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Reason Compact puts a free music synthesizer on your phone
While Propellerhead's Reason is a staple editing tool among many musicians, you've never really had access to it on the phone -- just narrowly-focused apps. The company is giving you something a little more powerful this time around, though. It's launching a Reason Compact app for iOS that promises music creation on the move. This isn't the whole of Reason smushed into your iPhone or iPad, unfortunately, but you do get the software's "flagship" Europa synth, a smart keyboard that makes composition mobile-friendly and a note grid to fine-tune your performance.
Propellerhead to stop selling ReBirth for iPhone
Act quickly mobile music producers. Propellerhead, makers of the recording software Reason, have announced that they will stop selling and supporting the iPhone app ReBirth on June 1. ReBirth is an iOS version of the company's Techno Micro Composer that started as a Mac program. The app emulates a Roland TB-303 bass synth and TR-808 and 909 drum machines. Using FX and sequencers, the app allows users to create whole songs. The more expensive iPad version of ReBirth isn't going anywhere, so home producers will still have that option. Ultimately, the iPad version of the program is the strongest one, adding the ability to export your songs as MP3 files, unlike the iPhone version which can only share songs with other ReBirth for iPhone users. Sadly along with pulling the app from the iTunes store Propellerhead is also pulling support for ReBirth, meaning users will no longer be able to share their songs with other users who have the app. By removing the app's only method of sharing the music it creates it seems like Propellerhead is intentionally crippling a popular feature on the app in favor of its iPad alternative. ReBirth is stil available in the iTunes store for $2.99 until June 1.
Propellerhead announces Reason 7 for Mac
Propellerhead has announced Reason 7, the latest version of its digital audio workstation software. New features include the External MIDI Instrument device, which brings MIDI out support to Reason 7, letting you connect your favorite external MIDI gear right into Reason. Audio editing has been improved with automatic slicing into single notes or hits -- making perfect timing a cinch -- and exporting those slices into Dr. Octo Rex Loop Player, Reason's samplers or the Kong Drum Designer. For mixing, Reason 7 has taken some of that functionality into the Reason rack, added new bus channels and the new Spectrum EQ: a powerful spectrum analyzer with a graphic EQ overlay. Additionally, Reason 7 comes with an expanded sound bank to inspire your creativity as well as new audio import formats, like MP3, WMA and AAC, making it easier to bring your own loops or music into Reason. Finally, Reason 7 introduces the Audiomatic Retro Transformer. Propellerhead says the Audiomatic Retro Transformer is "a future‑retro effect unit with plenty of personality. Add Audiomatic to any channel or group and select a snapshot to instantly change the sound of your track. More details about the Audiomatic Retro Transformer are coming soon." And we look forward to them. Reason 7 will be available soon, and if you purchase or upgrade to the current version of Reason (6.5 -- which we took a look at last year) after March 1st, you'll get a free upgrade to Reason 7. Check out all the details here.
Propellerhead announces Figure for iOS (Updated)
Propellerhead -- makers of the music DAW software, Reason -- had a press conference in Frankfurt, Germany yesterday where it announced some exciting new products and features. Most notably for iOS users, Propellerhead announced a brand new music making app, Figure. As indicated by Ernst Nathorst-Böös, CEO of Propellerhead, Figure is the soul of Reason, married to the mobile platform. It's designed for short bursts of creativity, like when you're on a bus ride or taking a break in the studio! The app is intuitively designed for touch from the ground up. Essentially, Figure is a mobile platform for mocking-up musical ideas, but with the same standard of quality sound that Reason has to offer. Figure comes with drums powered by the same Kong Drum designer found in Reason. Bass and lead / melody sounds are powered by the same Thor polyphonic synthesizer also found in Reason. But Propellerhead's developers didn't stop there. They also put the Reason mixer into Figure, with the same master bus compressor from Reason 6. So Figure's sound quality and potential for sound creation should be pretty high. We can't wait to get our hands on it. Figure is due to land on the iOS App Store at any moment now, priced at just US$1. You can watch the press conference announcing Figure at Propellerhead's YouTube site. Update: Figure is now live on the iOS App Store. Here's the link. We've also had word from Propellerhead that many exciting features are planned for upcoming updates. Sooner rather than later, we can expect saving, import and export of Figure files (with social media integration). Further down the line is support for export into Reason. Finally, there are plans for the implementation of a sequencer of some sort because it's a lot more fun (and useful) exporting an entire arranged track than it is just a two bar loop. We'll keep you posted as things develop. There's also a promo video of Figure you can check out here.
