Photokina2012
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Fujifilm's XF1 makes a fashion statement at Photokina, we go hands-on (video)
Point-and-shoot or fashion accessory? This is the conundrum posed by the XF1, a new retro-styled point-and-shoot from Fujifilm. It's a nice looking camera with a solid and fairly light build, certainly, and while the faux leather (in black, red or tan) might not be for everyone, the company was quick to point out that it'll go nicely with your new designer handbag, for whatever that's worth. The textured design is complimented nicely by a metal border on the top and bottom. There's a bit of a learning curve here, when it comes to just turning the thing on -- give it a twist and a pull, not unlike a childproof pill cap to put it in standby and another pull to get things started. There's a big, bright three-inch LCD on the rear of the device. Click the E-Fn button on the bottom right, and you can actually reassign the button mapping on the back to your liking on the display. Of course, such style and functionality comes at a price -- this guy will run you $500 when it goes on sale next month.
New Leica M camera has live-view and 1080p video capture, we go hands-on (video)
Yesterday, Canon stole the show, but today's darling of Photokina appears to be the just-announced Leica M camera. Show attendees flocked to the "new M" demo counter this morning, nudging through the crowd for a chance to check out Leica's first live-view equipped M. This new feature is powered by a new 24-megapixel CMOS sensor, and also enables 1080p video capture at 24 and 25 frames-per-second -- another first for Leica. Live-view and HD video shooting may not seem like banner features for a €6,200 (about $8,100) camera, but considering they've never been offered before, these additions seem to be highlights for hopeful M10 owners. The camera itself is quite beastly, in typical M fashion, and appears to have just as much heft as the M9. There's a new Gorilla Glass-equipped 3-inch, 920k-dot display, that's plenty sharp and quite responsive in live-view mode. Adjacent to the display, you'll find a new LV button, which, as you may have guessed, launches the new realtime display mode. There's also a playback button, along with direct access to ISO, image deletion and menu settings. Up top, there's the Leica trademark shutter speed dial (aperture control is on the lens), letting you select from bulb all the way through 1/4000 second. There's a full-size hot shoe up top with an accessory connector for the EVF 2 attachment, and a second proprietary connector on the bottom to interface with the accessory grip, which adds USB connectivity and built-in GPS. We can't comment on image quality just yet, but there's no question that the "new M" marks Leica's commitment to finally bring otherwise commonplace features to its popular (and pricey) rangefinder line. Look for this latest model to hit stores in early 2013, but you can take a closer look today in our hands-on gallery below and video demo after the break. Update: This post originally stated that the new Leica M had yet to be named, however the company has confirmed that the new camera will simply be named, "The Leica M," without numbers. "The Leica M also marks the beginning of a new era in the Leica product naming policy. In [the] future, Leica M and S model names will omit the number suffix to emphasize the enduring and long-term significance of the respective systems."
Lensbaby lets your imagination run wild on a budget with the Spark, an $80 selective-focus lens
Lensbaby, maker of creative optics that let you take pictures you'd otherwise have to make in Photoshop is going after youthful crowd with its newest product, the Spark. The selective focus lens attaches to your Canon or Nikon DSLR, allowing you to create bokeh-rich images -- simply squeeze the unit to focus and tilt it on its axis to move the "sweet spot" as you go. The 50mm lens features a fixed f/5.6 aperture and focuses from 13-inches to infinity, and goes on sale from today from the company's website, Amazon and specialist retailers who deal in such things.
