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The tech who actually achieved that output assured me that 10-20MP DSLR RAW files equally well-shot can process upscaled nearly as well as my gigantic 4x5 reproduced.
Most billboards are shockingly blurry viewed closer than intended fixed viewing distance of hundreds feet away. But tractor trailer huge images have to resolve sharply also three feet viewing distance from surface passing drivers see. The minimum acceptable fidelity standards are achieved today expertly post-processing for over-sized reproduction. Originals far below 50MP become billboards. 10MP images routinely make 4x8 foot trade show panels that sparkle, done right. The 4 foot wide specialists get gradations unpixelated with RAW originals.
50MP captures are vastly more common reproduced magazine sizes. Just like 4x5 film, often printed even smaller. Reproductions really large are tiny percentage of commercial photography. 1/10th of 1% numbers.
50MP is about ultra-high quality images with bandwidth tolerant enough of manipulation smoothly and sizes secondary benefit.
8x10 film sounds impressive, but the reality is it virtually went extinct. I have 3 8x10 cameras, full lens array from 160mm Super-Angulon to 16" tele and haven't shot one sheet in a decade. Finding film and getting processed still today an odyssey. I'm hoping someday breakthrough digital back makes them relevant again.
Even 4x5 film processed is no longer scheduled in my city. All four major labs shuttered with a single one-man lab left that closes early most days with none to run. Ten years ago there were +50 commercial photographers, today a fraction.
Is this typical trend elsewhere in medium cities or just bad location? I wonder because here film isn't even practical option.
I'd give right arm for simple Sony 35mm chip digital back for old 2 1/4 SLR's ripe market. Nothing fancy, just 100 ISO, thethered USB2 capture to laptop, limited to normal 90mm lens pixel well match for 1.5X tele. RAW process ten seconds, AC power. Basic. That would cover 95% studio shots, with DSLR for the rest. 25MP for $1,500 basic module and adaptor plates for all the old 2 1/4's. Who needs $50,000 fashion systems for bread-and-butter still-life jobs? How many hundreds-thousands unused 2 1/4's sales market? 35mm chips will become commodities once Sony's Alpha mass produces.