Oh sure, you've been able to buy digital camera-equipped binoculars for years now, but finding one that does video (particularly with the camcorder you already own) has been a continual struggle. Thanks to one engineering soul, you can forge ahead with your plans to video all sorts of sights by adding a CCD eyepiece to any 'ole set of binoculars. Once installed, you simply hook up your camcorder (hope it has video in), mash record and get to gazing. Be careful what you look for, though.

Generally speaking, folks who sprung for Apogee's Duet have been pleased with the performance, but as we learn each and every week, there's nothing that can't be improved upon. Take the Duet's factory breakout cable, for instance. Sure, it provides a plethora of connection options, but it also creates a rat's nest in no time flat. Thankfully, a few engineering souls decided to take matters into their own hands, create a much better alternative, and then offer the thing up for sale for the lazy folks (read: us) on the outside. The duet:BREAKOUT box provides one simple box-to-Duet connection, after which you can run XLR / 1/4" cables straight to the ultra-rugged accessory. Get yours now with 1/4" or RCA outputs for $100 apiece.

Thanks to another set of ambitious iPhone hackers, we've officially got video on Apple's wonder-device (that somehow omitted video to begin with). It's not much right now, but if you want, you can see your phone recording five succulent seconds of real-deal video at around 15 FPS. The developers say this is just a proof of concept, and they've been able to get up to 45 FPS on the device -- so hopefully we can expect a more robust version soon (like, say, one that lets you save the recording). Check the video after the break to see the gorgeous work in action.

If you've been in the market for a small, handsome, and high-quality portable audio recording solution, Apogee (makers of some of the finest AD/DA converters and interfaces in the industry) may have just what you're looking for. Say hello to the Duet, a two-channel, 24bit / 96kHz interface that should make your next field job or impromptu jam recording nothing but net. The Duet's breakout cable provides two phantom powered, XLR inputs, two unbalanced instrument inputs, and two unbalanced monitor outs; a headphone jack, multi-function knob, LED meters, and Firewire port (for getting the audio to your computer) are located on the unit. Apogee is known for its rugged, low-noise, high-performance audio tools, and the Duet is likely no exception -- despite the fact that the need for an interface this small is certainly up for debate. Available in September for $495.

[Thanks, Tyler M]

Akustica, which makes its mark building acoustic system-on-chip solutions, has recently introduced what it calls the "world's first HD microphone that enables HD voice quality in laptop PCs and other broadband mobile devices." The firm's AKU2103 is a digital-output microphone with a "guaranteed wideband frequency response," which means that you can sleep easy knowing that your built-in mic complies with the TIA-920 audio performance requirement for wideband transmission. This MEMS device crams the mechanical transducer, output amplifier, and sigma-delta converter onto a single chip of silicon, and touts near-immunity to RF and electromagnetic interference as well as to power supply modulation. The surface-mountable unit measures in at just four- x four-millimeters in size, and while pricing details aren't available to the masses just yet, Akustica plans on sampling the AKU2103 in Q3 of this year.

[Via Slashdot]

Nearly a month after Warner Bros. axed advanced screenings in Canada while tagging priacy as the scapegoat, now Canucks are facing another bout with DRM right inside their homes. According to a lengthy list of complaints over at TheGreenButton, it appears that some Canadian cable providers (Rogers and Shaw, namely) are seemingly throwing the broadcast flag onto a questionable amount of content. Essentially, users who are trying to record said programming via their own Windows Vista Media Center setup are receiving all sorts of errors and messages informing them that the material (even on basic cable) they are trying to record is laced with "restrictions set by the broadcaster and / or originator of the content." Interestingly, it seems that the blame here lies more with the cable companies and not some glitch within Vista, as more than a few customers have received responses from their providers suggesting that they ditch the whole PVR idea and instead rely on the company-provided DVR (at a cost, of course). So, dear Canadians, are any of you fighting this same battle?

Although it seemed that Seagate was comfortably at the forefront of magnetic recording developments, Fujitsu is hoping that its latest "breakthrough" will add a little friction to the areal density competition. Using patterned media technology, the firm "was able to achieve a one-dimensional array nanohole pattern with an unprecedented 25 nanometer pitch," which essentially means that recording one-terabit per square inch onto HDDs of the future is now realizable. Additionally, the company also revealed a new development "involving perpendicular magnetic recording (PMR) read / write operation on random patterned media," which utilizes the soft underlayer (SUL) as the PMR media. As expected, the presenters weren't as forthcoming about when we'd actually see these achievements make a difference in our laptops, servers, and other HDD-equipped devices, but the sooner the better, okay Fujitsu?

Not like this is altogether surprising by any means, but a US District Judge has ruled that a lawsuit in which "record companies allege XM Radio is cheating them by letting consumers store songs can proceed toward trial." Deborah A. Batts has decided to not throw out the case which Atlantic, BMG Music, Capitol Records, and "other music distribution companies" filed against XM, and claims that the Audio Home Recording Act of 1992 does "not protect the company in this instance." Essentially, the judge ruled that special handheld recording devices, marketed as XM+MP3 players (you know, like the Inno), are not at all like "radio-cassette players," and then proceeded to explain how "recording songs played over free radio doesn't threaten the market for copyrighted works as does the use of a recorder which stores songs from private radio broadcasts." Aside from our apparent inability to understand why source A is less illegal than source B, we're completely on the same page with Ms. Batts, but nevertheless, she also asserted that XM is attempting to be "both a broadcaster and a distributor, while only paying to be the former," but completely disregards the extra fees that satellite radio firms pay to record labels in comparison to "free" stations. But if you think XM is downtrodden, you'd be sorely mistaken, as the company simply stated that it "looked forward to making its case (read: winning) in court." Now that's the spirit.

