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RED reveals a 5K camera sensor designed for outer space
In a bit of a surprise, RED Camera unveiled its most light-sensitive Super 35 sensor to date for the Epic-W cinema camera. The 5K Gemini sensor, much like the one on Panasonic's GH5s, has a dual-ISO mode that lets you choose between dynamic range and light-sensitivity. "Images exposed at ISO 3200 in low-light mode will be just as clean as images exposed at ISO 800 in the standard mode," said RED in a YouTube video (below) explaining the tech.
Red's new flagship camera is the $80,000 Monstro 8K VV
RED's cinema cameras are too expensive for most of us, but they do push the state-of-the-art, making future cameras you can afford better. A case in point is RED's latest sensor called the Monstro 8K VV (Vista Vision). The bombastic name aside, it packs impressive specs. The sensor is 40.96 x 21.6 mm, which is slightly wider and slightly shorter than 35mm full-frame, handles 35.4-megapixel stills and 8K, 60 fps video, features 17+ claimed stops of dynamic range, and shoots at higher ISOs with lower noise than the last model.
RED reveals a smaller 8K sensor for its Weapon camera
RED has revealed a new sensor called the "Helium" for its ultra-high megapixel 8K Weapon cinema camera. The chip will be 29.9mm wide (slightly bigger than Super-35), considerably smaller than the company's 40mm VistaVision sized 8K Dragon sensor. It still has the same 8,192 x 4,320 pixel count, however, giving it a pixel pitch of a miniscule 3.65 microns. RED President Jarred Land says the sensor is "way ahead of schedule," and will be available to buyers of its $60,000 Weapon camera "in the coming months."
See Earth in stunning 4K from the ISS
Check out some of the most gorgeous footage ever caught of Earth. NASA astronauts have beamed down stunning 4K footage of our planet from the ISS using a RED Epic Dragon digital camera and posted it on their YouTube channel.
YouTube has an 8K video (that almost no one can watch)
The equipment to shoot it might not exactly be widespread, and the displays needed to view it at home are even less so, but 8K video has made its way to YouTube. It's a feature the outfit announced way back in 2010, but only just recently did a clip surface that actually uses all of those lines of resolution. The clip's called Ghost Towns and it's a slow-panning journey through what looks like a recently abandoned mining settlement. Mountain View told 9to5Google that the 8K label was added earlier this year, but 4320p footage has only appeared pretty recently. The video description notes that Ghost Towns was shot using a RED Epic Dragon 6K camera in portrait orientation and to hit the higher resolution, some of the footage was upscaled or stitched together with Adobe's After Effects suite.
Red adds wireless camera control module, software development kit
Another Red introduction at NAB is RedLink. This $395 wireless module serves as a bridge between your camera and other wireless devices, letting you use a smartphone, tablet or computer to operate your cam. We caught it in action at NAB today, and the demo iPad app worked well. The wireless module currently only supports single device connections, so if you're operating over WiFi, you'll only be able to control one camera from the app. Networking your devices via Ethernet, however, lets you interact with an unlimited number of Red cameras. Red's releasing an SDK as well, complete with Android, iOS and Windows templates, so it should be no time at all before a variety of compatible apps hit the market. Or, if you're looking for a customized level of control, you can always create your own. The $395 RedLink Bridge ships today.
Jim Jannard steps aside, hands the Red Camera reins to Jarred Land (updated)
With Red Camera's industry footing now quite solid, CEO Jim Jannard is relinquishing his position at the helm. Jarred Land, the company's president, will become the new face of Red. Jannard announced the change in a post today over at Reduser, the forum he's used to announce everything from a lawsuit against Sony earlier this year to a DSLR replacement that never quite saw the light of day, way back in 2008. Today's thread, titled "My Final Post," details Jannard's nearly eight years at the company he founded, which began with the NAB 2006 debut of Red One and ran through shipping the Dragon upgrade, the component that essentially served to make "Obsolescence Obsolete." What's next for Jim? Retirement might be in order, and with upwards of $2 billion in the bank following his sale of eyewear and apparel maker Oakley, he certainly has the financial footing to back some pretty posh R&R. Update: While Jannard will not continue posting, he is not retiring or leaving the company. He'll continue working at Red, but behind the scenes, with Jarred Land representing the firm publicly.
