post-mortem
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Infestation producer: The War Z was a 'terrible choice of a name'
Infestation Survivor Stories (previously known as The War Z) Executive Producer Sergey Titov has penned a post-mortem on Gamasutra about the game's launch in 2012, noting how inviting the comparison to DayZ worked against the project. "That said, The War Z was a terrible choice of name, as it naturally invited comparisons between our game and DayZ," Titov admitted. "We made a big mistake in not listening to the vocal minority of our community who thought the name was terrible [...] Beyond not listening to the community, we were also very arrogant in our public communications. We should have taken more care to communicate how and why this was not a DayZ clone, citing specific differences in both design and conception. Instead of saying to ourselves 'Oh well, haters gonna hate!' we should have tried to understand where the hate was coming from and address it." Another key mistake that Titov and his team made was engaging in an "arms race" to get The War Z to Steam before DayZ, which resulted in its being yanked from that platform due to misrepresentation of the existing game features. Even with these missteps, Titov said that Infestation sold 2.8 million copies, and of those, over half logged at least 50 hours of playing time apiece. You can read Massively's hands-on impressions of this title from 2013.
DC Universe Online dev weighs pros and cons of recent update
Lead Content Designer Donovan Kennedy has a new dev blog up on Gamasutra in which he breaks down the challenges the team faced with DC Universe Online's recent Amazon Fury Part 1 DLC pack. He first identified three "strengths" of the DLC: helpful early internal feedback, cool story missions, and the opportunity to visit familiar locations. "These missions were right on target and players have given overwhelmingly positive feedback-not just on the cool game mechanics, but also for Wonder Woman and Circe's personalities really supporting their personal objectives and how they interact with the other Amazons," Kennedy wrote. On the flip side, Kennedy said that the studio over-planned the map, needed more internal playtesting, and got pushback from players not always happy that they had to learn new combat mechanics for a couple of the missions. He was especially apologetic about pushing out an update that wasn't fully polished: "When Amazon Fury was pushed out to our public test server, there were a few glaring bugs that came back to bite us (after they were found by players -- ouch!)."
Spaceteam might not have been made had money been a priority
Spaceteam creator Henry Smith revealed in a recent retrospective piece that he believes his iOS and Android game, which has teams of players coordinating tasks on a spaceship a la Star Trek, would not have been made had making money off the game taken top priority. Smith discussed his game's success - and the many ways he defines that word - in the retrospective due to a Twitter discussion that arose after he posted the game's sales numbers. Smith wrote that the numbers were not "bad news" as some had claimed, and clarified that his goal was never to make money. He wrote that, "Worrying about how to 'monetize' effectively might have compromised the game design and almost certainly would have hindered ... getting my name out because there would have been much more resistance to sharing and spreading the game." Smith repeatedly stressed dissatisfaction with current business models and claimed that he wants his future projects to be free, like Spaceteam. However, Smith still needs to earn a living, so he plans on holding a crowdfunding campaign. "This feels more honest and sustainable to me and the pay-what-you-can model seems fair for everyone else," he wrote. Smith closed with the promise he'll be sharing more details about the crowdfunding campaign soon.
Ethan: Meteor Hunter post-mortem laments poor sales, Greenlight woes
Ethan: Meteor Hunter is a punishing 2D platformer made by the "bastards" at Seaven Studio, and has been available for just more than a month on PC and the PlayStation Network. During this time, the game sold just 127 units on PC. A post-mortem on the Seaven Studio website cites issues with Steam Greenlight, translating the game into too many languages and that "good value and focus on gameplay are not appealing." The post also notes that releasing the game a month after the release of GTA5 - one of the best-selling games of all-time (probably) - and a month before the PS4 launch and Xbox One launch - which were also two of the highest-selling console launches - might have contributed to the game's lack of sales. The game is also not yet available on Steam, having only recently gotten 96 percent of the votes it needs to break into Greenlight's top 100. The post asks if gaming is in an "indie bubble where one-good-but-normal-game ([i.e.] not Stanley Parable) can only sell with sales and bundles, not full price." It also asks commenters to voice their reasons why they didn't buy the game so that "next time, if we manage to have a next time," they don't make the same mistakes.
