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Canon sensor records video in very low light, sees movie stars of a different sort
Although there's undoubtedly been improvements to low light videography, it's still difficult or impossible for most cameras to record in near-total darkness. Canon has the solution with a video-only, 35mm CMOS sensor that can keep recording even when there's virtually no visible light at all. The prototype's pixels are about 7.5 times larger than in already light-sensitive DSLRs like the EOS-1D X, letting it get focus with as little as 0.03lux of illumination. The result is more than just the perfect camera for a horror movie -- the sensor can capture the Geminid meteor shower and other astronomical phenomena without special tricks. Canon hasn't said when it might ship a video camera toting the new imaging technology, but it's planning to show the sensor at a security expo this week; we may well see the sensor in the field, even if most of its work happens beyond the public eye.
Sony rumored to be developing full-frame mirrorless camera, release could come in 2014
This September, Sony disrupted the point-and-shoot market with the announcement of a full-frame compact model -- the $2,800 Cyber-shot RX1. On the same day, the company shared news of its first full-frame HD video camera, the NEX-VG900, representing Sony's third imaging product line to pack the 35mm chip. Now, it looks like the Japanese electronics giant is fast approaching the industry's final frontier, with rumored plans to launch a full-frame mirrorless model in late 2013 or early 2014. Sony Alpha Rumors has reportedly confirmed the news with multiple sources, adding that the TBD model has reached the "final stage of development," and that a 24-megapixel and 30+ MP prototype are currently undergoing testing. The camera is expected to be slightly larger than the NEX-7, and should include a native E-mount, with A-mount lens compatibility (for full-frame shooting) to be offered as well. We've reached out to Sony for confirmation, but, considering that the rumored product is a year or so out, we don't expect a reply. Still, based on the company's recent announcements, a full-frame mirrorless ILC doesn't seem so far-fetched, and we can't think of a better manufacturer to take on such a project than Sony.
Sony Alpha A99 DSLR sample shots and video, plus comparison with the RX1 full-frame compact
Sony's A99 marks the first time in years that the company has built a full-frame pro rig to compete with the big boys from Canon and Nikon. The hardware impressed when we got our hands on one a month ago, but the proof, as they say, is in the pudding -- or in the photos in this case. So, we jumped at the chance to spend some time shooting with an A99 equipped with a 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens. Want to know how Sony's latest and greatest performed? Head on past the break to find out.
Canon EOS 6D full-frame DSLR hands-on (video)
Nikon just announced its D600, a $2,100 DSLR with a full-frame sensor. Now, just four days later, we have a similar (and identically priced) offering from Canon. Coincidence? Not likely. Industry backchannel conspiracies aside, however, it's only to our advantage to have a choice -- if you're looking to upgrade your digital SLR without taking out a second mortgage, you can now pick Nikon's model, or the EOS 6D from Canon. The latter flavor, which offers built-in WiFi (the D600 requires an adapter), packs a 20.2-megapixel CMOS sensor, and it's 20 percent lighter than the 5D Mark III, which will remain on the market, targeting professional users. The camera features a sensitivity range of ISO 100 through 102,400, it can shoot 4.5 fps stills and offers 1080/30p video capture. It also has an optical viewfinder, paired with a 3.2-inch 1.04-million-dot LCD on the rear, which looks just as sharp as you might expect. What really blew us away, though, is the new camera's size and weight. It's more compact than the 5D and even the 7D, an APS-C camera, weighing in at 690 grams -- a 20-percent decrease from that larger pro model. 20 percent may not sound like a tremendous improvement, but it's certainly noticeable, boosting the 6D's versatility, and making it an ideal choice for street and travel photography. We haven't had a chance to shoot with the new high-end DSLR just yet, but it felt quite solid in hand, despite the more compact design and significant weight drop. Take a closer look in our gallery below, followed by our hands-on video after the break.
