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Panavision's latest cinema camera has an 8K RED sensor
Nearly every blockbuster film used to end with "Lenses and Panaflex camera by Panavision," but now it's more likely that your favorite movie was short on Arri or RED. Panavision is trying to flip that equation, however, by adopting one of its rivals' key pieces of tech. Its latest cinema camera, the Millenium DXL2 uses RED's Monstro 8K VistaVision sensor, giving it 16-bit, 8,192 x 4,320 RAW output with a claimed 16 stops of dynamic range.
Red's new flagship camera is the $80,000 Monstro 8K VV
RED's cinema cameras are too expensive for most of us, but they do push the state-of-the-art, making future cameras you can afford better. A case in point is RED's latest sensor called the Monstro 8K VV (Vista Vision). The bombastic name aside, it packs impressive specs. The sensor is 40.96 x 21.6 mm, which is slightly wider and slightly shorter than 35mm full-frame, handles 35.4-megapixel stills and 8K, 60 fps video, features 17+ claimed stops of dynamic range, and shoots at higher ISOs with lower noise than the last model.
RED's Digital Still and Motion Camera System now official
After a morning of drip-fed images, RED just went official with its DSMC (Digital Stills and Motion Camera) System. The system starts with your choice of the professional Scarlet or "master professional" EPIC brains which can then be bunged into about 2,251,799,813,685,248 possible camera configurations, RED only half-jokingly chides. The brains are built upon Mysterium-X and Mysterium Monstro sensors which start at 2/3-inch and end at a whopping 6x17-cm -- when a new sensor comes out you just upgrade the brain. Scarlet will launch in 4 choices ranging from $2,500 (and possibly less) to $12,000 with a variety of lens mounts (yes, Canon and Nikon) capable of shooting 3K @120fps on up to 6K @30fps. Epic will offer similar mounts with capabilities spanning 5K @100fps ($28k) to 9K @50fps ($45k) -- a 28K system hitting 25fps is expected in 2010 for $55k. Still image resolutions will range from 4.9 megapixels to a freakish 261 megapixels. The first Scarlet systems could come as early as Spring of 2009 while EPIC should arrive by summer. Of course, the brain is just the beginning of the costs. RED also introduced a 3D camera configuration today in true, "one more thing" fashion. See all the details in the gallery below, 3D camera after the break.%Gallery-36771%
RED's next move: Monstro super DSLRs
Red CEO, Jim Jannard, is stirring up trouble in the RED User forums, J. Wong-style. His latest volley discusses the new Mysterium "Monstro" sensor program, the next evolution (and future free upgrade) to the Mysterium X sensor slated for RED's 5k Epic. The most interesting revelation though is this little nugget: in addition to Epic, RED plans to place Monstro into, "another camera aimed squarely at the DSLR market." He later adds, "Future cameras will shoot ultra-high resolution stills and motion..." Now, considering that the second generation, full-frame, ~25 megapixel Mysterium X is already a serious challenge to 35mm film, we can only imagine what this DSLR with a third generation RED sensor might offer. Hear that Nikon? Your D90 is just the beginning of this story. Let's just hope that televisions and monitors, already struggling to reach 4k, Quad HD can keep pace.[Thanks, Jundai]