Schubert to dissect Meridian 59 at GDC Online [Updated]
Those darn GDC organizers! They're still using the term postmortem for games that are very much alive. In this case it's Meridian 59, and former lead designer Damion Schubert will take the stage at GDC Online 2012 for a special Classic Game Postmortem lecture focused on the 1996 title. A GDC press release says that Meridian 59 was the first MMO to charge a monthly fee and use 3-D graphics and that it "began an era that set the stage for the MMORPG genre as we know it." Schubert went on to work on titles including Shadowbane, The Sims Online, and Star Wars: The Old Republic. [Source: GDC press release] [Update: Reader Scotty also tipped us off to the fact that M59 is slated to go open source.]
World of Warcraft: Cataclysm post-mortem reflects on success, failure, and lessons learned
World of Warcraft's Cataclysm expansion is over a year old now, and Mists of Pandaria is looming just over the horizon, which means that it's time for a Cataclysm post-mortem. The infamous pony-promiser Greg "Ghostcrawler" Streets took some time out of his day to set aside the nerf bat and answer some questions regarding World of Warcraft: Cataclysm. What worked? What didn't? Where the hell is the dance studio, anyway? Just kidding, we still don't know that last one. One topic that's frequently revisited throughout the post-mortem is the talent system revamp. In a nutshell, Ghostcrawler says that the team (and the players) were largely pleased with the ability to choose a spec and gain powerful, useful skills right at level 10. What didn't work out as planned? "Everything else!" says Ghostcrawler. The team realized that "the talent tree model where you pick up tiny performance increases here and there (and where there's, mathematically, nearly always a 'right' answer and a 'wrong' answer) is not a great model." He goes on to add that Mists of Pandaria's talent system "should fix this problem once and for all." Well, third time's the charm, right guys? At any rate, there's more on the discussion table than just talents, so head over to the full article and see what lessons Cataclysm has taught the devs.
Ghostcrawler talks game systems in final Cataclysm post-mortem
Blizzard's Cataclysm post-mortem blog series has seen Dave "Fargo" Kosak discuss quest design and Scott "Daelo" Mercer discuss dungeons and raids; today, Blizzard wraps up the series with a look at Cataclysm's game systems. As with Fargo and Daelo, Greg "Ghostcrawler" Street, WoW's lead systems designer, talks about what worked (the 1-to-60 revamp, choosing a spec at level 10) and what didn't (a long list of other things). GC is surprisingly candid in this particular blog entry, and it's definitely worth a read to get a bead on what Blizzard learned from World of Warcraft's third expansion. The full interview is after the break.
Blizzard's post-mortem on Cataclysm dungeons and raids
Blizzard recently released a blog from Dave "Fargo" Kosak that acted as a post-mortem for Cataclysm's quest design. Following on its heels is this entry from Scott "Daelo" Mercer, the lead encounter designer for World of Warcraft. In it, Scott talks successes (Dungeon Journal, Raid Finder) and failures (difficulty level of launch heroics) in the dungeons and raids portion of the game's third expansion and shares what he's looking forward to with the release of Mists of Pandaria. I'm definitely with him in anticipating challenge modes and PvE scenarios. Read the full interview after the break.
Cataclysm Post-Mortem: Uldum
Alex Ziebart and Mathew McCurley (that's me) decided to give each Cataclysm zone the once-over now that we're many months out from the release of the expansion. In this post-mortem series, we'll examine what worked and what didn't work in terms of story, quests, and overall feel for the zones and the cool moments that dotted the landscape. On the southern end of Kalimdor, a forgotten civilization hides behind otherworldly technology, forged by the Titans to protect the great machinery of Reorigination. The tol'vir, great protectors of the ancient machinery, stand stalwart against the corruption and fighting. Some tol'vir have succumbed to the aqir long ago, but the civilization remained unknown to the whole of Azeroth. After Deathwing's violent breach from the Maelstrom changed the world forever, the resulting chaos broke the shield that hid Uldum and revealed its sands. Now, Deathwing and his allies fight to corrupt the tol'vir and bring chaos to Uldum and beyond. Uldum continued the Cataclysm zone progression by moving you from the rocky, subterranean world of Deepholm into an open-air desert, a welcome change for the claustrophobic adventurer. Giant pyramids, monumental statues, and an Egyptian motif made Uldum one of the most beautiful and well-realized zones in Cataclysm. As players embarked on two very distinct quest lines, the story of Uldum unfolded as the forces of the wind broke the Skywall through the desert sky and into Azeroth's realm. On the other side of the zone, players were sent on a sprawling adventure with fan favorite Harrison Jones on a bumbling expedition to figure out the purpose of the Obelisks of Uldum and get into some wacky trouble. This is going to be the most controversial of the Cataclysm post-mortems. I can feel it. Uldum was a zone that people either loved or hated during the content push to 85. We are going to try to keep it civil.
