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Black Milk's digital divide
Before we arrive, his manager, Hex Murda, warns us that the producer's setup is "minimal." It's hard to say, precisely what that means in these days of bedroom superstars, but we've done our best to tamp down expectations in the wake of our visit to the sprawling analog forests of John Vanderslice's Tiny Telephone studios. Black Milk moved to Dallas from his native Detroit roughly eight months before, to a relatively quiet street 10 minutes from downtown. In spite of having lived in the space for the better part of a year, the apartment has that just-moved-in feel. There aren't many places to sit, unless you're willing to set up camp on top of one of the stacked boxes of Synth or Soul 12-inches he and his girlfriend are packing up ahead of the upcoming Record Store Day. Not exactly the sort of studio environment one anticipates when visiting one of alternative hip-hop's leading producers / MCs with a resume that includes the likes of Slum Village, Guilty Simpson and Jack White. "I'm thinking of extending the studio out there," he tells us. At the moment, there's not a lot in the common area, save for a couch and a TV he says he never really watches. It would be ideal for some additional recording equipment and the drum set he left back in Michigan, assuming the neighbors don't mind, that is. For the time being, however, it's ground zero for Black Milk mail order -- buy something through blackmilk.biz, and there's a pretty good chance it'll be boxed up and shipped out by one of the apartment's two residents.
MIT crafts analog circuits from living bacteria
Previous work on using organisms as circuitry has usually involved shoehorning parts of the digital world into a very analog environment. MIT has just found an approach that uses the subtlety of the natural world to its advantage: the circuits themselves are analog. By combining genes that produce similar molecules in response to different inputs, the school's scientists have created bacterial cells that perform basic math -- the exact quantity or ratio of a given molecule is the answer. The approach offers a much wider range of results than a binary circuit (10,000 versus 2), and it exploits the cell enzymes' inherent ratio awareness to do some of the hard work. MIT wants more variety in genetic ingredients before it can produce a truly universal system, but its work could lead to organic sensors that are much simpler and more precise than their digital peers.
Ming Mecca modules steer whole game worlds through voltage (video)
Just about every gamer we know has wanted to alter a game world on the spot, whether it's to cheat, fix game mechanics or experiment. Special Stage Systems' Ming Mecca system is built entirely around that concept -- and will definitely appeal to anyone with a fondness for analog electronics. Knobs and switches on its World Core synthesizer module adjust the game machine's maps, graphics, characters and even physics through voltage tweaks. Players only have to load assets on an SD card if they'd like a different look, and they even have access to the firmware and schematics if they want to go completely off the beaten path. Input is just as unconventional: a Control Core turns NES-compatible gamepads into signal generators that can be used just as easily for music making as for playing. Ming Mecca isn't expected to ship until summer 2014, and it won't be cheap at an estimated $999 for a World Core and $350 for the Control Core. Even so, we're sorely tempted to splurge -- it's not often that a gadget scratches so many of our nostalgic itches at once.
Korg announces Volca analog synth series, we go eyes-on
Korg's love of the mini-analog synth clearly remains strong as it's added three more new ones to the fold -- the Volca Beat, Volca Bass and Volca Keys (the clue to what they do is in the names). While some firms take a pro product and work down, making cheaper versions, Korg seems to take a different approach. It did the stripping-back thing when it launched its popular Monotron synth. Since then, it's incrementally developed it back up into a whole category of its own, the latest iteration of which we apparently see before us here. The trio of mini-synths clearly take inspiration from the Monotribe groovebox that came before them, but are a step up in terms of design. Brushed metal finishes give them a vintage, almost Stylophone feel. The Volca Bass, in particular, looks almost too much like the legendary Roland TB-303 to be coincidence, and if we didn't know better, we'd say the color scheme of the Beat echoes the TR-808. As we happened to be in Frankfurt, we couldn't resist getting out hands on them, or as you'll see past the break, at least trying to. %Gallery-185299%
Moog Music's Amos Gaynes on learning to code in BASIC and going off the grid
Every week, a new and interesting human being tackles our decidedly geeky take on the Proustian Q&A. This is the Engadget Questionnaire. In the return edition of our regular session of inquiry, Moog Music product manager Amos Gaynes discusses sound synthesis, tolerance for poor battery life and shares his love for BB10. For the entire collection of answers, take a quick leap to the other side of the break.
