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Latest leak suggests Nokia EOS to pack 41MP camera, possible metallic variant also spotted (updated)
We gotta say, originally we weren't very confident in the above alleged spy shots of the rumored Nokia EOS smartphone, but after talking to the leakster from Sina Weibo, we think we got this figured out. First of all, there are two parts here: the paint-less camera cover plate that now says "41 MEGA PIXEL" -- the same camera resolution featured on the 808 PureView -- instead of "XX MEGA PIXEL," and a metallic chassis of the EOS phone. But the latter (pictured center and right) looks slightly different to the other leaks we've come across so far: the bump is significantly smaller, and the holes inside don't match the ones on the cover plate. If you look even closer, the pin hole for what seems to be a SIM slot at the top is now on the other side of the slot. Judging by his background and track record so far (he claims he also leaked the red EOS factory photos), we have reason to believe that this leakster does have a good source on the factory floor. Hence our two assumptions: either this chassis is an early engineering sample, or that this is a metallic variant of the plastic EOS. You know, like what the Lumia 925 is to the Lumia 920. We've been promised a few more photos in the coming days, and hopefully they'll unravel more mystery before Nokia lets the cat out of the bag next month. Update: The same leakster posted another photo today on Sina Weibo (login required), this time showing an earlier version of the camera cover painted in two colors: silver and black. Image embedded after the break.
Mobile Miscellany: week of June 3rd, 2013
If you didn't get enough mobile news during the week, not to worry, because we've opened the firehose for the truly hardcore. This week brought additional peeks at the purported Nokia EOS cameraphone, leaked screenshots of the BlackBerry OS 10.2 update and the arrival of a new budget smartphone from Huawei in the UK. These stories and more await after the break. So buy the ticket and take the ride as we explore all that's happening in the mobile world for this week of June 3rd, 2013.
Leaked video seems to show Nokia EOS PureView smartphone with mechanical shutter
Don't get your hopes up, because the leaked video after the break is one of the most deliberately constrained pieces of camerawork that's possible to imagine. It avoids showing anything except the mechanical shutter release on the back of a phone that bears more than a passing resemblance to the Nokia EOS photos we covered yesterday, and in fact it comes from @ViziLeaks, who was one of the sources of those images. And, well, that's pretty much all there is to say about it, except that it adds a further bit of weight to the notion that we might see a new version of the PureView 808 camera (which also had a mechanical shutter) on a Nokia Windows Phone sometime soon.
Flood of leaked images suggest Nokia EOS smartphone with huge PureView camera
Images of an alleged Nokia EOS chassis have leaked from what appears to be a factory, lending some credence to previous rumors of a camera-centric handset from the Finnish outfit. Shots from GSM Arena and others also show what looks like a Nokia Lumia 920, right down to the position of the ports and buttons -- but with an enormous camera bump that takes up almost half of the back cover. So far we've seen it leak out in yellow, red and black, and if it's real, looks to be the holy grail that many Nokia lovers have been seeking: a Lumia 920 and Pureview 808 mashup, resulting in a 41-megapixel WP8 handset. All that giddiness aside, such a device could merely be a prototype and will stay a rumor until confirmed by Nokia -- meanwhile, you can check the source and coverage links below for many, many more images, and decide for yourself.