Cataclysm Post-Mortem: Deepholm
Alex Ziebart and Mathew McCurley (that's me) decided to give each Cataclysm zone the once-over now that we're many months out from the release of the expansion. In this post-mortem series, we'll examine what worked and what didn't work in terms of story, quests, and overall feel for the zones and the cool moments that dotted the landscape. The Earthen Plane. Therazane's domain. The place where primordial rock and earth and stone were banished after the Titans subdued the elemental lords and their Old God masters. Deepholm is where Deathwing laid his broken body and waited, watched, heaved, and went mad. In the center of the mighty plane of earth stood the World Pillar, the only support keeping Deepholm from crashing into Azeroth itself. When Deathwing unleashed himself upon the world, the World Pillar shattered. Only through the tireless and diligent efforts of the Earthen Ring, shaman from all walks of life and races, could the tear in the Maelstrom be contained. Now flooded by members of the Twilight's Hammer cult, a raging war between earthen and trogg, and the harshness of the Stonemother herself, the Horde and the Alliance must find a way to restore the World Pillar and save Azeroth from the very plane of earth it rests upon. Deepholm was the first bottleneck zone after the two opening Cataclysm leveling experiences, Hyjal and Vashj'ir. Everyone passed through Deepholm on the way to 85, getting to experience one of the most beautiful and awe-inspiring zones ever created for World of Warcraft. From the rocks that hung eerily in the air to the various factions and allegiances, Deepholm provided one of the most unique leveling experiences in World of Warcraft to date.
Hyperspace Beacon: Post mortem
When a company ends a project or when a theatre production ends, the producers and directors will usually do an analysis of the project. They will give a rundown of what performed well and what performed poorly. The idea is to ensure that the next project delivers better results than the previous one. Granted, we will not be able to sit in on the official post mortem meeting for Star Wars Galaxies, but we can do our own analysis of what happened. As I said above, the idea is to take what we learned from the previous project and apply it to the next one. In the eyes of a Star Wars MMO fan, the next project will be Star Wars: The Old Republic. Now to be fair, I already have a series of articles that feature the mistakes SWG made that we don't want to see in The Old Republic, so this time around, I figured it would be best to show off the good things SWG did that should probably be repeated in SWTOR. This is by no means exhaustive, but it's a couple of the big ones in my mind.
Cataclysm Post-Mortem: Vashj'ir
Alex Ziebart and Mathew McCurley (that's me) decided to give each Cataclysm zone the once-over now that we're many months out from the release of the expansion. In this post-mortem series, we'll examine (in our own opinions and words) what worked and what didn't work in terms of story, quests, and overall feel for the zones and the cool moments that dotted the landscape. Join us for a discussion about Cataclysm's new level 80 to 85 content and what made the cut as the most compelling experiences. The Sunken City of Vashj'ir lies off the coast of Stormwind, with pieces of the forgotten land rising up from the waves after the devastation of the cataclysm and Deathwing's sundering of Azeroth. The Alliance scrambles to secure this territory so close to their shores to prevent any malicious entities from causing more havoc on their shores. The Horde, seeing a golden opportunity for a land grab so close to the human capital, has sent its navy in full force to take the now surfaced islands of Vashj'ir. Little does either faction know that a war rages in the very heart of the sunken city between the Lady Naz'jar and her army of naga aided by the Old Gods and the kvaldir. Lady Naz'jar's ultimate goal -- enter the Abyssal Maw, home of the water elemental lord Neptulon, and seize his power for her naga army. Vashj'ir's story Mathew: Before we begin, I have a confession to make. I finally finished Vashj'ir, from start to finish, only recently for this article. Zones that are built in such a way, as to emphasize the 3D space of the water, etc, are one of those things that occasionally bugs me. It's not that I didn't want to participate in Vashj'ir -- quite the contrary. I just had no reason to go here since Hyjal was so straightforward and had my flying mount ready to go from the get-go. Also, Vashj'ir was notably bottle-necked in beta, as many players streamed in and getting out of that initial sunken ship was a rough ride. Now that I had the zone to myself, it was a much better experience.
