) affording photographers a mobile lighting solution that is easy to manage. D3S is also compatible with Nikon's GP-1 GPS receiver to gather information such as latitude, longitude, altitude and (satellite) date of shooting. Photographers can shoot tethered via USB, or use the WT-4A wireless transmitter to send images wirelessly when speed and mobility are essential. D3S users will also enjoy the system strength bolstered by a comprehensive selection of NIKKOR interchangeable lenses-long heralded for their optical superiority.
Price and Availability
The Nikon D3S digital SLR is scheduled to be available at Nikon Authorized dealers beginning in late November 2009 at an estimated selling price of $5,199.95**. For more information, please visit www.nikonusa.com. Users can see the new D3S, along with Nikon's entire line of photographic, optical and digital imaging solutions, including the recently announced new AF-S DX Micro NIKKOR 85mm f/3.5G ED VR lens, on display at the Nikon booth (#501) at the PhotoPlus Expo in New York, from Oct. 22 to Oct. 24, 2009.
About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as "Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008." according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated its 75th anniversary of NIKKOR optics and announced the production of over 45 million NIKKOR SLR interchangeable lenses. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.
first
to fade.
I'm still amazed every time I read 102,480. Seriously, it is ridiculous.
My little D200 does up to 1600 not counting the Hi modes. True, this is only to 12,800 (only!) without going into hi...but...wow.
And I still have to wonder why it is spelled "hi" and not "high."
This really all boils down to...I want! NOW!
The d200 is anything but good. Its a horrible camera. I've used a d3, and I must say, as it is still quite functional and nice, canon blows it out of the water. But the d200..nikon did a horrible job. Most people I know who have a d200 though have only used nikon cameras. I had a friend who went from the d90 to the d200 and another who from the d40 to the d200. All of them are amazed by it, but if you have ever used a Canon and tried to go to the d200 you will see it is a utterly horrible camera.
Dawn, that's complete nonsense. Both Canon and Nikon make excellent cameras that each have their own strong and weak points. One may work better for your specific needs than another, but to say that Canon "blows Nikon out of the water" is a lie.
@Dawn
thanks for sharing your opinion. If it's such a horrible camera as you say, how did Nikon sell so many? (that's a rhetorical question)
Canon/Nikon... Dude I shoot Canon, but not because it's better than nikon but because I "like it better" for me.
Your angle is the same lame angle of every "fanboi" of cars, consoles, cola, computer makes, colonic irrigation...
Personally I think the 720p is a bit average for such an expensive body.
@Dawn Gilson,
I've been shooting with the D200 for the past 2 years. You show me yours and I will show you mine.
And my Dad can beat your Dad.
@Dawn
you are obviously not a photographer.
dayum! $51,995.95
I would accept this as a Christmas gift. Thank you.
$5,1995.95
what kind of math is this?
It's higher math. Duh.
At one point--it's nice. At the other, 12MP? Really? Shouldn't a $5200 DSLR body have something more to offer? I know the whole "megapixels doesn't mean everything" line, which is true for most people. However, if I'm paying $5200 for a body, you bet I'll want more resolution for printing huge posters/photos, etc.
Are you going to say to your client..."Sorry, my $5200 camera can't print that large?"
There's something called the D3X for that reason. The D3 is more suited for action photography. Hence the 14 FPS burst rate.
to do huge prints what you really want is a medium format size camera. That's in the territory of the legendary Hasselblad and Mamiya. http://www.letsgodigital.org/images/artikelen/73/hasselblad_h3d_camera_zoom.jpg
Need bigger? go with view cameras.
http://media.smithsonianmag.com/images/388*387/indelible_mainmay05.jpg
$1,000,000 cameras don't make prints either. Printers make prints. ;)
but seriously, each camera is designed for specific tasks. Just like a Corvette isn't designed for the family of 5. The D3 and D3S are designed for low-light situations and sports photography. On the otherhand, the D3X has the 21MP sensor so it is designed around shooting in the studio and so forth where plenty of light is available and big prints are needed.
This camera is meant for professional photographers. That is why you do not understand why a 12mp camera cost $5000. I would take this camera over anything else out there right now as a wedding photographer. There is really nothing better for that business, now a D700s would be nice as well.
@boostjunkie
When shooting a wedding professionally, there's two kinds of situations: the formals and the other stuff. For the other stuff, yeah this looks like it would do the job extremely nicely. However, for the formals which have controlled lighting, it makes *much* more sense to take advantage of medium format film, i.e. Portra 160NC, because the prints will be much nicer.