Hands on with Propellerhead's Reason 6 and Balance interface
I've always been curious about Propellerhead's Reason software, but since I'm not really an electronic music-making enthusiast, and the fact that up until more recently Reason had no audio recording capabilities, I've always turned to other recording platforms for my music-making needs, that is until now! For those of you that don't know, Reason is a virtual studio rack for your Mac. It even looks like a rack filled with loads of fantastic studio equipment. It has all the tools required to produce music: compressors, reverbs, synths, delays, a whole bunch of instruments...the list goes on. Previously, though, you'd have to connect this virtual rack with a DAW (a digital audio workstation like Pro Tools, Logic, Reeper or even Propellerhead's own DAW, Record) in order to actually record something through it or capture something produced form it. However, with the latest version of Reason, Record (with all the fine features you've come to expect from a DAW) has been totally integrated into Reason. With Reason 6, Reason and Record are now one, and all the better for it. To top that off, and really hit home the fact that Propellerhead is taking audio recording very seriously. It's produced its own audio interface hardware, too -- Balance. With Reason 6 and Balance, Propellerhead provides everything the home recording enthusiast needs. Balance is a high quality 2-in by 2-out audio interface, meaning you can record up to two sources of audio at a time. This may appear meagre, but for the average home recorder, you're not going to be recording more than two sources of audio at a time -- say a guitar and a vocal. However, you are going to add other instruments to your track by layering recordings on top of each other. Maybe add some piano and some percussion? Balance has two XLR microphone inputs (with 48V phantom power), two 1/4" guitar inputs with padding and four 1/4" balanced line inputs (two stereo pairs). This means you can have up to 8 audio sources plugged in, setup and ready to go without having to fiddle around with cables and wires while you're in the creative zone. Another unique feature of Balance is Clip Safe. How often have you recorded the perfect take only to discover that it clipped because the level was (unexpectedly!) too hot? Clip Safe automatically does a backup recording of your take at a lower level, allowing you to go back and readjust the input level of your take after you've recorded it. Are Balance and Reason 6 as good as they, uh... sound? Propellerhead sent TUAW a review unit of Reason 6 and Balance so I could find out. Physically, the Balance unit is very appealing. It's all black and with a soft rubber feel, but the unit itself feels rock solid. Unlike many smaller audio interfaces, all the controls, dials and lights are raised towards you for easy visibility and access. The two most important dials, the main output level and the headphone level, are the biggest, making them easy to find and use. The other two smaller dials are the gain levels for the two inputs. For a novice user it couldn't be simpler. Hit the source selector for the input you want, adjust the input gain level, adjust the main out level and you're on your way. All the source inputs and the audio outs are neatly arranged on the back of the unit. There are no breakout cables, covers or flaps, the design is clean, simple and clear. And, of course, the audio? The pre-amps sound fantastic, especially for the price point. It's also worth noting that the Balance interface is not tied to Reason. The interface is Core Audio compatible and will work with the DAW of your choice, though the Clip Safe feature is a Reason exclusive. Being Core Audio compatible (like just about every other audio interface for the Mac), Balance works straight away with your Mac. Run the Reason installer disc, plug it in via the provided USB cable and you're on your way. As for Reason 6, well... I have no real previous experience with Reason (and bearing in mind that approaching any DAW for the first time can be a bit of a learning curve), I was quickly up and running recording tracks and engaging with the huge array of instruments and gear in no time. It's clear there's a vast depth to Reason 6. And while it may take a bit of time learning how to get there, the new user can happily get along simply skimming the surface, while the more advanced user will find all the power, flexibility and detail they'd expect from any other DAW. Like Balance, Reason 6 feels clean, clear and polished. It's designed to get out of the way so you can get on with making music. It is extremely stable, too. Which brings me to my last point, Reason is a locked environment, you can't use any third party plug-ins with it. Some may see that as a deal breaker. However, there are a plethora of Reason ReFills -- additional Propellerhead approved, high-quality instruments and sounds for expanding on Reason. Seriously, I'd say you can get just about everything your home studio will need in the Propellerhead universe. In part, Reason's exclusivity is probably what makes it so sturdy. To find out more about what Reason 6 and Balance has to offer, check out the Propellerhead website here. I also recently had an interview with UK singer-songwriter Olivia Broadfield, who is an exclusive Reason user. You can read the interview here. Balance comes bundled with Reason Essentials and is available for around US$500. Finally, until the end of January, TUAW is a hosting a competition with Propellerhead, SoundCloud and Olivia Broadfield, giving you the chance to win a copy of Reason 6, a Balance interface, a SoundCloud premium subscription as well as some TUAW goodies. Check out further details here.
The Thinking Machines flashes back to 1968 for a lesson in computer logic, sideburns (video)
Another dusty gem's emerged from the vintage gold mine that is AT&T's Tech Channel archive, and this one's packed full of useful information and some classic Jetsons-style animation. The Thinking Machines pits man against computer to explain how the things reason, and it does so with a soundtrack that's straight out of, well, 1968. Unsurprisingly, the film's populated by giant, button-laden switchboards, early computer graphics, ladies sporting beehives, and gents rocking unfortunate facial hair, but if that doesn't do it for you, it also offers genuine pearls like this: "Best of all, they never get bored. Like other machines, they can do the same monotonous chores all day long without complaining." Someone should tell that to the disgruntled Roomba residing in our hall closet. Check out the full video in all its dated glory after the break.
Breakfast Topic: This is all your fault and all of you suck
Every single time you're in Alterac Valley and your faction starts losing, someone starts whipping out the blame. Unless you ignore the battleground channel, you will be forced to read all about how you suck, how everyone else in this battleground sucks, how you should have done what they told you to do, and so on. Then, the other guy will pipe up with something like "would you shut up, dude? It's just a game," which sends the first one even deeper into his rage. Eventually he may just leave the match, or else quiet down while someone starts a chorus of "Guys, just let them win! I want to get my mark and go home."Personally, I'm a proud believer in the power of reason. Every time this happens, I find myself giving helpful suggestions, calming tempers, offering insights on how we could improve next time, and generally trying to play the peacemaker. Sometimes I can even find a strategy I think will turn the tide in our favor (and sometimes it works!), but usually I count myself a victor if people just see reason and behave civilly.What's your experience of people in battlegrounds who just can't handle losing? Have you been able to contain their blame explosions?
