JamesCameron
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Open source mini sub appeals to our inner Steve Zissou
Quadrocopters haven't exactly opened the skies for DIY exploration so much as they have for acrobatic feats, but the OpenROV project is hoping to make the briny depths friendlier for aspiring explorers and educators alike. The open source rover, spearheaded by NASA engineer and researcher Eric Stackpole, sinks to depths of up to 300 feet (100 meters), runs on eight C-cell batteries for approximately 1.5 hours and can clip by at three feet (one meter) per second. Within the laser-cut acrylic frame, a sealed cylinder houses a BeagleBone, HD webcam and LED lights. This all weighs in at 5.5 pounds and is piloted using a web browser and video feed. The footage is then piped up to a laptop that tethers the vehicle to the shore. Pre-orders for OpenROV 2.3 kits will be taken through Kickstarter later this summer at $750 apiece, though there are plans to sell fully assembled units. For now, explorers can register their interest at the link below and impatient Jacques Cousteaus will be pleased to know that all files necessary to build version 2.2 are available to download now.
Editorial: Despite shaky 48 fps Hobbit preview, high frame rates will take off
Well actually, the Hobbit preview wasn't shaky, it was smooth -- maybe too smooth -- and that's the point. "It does take you a while to get used to," Peter Jackson has admitted, referring to the surprisingly fluid motion of his 48 fps movie footage. But is he right to think audiences will even give it a chance? The launch of high frame-rate (HFR) cinema is surrounded by publicity in the run-up to the Hobbit's debut on December 12th, but it equally has a lot going against it. For starters, the film's 48 fps preview wasn't exactly received warmly. On top of that, the video-style appearance of HFR has a long history of being disliked by movie-goers -- past attempts since the 1970s have all flamed out. 85 years after the first 24 fps movies, the same number of frames are still going stubbornly through the gate (digital or otherwise) each second, so that must be what "filmic" is, right? Or will we look back on 24fps as the bad old days? Read on to see if these new/old-fangled frame speeds might survive, and though a 48 fps Hobbit trailer isn't available, we've provided a couple of clips to help you judge what two-dimensional HFR looks like.
Planetary Resources reveals plan for prospecting asteroids, creating interstellar gas stations
The cat got let out of the bag a little early, but Planetary Resources has now officially announced its existence and mission. We already told you that the venture plans to mine asteroids for profit, and is backed by a bunch of bigwigs from Silicon Valley and Hollywood. But now we know a bit more about the company after watching its announcement webcast and speaking with co-founder Peter Diamandis. Turns out, the company sees itself not only as a business venture, but as an entity that will pave the way for extending human influence throughout the solar system. Read on after the break for more.
James Cameron to create sparks with Robogeddon on Discovery Channel
Fresh off his return from the briny deep, James Cameron is set to create a television show for the Discovery Channel called Robogeddon. Similar to BattleBots and Robot Wars, the program will feature a competitive death match of sorts, where robots tear each other to shreds in pursuit of being the last machine standing. In addition to Cameron's participation, the show will also feature the stamp of Mark Burnett -- famous for such reality television titles as Survivor, Shark Tank and The Voice. It's also said that Donald Hutson, the two-time Super Heavyweight Champion of BattleBots, will be among the show's competitors. No date is set for when we'll see the sparks fly, but if you want to get in on the ground floor, might we suggest hitting your local scrapyard?
James Cameron journeys to the Challenger Deep, lives to tell the tale in 3D (video)
It's easy for life to imitate art when you're armed with near billion dollar coffers. Taking a cue from his 1989 hit, The Abyss, James Cameron made a solo plunge down to the deepest part of the Earth -- a spot seven miles below sea level known as the Challenger Deep -- and recorded his journey in 3D for our slack-jawed, couchbound amusement. The terrain, described by Cameron as both "desolate" and "lunar," is part of the Mariana Trench and had remained unexplored by humanity since the Trieste first touched down in 1960. That two man crew, hampered by the technological advancements of the time, didn't have the luxury of capturing the undersea trek, so when Cameron's footage finally hits screens, it'll be the planet's first peek at a truly alien world. Conspiracy theorists and New Age-y types will be disheartened by the lack of any reported close encounters of the aquatic or Steve Zissou kind, as the blockbuster filmmaker only spied a variety of small, whitish and, predominantly, eyeless creatures. The trip was seven years in the making, and involved the construction of the Deepsea Challenger -- the high-tech mini-sub which carted Cameron safely to the Pacific Ocean's depths and back. Curious to see what only the world's richest can experience first-hand? Then click on past the break for a brief docu-tease.
