Like its 2009 predecessor, Dux, Redux feels at home in the Dreamcast library. The two-dimensional shooter has you flying a spaceship from left to right, shooting other spaceships while collecting new weapons and trying not to blow up – it's precisely the sort of arcade-style game that defined Sega's last console. It's easy to pick up and play, difficult to master, and bears an unusually soft visual style. Dux and Redux both feature opening levels whose color palettes actually call the Dreamcast itself to mind, with muted, grey industrial walls and a tiny, blood-orange, triangular ship. It's like you're piloting the console's power light straight into its guts.
Redux: Dark Matters
Redux's first two levels are structured to let these power and penalty dynamics settle in, their architecture staying somewhat open rather than automatically trapping the ship in tight spaces. By Level 3, though, the difficulty spikes upward, dramatically forcing you to use the ship's remaining secret weapon. By clicking the right trigger, a pink bubble surrounds your ship. It serves two purposes. First, passing the bubble over enemies lets you paint them with a target and fire off a homing laser. Second, it lets you vacuum up bullets without manually running your shield into them. The bubble only lasts as long as a small meter is full, and absorbing bullets with the shield refills it. Later in the game, it's indispensable when the screen is flooded with projectiles and hard to reach bogeys, but it's also not a win button. The meter depletes quickly, and it fills up slowly once empty. Managing this resource becomes Redux's crucial hook to distinguish itself from other shooters in the Dreamcast catalog.
In short, familiarity isn't what keeps Redux from Dreamcast greatness, but rather its presentation. Redux was designed with HD platforms in mind – PC, XBLA, and PSN – but the action can get overwhelmingly cluttered when played on the old standard definition Dreamcast. It's a more forgiving and playable game than Dux, but the addition of floating golden score orbs and other detritus on the screen mean that Redux's most hectic moments lack the clean presentation of its predecessor. Hopefully, it will be less of an issue whenever Redux makes its way to widescreen, HD platforms, but in 4:3 it can cause problems. Not game-breaking problems, but it makes the Dreamcast version feel less than definitive.
The Dreamcast doesn't need a definitive game anymore, though. The fact that publishers like Hucast and developers like Hellwig continue to keep its lights on at all is impressive on its own. That Redux: Dark Matters is a strong, well-designed shooter is a credit to the effort.
For everyone who simply can't let it go, Redux is well worth playing.
This review is based on a retail copy of the Dreamcast version of Redux: Dark Matters, provided by Hucast. Images: Hucast.
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