Dark Sun, dark start
In this column, we've spoken of the service provider wars of the '80s and '90s, when companies like GEnie
, and GameStorm
all duked it out in an effort to gain the most customers on their proto-internet networks. It seemed as though every company was scrambling to grab its share of the market, and AT&T was no different. Its fledgling Interchange service provided the staples of email, news, and games, and AT&T needed a few killer apps to draw in the population. Hence, it contacted SSI and floated the idea of taking its Dark Sun series online in the manner of Neverwinter Nights
and The Shadow of Yserbius
SSI leaped at the opportunity and started work on Dark Sun Online
, not knowing that Interchange's days were numbered. AT&T pulled the plug on the service
at the beginning of 1996 due to job cuts, but SSI wasn't so eager to abandon Dark Sun Online
. Development continued while DSO
was shopped around, and Total Entertainment Network (TEN) ultimately picked it up and released the game on its service in 1996.
According to designer Andre Vrignaud
, the team was hobbled from the start with limited resources. The team had only one part-time artist and had to scrounge sprites and sounds from the two previous Dark Sun titles as well as a game called Al-Qadim
to compensate. The team had to outsource much of its art to questionable talent, ending up with the occasional "Nightmare Beast" that looked more like Barney than any true nightmare. Additional sounds were "borrowed" from another game in development called Word of Aden: Thunderscape
. While it wasn't ideal, this Frankenstein approach was the only way the project could get done.
In addition to suffering sound and art problems, the team had to modify Wake of the Ravager's
codebase to function as a multiplayer client, something the original coders never anticipated. To complicate matter further, some of the coding was once again outsourced, leading to design conflicts with the official team, not to mention one major morale problem. The team originally wanted Dark Sun Online
to be a DOS-based title (in keeping with the previous games), but the growing popularity of Windows meant that precious development time had to be spent coming up with a proper Windows 95 port.
Team members left during the transition from AT&T to TEN, which made life horrible for those who remained. Lead Scriptor Rick Donnelly
recalls cleaning up the mess: "It was quite horrific for me to find that the game was missing some serious pieces of code. Suddenly, I found myself with little time to correct these problems. I worked heavily for about a month and managed to finish getting everything implemented and working."
In retrospect, it was a miracle that Dark Sun Online
ever reached release, period. Yet after a rushed beta test, during which the popularity of the game outnumbered the beta discs available, Dark Sun Online
launched in a buggy state in late 1996.
MUD made graphical
"Welcome to a world sucked dry by vampiric defilers, torn and scarred by power-hungry mages, burnt and seared by a sun gone slightly nova: a world known simply as Athas. Athas is bad -- real bad. You've heard of Death Valley? You've heard of the Sahara? They've got nothing on Athas," the now-defunct official website said.
Set in the eternal desert world of Athas, Dark Sun Online
offered surprisingly standard MMO features compared to what we know and use today. Classes, guilds, chat windows, grouping, levels, death penalties -- DSO had them all.
Players would sculpt their characters from one of eight races (from the standard Humans to the exotic Thri-kreen) and one of eight classes (including the Psionicist and Druid). Because this was a Dungeons & Dragons title, players also got the choice of an alignment (limited by their class) and the option to multi-class and dual-class if certain conditions were met.
Characters had a harsh life in Athas, with PvP an option almost everywhere except for select safe zones and a strong death penalty. Upon dying, players would lose some equipment and a full level. Fortunately, there were only 15 levels in the game, so climbing back up was more feasible than not. Therefore, it was safer to team up with others and head out to quest together.
The game generated "rudimentary" random quests so that you would never truly run out of them. Donnelly admitted later on that it was functional but not quite complete: "My only regret is that I didn't have the time to take this quest engine as far as we would have liked."
The social aspect of Dark Sun Online
was quite strong and more reminiscent of MUDs and MUSHes than the MMOs of today. Devs often scheduled roleplaying activites and could generate live events. But the most important piece of the DSO
social puzzle was its robust chat system, which became the crown jewel of the game, according to some of the devs. Roleplaying through chat was common and strongly supported by the devs and community, and players could communicate with each other no matter where they were in the world.
While Dark Sun Online
was rushed to launch, had plenty of bugs and borrowed assets, and was a bit premature for the upcoming MMORPG wave, ultimately its greatest downfall was being too vulnerable to hacking and cheating.
Even though the devs didn't allow players to import characters from previous Dark Sun titles, hackers quickly deduced that DSO's
code was ripe for manipulation. What made it so bad was that the game ran on the player's machine instead of on the server, which may have helped with the slow online speeds back then but also opened the door to mischief.
Within weeks, players could easily use an editor to change important data on their computers to give themselves items, levels, and advantages, not to mention to escape the death penalties. It quickly became a nightmare for all involved, as you might imagine. The good, non-hacking players found themselves at a disadvantage to those who manipulated the system, and SSI never got on top of the situation during the game's short run.
Dark Sun Online
didn't survive TEN's dismantling in 1998, and without a massive playerbase or a more modern engine, its chances of being picked up by another publisher sank to zilch. Still, DSO
was a triumph of ingenuity over limited resources and a lack of MMO development experience. It's a curiosity today, sure, but it's still one of the brave pioneers of MMOs two decades ago.
When not clawing his eyes out at the atrocious state of general chat channels, Justin "Syp" Olivetti pulls out his history textbook for a lecture or two on the good ol' days of MMOs in The Game Archaeologist. You can contact him via email at email@example.com or through his gaming blog, Bio Break.