Canon unveils EOS 6D DSLR: full frame sensor and WiFi for $2,099 in December
Used to be, to get a full-frame sensor in a Canon camera, you had to shell out big bucks for a pro rig like the 5D Mark III or 1D X. No longer. Canon's just unveiled its EOS 6D, the smallest, lightest and cheapest full-frame DSLR it's ever made. Weighing 690g, the 6D is 20 percent lighter than the 5D Mark III, and at $2,099, it's a full $1,400 less than its heftier stablemate -- which also puts it directly in line with Nikon's recently released full-frame shooter, the D600. In addition to that mammoth sensor, the 6D's the first EOS camera to have built-in WiFi. When paired with the company's free iOS and Android apps, you can use your phone to change the 6D's settings, take and geotag photos using the live remote function, and even transfer those shots to your handset wirelessly. The 6D packs a 20.2-megapixel CMOS sensor and DIGIC 5+ image processor that shoots stills at 4.5fps, does HDR (though it only saves the composite image, not the individual shots), and 1080p 30fps video in 29 minute 59 second clips. Its sensitivity runs from ISO 100 up to 102,400 (extended) and has an 11-point autofocus system with an EV -3 sensitivity rating for better low light performance. There's a 3-inch, 1.04 million dot ClearView LCD on the back to supplement the optical viewfinder, plus it's got a stereo mic jack to ensure the audio matches the quality of your HD videos. To store your imaging masterpieces, the 6D has a single SD card slot that's SDHC and SDXC compatible. When it goes on sale this December, the 6D will be sold in two configurations: $2,099 for the body only, and a kit that throws in a 24-105mm f/4L USM zoom lens for $2,899.
Visualized: Sony's Cyber-shot RX1 gets smashed to pieces, in a good way
A full-frame sensor inside a compact camera sounds like lunacy, but Sony's managed it (at least, in principle) with its new Cyber-shot RX1. While only at the engineering sample stage, we're already deeply in love with its retro body and the potential that lurks inside that 24.3-megapixel sensor. The question, of course, is how did they manage to squeeze that whopping hardware into such a small body? Take a gander through the gallery from our brothers at Engadget Chinese to see how it achieved such a feat. %Gallery-165039%
Sony reveals the Alpha A99, its first full-frame flagship since 2008's A900 (hands-on)
It's not every day that a digital SLR manufacturer releases a new full-frame camera -- in fact, it's not even every year. Sony's last top-end model, the A900, was first released four years ago, so you better believe its successor offers an overflowing boatload of enhancements. The Alpha A99 is a flagship if ever there was one, crushing every other Sony still camera in terms of capability, both when it comes to stills, and in the HD video realm as well. With this $2,800 behemoth, the company is targeting both professional photographers and leading filmmakers, with plenty of features that will appeal to both. The centerpiece is an all-new 24.3-megapixel Exmor sensor (nope, it's not the rumored 36MP chip you might be expecting), which features an increased photodiode area for boosted low light quality (up to ISO 102,400). The camera also features what Sony's calling the "world's first dual-AF system," which includes two different phase-detect AF systems, including the same 19-point system on the A77, plus an additional 102 points on the imager itself. Video shooters will find 1080/60p and 24p options with AVCHD 2.0, including uncompressed output through HDMI (with simultaneous output to a monitor) and phase-detect focus support in video mode. There's also a 6 frames-per-second burst mode, 14-bit RAW output for stills, the same 921k-dot Xtra Fine twilt-and-swivel LCD included with the A77 with WhiteMagic and TruBlack, and the same OLED viewfinder found on the A77, NEX-6 and NEX-7, that offers slightly boosted functionality thanks to the full-frame sensor, letting photographers snag a realtime depth-of-field preview without dimming the finder. It also offers a 34-degree viewing angle and color tone adjustment control. Because the A99 offers a translucent mirror, Sony was able to eliminate the pentaprism to keep the size and weight at bay, making the DSLR lighter than the Nikon D800 and Canon 5D Mark III. Jump past the break for our hands-on.%Gallery-163051%
Sony VG900 leaks, packs full-frame sensor into a NEX camcorder
Sony must have a fixation on stuffing full-frame sensors into small spaces this year. A fresh photo and details slipping out to Sony Alpha Rumors show what's billed as the VG900, the first NEX-branded camcorder with a sensor larger than the APS-C spec -- the first NEX camera of any kind, for that matter. While there's only a light smattering of details, we're told the device has a 24-megapixel sensor (likely the same as in the RX1 or A99), records video in AVCHD 2.0 and should ship with an A-mount adapter for Alpha lenses. Not much else is on display, although you may want to take a pass if you're just looking to record a family wedding: at a rumored $3,300 price for the purportedly imminent launch, the VG900 isn't an impulse purchase for anyone short of a pro videographer.
