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Canon EOS 5D Mark III field review
Shoot in the dark. That's essentially what you can do with the Canon 5D Mark III -- with a top sensitivity of ISO 102,400, what was once unfathomable could soon become an acceptable standard. While point-and-shoot manufacturers are adding WiFi and GPS, and tweaking algorithms in an effort to boost sensitivity beyond the 6400 mark, Canon and Nikon are making clear cases for a DSLR upgrade, by drastically improving image quality. The 5D Mark II had an excellent three-year run, but with its 22.3-megapixel sensor, 1.04M-dot 3.2-inch LCD, improved autofocus and high-performance video capabilities, Canon's latest full-frame DSLR is an entirely different beast, and a very compelling successor. We spent two glorious weeks with a pre-production 5D Mark III before reluctantly shipping it back to Canon. The biggest benefit (for us, at least) has been high-ISO shooting. While the former 5D could theoretically handle ISO 25,600 captures as well, its native range topped out at 6400 -- venturing beyond that territory meant taking a hit on image quality, making it a seldom-used feature that benefited the camera's spec sheet far more than our low-light snap collection. With this latest iteration, we were able to capture sharp images in environments where there was far too little light to make out details with the naked eye, just as we have with the larger (and pricier) Nikon D3S. Our resulting scenes look like they were lit with sophisticated rigs, or in an environment that allotted far more natural light than was actually available. Low-light shooting is but one benefit of the Mark III, however, so join us past the break for a closer look in our field review.
Canon EOS 5D Mark III high-ISO sample images (hands-on)
Canon unveiled its highly-anticipated EOS 5D Mark III just 10 days ago, but we already have a pre-production sample in-hand, and will be putting it through its paces over the next week. Today's installment focuses on high-sensitivity still image shooting, which we conducted at Gyeongbokgung Palace in Seoul, South Korea. We chose a dimly lit temple as our test subject, shooting a handful of images at ISO settings ranging from 800 to the camera's top native sensitivity of 25,600, and extended modes of ISO 51,200 and ISO 102,400. All images were captured at f/8 with a 24-105mm L lens.As expected, the camera offered excellent performance at all of the native settings -- as you can see from the image above, there's some noise noticeable when viewing an image at full size, though considering the camera's top resolution of 22.3 megapixels, we hardly see ISO 25,600 being an issue. Jumping beyond the top native range did yield significant noise, but assuming you're shooting for the web, even these settings are usable. Chances are, you won't often be examining images at a 1:1 pixel view, so jump past the break to see how each of the four frames represented above will look when scaled to a web-friendly 600-pixels-wide resolution, then hit up our source link to grab full-res JPEGs of each image captured during the shoot.