[Via Orbitcast]

It seems that satellite radio just can't catch a break, as the RIAA and its indirect constituents apparently have a perpetual target set on crippling services associated with recording content. Yet again satellite radio (along with internet radio) is under fire, and this time a number of senators are pushing "rules embedded in a copyright bill, called the Platform Equality and Remedies for Rights Holders in Music Act," which could "restrict listeners' ability to record and play back individual songs." Furthermore, the act calls for streams to be laced with "reasonably available copy-protection" so that timeshifting material becomes next to impossible (and illegal, too), and that portable recording devices such as the much-debated XM Inno and Sirius S50 would no longer allow "automatic recording." The reasoning stems from a belief that satellite / internet radio should still be a "passive experience," presumably forcing us to look backwards rather than forward in radio technologies, and proponents of the agenda somehow insinuate that enforcing these rules will curb "music theft." Unsurprisingly, the RIAA "applauded the effort and urged Congress to make passing the legislation a top priority this year," while most everyone else on the planet (including spokespersons for XM and the Home Recording Rights Coalition) is balking at what would potentially make satellite / internet radio less accessible to desiring consumers. While we've no idea how quickly action will be taken on these newly surfaced guidelines, we can all rest assured that our representatives will devote every waking hour to this here issue until it's finalized and implemented, at least if the RIAA has anything to do with it.

While Sony's certainly had its fair share of blue laser supply issues, and the current generation of HD DVD / Blu-ray burners are sluggish at best, it looks like the first step towards marginally acceptable write speeds to next generation formats has been taken. According to Nikkei, Sanyo has developed a blue laser diode which will speed up data access, and moreover, should be able to reach write speeds of "up to 6x for dual-layer discs." Similar to LG's combo unit, this diode also plays nice with both HD DVD and Blu-ray recorders, but there's no word if a hybrid writer using the laser is in our immediate future. Still, any progress towards harmony between the formats -- not to mention being able to burn a dual-layer Blu-ray disc in time for your next birthday -- is a step in the right direction, so we're expecting nothing less than a 6x burner to be hitting shelves sooner rather than later, Sanyo. [Warning: read link requires subscription]

[Via Inquirer]

Teclast is keeping things fresh with its latest style-conscious DAP / PMP / gaming handheld, the C260. Joining the growing fray of Chinese all-in-one wonders, this sexy machine boasts a 3.15- x 1.85- x 0.39-inch enclosure, 2.4-inch QVGA touchscreen, landscape layout, built-in FM radio tuner, audio input for recording, headphone jack, USB 2.0 connectivity, and eight pre-loaded equalizer functions. Aside from playing nice with MP3 / WAV on the audio side, it also reportedly supports XviD, DivX, and AVI on the video front, while displaying JPEG slideshows and simple text files on the side. Additionally, it purportedly features some sort of "gaming" functionality in case the tunes loaded on your microSD card get stale. So if you've been craving a do-it-all device that remarkably resembles LG's Chocolate handset, the 1GB C260 should be hitting the Chinese streets soon for just 399 CNY, or about $51.

[Via AVing]

Oh noes! Creative looks like it's the latest manufacturer to fall prey to the RIAA's war on FM recording. Yeah, we thought this all blew over back in the "Home taping is killing music!" days, but slowly we've been seeing modern recording functionality be disabled, with satellite radio devices being some of the first casualties. Now Creative has released a firmware "update" for its Zen MicroPhoto and Zen Vision:M players, which adds Audible support and other minor fixes to the former, video zooming and language support to the latter, but removes FM recording functionality from both players. No telling where this kind of consumer trampling stops, but for now it looks like another win for the RIAA types.

[Thanks, Doug R.]

Read - Zen Vision:M
Read - Zen MicroPhoto

Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:
Two new shiny boxes were announced this week. They both run on batteries and can record and edit audio, but they couldn't be more different. In the trashy and corporate corner is the Boss Micro-BR. It's a four-track, with guitar and mic inputs. It's "slightly larger than an iPod," runs on 2 AA batteries, has built in drum sound and effects, and is shinier than a cheap Korean DAP from 2005. This unit is the spiritual offspring of the cassette four-track, which anyone who was in a band in the '80s or early '90s will remember with a mixture of fondness and dread. If for some reason you're recording a demo by yourself, and you can't get to a laptop, it's probably perfect. No price yet, but it won't be much.

Meanwhile, in the open source startup corner is the Trinity DAW, a Linux-powered stand alone audio recorder. It's has the professional ins and outs that the Micro-BR so obviously lacks, and is built around a 500mhz processor, 128mb memory, 20gb hard drive and a real screen. It ships with Audacity software which, like most Linux software, is great/cruddy depending who you ask. It can record in stereo with professional microphones that need phantom power, and there's a nifty circular touchpad next to the screen to navigate around the GUI. Unfortunately, there's a whiff of vapour around the project, which currently only exists in rendered form, with an eye-watering price tag of $999. For which price you could probably buy 16 tracks of Micro-BR, or a decent laptop and a pile of software.

Lately it's been the Blu-ray camp cruelly torturing us with product delays, but in a refreshing change of pace, today it's rival format HD DVD's main proponent Toshiba announcing that a next-gen optical disc device won't be shipping as scheduled. Unlike Sony's procrastination in releasing the PS3 and BDP-S1, though, Toshiba claims that it only needs two more weeks to get its RD-A1 HD DVD recorder out the door, citing inadequate inventory stemming from component shortages as the reason for putting off tomorrow's scheduled launch. Since this model, with its 1TB storage capacity and OTA digital tuner, is only headed for Japan anyway, the delay probably doesn't concern the vast majority of our American readers -- nor most Japanese, for that matter, as the $3,500 pricetag will likely dissuade all but the most fervent early-adopters.

[Via HDBeat]