Canon unveils EOS T5i and Rebel SL1, the world's smallest DSLR (hands-on)
If you haven't already come to grips with the fact that Canon won't be releasing a mirrorless camera with DSLR-like performance, you might as well cut your losses now. Instead of replacing the sluggish EOS M with a compelling shooter, the company has decided to focus on shrinking its DSLR. The result, the EOS Rebel SL1, is the world's smallest Digital SLR. SL stands for "super lightweight," which seems appropriate, given that it tips the scale at just over 14 ounces, yet the camera still accommodates EOS lenses, such as the new EF-S 18-55mm IS STM optic that ships in the box. There's an 18-megapixel APS-C CMOS sensor, DIGIC 5 image processor, a 1.04M-dot fixed touchscreen, a new hybrid autofocus and standard 9-point AF. It offers sensitivity ranging from ISO 100-25,600, can capture 1080p video at 30 or 24 fps, and it includes a built-in mono mic, along with a stereo mic input jack on the side. Jump past the break for our hands-on.%Gallery-181049%
Canon's tiny next-gen EOS Rebel spied, reportedly with modest specs to match
It's virtually an annual tradition for Canon to unveil new EOS Rebel DSLRs well before the summer hits, and we're very nearly due for the next installment. It shouldn't be a shock, then, that Digicam info claims to have both images and details of the EOS Kiss X7, which may be the smaller and lighter EOS-b. As you'd imagine, most of the differences versus the Rebel T4i appear to be more ergonomic than technical. While there's mention of a second-generation hybrid autofocusing system, the most conspicuous changes appear to center on a space-saving design that moves the AF assist light to the opposite side. The 18-megapixel sensor, DIGIC 5 processor, ISO 25,600 sensitivity ceiling, 9-point autofocusing coverage and 3-inch LCD all appear to be retreads -- the new model would be more to attract first-time owners than catch habitual upgraders. If the details are accurate, Canon would sell the Kiss X7 late in April for ¥79,000 ($828). There's no word on plans for the camera's US counterpart, but we wouldn't be surprised to see an American edition arrive around the same time.
Canon Cinema EOS-1D C hits stores in Japan today, expected stateside later this week
At $11,999, this latest Canon 1D is hardly set to become a DSLR bestseller, but there are certainly a few pro shooters willing to line up for an incredibly versatile 18-megapixel 4K cam, with EOS lens compatibility and a full-frame sensor. We were expecting Canon's top-of-the-line beast to sell for just shy of $15,000, so this new sub-$12k sticker is a pleasant surprise. You'll also need to invest in a battery of high-speed (at least 100MB/s) CF cards -- the 1D C captures 4096 x 2160 video at 24 frames per second with an approximate file size of 3.76 gigs per minute of footage, according to the camera's instruction manual, which you'll find, along with a purchase link, at the source link below. The EOS-1D C is expected to hit stores in the US later this week, but a few lucky shooters have been out and about capturing demo reels for the last few weeks -- you'll find some of that footage after the break, along with a few more clips at the coverage links below.
Canon's upcoming 5D Mark III firmware update brings uncompressed HDMI output support, enhanced AF functionality
Proud owners of that sleek and relatively powerful Mark III will be happy to know Canon has just announced a firmware update for its flagship 5D model. The Japanese camera maker is touting this upcoming release as one that will bring clean HDMI-out support to the EOS shooter, which should be great for folks who would like to monitor their recordings in real time. Additionally, Canon's improved the Mark III's AF functionalities yet again; this time out by enabling the unit's auto focus system to adequately adjust to the type of lens that it is paired with. Unfortunately, it looks like users will have to wait a little while to install the new firmware, as the company won't be making it available until April of next year -- at which point it can be grabbed from the soon-to-be bookmarked source link below.
Canon EOS 6D full-frame DSLR hands-on (video)
Nikon just announced its D600, a $2,100 DSLR with a full-frame sensor. Now, just four days later, we have a similar (and identically priced) offering from Canon. Coincidence? Not likely. Industry backchannel conspiracies aside, however, it's only to our advantage to have a choice -- if you're looking to upgrade your digital SLR without taking out a second mortgage, you can now pick Nikon's model, or the EOS 6D from Canon. The latter flavor, which offers built-in WiFi (the D600 requires an adapter), packs a 20.2-megapixel CMOS sensor, and it's 20 percent lighter than the 5D Mark III, which will remain on the market, targeting professional users. The camera features a sensitivity range of ISO 100 through 102,400, it can shoot 4.5 fps stills and offers 1080/30p video capture. It also has an optical viewfinder, paired with a 3.2-inch 1.04-million-dot LCD on the rear, which looks just as sharp as you might expect. What really blew us away, though, is the new camera's size and weight. It's more compact than the 5D and even the 7D, an APS-C camera, weighing in at 690 grams -- a 20-percent decrease from that larger pro model. 20 percent may not sound like a tremendous improvement, but it's certainly noticeable, boosting the 6D's versatility, and making it an ideal choice for street and travel photography. We haven't had a chance to shoot with the new high-end DSLR just yet, but it felt quite solid in hand, despite the more compact design and significant weight drop. Take a closer look in our gallery below, followed by our hands-on video after the break.