Moog Sub Phatty analog synthesizer hands-on (video)
A few days back, Moog teased a new synthesizer that we would come to meet properly as the Sub Phatty. Once we hit the show floor here in California, we made sure to drop by for live look. The analog unit features every bit of the fine craftsmanship that we've come to know Moog for crankin' out of its factory in the mountains of North Carolina despite the affordable $1,100 price tag. Sub Phatty keeps with the classic snyth aesthetic and Moog design trademarks including soft-touch coated side panels -- a staple of the Phatty line -- and knobs that look and feel prime for extreme mileage. Aside from a dapper exterior, the big draw here is the new Multidrive tech that graces the control panel and inner workings of the device. We could give a detailed textual explanation of said feature, but we'll let Amos Gaynes, product development specialist at Moog, do all of the chatting in the video that follows after the break. Speaking of the jump, you'll find an audio sample taken straight off of the Sub Phatty's frontside here at NAMM 2013.
Stylophone S2 portable analog synthesizer hands-on (video)
The original Stylophone is something of a legend. Made popular by David Bowie (and possibly if you're British, Rolf Harris) in the late sixties / early seventies. Since then the original (shown in our gallery) has been re-released, and spin-off products have come to light. The S2, however, represents a new direction for the vintage synth. This time, makers dubreq wanted to create something that maintained the original's pick-up-and-play appeal, while adding some more high-end features and functionality that open it up to more serious sound-smiths. The first thing you will notice is that, while it still has the iconic metal "keys," the Stylophone S2 is somewhat larger -- no bad thing if you've ever tried penning a melody live on the original. Those keys can be triggered with a wireless stylus, but are touch sensitive also, meaning you can poke out a tune without being limited to the agility of your dominant hand. Skip past the break for more details and a hardware video tour.
Moog details Sub Phatty ahead of NAMM, accepts $1,099 pre-orders for March (video)
A few days ahead of the music industry's annual soiree in California, Moog Music has outed its latest analog offering. The North Carolina-based outfit has pulled the wraps off of the Sub Phatty: a 25 full-size key, 31 knob synthesizer that wields two variable waveshape oscillators and Moog's new Multidrive circuitry. Multidrive smashes OTA distortion with FET drive to offer a range of sounds from warm depth to growling overdrive. "We set out to design the grittiest Moog synth ever, one that still offers all of the great sound and flexibility that Moog synthesizers are known for, but that also really has teeth," said president Mike Adams. The budget-friendly price tag of $1,100 is sure to tempt those who've been eyeing Moog's wares, but units won't start shipping until March. Consult the source link to part with your funds and jump past the break for a walkthrough with synth pioneer Herb Deutsch.
Visualized: Inside Moog's Sound Lab
As touring acts grow weary from their travels across the US of A, Moog has a spot for them to get re-energized. Inside the synth maker's North Carolina headquarters sits a room that's decked out with the company's analog tech and effects (including a Model 15 synthesizer) -- waiting for musicians who are on the road to stop by for a visit. It's here in the Sound Lab where the likes of Mutemath, Phantogram, OK Go and Ra Ra Riot grab their Moog gear of choice to re-imagine some of their existing tracks. For a look at all of the sound-scaping tools on display, mosey into the gallery below for a virtual visit. %Gallery-169365%
Visualized: A look inside Moog's analog synthesizer factory
While we're waiting for Moogfest to officially kick off this weekend, we stopped by the headquarters of Moog Music in Asheville, North Carolina to catch a glimpse of the analog action. The entire company is housed in one building that includes design, assembly, testing, engineering, service and a warehouse for all of the handmade electronics. Despite having all of its departmental bases covered, the outfit is still only comprised of about 50 folks total. However, the workshop-esque facility is poised to crank out 10,000 instruments over the course of the year that cover synths, stomp boxes, guitars and more. We took a stroll around the factory floor (and we were lucky enough to spot the screen-printed, Moogfest-exclusive Theremins), so dive in to the gallery below for a behind-the-scenes look at the construction process.
