CellularAutomata
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Otomata sequencer creates generative music for the melodically challenged (video)
It won't bring you the success or adoration that Brian Eno's enjoyed, but the Otomata sequencer could have you making noise like the Roxy Music alum in seconds. Way back in 1996, Eno espoused the idea of generative music, which is a non-repetitive form of music created, in this case, anyway, by a piece of software. Otomata takes that idea and puts it to use in a cellular automaton, consisting of a simple grid of cells in different states. With Otomata, each selected cell has four states: up, down, left, and right. When activated, the cells move in the direction of their given state, and when they encounter an obstacle, like a wall, a pitched sound is created. After each collision, the cells turn around and head in the opposite direction until they hit another obstacle, and the process continues indefinitely. The result is a chaotic but somehow lulling symphony of electronic sounds, a la Mr. Eno, that anyone with a mouse can muster. Head on past the break to see for yourself.
The CellularRecombomat: a cellular automata video synth that plays itself
When von Neumann created the first system of cellular automata in the '40s it was purportedly to study self-replicating robots. It's taken this long for someone to finally figure out his true intentions: powering trippy video synthesizers. Enter the CellularRecombomat, a masterful example of circuit bending featuring a VTECH Lesson One, a Zenith portable DVD player, and cellular automata circuit board from synth extraordinaire Critter and Guitari. The genetic parameters (algorithm, width across the grid, and generation lifespan) are adjusted by three antenna-mounted optical sensors based on what's happening on the screen, meaning this thing effectively plays itself. But, for a little hands-on manipulation, the silver spheres on either side can be touched and caressed to "freak out the video sync and audio in wondrous ways." Check out a video of those wondrous ways on display after the break. [Via MAKE]
