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RED reveals a smaller 8K sensor for its Weapon camera
RED has revealed a new sensor called the "Helium" for its ultra-high megapixel 8K Weapon cinema camera. The chip will be 29.9mm wide (slightly bigger than Super-35), considerably smaller than the company's 40mm VistaVision sized 8K Dragon sensor. It still has the same 8,192 x 4,320 pixel count, however, giving it a pixel pitch of a miniscule 3.65 microns. RED President Jarred Land says the sensor is "way ahead of schedule," and will be available to buyers of its $60,000 Weapon camera "in the coming months."
Film's cinema comeback is driven by nostalgia, not logic
When Kodak declared bankruptcy and Fujifilm halted film stock production, things looked grim for celluloid. Shooting was going digital, and new cameras from Red, Sony and Arri produced quality nearly on par with 35mm cinema cameras. Film, however, has made a cinematic comeback. Last year saw a string of shot-on-film movies you may have heard of: Star Wars: The Force Awakens, The Hateful Eight and Interstellar. The directors of those movies believe that film is superior for capturing images -- and Quentin Tarantino even thinks it's a better release format, judging by his Hateful Eight 70mm roadshow. On the other hand, we seem to have forgotten about the crappy theater release prints, environmental waste, extra cost and elitism of film, to name just a few issues. The latest digital cameras now equal or exceed photochemical celluloid in just about every way. Yet, we still hold onto film's unique look and even its faults. Are we just too used to it to move on?
Black Betty 2K camera can shoot, cut and upload video with built-in Mac Mini
The Black Betty company has just hit the scene with a cinema camera that pulls an astounding trick -- it's got a freaking desktop computer jammed into the body. Camera-wise, there's a 2/3-inch 2K sensor with a 16mm lens mount developed by Silicon Imaging and used in films like Slumdog Millionaire. That'll capture 2K or 1080p, 160-500 ISO footage at up to 30fps (or more for lower resolutions), and bring 11 stops of dynamic range via CineForm compressed RAW files. The feature that made us triple-take, though, is the built-in Apple Mac Mini with a special dock for swapping in and out 2.5-inch SSDs. That Mini isn't just for recording, either, you can leverage its semi-portable power to edit and even upload videos in-camera. And, if you'd like, you can detach the camera head and 7-inch, 720p monitor from the computer and tether it via ethernet. It can only be rented for now, but No Film School said the 10-pound heft made it very well balanced, and it sports a nice retro look, too -- who knew a sideways Mac Mini could double for a movie camera magazine?
Movie studios sign on for satellite-based digital delivery to theaters
We doubt we'll see any reduction in ticket prices, but the process of bringing new movies to theaters could get easier very soon as five major studios have signed on with the Digital Cinema Distribution Coalition (DCDC) to use its satellite distribution network. Lionsgate, Universal, Disney, Warner and Paramount are all on board with the scheme, which says it will provide participants access to "a host of delivery options" as digital projection becomes increasingly common. The Hollywood Reporter quotes spokesman Randolph Blotky saying the network is expected to reach 300 locations when it launches this summer, all of which will be equipped with an appliance from video distributor KenCast. The satellite end of things is being handled by EchoStar/Deluxe, and once it's rolled out should make things much easier than the current system of shipping hard drives back and forth. Of course, what we're not hearing so far is if/how this upgrade will reach smaller, older theaters that are facing pricey upgrades from film-based equipment, but with theater chains like AMC, Regal and Cinemark forming the DCDC along with Universal and Warner, those considerations are probably a little further down the list.
Sony to release 'affordable' 35mm digital cinema camera to fend off RED and Panasonic
While RED ushered in the revolution, the camera wars are really just starting for the film industry, with Sony showing off at NAB today one of its upcoming 35mm (full frame) digital cinema cameras after ARRI hogged the spotlight last week. Sony's 35mm roadmap already had the industry atwitter, but news that the camera will be "affordable" is news indeed. Of course, affordable is a relative term: think in the $10k to $20k range, for a rough guess. What's great is that, with the addition of the Panasonic AF100 unveiled yesterday, it's clear that manufacturers are finally starting to glom onto this idea of taking these wonderful DSLR-style sensors and putting them into camcorder bodies. The 5D Mark II is great and all, but it was really just pointing to a bigger trend. The Sony camera is due to be released around this time next year, and you can check out a video of the unveil after the break.
