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'Guardians of the Galaxy II' to be shot with Red's 8K Weapon
Red and director James Gunn revealed that Guardians of the Galaxy Vol. 2 will be the first movie shot on the company's Weapon 8K digital cinema camera. The original film, which grossed nearly $800 million worldwide, was captured on Arri's Alexa XT camera. While directors like Quentin Tarantino and Christopher Nolan still demand celluloid film, digital cameras haven't exactly been sitting still. Red's 8K Weapon arguably rivals the resolution of 70mm film, even though the Vista Vision-size sensor is smaller. Arri, meanwhile, recently released the Alexa 65, a 6K cinema camera with a huge 65mm sensor.
Apple iPhone among most important digital cameras
PopPhoto recently compiled a list detailing the 30 most important digital cameras of all time. Not surprisingly, and quite deservedly, Apple's original iPhone made the cut. Sure, manufacturers like Nokia and Sony Ericsson had long been producing camera phones with better optics and more features when the iPhone launched, but Apple made camera-phone imaging the mainstream medium it is today by combining a simple camera interface, intuitive downloading and sharing tools, and, in 2008, a highly accessible platform for third-party photo apps. While Apple's iPhone has made tremendous strides with respect to picture quality over the years, the original iPhone didn't exactly produce eye-popping photographs at every turn. Nonetheless, the popularity of the iPhone meant that more people than ever before were equipped with cameras at all times, ready to take photos at a moments notice. By the time the iPhone 4 rolled around, the iPhone was already the most popular camera on Flickr. Even today, the iPhone 4, 4s and 5 are the three most popular cameras on Flickr. With respect to cameraphones in particular, iPhone models occupy four of the top five spots. Undeniably, photography on the iPhone has come a long ways, and it all got started with the paltry 2-megapixel camera on the original.
Apple issues RAW compatibility update for OS X 10.8
Do you like it RAW? Fans of the minimally processed image file format should head out to the Mac App Store today for another in a series of RAW compatibility updates for OS X 10.8 Mountain Lion. Today's update features updates for three new Canon cameras (Canon EOS-1D C, EOS Rebel SL1 and EOS Rebel T5i), the gorgeous Hasselblad Lunar, Nikon's Coolpix A, D7100, Nikon 1 J3, Nikon 1 S1 and the Sony Alpha NEX-3N. Apple invites you to read more about RAW formats on its website.
Fujifilm X100s digital split image display demoed (video)
Just as Fujifilm is getting under way with its CES 2013 press conference, the folks over at FujiRumors found some footage of Fujifilm's new digital split image display from the newly announced X100s. Earlier this week, the company announced this new way of manual focusing on the X100s, in which the user overlays two images to attain proper focus. This feature seems to hit a high note for range finder camera users as it brings a certain familiarity for focusing work flow. Note that the display in the video is the rear LCD of the camera and not the prized hybrid viewfinder. Overall the movement looks smooth and usable, but we'll confirm when we get our hands on the new X100s. Check out the video after the break. Follow all the latest CES 2013 news at our event hub.
GoPro app reaches Android, captures reckless Nexus adventures
GoPro left its Android-using audience hanging (from a paraglider) when it posted an iOS app for remote controlling its cameras, but the group won't have been in suspense for long. The action video camera maker has posted a Google-native version that covers roughly the same feature spread as its Apple-oriented counterpart, including remote control, video previewing and daily highlight clips. Any aspiring movie makers will have to fit a narrow set of criteria to start shooting, however -- on top of an HD Hero 2 and a WiFi BacPac, Android 4.0 is a minimum requirement to start shooting without hiccups. Hero 3 support won't be coming until later this month. Despite the limitations, it's nice to know that we won't need an elaborate Google Glass setup to record our next skydive in a Mountain View-approved fashion.