Leica X2 gets à la carte, Paul Smith editions to help you stand out from plebeian photographers (update: hands-on)
Let's say you've been considering a Leica X2 for the mix of a big APS-C sensor and retro styling, but a $1,995, fixed-range compact camera just isn't exclusive enough. Leica has you covered with two extra-rare editions that rise above the pack. Provided you don't mind someone else designing for you, the Edition Paul Smith spices things up with a mix of black, green and orange that reflects the UK fashion designer's love of stripes and wilder colors. Is the small 1,500-unit batch of Paul Smith cameras still too common? There's now an à la carte X2 option to limit the production run to exactly one. After picking from black, silver or new titanium colors for the main body, you can choose from a set of leather trim colors and get custom engraving to hedge against the unlikely event that anyone confuses your X2 with someone else's. Prices aren't immediately available for the October launches of both cameras. Not that it matters much -- if you're willing to even consider a special edition Leica, you already know that it's within your price range. %Gallery-165713% Zach Honig contributed to this report.
Leica unveils V-Lux 4 superzoom, D-Lux 6 compact to mirror their Panasonic counterparts
Leica has its more unique creations, but some of its more affordable cameras are usually upscale parallels to Panasonic models -- and that's undoubtedly true for the newly official (and previously leaked) V-Lux 4 and D-Lux 6, which respectively echo Panasonic's FZ200 and LX7 shooters. We can't object too much. That similarity gives the 12-megapixel V-Lux 4 superzoom (seen up top) a 25-600mm equivalent lens with a constant, wide f/2.8 aperture to snap bright images at long distances. The D-Lux 6, meanwhile, combines its large 1.7-inch, also 12-megapixel sensor with a 24-90mm, f/1.4-2.3 lens and that distinctive aperture control ring. What you're really getting over the Panasonic equivalents is a subtler, all-black Leica color scheme and a copy of Adobe Lightroom 4 to manage the imminent flood of photos. Photographers who don't mind knowing their luxury cameras' true roots can swing by Leica dealers in November to buy either design; we don't yet know prices, but it's safe to assume that the V-Lux 4 and D-Lux 6 will carry premiums over their more pedestrian equivalents.
Leica reveals S-System medium format digital photography lineup
Leica wasn't about to let everyone else hog the spotlight at Photokina this year. The company took the wraps off more products than you could possible cram into one post (or two, or three...). But among the more intriguing is certainly the new S-System -- an update its pro-series medium format line. The sensor and accompanying board have all been refreshed, with the 30 x 44mm sensor cramming 37.5 megapixels into its expansive CCD surface. The 16-bit color depth is complimented by a wide ISO range of 100 to 1600, which should cover you for almost any imaginable application. A dual shutter design gives photographers the choice between the camera's built in shutter or the integrated one on the CS lens line, which allow for flash sync at shutter speeds as high as 1/1,000 of a second. Leica is touting the improved speed of its medium format internals, but with the ability to capture just 1.5 fps in continuous mode, it might not be the ideal action shooter. Still, the ability to capture 32 consecutive RAW images at full resolution, thanks to the 2GB of buffer memory, is quite impressive. The digital viewfinder is a three-inch LCD, capable of displaying 16 million colors representing the full sRGB color space. Of course, the VGA resolution isn't anything to write home about, but it should get the job done. The integrated two axis leveler, displayed on the viewfinder, should help avoid oddly angled portraits, while the integrated GPS receiver will let you keep track of every remote mountaintop you capture in full resolution majesty. Of course, no new camera product line would be complete without some lenses as well. In total four are launching alongside the new body, including the first zoom (30-90 MM F/3.5-5.6) and tilt/shift (120 MM F/5.6) members of the family. Rounding out the lineup is a 24mm superwide angle lens and a close-up accessory that shortens the focal length of one of the existing mounts by about three and a half feet. For more info, check out the source link.