Canon unveils EOS 6D DSLR: full frame sensor and WiFi for $2,099 in December
Used to be, to get a full-frame sensor in a Canon camera, you had to shell out big bucks for a pro rig like the 5D Mark III or 1D X. No longer. Canon's just unveiled its EOS 6D, the smallest, lightest and cheapest full-frame DSLR it's ever made. Weighing 690g, the 6D is 20 percent lighter than the 5D Mark III, and at $2,099, it's a full $1,400 less than its heftier stablemate -- which also puts it directly in line with Nikon's recently released full-frame shooter, the D600. In addition to that mammoth sensor, the 6D's the first EOS camera to have built-in WiFi. When paired with the company's free iOS and Android apps, you can use your phone to change the 6D's settings, take and geotag photos using the live remote function, and even transfer those shots to your handset wirelessly. The 6D packs a 20.2-megapixel CMOS sensor and DIGIC 5+ image processor that shoots stills at 4.5fps, does HDR (though it only saves the composite image, not the individual shots), and 1080p 30fps video in 29 minute 59 second clips. Its sensitivity runs from ISO 100 up to 102,400 (extended) and has an 11-point autofocus system with an EV -3 sensitivity rating for better low light performance. There's a 3-inch, 1.04 million dot ClearView LCD on the back to supplement the optical viewfinder, plus it's got a stereo mic jack to ensure the audio matches the quality of your HD videos. To store your imaging masterpieces, the 6D has a single SD card slot that's SDHC and SDXC compatible. When it goes on sale this December, the 6D will be sold in two configurations: $2,099 for the body only, and a kit that throws in a 24-105mm f/4L USM zoom lens for $2,899.
Canon announces EOS C100 cinema camera, confirms October shipping for the C500
Canon already gave those looking for a full-frame DSLR plenty to think about recently, and now it's stirring up the movie-maker's pot. It's just announced a new member to its EOS digital cinema collection -- the EOS C100 -- and given us a better idea of when we can expect that C500 to land. The C100 essentially offers a new prospect for those with pockets not quite so deep. Unlike its 4K sibling, the C100 offers 1,920 x 1,080 AVCHD via its Super 35mm 16:9 CMOS sensor, has an ISO range of 320 to 20,000 and sports the EF mount system. Other features of interest include a push auto iris function, one-shot auto focus, a multi-angle 3.5-inch LCD and a locking HDMI output. The C500, meanwhile, has now been tipped for an October debut with that princely $30,000 price-tag. But, if the C100 sounds more your jive, then you can scoop one up in November for a slightly less tax-deductible $7,999. Canon also took the opportunity to offer up two new cinema lenses: the CN-E15.5-47mm T2.8 L S/SP wide-angle and the CN-E30-105mm T2.8 L S/SP telephoto. Care to know more? Focus on the PR after the break.