Nikon 1 V2 unveiled: 14.2 megapixel ILC shoots 15fps stills for $899.95 in November
It was just over a year ago when Nikon first dipped its toe into mirrorless waters with its first two 1 System cameras, the V1 and J1. Now, the company has released the V1's successor, the aptly named V2. Like its elders, the V2 has a 1200fps slo-mo capture mode, a 3-inch LCD display on the back, a high-res (1.4 million dot) electronic viewfinder, and does 1080/30p and 1080/60i video capture (Alas, 4K recording capability didn't make the cut). Unlike the V1, the V2 comes in only black or white and uses an upgraded 14.2-megapixel CMOS sensor with an ISO range of 160-6,400. It also packs a new Expeed 3A image processor in tandem with Nikon's Advance Hybrid AF to deliver higher speed shooting. That autofocus system is comprised of 73 phase detect sensors and 135 contract detect sensors, which enables the V2 to capture stills at up to 15fps for 45 continuous frames -- and it can shoot 60 frames continuously using fixed focus.%Gallery-169057% The camera itself looks quite a bit different from its brethren, with a magnesium chassis, a bulked up grip and a built-in flash, plus command and shooting mode dials up top. It's a layout not unlike Sony's NEX-7, with one dial enabling easy switching between auto and manual exposure modes and a second providing access to secondary shooting controls like exposure compensation. The camera also has a stereo mic on board along with an external mic jack for recording audio. Would-be V2 owners can grab one with a 10-30mm kit lens for $899.95, and Nikon will add 30-110mm glass to that package for $250 more when it goes on sale in late November. Want to know more? Check out our hands-on with the V2 to see the new shooter in action, and Nikon's full PR awaits after the break.
GoPro Hero3 action camera hands-on
GoPro just revealed its new flagship action camcorder, the Hero3, and we managed to get our mitts on one this evening. First things first, the Hero3 is tiny, particularly when considering that it shoots 4K video (albeit at a paltry 12fps), a resolution usually reserved for much larger, cinematic cameras. Having handled its competition recently -- the Action Cam from Sony and the Contour+2 -- we can say that the Hero3 feels smaller and lighter than both of them. It's about the size of a couple of matchboxes stacked together and is quite lightweight, yet still feels sturdy. The textured plastic exterior is finger friendly, and the big round power / mode and record buttons give a reassuring snick with every press. The WiFi remote that comes with the Hero3 Black Edition is similarly solid in its construction, though we wish it had the same textured skin as the camera instead of its smooth exterior. We didn't get to use the Hero3 for its stated purpose just yet, but we'll be filming with the thing tomorrow, so stay tuned for all the POV footage. In the meantime, feel free to enjoy a tour of GoPro's new diminutive hardware and check out its first sample video after the break.
Slickdeals' best in tech for October 15th: 60-inch Sharp AQUOS LCD HDTV and a slew of components
Looking to save some coin on your tech purchases? Of course you are! In this round-up, we'll run down a list of the freshest frugal buys, hand-picked with the help of the folks at Slickdeals. You'll want to act fast, though, as many of these offerings won't stick around long. If you're looking to get a jump on some of your holiday shopping, perhaps this round of tech deals will provide the necessary motivation to do just that. A 60-inch Sharp AQUOS 1080p LCD HDTV tops the group, and a smattering of components round out the lot. Keep and eye on those pesky discount codes and rebate links, though, because we'd hate for you to miss out. Head on past the break to peruse the whole list.
Sony's Action Cam... in action (video)
We're quite familiar with ruggedized camcorders here at Engadget, be they from GoPro or Contour. However, Sony recently entered the extreme video fray with its Action Cam, and we got the chance to do a little POV recording with one. The videos produced were on par with what we've seen from the Action Cam's competition -- a nice wide view and decent quality. While we've seen other such cams have trouble with color balance, the Sony's was accurate both indoors and out and it adjusted to transitions from dim to bright environments quickly. And, while the SteadyShot image stabilization tech didn't eliminate all the shakes in our videos, it did noticeably reduce them. That said, you don't have to take our word for it, head on past the break and see the results for yourselves.