Leica launching new Leica M in early 2013, stripped-down M-E available this month
Do you need a stylish, undoubtedly expensive German camera early in 2013? Perhaps right now? Leica's got you covered on both fronts, announcing today that its Leica M line is finally getting an official followup to the venerable M9 rangefinder in "early 2013." The new M is outfitted with the company's first 24-megapixel (full-frame, naturally) Leica Max CMOS image sensor (à la the A99 and D600) -- what Leica calls "a completely new development in sensor technology." That sensor will snag you a sensitivity range of IS0 200 to 6,400 (expandable to 100). Even more exciting, this latest M can mount Leica's legacy R glass (!) with a new adapter (available separately) and it can also shoot video in 1080p HD with 24 / 25p frame rate. While it retains the classic M-series styling, rear now features a 3-inch 920k-dot display, protected behind a layer of Gorilla glass. Leica's also making special note to highlight that the new M features live view functionality on the embedded screen and with an optional EVF. The M-E model (which appears to be a refresh of sorts on the M9) comes paired with a slightly less-potent 18-megapixel full-frame CCD sensor. Beyond that, it doesn't appear to pack any video functionality and features a much smaller 2.5-inch 230k-dot display. Neither model comes with any additional numbers in their titles title, however -- that's a conscious decision on Leica's part to rework its naming policy. "In [the] future, Leica M and S model names will omit the number suffix to emphasize the enduring and long-term significance of the respective systems," the announcement says. We're calling it "The iPad 3 approach." The cameras were revealed along with a slew of new products that Leica's showing during Germany's Photokina convention, including a range of new accessories (the Leica R-Adapter M, the Leica EVF2 electronic viewfinder, the multifunctional handgrip-M with optional finger loops, and the Leica Microphone adapter set). Although there's no word on pricing for the new M, we'd expect it to sell for somewhere between a cool 7 to 10K given the $5,450 price of the M-E and the approximately $7,000 sticker tag on the M9 -- hey, at least both snag you the prestige of the red dot and a pro-bono copy of Adobe Lightroom. The M-E will be be available from Leica dealers before the month's out, while the M will ship out early next year -- both in your choice of black or black / silver. In the meantime, hit up the source link below for the full tech specs on both shooters. Joe Pollicino contributed to this post.
Canon launches Project 1709: a strangely named photo service with deep Facebook hooks
A prerequisite for launching a cloud storage solution is a strange name, we understand that much. But where Picasa, Flickr and Box all at least hint at their intentions, Canon's new photo service sounds more like a plot device from Lost than an online repository for your snapshots. Project 1709 is actually named for the beta launch date (today, September 17th) and looks to take on the big players in the field with a slick UI and integration with social networks. The tiled design puts all your uploaded images in an easy to navigate and glanceable layout, with a focus on organization. Pics can be filtered based on tags you add, date or locations pulled from the EXIF data. All the camera's settings are also exposed, allowing you to figure out how exactly you captured each shot. There's even deep Facebook integration that makes it easy to not only publish photos to your profile, but pull them in from the social network along with comments. You can sign up at the source link, or simply learn more from the gallery and PR below.
Canon PowerShot SX50 HS hands-on
Sure the SX160 is a bit of a bulky superzoom, but it's got nothing on Canon's beefy PowerShot SX50 HS. As with the similarly named SX500 IS, the SX50's got a big, protruding lens and flash, though the added girth make it look a bit more like a DSLR. Part of its width can no doubt be chalked up to its 2.8-inch vari-angle LCD, which can be swiveled away from the body of the camera to help vary viewing angles. Also, like the SX50, the SX500 has a devoted button for Zoom Framing Assist, which does a quick zoom out to help you reframe subjects on the fly. Above the display you'll find a play button and a cushioned viewfinder. To its right, you've got the Record, Display, Menu and access to settings like Macro and ISO. You'll find the rest to the settings -- plus ON / OFF and access to that big 50x zooming to the right of the flash. The PowerShot SX50 HS will run you $480 when it drops next month.