Canon EOS-1D X field review
Just before Halloween in 2009, Canon announced its most powerful DSLR to date. The $5,000 professional-grade EOS-1D Mark IV was the company's answer to Nikon's market-leading D3S, which rang in just shy of $5,200. On the basis of price alone, Canon won that round. Then, after two years of silence, the company launched its new flagship, the 1D X. The date was October 18th, 2011 -- roughly 10 (or "X") years after the very first model in the series was announced, way back in 2001. A decade ago, Canon priced that introductory 1D at $5,500 -- a princely sum considering the 4.15-megapixel CCD on board. Now, the 1D X, which is arguably the most powerful sub-five-figure camera available, commands 6,799 of your hard-earned dollars, or $800 more than the D4, Nikon's $6,000 equivalent. All this talk of price may seem to skirt the camera's long list of lust-worthy features, but when the cost of any piece of hardware approaches a year's tuition at a public university, a purchase decision deserves thorough consideration. A camera in this league is absolutely to be used as a professional tool. And while deep-pocketed amateurs may pick one up -- in the way folks with cash to burn may build a collection of overpowered two-seaters -- the vast majority will live in $30,000-plus kits, where they'll reach six-figure shutter counts, and will likely change hands several times before their eventual retirement. Right now, you're probably researching the 1D X as exhaustively as you would a new car -- in fact, you may have even lined up a test drive, through the company's Canon Professional Services group. Many months after it was first announced, we've had an opportunity to take the new eXtreme model for a spin ourselves, and it's every bit as impressive as its price tag suggests. Canon's top model isn't any smaller or lighter than its predecessors, the 1D Mark IV or 1Ds Mark III -- but is all that bulk justified, despite strong contenders like the workhorse 5D? Buckle up and join us in the field (ahem, after the break) to find out.%Gallery-163255%
Canon recalls 68,200 EOS Rebel T4i DSLRs, says rubber grips can lead to skin rash
We've covered our fair share of product recalls over the years, but this one almost certainly takes the cake when looking at pure zaniness. Canon has recalled its EOS Rebel T4i -- some 68,200 units -- "due to a risk of allergic reaction." You read that right. As the story goes, a chemical used in the camera's rubber grips "can result in a reaction that changes the grips from black to white and poses a risk of skin irritation to the consumer," and while the company has only received a single report of a consumer developing a "minor rash" after contact, that's obviously enough to issue to recall. It involves T4i units with a 12-digit serial number that contain a second digit that is a "3" or "4" and a sixth digit that is a "1." If that's you, you're advised to stop using the camera and ping Canon USA to have replacement rubber grips installed free of charge. Specifically, you can ring 855-902-3277 and be prepared to be placed on hold for the better part of your adult life.
Canon EOS 7D v2 firmware tested: increases burst capacity, gives manual audio control
You don't get to unbox anything or have that new-camera smell, so how much does the Canon 7D v2 firmware really transform the now three year-old model? The answer depends a bit on what you do with it, but for most users the Japanese maker deserves kudos from bringing new functionality to the model. Two changes stand out in particular, the first being a bump in the number of burst RAW images from 15 to 25, a boon for action shooters. The other biggie is manual audio level adjustment, saving videographers from the whims of automatic audio levels. Other tweaks include in-camera rating, resizing and editing of images; a max auto ISO setting; GPS compatibility; file name customization; time zone settings; and faster magnification scrolling and control screen adjustment during playback. To test the burst and audio functions, we got our own mitts on the firmware. Prior to updating, we put the rapid-fire 8 fps camera it through the wringer and grabbed about 16-18 RAW frames in a burst. With the v2 firmware we caught exactly 25 frames before it halted, and did it again numerous times with only an occasional stutter. As for audio, the new manual setting is still a far cry from dedicated sound level dials -- on the 7D you'll need to preset the audio before filming, and are stuck with that level until you hit 'stop' again. Still, it beats the previous automatic way, which was so unusable that it forced many pros into buying external audio recorders to get anything decent. A quick test confirmed the new adjustment worked well, giving usable audio in most conditions with both internal and external mics while requiring just a little fiddling beforehand to set levels. While hardly turning your 2009-era beast into an all-new DSLR, the new functionality brings the software in line with newer models, and still keeps the 7D near the top of the APS-C heap in many categories. Swapping out the sensor would be the only way to bump the one area where it now lags, low-light performance -- but you can't expect everything from a $1,500 shooter.
Kipon preps Canon EF lens adapters for Micro Four Thirds, NEX cameras with electronic control
Adapters to fit Canon's EF lenses on Micro Four Thirds and NEX camera bodies most definitely aren't new. Without any electronic link, though, that Lumix GX1 or NEX-F3 owner has had to focus by hand, sometimes without any aperture control -- what year is it, 1930? Kipon wants to make sure you'll never have to stoop to that level again through a pair of new adapters that keep the electronic controls working. As always with these parts, there's likely to be catches: we don't know the prices and ship dates, for one, and lens conversion can still hurt the autofocus speed. Even so, anyone who's been hoarding (or simply envious of) Canon glass now doesn't have to eye an EOS-M just to get a mirrorless camera with the lens adapter they crave.
Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on)
There wasn't much reason to upgrade with last year's T3i, but that's certainly not the case with the Canon EOS Rebel T4i. This new entry-level DSLR packs a redesigned 18-megapixel APS-C CMOS sensor with brand-new focus capabilities, enabling the camera to use both phase- and contrast-detection autofocus when paired with one of two new STM lenses. The center portion of the sensor uses traditional phase-detection technology, while points nearer to the perimeter aid by recognizing contrast in a scene, enabling a more accurate autofocus technique for both stills and video shooting. On the video front, the new lenses -- an EF-S 18-135mm f/3.5-5.6 IS STM for $550 or the EF 40mm f/2.8 STM "pancake" for $200 -- allow for much more silent zoom and focusing during video capture, so you don't need to worry about those sensitive stereo mics picking up mechanical noise. The camera still did a bit of focus hunting while recording video during our hands-on, but autofocus performance was quite impressive while capturing stills, even in low light. On the spec front, there's an articulating 3-inch Clear View smudge-resistant glass LCD, with a 1.04-megapixel resolution and new capacitive multitouch functionality, letting you pinch and zoom pictures and tap your way through menus just the same -- you'll still have the full array of physical controls if you'd prefer to go that route. There's the same bounty of video modes available with the T3i and T2i, including 1080 at 30p, 25p and 24p, 1080/60i and 50i, and VGA at 30 and 25 frames-per-second -- there's also a stereo mic on board, along with a dedicated microphone input jack on the side. In burst mode, the T4i can snap up to 5 consecutive frames per second. The camera also includes the same LP-E8 battery pack as previous Rebels, with a 1120mAh capacity. The Rebel T4i will be available in a body-only configuration for $850, $950 with the 18-55mm kit lens or $1200 with the new 18-135mm STM optic, all of which are set to ship later this month. If you feel that the new features don't justify the price, you'll rest easy knowing that Canon has no plans to pull the T3i from store shelves -- that T2i, however, is destined for retirement.%Gallery-156563%
Canon EOS 5D Mark III's light leak fix found to be black tape
When Canon promised a fix for the EOS 5D Mark III's preview LCD leaking light, photographers wondered just what the "countermeasures" would be to prevent the display from affecting exposure readouts. The remedy, it turns out, is a simple patch -- of the physical kind, not software. Roger Cicala at LensRentals was brave enough to tear down one of the DSLRs shipping with a fix already in place and found black electrical tape covering the LCD area that would otherwise spill light into the exposure meter. While basic, the solution does the trick, and will no doubt be a relief to shutterbugs who want to know exactly what exposure they'll get while snapping photos in the dark.
Canon Cinema EOS C500 camera hands-on (video)
The familiar EOS-1D C isn't the only Canon camera to make its public debut ahead of NAB. The Cinema EOS series welcomes a third model to the collection this week, with looks that nearly match last year's C300. Unlike that model, which you can already pick up through e-tailers and at specialty shops, the C500 has a long way to go before it gets a shipping nod -- it may not even make it to market in 2012. The $30,000 price tag may pose an even greater barrier to entry than its to-be-announced availability date, however, and may in need of some tweaking before it's ready to compete with already established models, like the much less expensive RED Scarlet. Like the 1D C, the C500 can shoot 4K video -- the most apparent upgrade from the $16,000 C300. To that end, boosting its price tag may be the only way for Canon to avoid cannibalizing that less-abled flavor, since many cinematographers would otherwise pay little attention to the C300, due in part to its 1080p-limited shooting capabilities.It's been a few months since we've last seen Canon's first Cinema EOS model, but the C500 has a look and feel that seems to be only subtly different from the C300. It is noticeably heavier, likely due to the additional cooling gear on board to accommodate 4K shooting. Both flavors include dual CF card slots, which you'll only be able to use for snapping 1080p video -- 4K is fed to an external recorder through the dual 3G-SDI ports, which for obvious reasons you won't find on the C300. There's also a larger grip on board, now a permanent fixture on the C500, which should aid with bare-bones handheld shoots -- but if you're dropping 30 grand on a digital body, some sticks and a dolly shouldn't be far behind. Like its sibling, this year's model ships with either a Canon EOS or industry standard PL mount, so if you have a need for both, you'll need two cameras. Overall, you're looking at the same sleek, albeit slightly unconventional body design, with a price tag that's likely to make amateurs weep and pros run for the rental house. As always, there's a hands-on video waiting just past the break.