Cataclysm Post-Mortem: Hyjal
Alex Ziebart and Mathew McCurley (that's me) decided to give each Cataclysm zone the once-over now that we're many months out from the release of the expansion. In this post-mortem series, we'll examine (in our own opinions and words) what worked and what didn't work in terms of story, quests, and overall feel for the zones and the cool moments that dotted the landscape. Join us for a discussion about Cataclysm's new level 80 to 85 content and what made the cut as the most compelling experiences. Hyjal is home to the majestic world tree Nordrassil, once under siege by the Burning Legion and Archimonde, an eredar leader and lieutenant of Sargeras. In Warcraft III, we vanquished Archimonde at Nordrassil and subsequently went back and ended his campaign in Hyjal through the Caverns of Time. Now, Ragnaros the Firelord has returned to Azeroth with the help of Deathwing and has invaded the sacred mountain with one goal -- destroy the wardens of Hyjal and burn their tree to the ground. Hyjal's story Mathew: I had an odd experience with the story at Hyjal, mostly because at first, I couldn't have given a damn about the druids and the Emerald Dream and all of that. The first time I went through Hyjal, it was a sprint, and I never stopped to smell the roses, since we were racing to 85. It was only after I did Hyjal a second or third time that I truly dug in and found the wonderful story of the zone. Now, I am 100% involved in the Hyjal story and am really excited to see where it's going. Now, the druids are my best friends, and there is nothing I want to do more than help ancients punch fire elementals in their fiery faces.
Red Faction: Guerrilla dev post-mortem: to embrace true open-world freedom 'you need to stop caring'
In a lengthy post-mortem on Gamasutra, design director James Hague breaks down how his team at Volition developed Red Faction: Guerrilla's many, many missions while working with an enormous, open world where pretty much everything can be destroyed. Beyond the seemingly minor decisions (order of actions within a mission, for instance) being problematic, the sheer enormity of RFG's terraformed Mars and its fully destructible environment drove the game's developer to deliver on the promise of freedom not just between missions, but during them as well. This, as you might imagine, caused quite a bit of a hitch, resulting in the eventual boiling down of some mission objectives to their most basic elements. "To truly fit into the open world model, missions have to provide the same sense of freedom that the world itself provides. And to make that work takes a change of mindset. It means letting go of being a control freak and instead embracing the chaos that's inherent in open world design," Hague says. For him, game design is often a struggle for how to control the player, and thusly, the player's experience. In the case of RFG, though, he exclaims the team had to "stop caring" about said control. "You can't control what the player experiences every moment. That's not a failure; it's what comes with letting the player do what he wants." Hague goes into far more detail over four pages of individual mission dissection, so if you're a fan of the game like we are, we'd suggest checking out the whole piece -- it may not be as rewarding as destroying a tower and watching it fall on scrambling soldiers, but then what is?
GDC: 'Among Friends: An Uncharted 2 Post-mortem'
There is one drawback to seeing Uncharted 2's co-lead designer, Richard Lemarchand, unfurl the development process behind the most successful and most ambitious game in the studio's history. A post-mortem panel, held on Thursday afternoon at the Game Developers Conference in San Francisco, delved into developer Naughty Dog's pre-production process, its production pipeline and the climactic rush to a spectacular end. It also highlighted some of the studio's misjudgments, which resulted in a difficult crunch time toward the end of development. And now, every time I play that incredible train level -- "an evil monster of a level," Lemarchand said -- for my personal enjoyment, I'll pull back the curtain and see programmers hunching over keyboards and nodding off into icy cups of coffee. Thankfully, Lemarchand painted a warmer picture, firm in his belief that the development team's intrinsic motivation to produce a character-driven blockbuster helped it overcome the final hurdles. An important pre-production phase dominated the first six months of Uncharted 2's 22-month creation. "Messing it up often means messing up the whole project," Lemarchand noted. There were no deadlines or deliverables during this period, and the team was free to seek inspiration and consider the individual moments they wanted to explore in Drake's second outing. A single image would portend much of the game's direction: A photograph of the Tiger's Nest Monastery in the Himalayan kingdom of Bhutan.