Sony takes Uncharted 2 on tour, with 4K digital projection to make you forever loathe your home setup
Looking for a quick and easy way to become completely dissatisfied with your own PS3 rig? Maybe you could try tracking down Sony at one of its "sneak peak" stops, where attendees will be able to play through some of the upcoming, already-lauded Uncharted 2 on a movie screen powered by a Sony 4K digital cinema projector. Unfortunately, only four locations have been named, and two of them are in California, so not quite everybody is going to get a chance to spoil themselves for this generation of video games forever.
New Orleans' Prytania rises up to 3D
Outside of the frozen food section at the supermarket, nothing beats the summer heat quite like a cool (or downright cold) movie theater, and the recently Sony/RealD 4k-equipped Prytania theater in New Orleans just added 3D capabilities to entice viewers some more. No surprise -- Disney's summer blockbuster, Up, was the first talkie to make the leap off the silver screen at the newly outfitted venue, and we suspect that The Prytania -- the only theater in N'awlins to have Up in 3D -- raked in a healthy crowd for its investment. We love to see storied theaters keep up with the times, and this almost 95-year old movie house is no exception.[Thanks, gamedude360!]
Sony joins up with DCIP, assists in switching theaters over to digital projection
Proving it can play well with others, Sony Pictures has decided to throw in with most of the other major studios in the Digital Cinema Implementation Partners to fund digital projection switches across North America. Similar to its existing deal with RealD to go straight to 3D with 4K SXRD equipment, these digital cinemas can be converted to 3D later. Since we first heard about the group's plans to upgrade movie theaters, plans have slowed due to the credit crisis, but with every major studio except Warner Bros. on board, it would seem they've got the backing to make 20,000 digital perfect -- and cheap digital print movie distribution compatible -- sooner rather than later.
Dubai begins shift to digital cinemas, ready for 3D goofiness
Reports have already shown that the hunger for HD in the Middle East is rising, and apparently so is the hunger for digital cinema. The Middle East's very first digital cinemas have opened in the desert playground this week, with two screens showing digital versions of the latest Mummy film at Grand Cinema's Grand Festival complex in Dubai Festival City. If plans pan out, Grand Cinema expects to have all of its screens converted to digital within two years, and yes, the third-dimension was mentioned. According to Gulf Films' Jean Ramia (pictured), digital really is "the future of cinema," and now that it's becoming more pervasive, we can expect to see "a lot more 3D films being produced." Goggles up!
Can 3D cinemas really take off?
Every so often, a technology manages to get everyone on board at just the right time in order to make a surge. Recently, that technology has been 3D cinema. After titles like Hannah Montana and U2 3D hit the scenes, the buzz swept over ShoWest in Las Vegas and has continued on with announcements that all future DreamWorks Animations productions would be made in 3D and even the NBA dipping its toes into the third-dimension during the regular season. Still, word on the street has the price of bringing a Dolby 3D Digital Cinema experience to theaters between $20,000 and $30,000, and of course, you have to convince viewers to wear those somewhat uncomfortable glasses and probably pay a premium just to sit down. Quite honestly, we still don't see 3D becoming a dominant force in tried and true theaters for years; as amazing as the technology can be when executed perfectly, there's still quite a few detractions holding it down. What say you? Can you imagine a 3D theater or two popping up in your local Cineplex? Would you even go if it happened?[Via AboutProjectors, image courtesy of LA Times]
Sony loading up four theatres with 4K SXRD digital cinema systems
Movie-goers in Dallas, Indianapolis, Riverside, California, and San Diego, you can go ahead and color us officially envious. Your lucky cities will soon host a total of 54 CineAlta SXRD 4K digital cinema systems from Sony, with an unspecified mix of 10,000 lumen SRX-R210 and 18,000 lumen SRX-R220 models planned to shock and wow customers at four AMC locales. The units were unsurprisingly crafted specifically for use in (home?) theaters, and will be paired up with Sony's LMT-100 Media Block servers. Barring any unforeseen disasters, installation should begin next month in the aforementioned areas, and holiday crowds should be enjoying a delightful visual experience before the year's end.[Via TGDaily]
Sony's 18,000 lumen SXRD 4K prototype projector
So you've got a fancy home theatre system do ya? Oh, and you like to boast a bit about the 3000 lumens your 1080p DLP kicks? Well check that ego son, 'cause Sony just unveiled their newest SXRD (Silicon X-tal Reflective Display) 4K projection technology which slams your home kit with a blinding 18,000 lumens (nearly twice the brightness of their top-o-the-line SRC-R110, pictured to right) and a 4096 x 2160 resolution. As you may have guessed, these are designed and priced for commercial movie theatres. Still, if you've got a couple hundie grand to drop, we're sure Sony might grant an exception to you and your fifty-foot screen.
