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'Spider-Man' is the latest big-budget flick to get a VR tie-in
Peter Parker and his web-slinging alter ego seem to be everywhere these days. Sony showed off a lengthy gameplay sequence from the upcoming Spider-Man video game at E3 this year, and the company's reboot, Spider-Man: Homecoming, arrives in theaters this July. It's no surprise, then, that Sony Pictures has decided to hype the movie with a free "multi-platform promotional VR experience" developed by CreateVR and available on Oculus, Vive and PlayStation VR platforms June 30th.
First DSLR 4K video from prototype Canon EOS-1D C reportedly emerges
If you've been wondering what kind of eye candy Canon's EOS-1D C is capable of, you might be in luck. The crew over at EOSHD have apparently snagged some 4K sample footage from an early prototype of the unreleased, professional-grade DSLR. The clip looks slick to us, albeit lacking in the scenery department. Even so, EOSHD comments that while a "massive step up for image quality compared to all previous DSLRs" the video footage isn't as sharp as stills from the 1D X (the 1D C's less-endowed sibling) and "not near what true 4K should look like." (Of course, anyone looking for true 4K is advised to step up to Sony's $70k F65 CineAlta, so we guess you get what you pay for). You can check out the minute-long clip, unfortunately scaled to a Vimeo-friendly 1,920 x 1,080, after the break. If your discerning eye demands the raw footage, however, why not grab the few seconds available at the source link and let us know your thoughts? That's what the comments are for, after all.
NAB 2012 wrap-up
"That's a wrap!" Finally, an appropriate use for that industry cliché, since, ya know, we really are at a motion picture / television conference. As our first trip to the National Association of Broadcasters' annual event in Las Vegas fires its last frame, we're going to roll to the credits, honoring all those products that enabled us to justify spending a week in Sin City on the company dime. From Canon's 4K-capable 1D C (that'll sadly run you far more than $4k) to RED's Dragon sensor upgrade set to render "obsolescence obsolete," there's plenty to look forward to in the world of cinematography. We also happened upon a few consumer-facing gadgets, including Ceton's new DVR companion apps for Android and iOS, that Lenscaster SLR lens mount for iPad and a new Dolby 3D standard that could help propel glasses-free 3D into mass production. That's but a small sampling of the gadgets at NAB 2012, however, so jump past the break for all our hands-ons from the show.
We're live from NAB 2012 in Las Vegas!
Three months ago to the day, we were packing up our CES trailer and making a run for the airport, expecting another year to pass before our return to Sin City. But now, as the National Association of Broadcasters' annual trade show has begun overlapping with the consumer electronics market -- from a gear perspective, at least -- we've decided to make our way back to the desert, calling this oasis home for another week in 2012. If you're a high-end camera buff, this is the show for you, with Canon, Sony and RED introducing products that are sadly priced out of reach of photo enthusiasts, but carry mass appeal among professionals with million-dollar equipment budgets, and a need to shoot with the latest and greatest digital devices. It's yet unclear what else we may see at this year's NAB, but rest assured that we'll be scouring the halls of the LVCC, bringing you updates from the floor throughout the week. Protip: Use the 'NAB 2012' for the latest show news and hands-ons.
Canon Cinema EOS C500 camera hands-on (video)
The familiar EOS-1D C isn't the only Canon camera to make its public debut ahead of NAB. The Cinema EOS series welcomes a third model to the collection this week, with looks that nearly match last year's C300. Unlike that model, which you can already pick up through e-tailers and at specialty shops, the C500 has a long way to go before it gets a shipping nod -- it may not even make it to market in 2012. The $30,000 price tag may pose an even greater barrier to entry than its to-be-announced availability date, however, and may in need of some tweaking before it's ready to compete with already established models, like the much less expensive RED Scarlet. Like the 1D C, the C500 can shoot 4K video -- the most apparent upgrade from the $16,000 C300. To that end, boosting its price tag may be the only way for Canon to avoid cannibalizing that less-abled flavor, since many cinematographers would otherwise pay little attention to the C300, due in part to its 1080p-limited shooting capabilities.It's been a few months since we've last seen Canon's first Cinema EOS model, but the C500 has a look and feel that seems to be only subtly different from the C300. It is noticeably heavier, likely due to the additional cooling gear on board to accommodate 4K shooting. Both flavors include dual CF card slots, which you'll only be able to use for snapping 1080p video -- 4K is fed to an external recorder through the dual 3G-SDI ports, which for obvious reasons you won't find on the C300. There's also a larger grip on board, now a permanent fixture on the C500, which should aid with bare-bones handheld shoots -- but if you're dropping 30 grand on a digital body, some sticks and a dolly shouldn't be far behind. Like its sibling, this year's model ships with either a Canon EOS or industry standard PL mount, so if you have a need for both, you'll need two cameras. Overall, you're looking at the same sleek, albeit slightly unconventional body design, with a price tag that's likely to make amateurs weep and pros run for the rental house. As always, there's a hands-on video waiting just past the break.