Sony RX1 camera leaks with full-frame sensor in compact body, laws of physics slightly bent
Here's something you probably didn't expect: a compact Sony camera with a full-frame sensor. While Photoprice.ca was uncovering a treasure trove of leaked press shots that include the Alpha A99 and NEX-6, it also came across images of the RX1, whose body looks borderline pocketable yet stuffs in the same kind of sensor (and likely image quality) you'd normally reserve for pro-grade models. Several extra details reveal themselves right from the start. The RX1 is carrying a 35mm, f/2.0 lens with no apparent button to detach the lens -- the included glass is probably as good as it'll get. However, the RX1 is most definitely tuned for experienced shooters, with a toggle for macro focusing as well as dedicated controls for aperture and exposure compensation. We're also liking that there's a pop-up flash, a standard hot shoe for accessories and three custom settings on the mode dial. The slip doesn't include mention of a release date or a price, but talk during the A99 slip mentioned a September 12th unveiling that wouldn't shock us if it included multiple cameras -- and we would be equally unsurprised if the RX1 carried the same high price commonly associated with other full-frame bodies.
Sony Alpha A99 poses for someone else's camera, no optical viewfinder in sight
Technical details of Sony's rumored Alpha A99 have been overflowing. The actual camera, however, has been elusive until now. A press photo just spotted on Xitek (and passed along to Sony Alpha Rumors) is believed to be authentic and speaks volumes about Sony's pro camera strategy: as shown, there's no obvious space for an optical viewfinder, hinting that the company's full-frame shooter is going with an OLED-based electronic eyepiece like that of its crop-frame A77 precursor. The image doesn't show much more than that and a conspicuous orange ring to remind us that we're gazing upon an Alpha, but it's tough to ignore that more compact (and hopefully lighter) body. Whatever the cosmetics are like, rumors now assert that the 24.3-megapixel, translucent-mirrored A99's early September release has been locked down to September 12th; if that's true, it may give photographers as much reason to be happy that day as phone buyers.
Canon 7D 2.0.X firmware update scheduled for August, brings plenty of free fixins
It's hard to believe, but the last the last time we covered a major firmware update for Canon's 7D DLSR the iPhone 4 was still fresh in our minds. Now, nearly two years later, Canon is offering up a bevy of new features for the camera with its soon to be released -- and free -- 2.0.X update. To start, folks who shoot RAW will be pleased to know that they can shoot up to 25 continuous frames (17 in RAW + JPEG) in burst mode -- that's up from just 15 previously. You'll also be able to edit images captured in the format straight from the camera, as well as set a maximum limit of 6400 (up from 3200) for its Auto ISO mode. If that wasn't enough, Geotaggers should know that Canon is also going to make its GP-E2 GPS module (originally introduced with the 5D Mark III) 7D-compatible. Lastly, videographers are getting a nice bump in the audio and multi-camera shooting departments; you'll be able to manually control the mic-input with a choice of 64 volume levels (like the Mark II) and an updated sub-menu interface will allow the first four characters of your videos' file names to be changed. The update won't be available until early August, but you'll find full details and a video demo at the source link below.
Nikon D600 pictures leak, offers full-frame snapping at a crop-frame price
The first images of what's purported to be the new Nikon D600 have appeared online. The budget (for photographers, at least) full-frame camera is expected to come with a 24.7-megapixel sensor, a 3.2-inch LCD display and a built-in autofocus motor. What makes us hopeful of its rapid arrival is today's earlier announcement concerning the FX-compatible Nikkor 24-85mm lens -- the pair combined would make a devastating duo if the company hits the mark on pricing. Those in the market for a gentle introduction to DSLRs can take a peak at another picture after the break.