Sony Alpha A99 DSLR sample shots and video, plus comparison with the RX1 full-frame compact
Sony's A99 marks the first time in years that the company has built a full-frame pro rig to compete with the big boys from Canon and Nikon. The hardware impressed when we got our hands on one a month ago, but the proof, as they say, is in the pudding -- or in the photos in this case. So, we jumped at the chance to spend some time shooting with an A99 equipped with a 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens. Want to know how Sony's latest and greatest performed? Head on past the break to find out.
Sony Alpha NEX-6 sample shots and video
Sony's fourth member of the acclaimed NEX family of cameras, the NEX-6, predictably slots in between the 5N and 7 in its mirrorless product lineup. We've seen the 6 hardware a few times, and now we've gotten to take some pictures with the thing. Want to know how its 16.1-megapixel APS-C sensor performed? Check out our gallery below and head on past the break for a video sample and our impressions.
Woxom's SlingShot stabilizes your iPhone videos; lets klutzes shoot landscape
If there's something I hear a lot of when I post videos it's "Why don't you shoot the farking thing landscape?" That, and "Your voice is sooooo annoying." The reason? My hands are small, weak and wobbly. So when Steve showed the Woxom SlingShot on TUAW TV Live a week or two ago, I volunteered to give it a hands-on. A bit on the pricey side, at US$19.95 retail, the SlingShot lets you slide your phone in sideways and hold it with one hand, using the same muscle groups you'd use for gripping it in portrait position. That's not a big deal for many iPhone owners, but it is for me because: 1. I shoot a lot of how-to video, where I have to manipulate equipment with one hand and shoot it with the phone in the other hand; and 2. The aforementioned wobbliness. When I try to hold the phone in landscape while doing all this, I can't capture a stable enough image. Even typical, unimpaired users will benefit from the stability, but quite frankly you probably don't want to be carrying this thing around if you don't have to. Plus, most people can hold their phone landscape using one or two hands with successful results. It worked beautifully in my testing, exactly as advertised, producing a much steadier landscape video than I could capture without the device. What's more, the gadget had a bunch of unexpected bonus features. First, the handle is very adjustable. You can shoot with either hand, and the device accommodates your needs. That's important because you need to put your phone in with the camera towards the top, and placed so the holders don't interfere with its visual field. Second, there's a built-in tripod that pops out of and into the handle. If you don't mind your camera being about 3-inches above the ground, the SlingShot will stabilize it for you without any need to hold it. Finally, if you unscrew the handle there's a final treat. The holder uses tripod threading, so you can connect it to any standard tripod. I found the holder itself to be steady, gripping my phone even when shaken -- I did not, obviously, whip the thing around. (I'm under a two-year contract with AT&T and would rather not have to buy another iPhone full price.) The material is quite light and I do worry about the possibility of it cracking under normal use. Had the unit cost about $6.95 or so, I'd say it would be a no-brainer. Just buy it. At nearly $20, this is more a buy recommendation for anyone who needs extra stabilization. I cannot recommend it, off-label, as an assistive device for anyone with shaking and palsy. The holder covers too much of the screen and home button for that kind of use. If you can benefit from the image stabilization for landscape photography, the SlingShot will help do the job for you. It's a neat little device that offers more than it first appears to and I enjoyed playing with it a lot.
Sony Cyber-shot RX1 sample images and video
When we first got our hands on Sony's full-frame compact camera, the Cyber-shot RX1, we were allowed to touch it, but we couldn't use it for its stated purpose. Today, however, we got to put its 35mm image sensor and Zeiss Sonnar T* 35mm f/2.0 fixed prime lens to the test at a Sony event in San Francisco. Join us after the break to see a bit more of the City by the Bay and learn how the RX1 performed shooting stills and video.
Fujifilm's XF1 makes a fashion statement at Photokina, we go hands-on (video)
Point-and-shoot or fashion accessory? This is the conundrum posed by the XF1, a new retro-styled point-and-shoot from Fujifilm. It's a nice looking camera with a solid and fairly light build, certainly, and while the faux leather (in black, red or tan) might not be for everyone, the company was quick to point out that it'll go nicely with your new designer handbag, for whatever that's worth. The textured design is complimented nicely by a metal border on the top and bottom. There's a bit of a learning curve here, when it comes to just turning the thing on -- give it a twist and a pull, not unlike a childproof pill cap to put it in standby and another pull to get things started. There's a big, bright three-inch LCD on the rear of the device. Click the E-Fn button on the bottom right, and you can actually reassign the button mapping on the back to your liking on the display. Of course, such style and functionality comes at a price -- this guy will run you $500 when it goes on sale next month.
