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DJI's 6K drone camera is designed to make movies
You can certainly shoot movies with drones right now, but that doesn't mean drone cameras are ideally suited to movie-making. They seldom have the resolution and image quality of the pro movie cameras you see on the ground, let alone the high-quality lenses. DJI is trying to fix that -- it's introducing the Zenmuse X7, billed as the first Super 35 digital camera tuned for pro drone cinematography. Its large sensor lets you shoot 6K RAW video (in CinemaDNG format) with 14 stops of dynamic range, promising crisp, editing-ready video with plenty of detail in low light. And like any good movie-grade camera, the glass plays a prominent role.
Sony to launch NEX-FS700E 4K cinema camera for $9,000 at NAB?
What would you pay for the ability to capture cinema quality 4K video? $36,000? $18,000? Try $9,000. That's the expected price of Sony's rumored NEX-FS700E, which could launch at NAB next month with a June ship date. EOSHD reports that the camera will pipe 4K video to a dedicated external recorder over 3G HD-SDI. It will reportedly use the same NEX E-mount as its predecessor, the FS100, and may include a trio of neutral density filters to increase versatility. We haven't been able to track down an image of the rumored cinema cam (the model in that image above looks identical to the FS100), but we wouldn't be surprised to see another detail or two leak out before the broadcast community's annual Vegas gathering kicks off in a little over two weeks. For its part, Canon is also expected to announce a 4K EOS-format DSLR at NAB, as a less-expensive alternative to the $16,000 C300, while RED's Scarlet already has 4K capabilities, and a $9,000 price tag.[Thanks, Andrew]
LomoKino Super 35 Movie Maker lets you channel your inner Charlie Chaplin for $80
Ever wish you could return to a simpler cinematic era -- one characterized not by 3D graphics and Spielberg, but by silent images and Eisenstein? Well, you can now spearhead the movement yourself, with Lomography's new LomoKino Super 35 Movie Maker. With this device (pictured above), amateur filmmakers can manually produce their own frill-free movies on any roll of 35mm film. All you have to do is load your film into the so-called "magic box," turn the crank and let the LomoKino work its magic. The camera, which boasts a 25mm lens and max aperture of f/5.6, will capture 144 shots on a single roll of film, good for about 50 to 60 seconds of footage. It also supports a wide array of effects, including slide film, color negative, redscale and black and white. Once that's developed, you can run it through Lomography's LomoKinoScope, direct it toward a light source, and watch your homemade Baby's Lunch or Nanook of the North unfold before your eyes. You won't find any sound, special effects, or fancy post-production tools here -- just moving images, plain and cinematically pure. Lumiere enthusiasts can grab one now for $80, or opt for both the LomoKino and the LomoKinoScope, bundled together for $100. For more details, roll past the break for a sample video and the full PR, or get a closer look at the LomoKino in the gallery, below. %Gallery-138276%
Sony NEX-FS100 review
We've been uncommonly keen to get our hands on the Sony NEX-FS100 ever since we first heard about it back in March. You see, this is no ordinary camcorder. Its spec sheet reads like a liturgy of filmmakers' prayers: a large Super 35mm Exmor CMOS sensor, interchangeable lenses, XLR inputs and proper, professional controls. Sure, it comes with a $6,600 price tag to match, but it also heralds a trend that should ultimately benefit pros and ordinary gadget denizens alike: the arrival of big, bold DSLR-style optics within dedicated camcorders. How do these optics effect the quality of the NEX-FS100's footage? Plant yourself somewhere comfortable and click past the break to find out. %Gallery-129298%