Gertboard extender for Raspberry Pi ships to advanced tinkerers
If a seemingly infinitely programmable mini computer like the Raspberry Pi is just too... limiting, we've got good news: the Gertboard extender has started shipping. The $48 companion board reaching customers' doorsteps converts analog to digital and back for Raspberry Pi fans developing home automation, robotics and just about anything else that needs a translation between the computing world and less intelligent objects. The one catch, as you'd sometimes expect from a homebrew project, is the need for some assembly -- you'll have to solder together Gert van Loo's Arduino-controlled invention on your own. We imagine the DIY crowd won't mind, though, as long as they can find the fast-selling Gertboard in the first place. [Image credit: Stuart Green, Flickr]
Realmac's Analog 1.2 adds filters, round-tripping to iPhoto and Aperture
Realmac Software has released version 1.2 of its Mac photo effects app Analog (US$19.99), adding a number of features that improve on an already fun and useful app. The new version allows photographers to move and scale images inside the borders to allow more control of cropping. For owners of Apple's newest MacBook Pro, Analog 1.2 now supports the Retina display. Performance of the app is improved over earlier versions, and there are four new filters -- Anchorage, Stereoscopic, Cairo and Odessa -- that supplement the variety that came with the original app. Probably the most talked-about new feature, however, is the support for iPhoto and Aperture's external editor feature. In Preferences for either of those Apple photo apps, a photographer can set up editing photos in another editor. While working with a photo, images can be sent to Analog by right-clicking an image and choosing "Edit in External Editor." Once effects have been applied and adjusted, a click on the Share button in Analog allows the image to be saved back to the original application. It's a simple and fast way to apply Instagram-type effects to your favorite photos on the Mac. The upgrade is available to current users immediately on the Updates tab of the Mac App Store.
Marshall's Hanwell HiFi speaker is bred from guitar amps, at-home with your PMP (update)
It's been a year since the legendary guitar amp and speaker makers at Marshall Amplification made a splash in consumer audio with its Marshall Headphones spin-off (Zound / Urbanears). In commemorence of the amplification division's 50th anniversary, both have announced the Hanwell: Marshall's first speaker rig that's made for a counter-top instead of a festival stage. The Hanwell's design essentially stems from that of a combo guitar amp / speaker, but you won't be able to plug in your guitar, however, as it's specifically made for pumping out the sounds of your music collection. Most anyone who plays guitar, or has seen the likes of Slash and Nigel Tufnel shredding it up, will immediately recognize the iconic Marshall design ethic down to its iconic plastic nameplate on the front grill and gold accents. There's no major tech at play inside of the system, but with looks this cool it's not like it matters -- hopefully, the sound quality will match. Up top there's a familiar panel housing a 3.5mm input, power toggle and knobs for bass, treble and volume, while internally you'll find a duo of long-throw woofers and tweeters. The cab itself is made from wood and wrapped in black vinyl tolex like its bigger JCM siblings -- heck, it even comes with a coiled audio cable. There's no specific information beyond all of that such as pricing and availability -- especially whether "these go to 11" -- but you'll find a press release and close-up shots after the break. Update: We've been informed that the Hanwell will be limited to a run of just 10,000 units -- expect this to be spendy when it's finally available.