Behind the turntables of DJ Hero
There's a temptation to lump DJ Hero in with Guitar Hero, but as the name would suggest, that's only half right. Develop recently spoke with Dan Neil at FreeStyleGames and he detailed some of the unique challenges and considerations that creating a song for the game involved. Sure, the team liked that they could tweak songs on the fly to suit their needs (a luxury not afforded to Guitar Hero, which must slavishly adhere to master recordings), but that also meant that artists were a little more hesitant to sign away their babies for some turntable jockey to play around with. As word got around though, Neil said, stars like the Black Eye Peas started to pile on. How's that for a cautionary tale about success, huh? The bigger you get, the more likely you are to attract the attention of the Black Eyed Peas.
Darkest of Days postmortem has some bright spots
It's very easy to roundly dismiss a game that most people don't think is very good -- heck, we do it all the time. But we think before you make with the lambasting, you should have to read a postmortem article, like this one on Gamasutra from 8monkey, the developer of Darkest of Days. Where many terrible games just appear to be rush jobs, the folks working on Darkest of Days (which hovers between a 45 and 52 on Metacritic, depending on platform) seem to be a nice enough group just doing the best with what they had (which, of course, was not enough money, time nor manpower). A compelling postmortem isn't going to make Darkest of Days a better game (it's a long ways off from that), but maybe it'll make us all slightly nicer people.
Batman: Arkham Asylum creator focused on quality over quantity, hasn't played BioShock
In a lengthy post-mortem with Gamasutra this week, Rocksteady Studios creative director Sefton Hill spoke his mind on a mess of topics regarding this summer's surprise hit, Batman: Arkham Asylum. "There are too many games out there that deliver lots of average content," Hill said when asked about the relative "tightness" of Batman in comparison with other games. Personal inspiration for the game's design came from places like Zelda and Metroid, two game series he's been a fan of "for years," as well as Silicon Knights' Eternal Darkness. And though Arkham's audio logs and "environment as a character" motif hearken back to 2007's BioShock, Hill claimed he's never played it. "It's on my list of games to get back into ... I can't say for me that was a big direct influence."Truth be told, we're just scratching the surface of Gamasutra's thorough dissection of Batman -- a game we loved with all of our jaded, rancorous hearts -- so do yourself a favor and stroll through the entire five pages. Call it an afternoon treat! You deserve it, dearest Joystiq reader.%Gallery-31781%
Persona 4 team performs a postmortem
You would assume, perhaps wisely, that a Persona 4 postmortem would refer to performing an autopsy on a poor soul who died of old age while trying to finish the epically long RPG. But all we've got for you today is the game's creators discussing the highs and lows of development with Gamasutra. As is usual, the "lows" are actually just the difficult parts of designing the game rather than what didn't work about the title, but it's still worth a read to see how Atlus tackled the Herculean task of creating a 100-hour game that at least some of you lived to see the end of.
Part one of Brad McQuaid's Vanguard post-mortem
When most people think of Vanguard, they usually remember that the game had an extremely rocky launch period. A lot of things were changed and fixed after the game was sold to Sony Online Entertainment. The original developer Sigil Games Online (headed by former SOE superstar Brad McQuaid) was also sold in this deal. McQuaid's blog welcome-page mentions that he's been on a break from the games industry since the above events in 2007, but "as of late, he's starting to get that itch again...". It was probably this itch that prompted him to start a multi-part post-mortem of his time with Vanguard at his blog.McQuaid said that he will be addressing topics in chronological order, and part one deals with what he calls the first big mistake that Sigil made: get everything in writing."The first mistake that would have a serious impact later in development was the verbal agreement with Microsoft that Vanguard was to be a first rate, AAA title."It sounds like a change at Microsoft led to a completely different level of support for Vanguard; less funding, less time, and overall a different outlook on what Vanguard was to become."So the moral of the story is one that should have occurred to us: get everything in writing, get it into the contract, because even a company like Microsoft can suddenly undergo significant changes to its management and teams. And when those changes do happen, you might as well be dealing with a new company – anything and everything can change, and change quickly."Part two of the post-mortem will be dealing with the good and bad aspects of creating an all-star team, and we'll bring it to your attention when it surfaces.
