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A first look at Canon's EOS 5D Mark IV
The long-awaited EOS 5D Mark IV is getting ready to hit retailers later this month. And, as expected, it is a worthy successor to one of Canon's most popular DSLRs, the 5D Mark III. At least based on specs. It features a massive 30.4-megapixel CMOS sensor, a Digic 6+ processor and, perhaps most importantly, 4K video at 23.98, 24, 25 and 30 fps. Additionally, the 5D Mark IV comes with a 61-point autofocus system, an ISO range of 100-32,000 a built-in digital lens optimizer, NFC and WiFi. We had the chance to check it out for the first time at an event in New York City and, not surprisingly, it looks nearly identical to its predecessor.
Canon's EOS 5D Mark IV has a 30.4-megapixel sensor and 4K video
The moment Canon fans have anxiously waited for is here. Today, the company finally took the wraps off of its EOS 5D Mark IV, a DSLR geared toward photographers and videographers alike. For starters, the highly anticipated flagship camera features a brand new 30.4-megapixel, full-frame CMOS sensor and Digic 6+ processor. It also brings 4K video capability at 23.98, 24, 25 and 30 fps, as well as a 61-point autofocus system, built-in digital lens optimizer, NFC, WiFi and an ISO range of 100-32,000. All told, that's a big step up from the previous model, the EOS 5D Mark III -- one of the most beloved DSLRs out there.
Canon 5D Mark III hits US retailers, available in stores today
Well, that didn't take long at all. Hours after our Canon 5D Mark III review went live, we've received word that the camera is already available for purchase, and if you happen to live in New York City and can make it to B&H before 7PM, you could even take one home today! A call to the retailer confirmed that there are just three kits available, each with a 24-105mm f/4 L IS USM lens in the box for $4,299. If you're looking for a body-only version, you'll need to hang tight, but if you don't mind splurging on the pricey duo, now would be the time to cancel those Thursday night dinner plans in favor of some low-light NYC shooting.
Canon EOS 5D Mark III field review
Shoot in the dark. That's essentially what you can do with the Canon 5D Mark III -- with a top sensitivity of ISO 102,400, what was once unfathomable could soon become an acceptable standard. While point-and-shoot manufacturers are adding WiFi and GPS, and tweaking algorithms in an effort to boost sensitivity beyond the 6400 mark, Canon and Nikon are making clear cases for a DSLR upgrade, by drastically improving image quality. The 5D Mark II had an excellent three-year run, but with its 22.3-megapixel sensor, 1.04M-dot 3.2-inch LCD, improved autofocus and high-performance video capabilities, Canon's latest full-frame DSLR is an entirely different beast, and a very compelling successor. We spent two glorious weeks with a pre-production 5D Mark III before reluctantly shipping it back to Canon. The biggest benefit (for us, at least) has been high-ISO shooting. While the former 5D could theoretically handle ISO 25,600 captures as well, its native range topped out at 6400 -- venturing beyond that territory meant taking a hit on image quality, making it a seldom-used feature that benefited the camera's spec sheet far more than our low-light snap collection. With this latest iteration, we were able to capture sharp images in environments where there was far too little light to make out details with the naked eye, just as we have with the larger (and pricier) Nikon D3S. Our resulting scenes look like they were lit with sophisticated rigs, or in an environment that allotted far more natural light than was actually available. Low-light shooting is but one benefit of the Mark III, however, so join us past the break for a closer look in our field review.
Canon 5D Mark II goes back in time with circa-1908 lens
Old camera lenses being re-purposed on modern DSLRs is hardly anything new, but Canon 5D Mark II user Timor Civan's latest bit of kit is anything but common. He came into the possession of a circa 1908 Wollensak 35mm F5.0 Cine-Velostigmat lens (for a hand-cranked film camera) by way of a Russian lens technician described as a "mad scientist," who also managed to fit the lens to the 5D after about six hours of work. Needless to say, the results speak for themselves. Hit up the source link below for a collection of samples, and a closer look at the lens itself.