Canon Cinema EOS-1D C 4K camera hands-on (video)
It's been but half a year since Canon first entered the motion picture market, and the company is already back with its second and third professional video rigs. The Cinema EOS-1D C marks the most drastic departure from the C300, which launched last November at an elaborate Hollywood event at Paramount Studios. It was at this spectacle that we were first introduced to the 1D C, which was then but a glass-protected prototype. Now, far sooner than expected, the (relatively) compact camera is making its return to the spotlight, in more polished form. Like the 1D series bodies that bear similar monikers and appearances, including the yet-to-ship EOS- 1D X, the C model is a very capable still shooter, offering the same core functionality of the $6,800 X. It also brings 4K capture to the table, however, prompting Canon to price the camera far above its less-abled counterpart. At $15,000, we don't expect to see red C logos popping up in many a photojournalist's gear bag, but for deep-pocketed professionals with a need to capture 4K clips, this may be a worthwhile acquisition.We took a closer look at the 1D C at Canon's pre-NAB event in Las Vegas. As the pictures and spec sheet imply, it's the 1D X's clone in nearly every way. In fact, beyond the headphone jack and C logo, there's not much distinguishing the pair externally. You'll need to hop into the menu before you'll really notice a difference, in the form of several unique 4K shooting modes, including 8-bit 4:2:2 24fps captures to a CF card or 8-bit 4:2:2 clips in an uncompressed format over HDMI. Otherwise, the C looks and feels just like the X -- a model pro snapper that we've already managed to fondle on three continents under Canon's watchful eye, but still has yet to ship. Both cameras are gorgeous externally, with slight design tweaks yet no drastic overhaul, dating back to the very first EOS-1D. If you haven't had a chance to gawk at either model, you'll at very least be able to check out the 1D C at Canon's booth this week at NAB . We're hoping to see both cameras hit the market sometime in 2012, and who knows -- this Cinema EOS could even be the first next-gen 1D to ship. Take a closer look in the gallery below, and in our hands-on video after the break.
Sony to launch NEX-FS700E 4K cinema camera for $9,000 at NAB?
What would you pay for the ability to capture cinema quality 4K video? $36,000? $18,000? Try $9,000. That's the expected price of Sony's rumored NEX-FS700E, which could launch at NAB next month with a June ship date. EOSHD reports that the camera will pipe 4K video to a dedicated external recorder over 3G HD-SDI. It will reportedly use the same NEX E-mount as its predecessor, the FS100, and may include a trio of neutral density filters to increase versatility. We haven't been able to track down an image of the rumored cinema cam (the model in that image above looks identical to the FS100), but we wouldn't be surprised to see another detail or two leak out before the broadcast community's annual Vegas gathering kicks off in a little over two weeks. For its part, Canon is also expected to announce a 4K EOS-format DSLR at NAB, as a less-expensive alternative to the $16,000 C300, while RED's Scarlet already has 4K capabilities, and a $9,000 price tag.[Thanks, Andrew]
Former ARRI exec pleads guilty to hacking into rival CEO's e-mail account, faces jail time
There's some Oscar-worthy drama brewing in California, where ARRI executive Michael Bravin has pleaded guilty to hacking into a high-level e-mail account at rival camera maker Band Pro Film and Digital. In a plea agreement filed yesterday with a US District Court, Bravin admitted to intentionally accessing a corporate e-mail account belonging to Amnon Band -- Band Pro's President and CEO. More details after the break, including a potential connection to RED's Jim Jannard.
Blizzard's Word: WoW Movie Officialy a Go
We reported yesterday about the news of a new WoW motion picture in development, and now it looks like the boys in blue have indeed confirmed that report. An official press release went out today, announcing the joint development of the film, with producers Legendary Pictures at the reigns.The release quotes both the Blizzard creative team and the filmmakers, and shines some light on what we can expect to see from the upcoming epic. No talent or crew have been signed as of yet, but I'm sure that the rumors will start flying anytime now, and the fans will have plenty to chew upon as the project comes to fruition.Aside from my wary words yesterday, I do indeed hope for the best with this adaptation; aside from being a fantasy fan in general, I would enjoy a property I'm familiar with being given the proper screen treatment. I'm sure every WoW fan under the sun has their own idea of what the ideal Warcraft movie would be, and I'm sure the filmmakers are going to be listening to those ideas as the project moves forth, so start your dream casting now, folks!