Canon EOS 6D full-frame DSLR hands-on (video)
Nikon just announced its D600, a $2,100 DSLR with a full-frame sensor. Now, just four days later, we have a similar (and identically priced) offering from Canon. Coincidence? Not likely. Industry backchannel conspiracies aside, however, it's only to our advantage to have a choice -- if you're looking to upgrade your digital SLR without taking out a second mortgage, you can now pick Nikon's model, or the EOS 6D from Canon. The latter flavor, which offers built-in WiFi (the D600 requires an adapter), packs a 20.2-megapixel CMOS sensor, and it's 20 percent lighter than the 5D Mark III, which will remain on the market, targeting professional users. The camera features a sensitivity range of ISO 100 through 102,400, it can shoot 4.5 fps stills and offers 1080/30p video capture. It also has an optical viewfinder, paired with a 3.2-inch 1.04-million-dot LCD on the rear, which looks just as sharp as you might expect. What really blew us away, though, is the new camera's size and weight. It's more compact than the 5D and even the 7D, an APS-C camera, weighing in at 690 grams -- a 20-percent decrease from that larger pro model. 20 percent may not sound like a tremendous improvement, but it's certainly noticeable, boosting the 6D's versatility, and making it an ideal choice for street and travel photography. We haven't had a chance to shoot with the new high-end DSLR just yet, but it felt quite solid in hand, despite the more compact design and significant weight drop. Take a closer look in our gallery below, followed by our hands-on video after the break.
Canon adds the G15, S110 and SX50 HS to its PowerShot lineup
Canon already outed a pair of superzoom cameras prior to Photokina 2012, but it turns out the company wasn't done adding to its PowerShot family. First, we have the PowerShot G15, which has a 28 - 140mm wide angle f/1.8 - f/2.8 lens, 12.1 megapixel sensor and Canon's DIGIC 5 image processor. Its sensor has a max 12,800 ISO, shoots RAW stills and records 1080p video, and you can view your subjects using the optical viewfinder or the 3-inch, 922,000 dot LCD on the back. It replaces the G12 in Canon's lineup when it goes on sale for $500 this October. The PowerShot S110 replaces the S100, and like that camera, it's got a 12.1-megapixel sensor, max 12,800 ISO and an f/2.0 lens. Unlike its predecessor, however, its got a 3-inch, 461,000 dot capacitive touchscreen on the back and ditched GPS in favor of WiFi. That wireless capability lets the S110 pull GPS data for geotagging from Android or iOS devices using Canon's CameraWindow app and share photos and videos on the web. It does RAW shooting, has a 10fps burst mode and records 1080p 24fps video as well. It'll come in both black and white versions that run $450 when it goes on sale next month. Lastly, there's the PowerShot SX50 HS superzoom camera. It packs a 24-1200mm, f/3.4 - f/6.5 lens and optical image stabilization to ensure clear shots even when using the camera's full 50x zoom capability. Like the SX40 HS is replaces, it has a hotshoe and a 12.1-megapixel sensor. It has a max 6,400 ISO and like its new PowerShot mates, it has a 10fps burst mode, shoots RAW photos and 1080p video. The SX50 HS can be had in October for $480.