Avatar special edition takes another dip on iTunes Tuesday, brings exclusive extras
If you've made the switch to watching movies delivered via the internet instead of disc, one of the things that you'll usually give up is interactive special features, but Fox is turning that trend around with its latest repackaging of Avatar. The iTunes Extras Special Edition of the movie goes on sale Tuesday and includes "Green Screen X-Ray" features letting viewers deconstruct the extensive special effects during 17 scenes as they watch, as well as an original screenplay from director James Cameron, his scriptment, and a gallery of 1,700 images. You can get an idea of how the X-ray feature works from the images here and a trailer (included after the break), but at $20 for an HD copy, we figure it will be just the most dedicated fans taking a trip back to Pandora before the 3D Blu-ray is freed from exclusivity next year.
iTunes version of Avatar will let users control scenes, more
Apple has just announced a special iTunes version of James Cameron's Avatar that will not only include some special extras like the film's script and a big 1,700 picture special effects gallery of pictures to browse through, but allow viewers to actually control 17 scenes as they happen, switching between different views like the finished film, rough CG cuts, and the original live action motion capture footage. Viewers will also be able to "x-ray" these scenes, moving a special view around the screen that will show off the original live action footage, superimposed over the finished movie. Sounds pretty awesome to us. Special features have obviously been a standby of disc-based movies for years, and modern Blu Ray discs offer up split-screen and onscreen special effects information and footage for all kinds of movies. But this is something that's really interactive, and it's exclusively on iTunes (Apple doesn't say yet if the special footage will work on an iPad or an iPhone, though it seems likely, right?). That's a nice get for Apple, and it might be an indication of more features like this to come (which would make for nice viewing fodder on a possible Apple TV, wouldn't it). You can preorder the movie on iTunes right now. The special edition version will cost you $20, while the regular edition itself is $15.
Michael Bay and James Cameron chat about shooting movies in 3D (video)
Two of the biggest action movie directors going right now, James Cameron and Michael Bay, took some time out to talk about shooting movies in 3D ahead of the release of Transformers: Dark of the Moon this summer. You can check out the entire conversation, put on by Paramount and The Hollywood Reporter, in the video above, where Bay talks about some of the challenges faced in shooting the movie and how the technology pioneered by James Cameron for Avatar has continued to progress. Making Transformers in 3D caused the movie to cost about $30 million extra, but it didn't cause any shooting delays. We'll find out if it was worth it, or if audiences have started to turn against wearing the glasses when the movie comes out June 29th.
Titanic 3D re-release scheduled for April 2012, 100 years after the ship set sail
Before James Cameron was all about 3D he did a few features you may have heard of, including some indie project called Titanic that happens to be the second highest grossing movie of all time. Now, that flick is going to return to theaters and of course, it's in 3D. He's been working on the conversion for several years and says it "will be Titanic as you've never seen it before, digitally re-mastered at 4K and painstakingly converted to 3D." This is certainly no Clash of the Titans rush job, but as much as viewers loved Leo & Kate the first time around, whether or not they fill up movie houses again on April 6, 2012 (and for the Star Wars 3D re-releases) will either lift or crush the potential for conversions and 3D movies in general.
