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  • Music labels sue YouTube ripping site over piracy

    by 
    Steve Dent
    Steve Dent
    09.27.2016

    With the downfall of the Pirate Bay and Kickass Torrents, users are turning to another way to get illegal songs: ripping YouTube streams. Record labels have taken note of the problem and sued the largest site, YouTube-mp3.org for $150,000 per violation. They say the site has up to 60 million users and and hosts tens or hundreds of millions of illegal downloads per month. "It should not be so easy to engage in this activity in the first place, and no stream ripping site should appear at the top of any search result or app chart," says RIAA president Cary Sherman.

  • Amazon rumored clinching major labels for cloud music rights, iTunes Match feels the heat

    by 
    Jon Fingas
    Jon Fingas
    06.16.2012

    When we last checked in, Amazon was thought to finally be pushing for full music rights in its Cloud Drive and Cloud Player services. It might be a smooth operator at the negotiating table: subsequent tips to CNET maintain that the top four major labels (a currently-independent EMI as well as Sony, Universal and Warner) have all signed deals that will let Amazon offer the same scan-and-match music downloads and streaming as Apple's iTunes Match. The pacts would let Amazon offer access to every song a listener owns without having to directly upload each track that wasn't bought directly from Amazon MP3. Aside from closing a conspicuous gap, the deal could end a whole lot of acrimony from labels who were upset that Amazon preferred a free-but-limited service over having to charge anything. The online shop hasn't said anything official yet (if at all), but any signatures on the dotted line will leave Google Music as the odd man out.

  • Google partners with Universal, EMI, Sony Music, 23 independent labels on Google Music, scores exclusive content

    by 
    Donald Melanson
    Donald Melanson
    11.16.2011

    A music store isn't much without plenty of music, and Google's new offering launched with some big backing today. The company is partnering with Universal, EMI, Sony Music and no less than 23 independent labels on the service -- according to Google, that covers about 13 million songs in total, 8 million of which are available today. Speaking at the launch event, Universal's Rob Wells said that he expects Google Music to be a "rich new revenue stream for our artists," and further noted that he's excited about the "global rollout" across all Android devices, although we're unfortunately not hearing many specifics about availability outside the US just yet. What's more, Google also announced that Google Music will have a number of exclusive offerings from the labels, including concerts from the likes of The Rolling Stones, Coldplay, Pearl Jam and The Dave Matthews Band, and the exclusive debut of Busta Rhymes' latest album.

  • WWDC 2011 liveblog: Steve Jobs talks iOS 5, OS X Lion, iCloud and more!

    by 
    Darren Murph
    Darren Murph
    06.06.2011

    You're in the right place! Bookmark this page and return on Monday at the times listed below to see Steve Jobs take the stage at Moscone West. WWDC 2011 promises a peek at iOS 5, OS X Lion, the iCloud music storage offering and who knows what else. The iPhone 5? Don't count on it, but also, don't count it out. Your town not listed? Shout your time in comments below! 07:00AM - Hawaii 10:00AM - Pacific 11:00AM - Mountain 12:00PM - Central 01:00PM - Eastern 06:00PM - London 07:00PM - Paris 09:00PM - Moscow 02:00AM - Tokyo (June 7th)

  • LimeWire reaches $105 million settlement with record labels

    by 
    Donald Melanson
    Donald Melanson
    05.13.2011

    It's been a long, slow demise for the once mighty file sharing service, but LimeWire has now taken one last big step towards being a footnote in internet history. The company reached an out of court settlement with the major record labels yesterday, which will see it and its founder, Mark Gorton, fork over $105 million to finally put an end to its longstanding dispute with the RIAA. In a statement, the RIAA said that the settlement was "another milestone in the continuing evolution of online music to a legitimate marketplace that appropriately rewards creators," while LimeWire's attorney said simply that he was "pleased that this case has concluded." You'll note, of course, that the RIAA said "another" milestone -- it's obviously still hoping for plenty more settlements or legal victories where this one came from.

  • Apple informs labels that iTunes song previews will be 90 seconds long, hopes they don't mind?

    by 
    Sean Hollister
    Sean Hollister
    11.02.2010

    It's all up there in black and white, but we'll be happy to spell it out again here -- it seems that Apple has decided to extend the length of iTunes song previews from 30 seconds to 90 seconds. Sounds just fine to us, but not to the recipients of this letter, who are told the change is happening whether they like it or not and it's for their own good. "We believe that giving potential customers more time to listen to your music will lead to more purchases," the document reads, but without giving the music labels any way to say no. We don't actually know the origin of this particular document, so we're not saying this is a done deal by any means, but if the letter's legit you're looking at the world's largest online music store telling the labels to put up and shut up -- or else peddle their tunes somewhere else. Update: It's worth noting that CNET reported that iTunes song previews might double in length about two months ago.

  • Warner Music talks trash about free streaming services, keeps using them

    by 
    Vlad Savov
    Vlad Savov
    02.11.2010

    Warner Music Group CEO Edgar Bronfman Jr. isn't happy with free music streaming services. Shocking, right? Coming out yesterday with a barrage of disparagement for online streamers like Spotify and Last.fm, Bronfman Jr. made it clear that they do not represent "the kind of approach to business that we will be supporting in the future." Why is that, Eddie? The man in charge seems to think that paid subscription models are the future, because "the number of potential subscribers dwarfs the number of people who are actually purchasing music" online. That's wonderful and all, but he neglects to tell us the specifics of how and why Warner will succeed at something that every publisher would love to have, but none have managed to translate into reality yet. Additionally, WMG is not withdrawing its music library for the moment -- something a lot of publications seem to have erroneously reported (see Spotify tweet below) -- which leads us to believe the entire spiel is more of a renegotiating ploy than a concrete statement of intent. [Thanks, Wiggy Fuzz]