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A first look at Canon's EOS 5D Mark IV
The long-awaited EOS 5D Mark IV is getting ready to hit retailers later this month. And, as expected, it is a worthy successor to one of Canon's most popular DSLRs, the 5D Mark III. At least based on specs. It features a massive 30.4-megapixel CMOS sensor, a Digic 6+ processor and, perhaps most importantly, 4K video at 23.98, 24, 25 and 30 fps. Additionally, the 5D Mark IV comes with a 61-point autofocus system, an ISO range of 100-32,000 a built-in digital lens optimizer, NFC and WiFi. We had the chance to check it out for the first time at an event in New York City and, not surprisingly, it looks nearly identical to its predecessor.
Canon's EOS 5D Mark IV has a 30.4-megapixel sensor and 4K video
The moment Canon fans have anxiously waited for is here. Today, the company finally took the wraps off of its EOS 5D Mark IV, a DSLR geared toward photographers and videographers alike. For starters, the highly anticipated flagship camera features a brand new 30.4-megapixel, full-frame CMOS sensor and Digic 6+ processor. It also brings 4K video capability at 23.98, 24, 25 and 30 fps, as well as a 61-point autofocus system, built-in digital lens optimizer, NFC, WiFi and an ISO range of 100-32,000. All told, that's a big step up from the previous model, the EOS 5D Mark III -- one of the most beloved DSLRs out there.
Canon's upcoming 5D Mark III firmware update brings uncompressed HDMI output support, enhanced AF functionality
Proud owners of that sleek and relatively powerful Mark III will be happy to know Canon has just announced a firmware update for its flagship 5D model. The Japanese camera maker is touting this upcoming release as one that will bring clean HDMI-out support to the EOS shooter, which should be great for folks who would like to monitor their recordings in real time. Additionally, Canon's improved the Mark III's AF functionalities yet again; this time out by enabling the unit's auto focus system to adequately adjust to the type of lens that it is paired with. Unfortunately, it looks like users will have to wait a little while to install the new firmware, as the company won't be making it available until April of next year -- at which point it can be grabbed from the soon-to-be bookmarked source link below.
'Samsara' creators Ron Fricke and Mark Magidson discuss the digital filmmaking divide (video)
We've set up shop in a conference room above Third Avenue in Manhattan, a Canon 5D trained on Ron Fricke and Mark Magidson. I find myself apologizing awkwardly for the setup, several times. There's a long boardroom table in the middle and a customary junket breakfast spread to the right. It's about as plain as meeting rooms come, save for a few movie posters lining the walls, advertising films distributed by the indie film company that owns the space. Hardly ideal for our purposes, but here were are, all clumped into a single corner, with the director and producer of Samsara flanking a cardboard poster for their movie, leaned atop a stand. It's not the welcome befitting the creators of a big, beautiful sweeping cinematic masterpiece. But they're tired -- too tired to care about such things, perhaps. They dismiss such apologies, clip their lavaliere microphones on over their shirts and sit down. Fricke motions to the single SLR seated atop a tripod, explaining that he used the same model on a recent commercial shoot. "We have a solid background grounded in shooting in film, and that just stays with you," he adds. "When I'm shooting like with a 5D, like what you're using now to shoot this interview, I'm working with it like it's a 65 camera. It's my frame of reference, my background. I'm just wired that way." The world of filmmaking has changed dramatically in the two decades since the duo first unleashed Baraka on the world, a non-narrative journey across 25 countries that became the high-water mark for the genre and a staple in critics' lists and film school syllabi.
Canon updates 5D Mark III firmware, concedes it won't get continuous autofocus for video
Canon has released an updated firmware for the 5D Mark III that adds support for the forthcoming 40mm f/2.8 lens and fixes a variety of small power and auto-exposure issues. What was absent was the long-promised support for continuously autofocusing video, which the company confirmed to The Verge has now been ditched from the camera's spec sheet. It looks like if you were hoping to helm your own tense medical drama with one of these, you'd better start looking for the receipt.
Canon 5D Mark II surpasses iPhone 4 as Flickr's most popular camera
Mashable notes this morning that the iPhone is no longer the most popular camera used by Flickr users. That honor now goes to the Canon 5D Mark II. Canon's numbers have been rising for months, and pics from that Canon model totaled 4,643 yesterday. The iPhone 4 users posted 4,460. The iPhone 4 was the number one image contributor when rankings were released last June. There's one thing to take into consideration. The iPhone numbers only reflect the use of the Apple provided camera app. If you're using Instagram or Hipstamatic or any of the 3rd party HDR apps your photos won't be tagged as iPhone images. Canon recently lowered the price of the 5D Mark II because its been replaced by the Mark III, so some of the boost comes from that. Also, numbers for the iPhone 4 are dropping as the iPhone 4S grows in popularity. Looking at the trends the 4S may be on top soon, and as it is now, the iPhone holds the top 4 spots for camera phones on the Flickr tally. So there's that.
