3dFilmmaking

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  • Peter Jackson reveals the Red Epic secrets behind The Hobbit (video)

    by 
    Daniel Cooper
    Daniel Cooper
    11.05.2011

    Diet and filmmaking legend Peter Jackson's given us another insight into the making of the Hobbit movies, and this time he's talking about his envious collection of tech. Filming with no less than 48 Red Epic cameras at 48fps in full 5k resolution might sound fantastic, but it hasn't all been a bed of cotton candy. Two 3D cameras need to be mounted at the same "interocular" (the inch-or-so distance between your eyes) which is impossible given the size of the Epic and its lenses. The team had to hire specialist firm 3ality to build a rig where one camera shoots the action and the other is pointed vertically at a mirror. Those who would love to shoot with an Epic should also beware that the cameras naturally desaturate the action to such an extent that the makeup, costume and set design teams have to over-color everything to look natural in post production. For more interesting facts, head down past the break to catch the video in full, and try not to imagine how many years bad luck you'd get if you broke one of those mirrors during a key scene.

  • Marshall Electronics outs glasses-free Orchid 3D monitor for pro filmmakers

    by 
    Michael Gorman
    Michael Gorman
    09.12.2011

    If you're trying to turn your next film into a three dimensional cinematic masterpiece, having a quality camera to record things is a necessity. But, prudence demands that would-be James Camerons film with a first-rate monitor to view all that video as well. Good thing Marshall Electronics has made the Orchid OR-70-3D monitor to meet all your moviemaking needs. It's got a 7.2-inch, 1600 x 600 glasses-free 3D display that works using parallax barrier and lenticular hybrid technology -- all in a package that weighs just under three pounds. In order to let you fine tune things in all three dimensions, there's real-time waveform and color vectorscope monitoring along with a suite of other 3D tuning tools. The cost for such prodigious production value? $7,899, which sounds like a lot, but if it helps you make the next Avatar you'll have no problems recouping your investment. PR's after the break.