Red performs Dragon sensor upgrades right on the NAB show floor (video)
Well, this is a trade-show first. Red Digital Cinema has made a name for itself by pushing the limits when it comes to motion picture camera technology, but the company's "get it done" approach is even evident in the layout of its trade show booth this year. The team has constructed a full sterile lab here at NAB, where attendees can watch technicians upgrade Epic cameras with the new Dragon 6K sensor, which enables 6K shooting at 6144 x 3160 pixels and up to 100 frames-per-second, offering three additional stops over the Epic M-X. A wall of glass separates fans from the engineers in the clearly visible clean room, who are diligently going about their duties despite the constant gaggle of excited customers just a few feet away. Company spokesman Ted Schilowitz gave us a quick tour of the facility, where the $8,500+ sensor upgrades are now underway. Geek out with us in the video just past the break.%Gallery-185016%
Live from the Engadget CES Stage: an interview with Red Digital Cinema's Ted Schilowitz (update: video embedded)
This time last year, the folks from Red Digital Cinema dropped a few exciting goodies off at our trailer, so we're more than happy to welcome the company's co-founder (aka "Leader of the Rebellion") Ted Schilowitz to our stage, to check out the latest in high-end cinematic hardware. January 8, 2013 4:00 PM EST Check out our full CES 2013 stage schedule here! Update: video embedded
Red gets Epic price cut, drops M, X and Scarlet brains by up to 45 percent
Competition is heating up in the high-end digital cinema market, and Red is responding with a slew of massive price cuts. According to CEO Jim Jannard, this "attitude adjustment" is simply a benefit of scaling up production, yielding a decrease in component and assembly costs, and an enormous reduction in assembly time -- the first Epic took 12 hours to build, while current models require just 13 minutes. As a result, the Epic-M has dropped to $24,000 (from $39,500), the Epic-X is now $19,000 (formerly $34,500), the Scarlet is $7,950 (from $9,700) and the EOL'd One MX is priced at $4,000 (once $25,000). The Dragon sensor upgrade will not be included with any new Epic models, and will remain priced at $6,000. Red customers who took the plunge on cameras with former pricing within the last month (on or after October 1st) will receive a discount off future accessory purchases of $4,000 for Epic and $1,000 for Scarlet. With this latest round of discounts, Red cameras are by no means inexpensive, but they're certainly more affordable. If you were already planning to pick one up, Christmas just came a couple months early. [Thanks, Mike]
Red claims Dragon is 'single most significant sensor in the history of image capture'
Red Camera's bombastic CEO, Jim Jannard, says that internal testing of the new 6K Dragon sensor proves that it's the new "resolution and dynamic range king." He also claims it will be "the cleanest sensor you have ever seen, ISO 2000 looks better than MX [the current sensor] at ISO 800." The imaging chip was first outed at NAB in April, promising 15+ stops of DR and 120fps at a full 5K of resolution, with $6,000 upgrades for Epic customers by the end of the year. Owners of the $9,700 (brain only) Scarlet-X will also get the Dragon, though no price or date has been given yet for that camera. Needless to say, some independent testing will be needed to substantiate his claims, but Jannard sure does sound confident.
