interactions
Latest
The Daily Grind: How do you socialize in MMOs?
I had a friend once in World of Warcraft who had never taken part in a single dungeon. She knew she wasn't geared very well and hadn't built a very solid character, and she didn't feel like dragging others down. She focused instead on socializing through roleplaying and helping out lower-level players with extra money. That was fun for her, far more so than trying to force herself into the raiding endgame, and it was something she just couldn't do in a single-player environment. For some people, being social in an MMO means doing group content or nothing. For others, being social means putting on a musical performance in Lord of the Rings Online even while you prefer to solo rather than group to clear content. So what about you? How do you like to socialize in MMOs? Is it strictly through content, other activities, or a mixture of both? Every morning, the Massively bloggers probe the minds of their readers with deep, thought-provoking questions about that most serious of topics: massively online gaming. We crave your opinions, so grab your caffeinated beverage of choice and chime in on today's Daily Grind!
Robovie the talking robot gets schooled by elementary students
Higashihikari elementary school welcomed a robot through its doors this week. A new model Robovie will join the Japanese school's students for classes over 14 months, aiming to gain sentience strike up interactions with multiple people -- and learn from it. The Robovie's conversation level is apparently equal to a five-year-old child, although it's been augmented with all the know-how of a fifth-grade science textbook and preloaded with 119 facial photos and voiceprints of teachers and students. It's the first long-term project for the International Advanced Telecommunications Research Institute's 1.2-meter bot, with the scientists reckoning that the school environment should offer its robot major input.
Storyboard: Navel-gazing cardboard cutouts
When you create a character for roleplaying, most of the time your creation is something of a mess. He or she has a huge pile of issues, regrets, fears, mental blind spots, and possibly even physical ailments that should have a lasting impact on telling stories and creating drama. And your goal as a player is to take all of those flaws into account to tell stories about someone less than perfect, whose imperfections you can hopefully see even if the character can't. Unfortunately for everyone, there are two very compelling ways to do this, and neither one of them is right or wrong or even evident at a glance. It's only by roleplaying with someone for a while that you get a sense of what she's aiming for, and it often turns out to be after it's too late to do anything. You might be going for character arcs or character development, and the two are frequently incompatible over the long term.
Storyboard: Talk about the passion
Two of the earliest columns I did for Storyboard were all about romance in roleplaying. If you've forgotten them, they can be found here and here, but if you don't feel like reading a couple thousand words just to continue with this column, the gist was pretty simple. In short -- don't. But since you're going to anyway, take the usual steps to avoid any sort of spilling drama. Actually, I should just make a column of usual tips to avoid spilling drama in roleplaying and save myself a lot of time. It's been more than a year since those were written, and to my great joy they're still relevant and useful. But at the same time, there's more to be said on the topic, albeit in bits and pieces. So (possibly against my better judgment) I'm diving face-first into the sea of love once again to talk about a couple of points that I either didn't discuss the first time around or only briefly touched on.
The Mog Log: Fit for man and beast
Some weeks, I just don't have quite as much material as others. Oh, don't get me wrong -- the new May version update is out in Final Fantasy XI, which is awesome. But I already did a reaction piece on that, which kind of narrows down my options. Similarly, right now there isn't a lot happening in Final Fantasy XIV, just a lot of stuff around the corner that will eventually be released and probably be awesome. The fact that it's been Golden Week over in Japan has helped contribute to this overall sense of silence. Thus, today I'm pulling something that at least distantly resembles a rabbit out of my hat by pulling out an old topic that I had never really written about before -- beastmen. Sadly underused thus far in Final Fantasy XIV, the beastmen in Final Fantasy XI contributed a lot to the game's setting and general sense of place, even though some of the critters were pretty hopelessly ridiculous. So as long as I'm taking a step off the beaten path, I'm walking around with some beastmen.
Storyboard: In your own words
I really should have learned by now to not promise anything for a given week's column other than the fact that it will be there, as I got halfway through the original draft of this particular new featurette before deciding that I hated it. So while I still want to delve a bit deeper into specific game lore and backstory, that bit is going to have to wait for just a little bit while I wrestle with the concept a little more thoroughly. (It'll be worth the wait.) Instead, this week I'm going to focus on an aspect of roleplaying that I've discussed before in passing but never in any real depth: finding a character's voice. That's more than just consistent characterization, although that's a part of it. Strong characters have distinct voices and behaviors, unique outlooks, and hangups, things that help an individual stand out from the crowd. It's the trick of finding that voice and having a distinct tone from other characters that makes starting a new character at once engaging and mildly horrifying.