Kodak announces 'asset protection' cinema film, thumbs nose at your digital movie collection
Kodak may not be beloved by digital filmmakers, but it's not fallen out of love with the talkies. It's new "asset protection" cinema film is designed to save motion pictures from being lost if your digital-storage-medium-of-choice is rendered obsolete. It's designed for long-term archive storage, with your Hollywood blockbuster stored in a "human-readable" format that'll remain usable "well into the future." As such, the reels are loaded with dyes that will reportedly remain stable for "decades," but the company thinks will remain viable for over a century -- in stark contrast with the short life of your average hard-drive. It'll add a monochrome offering to the range later in the year, but if you want the color version now, your people will have to talk to Kodak's people, Mr. Producer.
Biostar Hi-Fi Z77X gives audiophiles 7.1-channel analog sound, overpriced cables thankfully optional
There haven't been many choices in PC motherboards for audiophiles -- the 'real' kind that might see even a good dedicated sound card as slumming it. Biostar wants to fill that untapped niche with the Hi-Fi Z77X. Along with run-of-the-mill expansion for an Ivy Bridge- or Sandy Bridge-based desktop, the board's built-in 7.1-channel audio flaunts six 3.5mm analog jacks, an amp and the kind of exotic-sounding language that leads audio addicts to buy $2,000 cables they don't need. We're talking "metal-oxide film resistors" and "non-polarized electrolysis electric audio capacitors," here. Whether or not the changes have an appreciable impact on sound quality, listeners are ironically left out of S/PDIF audio, which exists only as a header on the board unless buyers spend a little more on parts. That said, if we assume the as yet unknown price isn't stereotypically high -- and that audiophiles don't mind a big, potentially noisy desktop as a home theater PC -- the Hi-Fi Z77x could be a treat for those who want to wring every nuance out of music and movie soundtracks.
AverMedia rolls out AverTV box PVR, likely targeting budget-minded ad-skippers
AverMedia generally doesn't boggle us with cutting edge products, but they have their niche with those for whom money is an object. Though pricing hasn't been announced, the AverTV Box PVR announced at Computex seems to fit that mold, offering set-top recording and time-shifting, but foregoing niceties like network connectivity, HDMI output or even HD for that matter. The box can record to separate USB devices and output with analog VGA or RCA composite to a monitor or TV. While it appears to be SD-only, if your 20-year old Zenith wants to get in on some PVR time-shifting, it might have found a new best friend. Check the PR for more info. Show full PR text AVerMedia Announced the Standalone TV Recording Box Used with TV Set or PC Monitor Taipei, Taiwan-June 4 ,2012 AVerMedia Technologies, Inc., the preeminent name in digital multimedia technology, today announced the availability of the AVerTV Box PVR, a standalone TV recording box used with TV set or PC monitor. The AVerTV Box PVR features direct file recording to USB hard drives directly, scheduled recording and TimeShift, which provide consumers the most convenient way to enjoy TV programs at any time. What's more, it is equipped with 3D Y/C separation technology that ensures the superior video quality. Besides TV recording, it can also be used to preserve your favorite video from various external source devices. With the advantages of ease of operations, high video quality and multi-use capability, the AVerTV Box PVR is the ideal and cost-effective solution for TV and video enthusiasts. The hardware and function design of the AVerTV Box PVR satisfies all the demands for live TV recording. Its inputs of TV antenna and composite video allow users to capture analog cable TV, as well as TV content from satellite/cable TV set-up-box. Due to its compatibility of both TV set and PC monitor, the product stands out from general TV boxes for PCTV to bring this delightful TV experiences to the living room. With only one press, the AVerTV Box PVR records your favorite variety shows, drama series, football games, and sitcoms to an external USB hard drive. Moreover, the device provides multiple recording options to ensure your ultimate TV entertainment. Besides real-time recording while watching TV programs, it is capable of cyclic scheduled recording with auto power on and off, which means capturing the whole TV series with one-time setting to save your trouble and electricity expense when you are away from home. Even better, its TimeShift function enables pause, fast-forward and rewind live TV clips so that no prime moments will be missed because of any sudden interruption, and those breath-taken moments can be re-played. What's more valued, the AVerTV Box PVR adopts the NEC chipset with advanced 3D Y/C separation technology, which helps to present higher video quality from analog TV signal due to the powerful noise reduction and color separation capabilities.