'True Grit' cinematographer Roger Deakins makes jump to digital cameras
Sorry film diehards, another ally has bitten the dust -- and this one's a biggie. After years of dismissing digital cameras over quality concerns, Roger Deakins, the cinematographer behind The Shawshank Redemption, Revolutionary Road, and pretty much every Coen Brothers movie, has made the jump to digital. The-nine time Oscar nominee confessed to The Hollywood Reporter that he shot the forthcoming sci-fi thriller Now using an Arri Alexa digital camera and is leaning toward using one for his next film, a Sam Mendes-directed James Bond flick. I'm sure Q would approve -- not to mention James Cameron and Peter Jackson, assuming they can put down their respective RED EPIC cameras for long enough. [Image Credit: Sony]
Peter Jackson shooting The Hobbit at 48FPS, should speed up those long walking scenes
Say goodbye to blurry Orcs, because The Hobbit is going 48 frames per second. King of Kong Peter Jackson announced via Facebook that the two-part Lord of the Rings prequel will be shot at an increased frame rate, double the 24FPS that has been the industry standard for the better part of a century. Halo's non-director preemptively addressed critics of the technology, comparing it to the transition from vinyl to CDs -- which, let's face it, some folks still aren't all that psyched about. The technology, when combined with a 48FPS projector, should cut down on blur and strobe. Jackson and Warner Bros. have their fingers crossed that a sufficient number of theaters will be capable of projecting at that speed when the film opens in December 2012. We're eagerly awaiting James Cameron's reaction -- and George Lucas's inevitable Star Wars re-re-re-re-release at the new speed.
James Cameron picks up 50 RED EPIC-Ms, high-fives Peter Jackson
Looks like another director's been on a shopping spree lately, as RED's Jim Jannard's just announced that he sold another 50 EPIC-Ms to one generous customer. Who's this, you ask? Why, it's James Cameron of Avatar and Titanic fame, and he's probably just blown $2.9 million on his latest stash of cinematographic toys -- it's $58,000 a pop for these hand-machined professional cameras. Details are scarce at the moment, but any educated guess would point at the upcoming Avatar 2 due end of 2014, meaning our favorite blue aliens will be returning in a healthy 5K resolution. Keep an eye out for Jannard's official announcement later this week for the full lowdown. [Thanks to everyone who sent this in]
NASA's Curiosity Mars Rover stars in its very own photoshoot
NASA's already given us a glimpse at its Mars rover, courtesy of a USTREAM broadcast a few months back, but the crew over at BoingBoing has taken one small step for mankind by going even further in-depth with Curiosity before it launches in November. One lucky photographer was granted permission into the Jet Propulsion Laboratory in Pasadena, and the fruits of his bunny-suited labor showcase the nooks and crannies of NASA's latest and greatest. We're still kind of bummed that the rover won't be equipped with a zoom 3D camera as originally planned, but we've got a hunch James Cameron's taking it even harder. Be sure to hit the source link for a whole smattering of more angles, if intergalactic spacecrafts are your thing.
James Cameron ponders 48 or 60fps shooting of future Avatar films, because he's trendy like that
Oh, Jameson. You trendy, trendy trendsetter. After coercing the entire world of cinema to bow down and worship the art of 3D, it looks as if James Cameron will soon be spearheading the effort to back away from the tried-and-true 24fps shooting method in favor of far faster options. The Hollywood Reporter is claiming that Cameron copped to the idea of shooting Avatar 2 and 3 at higher frame rates, likely 48fps or 60fps. The reason? It'll provide an "added sense of reality," and it'll probably create a wave of new camcorders, software and plug-ins to handle the dirty work. Onward and upward, we suppose.
NASA forced to abandon plans for 3D camera in next Mars rover, James Cameron not losing faith yet
Among the many great feats of his career, film director James Cameron counts the rather unorthodox achievement of being able to convince NASA to use a stereoscopic camera on its next Mars rover project. Unfortunately for him, us, and the hard working folks over at Malin Space Science Systems, technical snags have been encountered in the integration of the jumbo mastcam (pictured above) with the rover's hardware and the resulting delays have caused NASA to nix the idea altogether. You might think that 3D visuals of Red Planet gravel will be no great loss, but the MSSS cams also had zoom lenses attached, whereas the research project will now be returning to tried and true fixed focal length imaging. Ah well, such is the bumpy road to interterrestrial enlightenment. NASA's rover, titled Curiosity, is set to begin its voyage in November of this year, while Cameron and co remain upbeat about the future, saying they're "certain that this technology will play an important role in future missions."