@EM1 nicely put.. but the just to correct, the D3x is over 24MP :)
12 megapixels is fine for "huge posters and prints"
Let me put things in perspective for you, if you have a jpeg (at the oh-so inferior 72 dpi) and its native resolution was an equivalent to 16x20 inches. You can resize that 30% larger (with bicubic and other built in algorithms in most graphics programs) before real people will notice. So now your print is native 20.8x26 without any tricks.
Now imagine if your source image was the much more desirable 300 dpi with a now native resolution of 20.8x26 , you COULD drop the resolution down to 72 and have an image more than twice as large, simply because the inches are being counted differently by your computer and by printers. Now your image is 50x62 inches. What applications would you use that for? Would you stand up close to it looking for image artifacts, I mean it is a jpeg after all... And regardless, real people won't notice.
Now lets say you were doing things right from the beginning, you were shooting RAW with your 12 megapixel DSLR (instead of your 12 or 14 megapixel point and shoot) and you had the opportunity to save the image in a format that didn't produce compression artifacts as jpeg does. Now you manage to take your 12 megapixel image to those same 50x62 dimensions, while viewing it from at least 4 or 6 feet away, and you REALLY think, in the back of your mind that Nikon (or anyone else for that matter) should have pushed more megapixels in there?
That is without doing any tricks in post, like an unsharp mask, or noise ninja, or anything.
Just trying to provide some insight, 12 is all you need and they should stop including it in the specs. It is kind of like how Pentium 2 processors used to come with "MMX" and having the "MMX" version was a premium. All processors come with MMX but they don't keep telling you about it with fancy stickers.
Of course it's not going to have image stabilization; it's a Nikon. It may use Vibration Reduction (VR) but that is built into the lenses not the body.
BTW, it's still full-frame, right?
I hope they update the D3 firmware to give some of the same features as the S.
No, they won't. Not a chance.
"but as far as we can tell there's still no image stabilization."
Call it a hunch, but this may be because Nikon adds Vibration Reduction (Image stabilization) to its lenses rather than bodies.
/sarcasm
They're saying that there's no VR support in video mode.
Wait, maybe not... that sentence reads two different ways.
VR works in both photo and video mode.
I don't see why this would matter anyway. Any semi-decent video would be shot on a tripod (With pre-determined focus distances; which is the reason why the lack of continuous AF doesn't bother pros as much as it does the internet). Use your cellphone or P&S if you want to be cocooned in automatic settings.
Still don't care about video on a DSLR anyway. Give me a decently priced, slow burst D700X instead. Sony got the equation right with the Alpha 850.
So it's a capital S?
Why would they put image stabilization into the camera body when they've already been building it into their lenses for several years? Ross doesn't seem to know much about Nikon cameras.
Because then your nice f/1.4 lenses would be stabilized?
Say it with me: Nikon put VR in SOME of their lenses. Some.
The point is, anyone who knows anything about Nikon already knows they've moved to a model where features such as IS and AF are built into the lenses rather than the camera body. And any glass Nikon has released recently includes VR, particularly since it became a standard and highly sought feature. You can keep your useless attitude.
With this camera.. You can see where Nikon is headed with the entire videographer segment. Not playing to it at all. Now before every one of you photographers downvote me and scream " if you want a video camera, get a video camera" you need to realize where the industry is heading and that it is a huge segment. Features Films, Commercials, News, and TV are all starting to be shot with these DSLRs. I was just on set a week ago with 3 Cameras being used and not for B roll. The Canon cameras are pushing the envelope for "HD film look" without paying for a $100k video body and soon the Red system will push this format further. Once you mount a dslr in rails with a mic, it is much easier to handle than a pro video camera that in most instances you will get better quality from the DSLR.
When Canon makes it's announcement for the 1dMkIV later this month we will really see where they are headed. At this point, all the rumors are looking like the 1dMkIV will have much better video specs than the 7d and 5d Mk2 combined, meanwhile Nikon is not competing in this high end video market. I love Nikon, but they are just not competing. Video and Photos together in one body is the future whether you like it or not. It will become ubiquitous much the same way digital cameras have become. People said film would never die... well it hasn't, but it really is a niche now.
I work in a rental house. We cannot keep the 5D Mark II in stock. I would say nearly half the rentals are going towards video shooting.
There are some kinks to work out but I like having a still camera and a video camera in one.