European Parliament approves January 2013 deadline for 4G spectrum free up
Back in November, the European Commission, European Parliament and its member states agreed on plans to repurpose their 800MHz frequency bands for 4G mobile networks. Today, that decision has been officially approved. The Radio Spectrum Policy Programme (RSPP) has been set up to coordinate the use of this spectrum for fourth-generation services across the continent. Currently, 800MHz is used for analog television, but the new ruling gives member nations until the 1st of January 2013 to switch over to digital and authorize the band for its new role. Those nations dragging their heels can obtain an exemption, but mobile operators will be eager to see the spectrum freed up before then if possible. Swedish politician Gunnar Hökmark, who pushed for the legislation, hopes that it could lead to the EU having the fastest mobile broadband worldwide. Just don't tell AT&T.
Scientists scan damaged audio discs, resurrect fresh beats
Digitizing your analog archives? Vinyl to CD / MP3 / iPod turntables might do well enough for your old 45s, but the folks at Lawrence Berkeley National Laboratory prefer to listen to their old beats by taking pictures of them. More specifically, restoration specialists are using a system called IRENE/3D to snap high resolution images of damaged media. The cracked discs -- often made of wax on brass or composition board -- are then repaired digitally, letting researchers play the digitized discs with an emulated stylus. So far, the team has recovered a handful of 125 year old recordings from a team in Alexander Graham Bell's Volta laboratory. The all digital system gives researchers a hands-off way to recover audio from relic recordings without running the risk of damaging them in the process -- and no, they probably won't let you use it to listen to that beat up copy of the White Album you've had in your closet since eighth grade. Hit the source link to hear what they've recovered.
Nintendo to release Circle Pad Pro to US through Gamestop: February 7th for $20
That extra analog stick and three shoulder buttons -- they make all the difference and net you additional street cred in the process. Following up on its Japanese release of the Circle Pad Pro over the weekend, Nintendo has stated that it will release the accessory to the US exclusively through Gamestop on February 7th with a retail price of $20. Though still relatively unknown in American gaming circles, the Circle Pad Pro is cited as running for 480 hours on one AAA battery, which is nothing to sneeze at. Nintendo has stated that upcoming games will need to be optimized for the device but suggest that it can bring tighter controls to titles such as Resident Evil: Revelations and Metal Gear Solid 3: Snake Eater. Also, it makes your 3DS mildly huge. Click the break for the full PR and a quick video guide of the Circle Pad Pro's features.
Lomography LomoKino Super 35 Movie Maker hands-on (video)
"Unique and precious pieces of movie art." That's what Lomography is promising to deliver with the LomoKino Super 35 Movie Maker -- the company's very first movie camera. Announced earlier this month, the LomoKino is hardly a technological game changer. In fact, it's anything but. Much like every other camera to come off of Lomography's assembly line, the Movie Maker is entirely analog. Users must spool their own 35mm film and manually operate the device's crank to capture images at a frame rate of three to five frames per second, with a shutter speed of 1/100 second. From there, you can either send the film off to get developed and digitally formatted, or cut it yourself and scan it into your movie editing software of choice. You won't find any sound, many frills, or, for that matter, a ton of convenience, but that's also the idea -- to return filmmakers to the roots of early silent cinema, with a pared down device that reignites some of the photographic mystery lost with the dawn of the digital age. For those too young to remember the analog era, just think of it as a physical manifestation of Instagram, minus the "insta" part. And the results can be pretty stunning, as many in the Lomography community have already demonstrated with collections of hauntingly silent, washed out shorts. With our curiosity piqued, we decided to stop by Lomography's boutique in Paris to learn more about the LomoKino. Check out our hands-on gallery below, and click past the break for our initial impressions. %Gallery-139288%
