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Canon unveils EOS-1D C and C500 4K Cinema cameras, two new lenses ahead of NAB (updated)
In a departure from its last introduction as dramatic as the C300's Hollywood launch itself, Canon has quietly announced two additional cameras to sit alongside the company's former lone flagship. You may have caught a glimpse of the EOS-1D C at the C300 launch, but what six months ago was a mere mock-up has actually become a reality, likely to ship sometime this year. More out of left field, however, is the C500 -- a higher-end version of the C300 that adds several shooting modes, dual 3G-SDI ports and a larger, permanent grip. Both cameras can capture 4K video, but in substantially different ways. Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB? Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 cinema camera hands-on (video) The $15,000 1D C, which has the same chassis and still shooting features of its less-abled cousin, the EOS-1D X, pipes 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, however, the C swaps a headphone jack for the X's PC socket, that's usually used for hooking up strobes. The higher-end C500 requires a dedicated external recorder, but offers two full-RAW output options: 4096 x 2960, that will be better suited for motion picture capture, and 3840 x 2160 for 4K TV. Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There's also a half-RAW option, at 4096 x 1080 or 3840 x 1080 resolutions, also 10-bit 4:4:4, but at 120 fps. The C500 also includes dual CF slots, but that recording option is only available for 1080p (which can be captured to CF concurrently). Both cameras support Canon Log Gamma, empowering colorists to correct color in post production with more versatility by capturing additional information and a higher dynamic range. Jump past the break to continue...
UK court orders ISP to block Newzbin 2 filesharing site within two weeks, Hollywood smiles
Pirates just can't catch a break these days. Way back in July, a British judge ordered telecom company BT to block its subscribers from visiting a site called Newzbin 2, on the grounds that the ISP had "actual knowledge" of customers using the platform access copyright infringing content. An appeal was soon filed, but yesterday, it was shot down by a high court. Under the order, BT will have 14 days to seal off access to Newzbin 2, and will have to do so on its own dime -- something the provider was aiming to avoid. The decision marks the first time that an ISP has been forced to block access to a filesharing site, something the Motion Picture Association heralded as "a win for the creative sector." BT, meanwhile, didn't have much to say about the ruling, stating only that "it is helpful to have the order now and the clarity that it brings." Less certain, however, is the impact this order will have on future copyright lawsuits and web censorship, in general. Find the ruling in its entirety at the coverage link, below.
British judge doesn't like the cut of Newzbin 2's jib, orders BT to block it
Shiver-me-timbers, it looks like the movie studios' latest legal broadside just scored a direct hit against the big bad pirate ship. A UK judge has ordered telecoms giant BT to block its subscribers from visiting Newzbin 2, a site which aggregates Usenet downloads, on the simple basis that BT knows some of its customers are using the site to breach copyright law and therefore has a duty to stop them. This counts as an unprecedented victory for the Motion Picture Association, who brought the case, and it potentially arms them with a new weapon to force ISPs to block other sites in future. Could that be Newzbin 3 we spy on the horizon?