Canon unveils EOS 6D DSLR: full frame sensor and WiFi for $2,099 in December
Used to be, to get a full-frame sensor in a Canon camera, you had to shell out big bucks for a pro rig like the 5D Mark III or 1D X. No longer. Canon's just unveiled its EOS 6D, the smallest, lightest and cheapest full-frame DSLR it's ever made. Weighing 690g, the 6D is 20 percent lighter than the 5D Mark III, and at $2,099, it's a full $1,400 less than its heftier stablemate -- which also puts it directly in line with Nikon's recently released full-frame shooter, the D600. In addition to that mammoth sensor, the 6D's the first EOS camera to have built-in WiFi. When paired with the company's free iOS and Android apps, you can use your phone to change the 6D's settings, take and geotag photos using the live remote function, and even transfer those shots to your handset wirelessly. The 6D packs a 20.2-megapixel CMOS sensor and DIGIC 5+ image processor that shoots stills at 4.5fps, does HDR (though it only saves the composite image, not the individual shots), and 1080p 30fps video in 29 minute 59 second clips. Its sensitivity runs from ISO 100 up to 102,400 (extended) and has an 11-point autofocus system with an EV -3 sensitivity rating for better low light performance. There's a 3-inch, 1.04 million dot ClearView LCD on the back to supplement the optical viewfinder, plus it's got a stereo mic jack to ensure the audio matches the quality of your HD videos. To store your imaging masterpieces, the 6D has a single SD card slot that's SDHC and SDXC compatible. When it goes on sale this December, the 6D will be sold in two configurations: $2,099 for the body only, and a kit that throws in a 24-105mm f/4L USM zoom lens for $2,899.
Fujifilm's XF1 digicam is a $500 point-and-shoot with manual controls and a faux leather exterior
Fujifilm has been making some really handsome, retro-styled shooters lately, and the latest is the XF1. It's a compact camera that's 4.2 inches wide, 2.4 inches across and a scant 1.2 inches deep, and comes covered in either black, red or tan faux leather. There's a 2/3 inch 12-megapixel sensor inside with a retractable, manual zoom, 25-100mm f/1.8 - f/4.9 lens that's optically stabilized. You turn the thing on by twisting and pulling out the lens (like its elder brother, the X10), and you can shoot 1080p 30fps video using the 3-inch 460,000 dot LCD on the back. The XF1's ISO range is 100 - 12,800 and it's got a pop-up flash for shooting in poorly lit locales. Additionally, the camera has a jog dial with a full manual setting, six buttons dedicated to primary functions and a separate, programmable key to tailor the UX to your liking. The XF1 goes on sale for $500 next month, though should you be unable to wait that long, head on over to Cologne, Germany and you can see one in person at Photokina later this week.%Gallery-165537%
Olympus E-PL5 and E-PM2 interchangeable lens cameras leak into view
Secrets have been hard to keep in the camera world lately, and now Olympus has undergone its second leak in as many days, but this time with a couple of higher-profile actors -- the E-PL5 and E-PM2 mirrorless cameras. Both will use the Olympus E-M5 sensor with TruePic VI image engine and touchscreen, and are reported to be priced at €399 ($520) for the E-PM2 with a 14-42mm kit lens (in silver, below the break) and €599 ($780) for the E-PL5 with the same lens, shown above. That follows earlier leaks from Sony, Fujifilm and others, along with two upcoming lenses from Olympus that were also outed ahead of time. Hopefully, there'll still be a couple of surprises left when Photokina rolls around next week. [Image credit: Digicam Info]
Sony's Cyber-shot RX1 compact camera packs a full-frame sensor, 'fits in your palm' (hands-on)
Would you believe us if we told you Sony packed a full-frame sensor in a Cyber-shot-branded camera? It's true! Say hello to the RX1, a "compact" digital camera for pros that's packing the same 24.3MP Exmor CMOS sensor introduced today with the A99. Calling the rangefinder-esque one-pound shooter small might seem off-base, especially considering the Zeiss Sonnar T* 35mm f/2.0 fixed prime lens protruding from its front, but it's not so huge (3-inches high by 4.5-inches wide) up against its tiny sibling, the RX100 -- taking into account how much larger the RX1's sensor is, well, that's when this editor's jaw basically dropped. While it's not a "pro-NEX" as many had hoped, Sony explained that it chose a fixed lens to avoid the bulk of a lens-mount. We were able to get some eyes-on time with an engineering prototype of the unit, so click past the break for more details, close-ups and a brief video overview. %Gallery-164840%
