Digital Cinema Implementation Partners (DCIP) -- representing AMC, Cinemark and Regal Cinemas -- has worked out a deal to finance the installation of thousands of digital movie screens starting next year in the U.S. with the help of Lion's Gate, Paramount, Fox, Universal and Disney. Not participating, at least for now, are Warner Bros. and Sony Pictures, with the latter expected to announce a separate deal soon involving the installation of Sony 4K SXRD projectors around the world. Key to the deal? "Virtual print" fees, meant to help defray the expect $70,000 cost to switch to 3D-ready digital projection setups, as the studios will kick in the $800 - $1000 they would have spent on old school movie prints to finance the changeover. In the future they save by distributing only digital prints, not to mention having somewhere to show the dozen 3D flicks expected to debut next year. Both sides are betting the $1 billion package will help pull us away from the HDTVs and back into a movie theater, but until they work out a payoff with that one guy who won't stop talking, we're not sure how likely that is.

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Picking up where the SRX-R220 left off, Sony's new SRX-T110 / SRX-T105 4k x 2k projectors are likely headed right to a museum, cinema (lucky!), or "digital planetarium" near you. Each SXRD device touts a staggering 4,096 x 2,160 native resolution and contrast ratios of 2,500:1. Separately, the T110 comes in much brighter than the T105, offering 11,000 lumens over the latter's 5,500. Those of you hoping to sneak one of these into your home cinema without placing too heavy a burden on the plastic Centurion will probably be disappointed; the T110 will ring up at ¥12.7 million ($120,460), while the T105 demands ¥8.3 million ($78,725). Both should arrive in Japan this November.

[Via Impress]

If you're a live event nut but live in the sticks, listen up: Sony is about to bring live performances to digital theaters with its new Hot Ticket program. Sony will broadcast Broadway shows, concerts, and sports events to around 500 digital theaters, live and in HD digital projection for about $20 a seat. The venture will launch with Cirque du Soleil's final performance of Delirium from London and for the two of you who haven't seen it yet, Rent's final Broadway performance will be shown in September. We have to admit, though, this could create some fun SuperBowl parties with rival factions on either side of the aisle, Congress style.

Looks like Okoro Media Systems isn't the only HTPC builder on the block cramming Microsoft's latest OS into its systems and upping the specs, as Velocity Micro has taken a break from its NoteMagix series to amp up a few media PCs. Both boxes come with Windows Vista Premium pre-installed, ATI's TV Wonder Digital Cable tuner, and options for HD DVD and Blu-ray playback. The CineMagix Pro Cinema rocks a fairly average black chassis, 500-watt power supply, AMD Athlon 64 X2 3800+ processor, 1GB of DDR2 RAM, HDCP-compliant ATI Radeon X1950 Pro, onboard 7.1 audio, 8-in-1 flash card reader, up to 1.5TB of hard drive space, dual gigabit Ethernet adapter, 802.11b/g, a pair of FireWire connectors, six USB 2.0 ports, and a wireless keyboard / mouse combo. The Intel-powered CineMagix Grand Theater swaps in your choice of CPU, including options for both the Core 2 Extreme X6800 or QX6700, up to 4GB of RAM, NVIDIA GeForce 8800 GTS, up to 2.25TB of HDD space, but otherwise mimics its AMD-packin' sibling. Both units are fully customizable if you've got the cash to burn, and while the CineMagix Pro Cinema starts at $1,695, the Grand Theater rings up between $2,195 and near-five digits.

[Via 64-Bit-Computers]

It's not terribly uncommon to see a manufacturer try to push a product (or platform) into every crevice of your life, and it seems that Texas Instruments is diverting quite sharply from its calculatorish ways of old and making an aggressive push to get that DLP logo slapped on everything you own. While we've seen (literally) the diminutive Microvision display do its thang here at CES, TI is hoping to steal that thunder away by talking up its forthcoming palm-sized DLP projectors. The "fully featured" Pocket Projectors, which are co-developed by OMAP, would weigh "less than one pound," use the .55 DLP chip, and could purportedly connect to handsets or PDAs to beam up that big(ger) screen imagery for a crowd to see. Unfortunately for TI, these devices are not (at least initially) supposed to be integrated units, which could easily get overlooked if those built-in alternatives can muster acceptable quality. Additionally, TI is hoping to get that DLP logo stamped on your brain even when you visit the cinema, as the company now has its technology in 3,000 theaters worldwide and is frequently throwing logo-clad splash screens onto the canvas during pre-show advertisements. So if you wonder why you're strangely drawn to the DLP sets during your next HDTV shopping trip, trust us, it's not the mirrors, it's the marketing.

[Via AboutProjectors]

The same Dolby that has been keeping theaters thumping for years is now teaming up with Infitec GmbH, a German company specializing in virtual reality applications, to develop its own 3D projection system for cinema use. While the ideas surrounding 3D displays in various forms are certainly not new, this technology promises to be more affordable than current 3D installations and boost dwindling ticket sales -- ahh, nothing like a panacea to cure what's ailing the movie industry. Dolby's inexpensive, polarized-lens take on 3D hopes to be a bit more widespread than, say, IMAX, in an attempt to get folks away from their internet flicks and DVDs, and back into the realm of overpriced concessions and stadium seating. It's hard to say if this technology will be the thrill people need to swallow the rising box office expenses, but Dolby hopes you'll be giving a gander at the third dimension when their 3D systems get deployed nationwide in spring of 2007.

[Via Wired]