Canon 5D Mark III hits US retailers, available in stores today
Well, that didn't take long at all. Hours after our Canon 5D Mark III review went live, we've received word that the camera is already available for purchase, and if you happen to live in New York City and can make it to B&H before 7PM, you could even take one home today! A call to the retailer confirmed that there are just three kits available, each with a 24-105mm f/4 L IS USM lens in the box for $4,299. If you're looking for a body-only version, you'll need to hang tight, but if you don't mind splurging on the pricey duo, now would be the time to cancel those Thursday night dinner plans in favor of some low-light NYC shooting.
Canon EOS 5D Mark III field review
Shoot in the dark. That's essentially what you can do with the Canon 5D Mark III -- with a top sensitivity of ISO 102,400, what was once unfathomable could soon become an acceptable standard. While point-and-shoot manufacturers are adding WiFi and GPS, and tweaking algorithms in an effort to boost sensitivity beyond the 6400 mark, Canon and Nikon are making clear cases for a DSLR upgrade, by drastically improving image quality. The 5D Mark II had an excellent three-year run, but with its 22.3-megapixel sensor, 1.04M-dot 3.2-inch LCD, improved autofocus and high-performance video capabilities, Canon's latest full-frame DSLR is an entirely different beast, and a very compelling successor. We spent two glorious weeks with a pre-production 5D Mark III before reluctantly shipping it back to Canon. The biggest benefit (for us, at least) has been high-ISO shooting. While the former 5D could theoretically handle ISO 25,600 captures as well, its native range topped out at 6400 -- venturing beyond that territory meant taking a hit on image quality, making it a seldom-used feature that benefited the camera's spec sheet far more than our low-light snap collection. With this latest iteration, we were able to capture sharp images in environments where there was far too little light to make out details with the naked eye, just as we have with the larger (and pricier) Nikon D3S. Our resulting scenes look like they were lit with sophisticated rigs, or in an environment that allotted far more natural light than was actually available. Low-light shooting is but one benefit of the Mark III, however, so join us past the break for a closer look in our field review.
Nikon D800 studio samples posted at DPReview (update: 5D Mark III studio sample added)
Nikon faced some backlash following the announcement of its D800 DSLR, due both to the camera's potentially excessive 36.3-megapixel resolution and its relatively limited top sensitivity of ISO 25,600. Then, less than one month later, Canon revealed its own mid-range full-frame cam -- the 5D Mark III -- with a 22.3-megapixel sensor, and an option to shoot at ISO 102,400. Both models appeal to the same market of professional photographers, but with vastly different specs, which is the better pick? Low-light shooters will likely base part of that decision on high-ISO capabilities, and after reviewing samples from both cameras, there appears to be a winner.DPReview spent some time with the D800, and we took the Canon for a spin last week. We scaled the D800 sample down to 22.3 megapixels to match the 5D, then pasted a 300-by-400 1:1 pixel section from each camera side-by-side in the image above. The D800 JPEG (on the left) appears to be the noisier of the two, which seems logical, considering that Nikon opted to boost the camera's resolution instead of its sensitivity. Still, the cam's top-ISO is quite usable, and if you plan to shoot in a studio setting or can live without a six-digit sensitivity, the D800 will likely suit you just fine. Hit up our source link for samples shot at the full ISO range, including full-res downloads, to make that call for yourself.Update: We've replaced the Canon sample with a studio shot from DPReview, which provides a more accurate comparison. You can find images from both cameras at our source links below.
Canon updates EOS-1D Mark IV and Rebel T2i / 550D firmware, squashes manual exposure movie bug
When we asked fine readers like yourself how you'd improve the EOS-1D Mark IV and Rebel T2i not a soul mentioned manually exposed video, but if you were personally plagued by a jittery aperture when shooting said footage with certain lenses (a bug that previously appeared in the 5D Mark II) you'll be happy to hear Canon diligently decided to fix the issue anyhow. The 1.0.8 firmware updates for both aforementioned DSLRs are now available at our source link, but unless you've personally had a problem they may not be worth your time; Canon's changelog shows aside from fixing a few menu misspellings, the new code does absolutely nothing else.
Canon 5D Mark II helmet mount attracts Hollywood's attention
Details are a bit light on this one, but the Planet 5D blog has received an email from the director of photography on 24, who himself received an email from the DP of Dollhouse, who passed on a video of a Canon 5D Mark II helmet mount built by the folks at Panavision. The rig was apparently designed specifically for use in fight scenes and other instances where a very close camera point-of-view is beneficial, and of course for "parachute drops and the like." The story also goes that the mount might have actually been used on Iron Man, although that's yet to be confirmed. Hit up the read link below to check out the video for yourself, although it unfortunately doesn't actually include any sample footage taken with the rig.