Canon PowerShot G15 features f/1.8-2.8 lens and DSLR-like controls, we go hands-on (video)
Not completely sold on Canon's large sensor-packing PowerShot G1 X? The company's latest jumbo compact offers a comparable smooth focus effect, thanks to its super-wide f/1.8-2.8, 28-140mm optical zoom lens, with image stabilization that boosts your shooting capability by up to four stops. The camera, which is designed to replace the G12, features a 12.1-megapixel 1/1.7-inch CMOS sensor paired with a DIGIC 5 processor, enabling RAW shooting, 1080p video and a top sensitivity of ISO 12,800 all in a body that's significant smaller and lighter than its predecessor. There's also a super-sharp 922k-dot 3-inch LCD (no touchscreen here, not that we miss it) and a built-in optical viewfinder. The $500 G15 isn't set to hit stores until October, but we caught an early peek at Photokina today. A Canon representative also clued us in on the camera's naming scheme -- that jump from 12 right to 15. As we know, 13 is an unlucky number in North America and Europe, but the 14 was also avoided because the number four "sounds like an unlucky word" in Japanese. So, there you have it. Regardless of what it's called, though, the G15 is one powerful shooter, with a very solid design to boot. Though it is smaller than the G12, it's still far too large to fit in a pocket -- you'll likely walk around with this guy dangling from your neck. There's a mode dial up top, along with a dedicated exposure compensation dial, enabling more precise EV control. We weren't able to examine samples in order to evaluate the camera's bokeh capabilities, but Canon reps said that the effect is on par with the G1 X. You'll be able to get your own mitts on the G15 beginning next month, and you can catch our hands-on photos just below, along with a video walkthrough after the break.%Gallery-165583%
Canon PowerShot SX160 IS appears at Photokina, we go hands-on (video)
In amongst the deluge of new cameras at Canon's press event here in Cologne, Germany was this looker. It's the PowerShot SX160 IS, a nice-looking, if somewhat beefy mid-range superzoom point-and-shoot. The company was showing off three different colors -- the black, silver and red, and we spent the most time with the latter, the most eye-popping of the bunch. In spite of its large size -- the majority of the front taken up by the lens, plus a bit of a bump up top for the flash -- the camera's pretty light. It also doesn't feel particularly solid in the hand. On top, to the left of the pop-up flash, you'll find a settings wheel, power button and the knob for that 16x optical zoom, all positioned atop a textured black backing. On the back of the SX160 is that three-inch LCD, with buttons for recording, playback, menu, display and settings like macro and flash, to pop up the big bulb on top. The camera's not particularly quick on the snaps -- roughly what we'd expect from a mid-range point-and-shoot. It'll be hitting stores this month for $230, so for more of our impressions, check the video after the break.
Canon PowerShot S110 packs WiFi and touch-enabled display (hands-on video)
It seems like just yesterday that Canon announced its top-of-the-line PowerShot S100, and now the company is back to demo its brand new S110. This latest point-and-shoot flagship features a very similar body size and design, but adds WiFi functionality, enabling you to interface with a smartphone app to upload pictures and tag your images using your mobile's GPS (interestingly, GPS no longer comes built-in). Spec-wise, the camera's packing a 12.1-megapixel, 1/1.7-inch CMOS sensor and an f/2.0-5.9, 24-120mm lens. It also offers an ISO range of 80-12,800, and includes a 460k-dot 3-inch LCD with touch functionality, letting you tap your way through menus instead of using the hardware controls (which, thankfully, are also still available). The S110 is still very much a premium product, with a solid metal construction and a $450 price tag to match. We went hands-on with both the black and white versions of the S110 at Photokina today, and were quite pleased with the design. The black version includes a matte black finish with a slightly rougher feel, which we preferred over the white's smooth, glossy paint job. Both cameras feel solid, and are clearly still pocketable. The display was bright and vibrant, and the touchscreen responded as expected -- we can't say it'll be our first pick when it comes to navigation, but it does allow for some useful shortcuts. We weren't able to shoot with the S110, but it does offer RAW captures, along with 1080/24p video shooting and an impressive 10 fps burst mode. It's set to hit stores beginning next month -- as always, you'll find hands-on photos below and a video walkthrough just past the break.