Yeah I'm really amazed that Nikon is dropping the ball so badly when it comes to video. One would think that without a video camera line and being the first DSLR to feature video recording, they would have really been pushing this feature and improving upon it.
I'm really happy that Canon is making such great headway here. But I fear that come next round without any competition from Nikon, Canon will begin to slack.
@Miachael... It isn't Nikon Canon is competing with in this market... It is Red. Red will push the grounds, no doubt about it keeping Canon on their toes (or at least I hope).
I would agree on the video I'm not sure why they don't have 1080p in such a high end camera.
Where what industry is playing? Most of those rentals are going to be from budget-constrained people, i.e. those who will be shooting their college theses. Anybody who wants the "real thing" is going to stick with the expensive stuff - don't try and sell me on the idea that the next Universal or Warner Brothers film will be shot on a 5DMkII. In fact, in those segments, shooting has already moved to 4k and beyond to prepare for the next generation of release formats, just as soon as consumer technology becomes affordable enough.
The 5DMkII and similar cameras for video work cater to the indy/academic segments and are thus firmly niche products. If Nikon can spend it's resources making a better camera that serves to a larger segment - artists, wedding photographers, sports photographers, hobbyists, photojournalists - ANY kind of photographer, then they've catered to a larger market than Canon has and that is a good business strategy.
If Canon comes out with a 1DsMkIV that has even 2k capture, it's not going to matter when/if the body can only support ISO 1600 cleanly because Canon decided to cram 20 MP into the sensor - no *photographer* would buy it if they had an easy choice between the 1DsMkIV and the D3/S.
This isn't to say that Canon shouldn't make such a camera - there's enough room in Canon's lineup to support a video-focused professional camera as well as a more traditionally focused one. But don't lambast Nikon for not working to put in a feature that a good many of us still consider to be a worthless consumer gimmick.
@wickedpheonix... And you spoke just like a true photographer. You are obviously a pro so let me ask you this; 7 years ago, were you one of those pros saying I will never shoot with a digital camera that it is a worthless consumer gimmick. The IQ will never be better than film? Now... Your hard pressed finding a studio shooting with film at all.
And no... DP's are switching to these cameras. Numerous worldwide commercials, news agencies, and TV are all using them. And yes like I said, even film. Hell, SNL is using them. Did you watch PBS to and see the new doc on Afghanistan that aired? Oh yeah.. that was a DSLR. Not to mention all the shows in production. EVERYTHING is budget these days, and If a DP can get the same quality with a rig costing 10k compared to 150k, where do you think they will go.
Consumer... yeah, that is it. Keep telling yourself that as you are shooting with 1600 ISO Fujichrome, oh yeah.. your not shooting with that anymore because something better came along. Sorry to tell you this, but your beloved "picture" only dslr will be no more. Just remember how you felt about digital cameras not so long ago.
I never "lambasted" Nikon, I just said they either don't have the technology or are obviously, just not trying to ply in this field. A field that will become very profitable. Plus, the fact that they do include video, but a subpar quality would let one think it could be a technology issue. Canon is bringing in an entirely new group of people into the pro DSLR market. People that wouldn't have purchased a camera otherwise.
The [S] stands for Speed.
No, it stand for second issue.
no it stands for SUPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPA
I have the D700 and a nice collection of lenses. Nothing here makes me want to jump.
Why all of the nastiness from the Cannon crowd?
It's a product not a religion. Geeeeeeeeeeeeeeeeeeeeeeeeeeez!
This is the internet. Having anything less than total blind commitment to or against every product on the market is SO nineties.
OMG, 3 of the nearly 30 replies are Canon releated! Head for the hills, the fanboys are coming out of the closet!! Bit of a drama queen????
Because a large portion of the SLR market are insecure dorks and/or inexperienced photographers who feel compelled to defend their own purchasing decision ad infinitum.
This is why no one should ever take gear buying advice from commenters and forum users.
Ah, we've had this leak for a while now... a few weeks ago -- as did Nikon Rumours. Of course, it being this early is unprecedented... predicted specs nearly all correct.
Looks like a stunner.
Amazing camera!
It is really interesting that Nikon is pushing the limits of low light sensitivity. I have a Canon 5dII and I find the low light sensitivity more than enough. It seems this camera will almost see in the dark though and will allow for some really interesting shots. It is nice that there are different cameras now for different needs. For me, shooting landscape or portrait photos I am often shooting and low ISOs and I would rather have the high MP and ability to crop and preserve resolution.