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<title><![CDATA[MIDI gear of the 80s: 16 channels of want]]></title>
<link>http://www.engadget.com/2010/06/10/midi-gear-of-the-80s-16-channels-of-want/?utm_medium=feed&amp;utm_source=Feed_Classic&amp;utm_campaign=Engadget</link>
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<![CDATA[
<div style="text-align: center;"><img vspace="4" hspace="4" border="0" alt="Fruhlinger MIDI studio" src="http://www.blogcdn.com/www.engadget.com/media/2010/06/jfmidi2.jpg" /></div>
It was 1987 in a dark Orange County new wave recording studio when I first saw virtual notes scroll past my eyes on a nine-inch Mac Plus screen. The Yamaha DX-7 and Sequential Prophet 5 were lit up like a space ship, and I knew one thing for sure: I wanted to go to there. I wanted to do what Front 242, Blancmange and New Order were doing. I was hooked: high on aftertouch.<br />
<br />
So began my wallet-killing, girl-repelling high school obsession and summer-break career. I worked in the keyboard department at Guitar Center, bought racks of gear at cost, and set my sights on becoming the next great electronic music sensation of the late 80s. Or... not.<br />
<br />
So what was left behind? Several lame Skinny Puppy ripoffs, a few decent dance tracks that I still have hidden away on cassettes in my office closet (of course, I don't have a cassette deck on which to hear said tracks), and plenty of fond memories about some beautiful old electronic music gear. I present here for your perusal some of my more memorable axes.
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<p><strong><a href="http://www.engadget.com/2010/06/10/midi-gear-of-the-80s-16-channels-of-want/?utm_source=Feed_Classic&amp;utm_medium=feed&amp;utm_campaign=Engadget#comments">Comments</a></strong></p>


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<category>alesis</category><category>alesis quadraverb</category><category>AlesisQuadraverb</category><category>k1</category><category>kawai</category><category>kawai k1</category><category>KawaiK1</category><category>korg triton</category><category>KorgTriton</category><category>lorg</category><category>mac plus</category><category>mac se</category><category>MacPlus</category><category>MacSe</category><category>master tracks</category><category>master tracks pro</category><category>MasterTracks</category><category>MasterTracksPro</category><category>midi</category><category>music</category><category>passport designs</category><category>PassportDesigns</category><category>quadraverb</category><category>rolan tr-505</category><category>Roland Emmerich</category><category>roland s-10</category><category>RolandEmmerich</category><category>RolandS-10</category><category>RolanTr-505</category><category>s-100</category><category>sequencer</category><category>tascam</category><category>tascam us-122l</category><category>TascamUs-122l</category><category>tg 55</category><category>Tg55</category><category>tr-505</category><category>triton</category><category>us-122l</category><category>yamaha tg55</category><category>YamahaTg55</category>

<dc:creator><![CDATA[Joshua Fruhlinger]]></dc:creator>
<pubDate>Thu, 10 Jun 2010 11:43:00 -0400</pubDate>
<dc:identifier>21|19508434</dc:identifier>

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