HD video possible in upcoming Leica compact, bon vivants check trust funds
Full-frame HD video in a brand new compact body, with Leica lenses? It could happen, but if you have to ask why exorbitant Leicas don't already do video then you probably can't afford it. While still calling the feature "theoretical", Leica's chairman Dr. Andreas Kaufmann intimated that the company had solved issues with data rate, battery life and heat for a possible M9 replacement. He also said that HD would be shown soon on "existing and new models", and Leica would stick with Truesense imaging, the former Kodak shop which supplies the M9 CCD, to make the new full-frame sensor. Whether that means video could also be retrofitted to existing M-series rangefinders remains to be seen, but more will be revealed on September 18th. Until then, if you need to make an extravagant splurge, the Hermes M9-P, perhaps?
Nikon D4 hands-on with sample images, video
Remember when we were in a tizzy about the Nikon D4, way back in January? We got to play with this tank of a DSLR a bit, but sadly weren't permitted to actually publish any of the photos or video that we shot with the thing. Sure, we've seen some samples of it in action, but it's not quite the same. Thankfully, the company made our late-February that much better, allowing us to take the D4 on a jaunt around the city, a couple of weeks ahead of its mid-March launch. We strolled around Washington Square Park and 6th avenue, with the beast of a camera in-hand, shooting tourists and scenery, before popping by a subway station to have a go with the camera's purported excellent low-light capabilities that we've been hearing so much about. Click on through to take a look at some sample video.%Gallery-149058% %Gallery-149055%
Nikon D4 Ethernet tethered shooting hands-on (video)
After getting our eager mitts on Nikon's long overdue D3 successor, aptly named the D4, we got a second chance to revisit our fat-bodied, photo-taking friend at the company's CES booth. The 16.2MP DSLR features a 3.2-inch LCD screen and is capable of 1080p video capture at 30fps. But that's not why we went back for more and it's not why you're reading this right now. We were keen to put the D4's big, bad networking capabilities to the test -- one of which links an array of up to ten of the cameras together for simultaneous, remote shooting over WiFi. Unfortunately, this feature requires use of the WT-5A wireless dongle, which is still awaiting FCC certification and could not be demonstrated. Neither could the imaging company show off the one-to-one connection that allows an auxiliary camera to be controlled from a primary unit. We did get to briefly interact with the camera's native web server running on a laptop, from which you can snap shots, toggle settings (like ISO and shutter speed), playback and download your recordings. You can catch a peek of the interface and an extra look at this sought after shooter after the break.
Nikon D4 hands-on and manufacturer sample images (video)
With the onslaught of CES launches still several days away, the big news today is the D4, Nikon's brand new full-frame digital SLR camera. The 16.2 megapixel DSLR offers 1080/30p video capture, an extended ISO range of 100 to 204,800, a 91,000-pixel 3D color matrix meter and a top high-speed shooting option of 11 frames-per-second. And with the D3 first hitting stores nearly five years ago, this FX-mount successor was long overdue. Earlier today, Nikon held its D4 launch event in Asia, previewing the camera before a group of journalists in Hong Kong. We were on hand for a first look at the massive $6,000 pro body, and were quite pleased with what we saw. Jump past the break for our impressions.
Nikon announces D4 DSLR camera: full-frame 16.2 MP sensor, 204,000 extended ISO, $6,000 price tag
More than two years after the D3S began shipping and roughly a half-decade after we first got a peek at the D3, Nikon has finally announced the full-frame DSLR's long-awaited successor. As expected, the Nikon D4 boosts both megapixel rating (to 16.2) and extended ISO (204,800 at Hi-4), and includes a brand new full-frame FX-format sensor. Video capture also jumped from 720/24p to 1080/30p, but so did the camera's somewhat-out-of-reach price tag -- you'll be dropping $5,999.95 when the D4 hits stores in late February. You're clearly not spending all that hard-earned photo dough for nothing, though. There's also a 91k-pixel RGB 3D Color Matrix Meter III, compared to a 1,005-pixel meter in the D3S, enabling the camera to evaluate the color and brightness of a scene with much greater precision, yielding much more accurate results. And since the D4 reportedly offers phenomenal low-light performance, you'll probably be using it quite often in the dark -- letting you get good use out of the new back-lit controls. Photographers can preview images using the 921k-dot 3.2-inch LCD, which offers a 170-degree viewing angle and ambient light sensor. HD video can be previewed on the display as well, or directly through the HDMI port, which also supports uncompressed 8-bit preview video output with optional overlay. Naturally, the D4 is fast. It can power on and be ready to shoot in approximately 0.012 seconds, and can capture 10 fps stills at full resolution with full auto focus and exposure. Willing to lock both AF and AE? The D4 goes to 11. A new 51-point AF system offers full cross-type focusing that's compatible with all Nikon lenses, even when paired with a teleconverter. The D4 includes two card slots with support for both UDMA-7 CF and the recently-announced XQD format, which brings write speeds of up to 125 MB/s -- enough to capture 105 consecutive RAW images at 10 fps. You'll find full details and specs on the D4 just past the break, along with an overview of Nikon's new AF-S NIKKOR 85mm f/1.8G FX-format lens, which is set to ship in March for $499.95.