Canon Cinema EOS C100 hands-on (video)
Late last month, Canon added yet another model to its Cinema EOS line -- the C100 captures 1080p video, rather than the 4K clips enabled with the C500, but it also costs a heck of a lot less, at just shy of eight grand. It also offers some other nifty features, such as a pair of built-in mics and a duo of XLR inputs at the front of the top handle, SD card slots on the rear and a new autofocus button -- it's not a continuous solution, offering only single-shot, but it sure beats not having the feature at all. The camera is surprisingly lightweight, given its size and capability, and can be held quite comfortably with a single hand, as we did during our hands-on at Photokina earlier today. With a modular design, the camera featured a 3.5-inch 920k-dot LCD in its current configuration, and offers the standard suite of ports, including HDMI output with embedded time code. It also includes an ISO range of 3200 to 20,000, a maximum shutter speed of 1/2000 second and a built-in ND filter. The C100 is expected to hit stores in November for $7,999, but you can take a closer look right now in our gallery below and the hands-on video just past the break.
We're live from Photokina 2012 in Cologne, Germany!
Germany just can't get enough of Engadget, it seems. Just two weeks after the close of IFA in Berlin, we're back in the land of Bier and Honig, for a camera-fueled journey to Cologne. This giant photography trade show is held only once every two years -- the last Photokina was way back in 2010 -- and it's arguably the industry's biggest event, drawing manufacturers the world abound to launch their latest prosumer and professional devices. We won't likely see a blockbuster product like Samsung's Galaxy Camera, but there could be another Android shooter or two in store, along with plenty of updates to last year's advanced compacts and mirrorless cams, and a modest spattering of full-frame DSLRs. We'll be bringing you all the news as it happens, so keep your eyes peeled to this very site to catch the action as it goes down.
Canon EOS 6D full-frame DSLR hands-on (video)
Nikon just announced its D600, a $2,100 DSLR with a full-frame sensor. Now, just four days later, we have a similar (and identically priced) offering from Canon. Coincidence? Not likely. Industry backchannel conspiracies aside, however, it's only to our advantage to have a choice -- if you're looking to upgrade your digital SLR without taking out a second mortgage, you can now pick Nikon's model, or the EOS 6D from Canon. The latter flavor, which offers built-in WiFi (the D600 requires an adapter), packs a 20.2-megapixel CMOS sensor, and it's 20 percent lighter than the 5D Mark III, which will remain on the market, targeting professional users. The camera features a sensitivity range of ISO 100 through 102,400, it can shoot 4.5 fps stills and offers 1080/30p video capture. It also has an optical viewfinder, paired with a 3.2-inch 1.04-million-dot LCD on the rear, which looks just as sharp as you might expect. What really blew us away, though, is the new camera's size and weight. It's more compact than the 5D and even the 7D, an APS-C camera, weighing in at 690 grams -- a 20-percent decrease from that larger pro model. 20 percent may not sound like a tremendous improvement, but it's certainly noticeable, boosting the 6D's versatility, and making it an ideal choice for street and travel photography. We haven't had a chance to shoot with the new high-end DSLR just yet, but it felt quite solid in hand, despite the more compact design and significant weight drop. Take a closer look in our gallery below, followed by our hands-on video after the break.
Panasonic teases 42.5mm f/1.2 and 150mm f/2.8 MFT lenses, slated for release by 2014
Panasonic further reinforced its commitment to the Micro Four Thirds form factor when it released the Lumix GH3 mirrorless camera today, but the company also announced the development of a pair of prime lenses, set to ship next year or in 2014. Details are spotty at this point (limited to what you see in that slide above, in fact), but you can expect a 42.5mm f/1.2 optic (85mm equivalent) and a 150mm f/2.8 lens, which offers a 35mm equivalent of 300mm. There wasn't even a hint of pricing, but we'd expect both of these offerings to be quite costly, though they'll likely be significantly less expensive than DSLR equivalents.