Promotional tour hitting the road for Cameron's next 3D flick 'Sanctum'
It may be more than a year before Avatar is easily available for home viewing in 3D, but James Cameron's next 3D flick is already about to hit theaters. On Sanctum he's only executive producing and not directing, but don't be surprised to see his name and notes that the movie uses techniques pioneered by Avatar throughout the marketing campaign, which will include a tour hitting several southern states throughout January to show off the trailer in 3D. Scheduled to open February 4th, it's an action-thriller about a group of cave divers trapped underwater -- check out the regular 2D trailer embedded after the break.
Cameron says the Avatar extended edition Blu-ray is the last 2D release left... for reals
Wondering when the Avatar Blu-ray release madness might end? Well James Cameron thankfully clarified at a recent press event that the Avatar extended edition Blu-ray on November 16th will be the last 2D, 1080p, iteration of his Blue Man Group epic before the 3D version arrives. He also slightly adjusted his previous November 3D Blu-ray release predictions made during a Wall Street Journal interview -- stating vaguely that the highly-anticipated format would instead arrive "maybe one, [or] two years out." That's much more in line with statements made by his Fox handlers (coincidence?) and now leaves Panasonic as the only party still claiming their anointed 3DTV owners will bring the Avatar 3D Blu-ray "experience" home sometime this year. Still, while we certainly don't know who at this point would fail the polygraph, we're not Na'vi enough to ignore how Panny's time line helps attract consumers to buy 3DTVs over the holiday season. As with most rumors though, only time will tell who in this debacle had the date right, so for now we'll content ourselves watching the Alien Anthology.
Aliens Blu-ray screenshots re-stir our appetite for upcoming anthology, not a hole in the chest
Watching the Alien Anthology Blu-ray trailer definitely left us itching for the epic sci-fi collection's Blu-ray release on October 26th. But seeing Sigourney Weaver all HD'd up without an SD reference point did make it hard to tell how much effort has gone into the transfer process. Screenshots leaked on AVSForum of the Cameron-supervised remastering of Aliens for Blu-ray though show that the king of the world has clearly been busy de-graining his work to shine in 1080p. The SD to HD shot-for-shot comparison in the gallery below however does highlight some heavy use of blue filtering, hinting James' time on Avatar may have left him with permanent Navi goggles. Still, making the Alien Queen slightly more smurf-ish doesn't mean she's any less scary -- or gooey for that matter. To see for yourself, hit up the gallery below. %Gallery-104699%
James Cameron talks Avatar's theatrical, Blu-ray Special Editions
This weekend Avatar comes back for more in theaters, packing an extra 8 and a half minutes and only available in 3D. According to director James Cameron, part of the reason is there are so many more 3D cinemas now than there were before, especially internationally. If you're still holding out for the (next) home release, expect even more footage with an extra 16 minutes added onto the original cut, which Cameron hopes will help hold fans over while they work on sequels that could take years to make. Oh, and the Blu-ray 3D release? The Hollywood Reporter says that's still on hold for 2011, while Cameron & Co. hold out for a larger installed base of 3D-ready displays.
James Cameron convinces NASA to use 3D camera on next Mars mission
What do you do once you've broken your own record for the world's highest-grossing picture film? Well, you go offworld, of course. James Cameron, in his infinite benevolence and multidimensional wisdom, has convinced NASA bigwigs not to forgo the inclusion of a high-res 3D camera on the Curiosity (aka Mars Science Laboratory) rover, which is set to depart for the red planet in 2011. Budget overruns had led to the scrapping of the autostereoscopic idea, but the director-man -- who has been involved with this project for a good few years now -- felt the results of the mission would be far more engaging if people could see them in 3D. Hey, if he can make us watch the Blue Man Group reenactment of Fern Gully, don't bet on Cameron failing to make extraterrestrial rubble interesting with his 3D voodoo.