Leica M9-P looks like it costs a fortune, doesn't disappoint
Leica's new M9-P digital rangefinder taps the till at $7,995 -- the same price the original M9 commanded when it was released in 2009 -- but you don't stay in the business of making pricey cameras for nearly a century without doing something right. The new version adds a virtually unbreakable sapphire crystal covering on the LCD, produced using diamond cutting tools, and an anti-reflective coating. The body includes a vulcanite leatherette body finish, for a more secure grip, but curiously lacks the familiar red Leica logo and M9 lettering on the front, in line with the camera's elegant "minimalist styling." Beyond that, the P includes the same full-frame 18 megapixel sensor featured on the M9, an "almost silent" shutter, and is compatible with Leica's full range of astronomically expensive M lenses. The M9-P will be available in black or chrome for $7,995 beginning next month, or $15,990 for two -- since we know you're planning to buy both.
Atomos Ninja and Samurai HD video recorder / monitors bring compression jutsu to pro filmmaking
We all drool over the hi-res video shot by cameras like the RED EPIC, but for indie-film types, processing the massive files produced takes a lot of time (and therefore money) and not everyone has an ARRI ALEXA to do native recording compression. Enter the Atomos Ninja and Samurai HD recorder / monitor / playback devices that take your 10-bit video and compress it in Apple's 1080p ProRes QuickTime format to make your post-production life a little easier. The Ninja pulls video through HDMI and deposits it on your choice of 2.5-inch HDD or SDD storage, does playback via a 4.3-inch 480 x 270 touchscreen, and has continuous power thanks to dual hot-swappable batteries (available in 2600, 5200, and 7800 mAh varieties). Meanwhile, the Samurai matches the Ninja's specs, but swaps out the HDMI connection for HD-SDI ports and adds SDI Loop-Through to connect an external monitor, a larger 5-inch 800 x 400 display, and 3D support (if you get two Samurais genlocked together). Both units have FireWire 800 and USB 2.0 and 3.0 connections for offloading your vids. Those with Spielbergian aspirations can pony up $995 for the Ninja right now, or pay $1,495 for the Samurai upon its release this summer.
ARRI's ALEXA busts out native ProRes recording, plans for RED smiting
It's taken three years, but one of the big boys may finally have an answer to the RED ONE camera -- the device that took the cinema world by storm in 2007 as the first affordable digital movie cam with a 35mm, full-frame sensor, 4k resolution, and rugged good looks. Venerable camera-maker ARRI has finally revealed both the full specs for its upcoming ALEXA digital camera and reconfirms Hollywood's propensity for over-capitalization. Regarding the specs, you can color us impressed. The ALEXA is something of a follow up to the ARRIFLEX D-21, the company's first foray into digital cams, but besides writing data in 0s and 1s the two cameras share little in common. ARRI is positioning the ALEXA to compete directly with the RED ONE (and forthcoming EPIC and SCARLET cameras), so you can expect a price point in the sub-$60k range. Besides the low price tag (for a professional movie camera), a few newly-announced features may have indie-shooters on a budget thinking hard about picking up an ALEXA for their next bit-crafted, cinematic yarn. We'll break it down for you after the break.