Storyboard: Another chance
Character regrets are a tricky thing. To be sure, they're a tricky thing that we've already discussed when it comes to making characters, but that's hardly the end. Then you have to bring your character out of the controlled environment of the character creator and into the madness of actual open play. And if you haven't created a regretful character... odds are you've still seen the problem. Even when you've crafted a character with a dark past and a lot of regrets without falling into maudlin traps... none of that means anything if other players don't know about it. You fall into the trap of telling people you've met not half an hour before about your character's full life history and all her mistakes, and then people get bored and quite possibly wander off. I focus a lot on character creation, but all of the best backstory in the world won't help you if you don't know how to weave it into actual play. So today I'm going to talk about how to take your character's backstory of mistakes and poor choices and bring it into actual play without sounding like you'll confess your innermost secrets to random passersby.
Storyboard: Swapping tales
A few weeks back, I took the opportunity to explain why roleplaying is most definitely not storytelling. So this week, I'm going to directly undermine every single part of that column and talk about running a steady story via roleplaying. If you haven't noticed by this point, I'm a big fan of subverting expectations. My usual impish sense of humor aside, the two exist rather comfortably alongside one another. A long-running storyline in-game doesn't require you to have arcs and movements and motivations planned out -- rather, it's the natural outgrowth of character arcs and interactions from months or years of play. You lose much in the way of narrative consistency or overall theme, but you gain a sprawling organic network of developing plotlines. So keeping a long-term story running is more a matter of letting time build on an existing base. But getting that existing base functioning and keeping it on an even keel isn't always a simple task, and that's what we're going to examine. There are a lot of ways to keep a story going in the game, but the better the foundation, the better it'll be.
Storyboard: Finding what I'm looking for
Two weeks ago, I made something of an impassioned plea because, while I like to roleplay quite a bit and have had wonderful experiences doing so (even in World of Warcraft, which kind of got turned into the villain of the piece), roleplaying is essentially seen as a non-entity. It's unsupported and generally ignored by development teams, and part of that is our fault for not demanding that it be made more important. So this week I'm going to talk about some minimum and fairly reasonable baselines of roleplaying features, things that already exist in many games but aren't even close to being universal. In response to one of the frequent comments from both sides, it's worth noting that yes, roleplayers are a minority. But then, so are extremely hardcore PvP players, and the people who will rush through all available endgame content in less than a week, and players who can multi-box with five different characters, and so on. The difference is that those minorities stay and grow, because they're given the tools they need. Roleplayers aren't. Sometimes by not creating the market, you're denying an audience you don't know is there, an argument so simple that articles could be (and have been) written just on that principle.
Love, raiding, and everything in between: how women are taking charge in WoW
A recent article in the UK Times has shed a rare, positive light of an undeniable facet of online gaming -- finding that special someone via an MMO. It also mentions the undeniable fact that when you get a bunch of socially awkward guys on Vent, then throw a girl or two in, it might lead to a few problems. So, here we have it, folks -- in this new age of gaming, more and more women are picking up the controller, or sporting a mean WASD. What do the guys think? They think it's perfectly okay. Now, I'm not writing this to be sensationalist or to seek drama. I'm a bit of a feminist myself and having been a gamer since I was nine years old; I've seen my fair share of guys who "don't think you've got it." Or just because I have two X chromosomes I somehow can't pull some sweet DPS on a random heroic 5-man. The times, they are a'changing. From the report: "A Nielsen report published in 2009 found that women aged 25 and older make up the largest block of gamers in the United States, accounting for 54.6 per cent of all game play minutes in December 2008. For WoW, the male/female ratio is fairly balanced, with 428,621 women between 25 and 54 playing in December 2008 versus 675,713 men in the same age group.Another report suggests that in Britain women make up 48 per cent of total gamers who play online once a week." It's believed that women have more fun with social gaming for the sheer fact that it's social. If you're running a 25-man, you need to be able to work together -- there's no room for ego or swinging your 'epeen' around. You need to be able to drop the macho-ism, smarten up and listen to your teammates. Women also connect in ways when things are quiet. A thriving US guild, Got Girls, has bonded over everything from child-rearing, birthdays, relationships, and everything in between. Says member ShawnAnne Dixon: "We celebrated a guild member's 21st birthday and a wedding recently. One of our members has a son getting ready to deploy to Iraq -- Got Girls has become a big part of her support system. We have truly become a family." It's not always easy being a female gamer, especially in a very male-dominated gaming culture. I have heard of much less-forgiving people and guilds who make comments regarding our monthly cycles, certain body parts, personalities and the like. I think it's great that more women are playing the game -- giving some balance to the testosterone-laden playing field. At this point, sometimes the best thing to do is to beat the guys at their own game.