Canon Cinema EOS-1D C 4K camera hands-on (video)
It's been but half a year since Canon first entered the motion picture market, and the company is already back with its second and third professional video rigs. The Cinema EOS-1D C marks the most drastic departure from the C300, which launched last November at an elaborate Hollywood event at Paramount Studios. It was at this spectacle that we were first introduced to the 1D C, which was then but a glass-protected prototype. Now, far sooner than expected, the (relatively) compact camera is making its return to the spotlight, in more polished form. Like the 1D series bodies that bear similar monikers and appearances, including the yet-to-ship EOS- 1D X, the C model is a very capable still shooter, offering the same core functionality of the $6,800 X. It also brings 4K capture to the table, however, prompting Canon to price the camera far above its less-abled counterpart. At $15,000, we don't expect to see red C logos popping up in many a photojournalist's gear bag, but for deep-pocketed professionals with a need to capture 4K clips, this may be a worthwhile acquisition.We took a closer look at the 1D C at Canon's pre-NAB event in Las Vegas. As the pictures and spec sheet imply, it's the 1D X's clone in nearly every way. In fact, beyond the headphone jack and C logo, there's not much distinguishing the pair externally. You'll need to hop into the menu before you'll really notice a difference, in the form of several unique 4K shooting modes, including 8-bit 4:2:2 24fps captures to a CF card or 8-bit 4:2:2 clips in an uncompressed format over HDMI. Otherwise, the C looks and feels just like the X -- a model pro snapper that we've already managed to fondle on three continents under Canon's watchful eye, but still has yet to ship. Both cameras are gorgeous externally, with slight design tweaks yet no drastic overhaul, dating back to the very first EOS-1D. If you haven't had a chance to gawk at either model, you'll at very least be able to check out the 1D C at Canon's booth this week at NAB . We're hoping to see both cameras hit the market sometime in 2012, and who knows -- this Cinema EOS could even be the first next-gen 1D to ship. Take a closer look in the gallery below, and in our hands-on video after the break.
Canon unveils EOS-1D C and C500 4K Cinema cameras, two new lenses ahead of NAB (updated)
In a departure from its last introduction as dramatic as the C300's Hollywood launch itself, Canon has quietly announced two additional cameras to sit alongside the company's former lone flagship. You may have caught a glimpse of the EOS-1D C at the C300 launch, but what six months ago was a mere mock-up has actually become a reality, likely to ship sometime this year. More out of left field, however, is the C500 -- a higher-end version of the C300 that adds several shooting modes, dual 3G-SDI ports and a larger, permanent grip. Both cameras can capture 4K video, but in substantially different ways. Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB? Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 cinema camera hands-on (video) The $15,000 1D C, which has the same chassis and still shooting features of its less-abled cousin, the EOS-1D X, pipes 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, however, the C swaps a headphone jack for the X's PC socket, that's usually used for hooking up strobes. The higher-end C500 requires a dedicated external recorder, but offers two full-RAW output options: 4096 x 2960, that will be better suited for motion picture capture, and 3840 x 2160 for 4K TV. Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There's also a half-RAW option, at 4096 x 1080 or 3840 x 1080 resolutions, also 10-bit 4:4:4, but at 120 fps. The C500 also includes dual CF slots, but that recording option is only available for 1080p (which can be captured to CF concurrently). Both cameras support Canon Log Gamma, empowering colorists to correct color in post production with more versatility by capturing additional information and a higher dynamic range. Jump past the break to continue...