Panasonic's GH3 mirrorless camera gets official: 16MP, WiFi and 72Mbps HD video in a ruggedized body (hands-on)
It's not a secret in the least thanks to a video slip-up by Panasonic a few days ago, but today the company is ready to officially announce the successor to its venerable GH2, the Lumix DMC-GH3. This Micro-Four Thirds mirrorless shooter is nearly as big as some entry-level DSLRs, but it's loaded with features to make up for it. Packed inside its dust- and splash-proof magnesium alloy body, you'll find a 16.05-megapixel Live Mos sensor that'll handle 200 to 12,800 ISO natively with extension from 125 to 25,600. Aiding it is Panasonic's latest Venus engine, which enables 6 FPS burst shooting (20 in 4-megapixel mode). Notably, Panasonic is pushing this as a "multimedia" shooter given its robust video features. Unlike many ILCs, the GH3 touts unlimited recording time, so you won't be held back by the likes of the camera overheating -- sadly, the approx. 29-minute recording restriction for PAL regions is in place however. You'll be able to shoot in either MP4, MOV, AVCHD or AVCHD Progressive, with a maximum bandwidth of "72 Mbps (ALL-Intra) / 50 Mbps (IPB)." The formats can be recorded using frame rates of 24, 30 and 60p (excluding MOV and AVCHD), and you'll even be able work with SMPTE time-codes for syncing footage easily in post production. On back, there's an articulating 3:2 614K-dot OLED touchscreen, which can be used for tap-focusing while recording video, along with a 16:9 1,744K-dot OLED view finder -- both of which provide 100% frame coverage. Thanks to included WiFi connectivity, you'll be able to control the camera from your mobile device -- although, its HDMI out may be better suited for film-making. Along the side, there's a duo 3.5mm jacks for monitoring and recording audio straight from the camera with a mic of your choosing or a Panasonic's optional shotgun mic. Speaking of accessories, an F2.8 35-100mm lens will also be introduced with the camera, touting a dust- and splash-proof design. There's no word on price just yet for the GH3 or its accessories, but we're told the camera will hit shelves for a number shy of $2,000 when it's released later this year. The unit we got eye-on time with was an admittedly rough and early build, but you can check it in detail at the gallery above while we get some more impressions at Photokina. You'll also find extended details in the press release after the break. Zach Honig contributed to this report.
Olympus Stylus XZ-2 is a digital compact stuck in a mirrorless camera's body, we go hands-on
Looking to boost your compact capabilities, but don't want to deal with the hassle of swapping lenses? You might take interest with the Stylus XZ-2 -- Olympus' most powerful point-and-shoot model. Admittedly, we're having a bit of difficultly working through the appeal of this latest fixed-lens snapper, given the $600 price tag and a body that's comparable in size to the PEN E-PL5 and even larger than the E-PM2. In the model's defense, it does include an impressive f/1.8-2.5, 28-112mm 4x optical zoom lens, though its 12-megapixel 1/1.7-inch CMOS sensor is smaller than what's included with its interchangeable-lens cousins, and the camera's sensitivity tops out at ISO 12,800. It does, however, offer 1080p shooting and a higher-res swivel 3-inch 920k-dot LCD with Touch AF Shutter control. Still, we would have liked to see these features included with the company's latest Micro Four Thirds cameras, rather than on a model with a smaller sensor and no interchangeable lens. If you're set on the XZ-2, you'll be plenty pleased with the design -- it's quite similar to the E-PL5, and therefore quite capable. There's an option to swap in red, beige and purple grips (the camera body itself is only available in black), and you can add a body jacket and an underwater housing. There's also a built-in flash, which pops up from the top left corner, and you'll find PEN-like controls, to boot. We spent a few minutes with the XZ-2, though the battery was dead during our demo, unfortunately, so we weren't able to shoot. Still, the design felt practical, and the camera seemed solid overall. The hybrid control ring is a "world's first," according to Olympus, and offers the same functionality in both a click mode, which provides feedback, and a smoother silent mode, which won't produce any noise or vibration when shooting videos. The Stylus XZ-2 will ship a bit after the new PEN models, in November, but you can take a peek now in our gallery just below.%Gallery-165433%
Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on)
We've been very impressed with Olympus' first OM-D camera, the EM-5. That model's 5-axis image stabilization and super-fast autofocus won us over, while the retro design appeased nostalgics as well. Now, it's time for that speedy shooting to make its way to the company's other Micro Four Thirds models -- the E-PL5 and E-PM2. Both models, announced today, offer nearly identical specifications, with notable differences on the form-factor front. The E-PL5 is the premium model of this bunch, coming in at $700 with a 12-42mm f/3.5-5.6 lens or $650 for the body only, while the E-PM2 will run you 100 bucks less for both configurations. Both cameras include 16.1-megapixel Live MOS sensors, top ISO of 25,600, 3-inch 460k-dot touch-enabled LCDs, 1080i video and an 8fps continuous shooting mode. The EM-5's five-axis stabilization is absent here, though a three-axis version should suffice in low light. Each model also includes an external flash and a rebate offer for a free Toshiba FlashAir 802.11b/g/n card, which enables connectivity with the OI Share apps for Android and iOS. We had a chance to check both cameras out just before Photokina, and were quite pleased with the design, along with that OM-D-like focusing performance, which really is as speedy as Olympus claims. The camera focused instantaneously with almost all of the lenses we tried, though it was a bit sluggish, understandably, when paired with the 60mm f/2.8 macro. The displays were equally sharp, though the PL5 packs a nifty articulating version, which can tilt up, down or face forward for self-portraits. We also enjoyed shooting with the super-slim 15mm f/8 body cap lens, which features a tiny front element with a slide-over cover -- while it's limited on the aperture front and includes fixed focus, it's arguably more useful than a traditional cap (Olympus hasn't confirmed pricing for that optic, though it'll likely come in below the $100 mark). That aforementioned dust-and-splash-proof macro will retail for $500 in early October, while a new 12mm f/2 lens will ship during the same time for $1,100. The "Mini" E-PM2 will be available in silver, black, white and red, while the E-PL5 will ship in silver, black and white -- both versions will be available in October. You can take a closer look at each of the offerings in the gallery below, then jump past the break for the full rundown from Olympus.%Gallery-165432%
Canon adds the G15, S110 and SX50 HS to its PowerShot lineup
Canon already outed a pair of superzoom cameras prior to Photokina 2012, but it turns out the company wasn't done adding to its PowerShot family. First, we have the PowerShot G15, which has a 28 - 140mm wide angle f/1.8 - f/2.8 lens, 12.1 megapixel sensor and Canon's DIGIC 5 image processor. Its sensor has a max 12,800 ISO, shoots RAW stills and records 1080p video, and you can view your subjects using the optical viewfinder or the 3-inch, 922,000 dot LCD on the back. It replaces the G12 in Canon's lineup when it goes on sale for $500 this October. The PowerShot S110 replaces the S100, and like that camera, it's got a 12.1-megapixel sensor, max 12,800 ISO and an f/2.0 lens. Unlike its predecessor, however, its got a 3-inch, 461,000 dot capacitive touchscreen on the back and ditched GPS in favor of WiFi. That wireless capability lets the S110 pull GPS data for geotagging from Android or iOS devices using Canon's CameraWindow app and share photos and videos on the web. It does RAW shooting, has a 10fps burst mode and records 1080p 24fps video as well. It'll come in both black and white versions that run $450 when it goes on sale next month. Lastly, there's the PowerShot SX50 HS superzoom camera. It packs a 24-1200mm, f/3.4 - f/6.5 lens and optical image stabilization to ensure clear shots even when using the camera's full 50x zoom capability. Like the SX40 HS is replaces, it has a hotshoe and a 12.1-megapixel sensor. It has a max 6,400 ISO and like its new PowerShot mates, it has a 10fps burst mode, shoots RAW photos and 1080p video. The SX50 HS can be had in October for $480.