RED Dragon 6K sensor upgrade eyes-on (video)
"Obsolescence Obsolete" -- that's RED's tagline for the just-announced Dragon sensor upgrade, which is set to bring 6K resolution to EPIC and Scarlet cameras beginning later this year. The sensor module was on display at the company's NAB booth today, under a backlit case that could only have been designed to make photographing the new chip a near-impossible task. We did manage to snag a few frames of the device, which appears as a mere silhouette to the naked eye. Sensors aren't designed for us to look at, however -- they're supposed to do the looking -- so we won't get any more hung up on the presentation. Existing RED camera owners can look forward to an incredibly impressive 15+ stops of native dynamic range and up to 120 frames-per-second at resolutions up to 5K. And as we discovered earlier today, the upgrade will roll out to EPIC owners sometime in 2012 for $6,000 while Scarlet users will need to hang tight for a release date, and a price tag. That's all we've got as far as details go, so click on through the gallery below for a flashlight-enhanced peek at the Dragon.
Canon EOS C300 to hit Japanese stores on the 31st, PL version coming in March
Do you have deep pockets? And do those pockets happen to be located in Japan? Well if you're also in the market for Canon's EOS C300 cinema camera, you might be in luck. The company has confirmed that its motion-picture-shooting flagship will be available in Japanese retail stores by January 31st -- exactly one week from today. As the story goes with expensive electronics in Japan, pricing is "open" at this point, meaning you might have to hit up a retailer for an amount before making two dozen trips to the ATM. But if money's no object (just that pesky release date), you should be on your way to making Cinema EOS magic before the month is out. And if your kit is best suited for the PL-mount version, expect that to ship in late March, "open" pricing in tow.
Red Epic-X gets disassembled, photographed by FCC
What do you find when you tear open (read: carefully disassemble) a Red Epic-X? Well, a whole lot of red, as it seems. Wireless Goodness has posted a hearty collection of teardown shots that it acquired from the FCC, revealing the camera's Mysterium-X sensor and Red 1242 processor. Sure, the Epic-X has been on the market for quite a few months now, but as you might imagine, those lucky enough to actually get their hands on the somewhat-elusive $34,500 rig probably don't list a warranty-crushing teardown at the top of their to-do lists. Ready to take a peek inside? Hit up the source link for 57 gloriously detailed shots from the other side.
Canon C300 cinema camera hands-on (video)
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot. The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.%Gallery-138415%
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa
Well, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success. Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video) Canon C300 cinema camera hands-on (video)Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.%Gallery-138391%%Gallery-138405%Christopher Trout contributed to this post
The Canon Hollywood event liveblog!
Lights, check! Camera? Well, it soon might be a Canon. We're live from the red carpet at Canon's Hollywood launch event, where we're expecting the company to reveal its first cinema camera. We'll be watching the action live as it hits the silver screen in SoCal, but you can catch it all from home right here! Things get started at 3PM local time, translated into times for your locales below. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th) Photos by Zach Honig.
The Canon Hollywood event is tomorrow -- get your liveblog here at 6PM ET!
Canon has been incredibly tight-lipped about its upcoming announcement, with only a few vague details leaking out since the event was announced in September. What we do know is that the imaging company plans to unveil a product that represents a "commitment to play a larger role in the film and television community," and that Martin Scorsese will be on hand -- and we assume he's not there to announce that Sinatra will be shot exclusively with the 5D Mark II. Curiously, Red has scheduled an event for tomorrow evening as well, just a few blocks away from the Canon venue. We'll be coming to you live from Hollywood tomorrow evening, and if the hype is any indication, legacy cinema camera manufacturers have but a few hours left of industry domination. The curtain comes up at 3PM local time, and we've included a handy list of round-the-world start times below. Bookmark this page right here and find out as it happens. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th)
Former ARRI exec pleads guilty to hacking into rival CEO's e-mail account, faces jail time
There's some Oscar-worthy drama brewing in California, where ARRI executive Michael Bravin has pleaded guilty to hacking into a high-level e-mail account at rival camera maker Band Pro Film and Digital. In a plea agreement filed yesterday with a US District Court, Bravin admitted to intentionally accessing a corporate e-mail account belonging to Amnon Band -- Band Pro's President and CEO. More details after the break, including a potential connection to RED's Jim Jannard.
