Need a way to come back from your House of Cards weekend binge? This week we can present to you James Van der Beek and Shad Moss (fka Lil' Bow Wow) as part of the latest CSI spinoff, CSI: Cyber. Yup, that's a thing that is happening. Of course, if its competition is Scorpion and that super special episode of Law & Order: SVU, maybe the bar isn't too high to clear. Netflix is coming back strong this week too, debuting the first season of the Tina Fey-produced Unbreakable Kimmy Schmidt, Aziz Ansari: Live at Madison Square Garden, and Ed Norton's documentary My Own Man -- plus season five of Archer. American Crime premieres Thursday night, while NBC brings boxing back to network TV with Broner vs. Molina. Look after the break to check out each day's highlights, including trailers and let us know what you think (or what we missed).

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Using a phone as an Android TV game controller

So you want to play games on your Android TV set, but you'd rather not shell out for a gamepad? You might not have to in the near future. Google has revealed that an upcoming update to Google Play Services will let you use your Android mobile devices as controllers for Android TV games. If you want to start a four-way race or shooting match, you'll only have to ask friends to pull their phones out of their pockets. You'll have to wait for developers to use the technology before you can start playing, but that patience could pay off if it spares you from buying controllers that will likely spend most of their life gathering dust.

Don't miss out on all the latest from GDC 2015! Follow along at our events page right here.

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While you'll want to venture over to CBS Sports to stream the March Madness live action, YouTube is gearing up for the Big Dance, too. The video library will provide highlights, pre/postgame shows and more on the March Madness channel during the postseason schedule. Of course, those who prefer to catch the action on live television can watch on CBS, TBS, TNT and truTV when the tournament begins on March 17th. NCAA tournament highlights will arrive on YouTube just weeks after Google and the NFL agreed to circulate pro football clips on the site. No matter how you plan on watching, though, it'll be interesting to see which team will be this year's Mercer. My money's on North Carolina Central.

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Created in Unreal Engine 4

Game development is expensive. It's not a question of the tools costing too much; game engines like Unity and GameMaker Studio offer free versions, and paid versions aren't far out of reach. That's a recent development, though. When the last generation of game consoles (Xbox 360, PlayStation 3, Nintendo Wii) ruled the roost, the Unreal Engine was both ubiquitous and costly. Its latest iteration, Unreal Engine 4, is widely used, but has taken a sideline to free offerings from the likes of Unity. The engine's maker, Epic Games, isn't sitting idly by and letting the competition take over, though: as of this morning, Unreal Engine 4 is free for all to use.

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It's the day many, many virtual reality developers have been waiting for: finally, a way to sell VR games to people with VR headsets. Namely, Oculus and Samsung's collaboration on the Gear VR headset is bearing digital fruit in the form of a digital store. In short: you can finally buy and sell games on Samsung's VR headset. That's a bigger deal than it sounds, as Gear VR's store has been riddled with little more than tech and game demos since its launch late last year. We've been anxious for deeper experiences, and many developers have been withholding those experiences for a time when they could actually make money on their work. Let the floodgates open!

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Ever since I experienced a live 3D virtual reality broadcast for the first time, I've been giving demos of the technology to anyone who will sit still long enough for me to put a Gear VR on their head. Across the board, the reactions have included at least two things: "this is amazing" and "can you move around like you're really there?" Now, NextVR says the answer to that question is yes, since it's adding "Light Field" (aka plenoptic) capture technology to existing rigs (like this 6K unit shown above) that will let viewers look around the scene with full six degrees of freedom. This is similar to the tech Lytro uses for its cameras that lets you change focus after a picture is taken -- and just got a $50 million investment to implement on VR. According to NextVR, its patented approach creates a 3D geometric model of the scene (shown after the break) ready for headsets like the Oculus Rift, Sony's Project Morpheus or even augmented reality units like Microsoft's HoloLens or Magic Leap's... whatever it is.

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Amazon Echo speaker

Amazon's voice-savvy Echo speaker is only handy for a few tasks right now, but it's about to become much more flexible. The online giant is now taking sign-ups for a beta developer kit that will let people create apps for the gadget. There aren't many details as to what coders can do with the Echo, but it won't be surprising if they'll let you ask new questions, play games or take control of apps on your mobile devices. Just be patient if you aren't a programmer -- there's no mention of when a regular developer kit will be available, and it'll likely take a while after that before you're using speaker-friendly software.

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Sir Paul McCartney in concert, VR-style

Virtual reality thrives on immersive sound, so it only makes sense that audio format makers should get involved, doesn't it? Dolby certainly thinks so. It's partnering with Jaunt to put its cinematic Atmos sound into VR content, starting with snippets from the horror-laden Black Mass, the giant monster short Kaiju Fury and a Sir Paul McCartney concert. While it's a modest start, the hope is that this ultra-precise positioning will both be more engaging and let VR movie producers rely more on audible cues to get your attention -- a snapping twig may be all it takes to have you look at the scary beast lurking in the bushes. You probably wouldn't want to buy an Atmos-capable system just for the sake of VR when there's hardly anything to watch right now, but it's something to consider if you take your virtual video experiences very seriously.

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MediaTek's favorite, the generic chip shot

There are plenty of standards for sharing your media collection between devices, but what if you want to borrow a device's camera or display? MediaTek thinks it has an answer. Its new CrossMount standard lets devices share their hardware and software when they're on the same WiFi network, letting you use whichever components make sense in a given situation. You can use your phone's mic to dictate voice commands to your TV, for example, or use your phone's webcam for a video chat on your tablet.

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If you were itching for a way to stream live footage from your existing video cam (or action cam), Livestream's Broadcaster Mini might offer what you need, without having to get another camera. Priced at $295, and a third of the size of the company's full-fat Broadcaster streamer, it can stream up 1080p resolution video with controls and setup all done through a companion app on either iOS and Android. Controls on the device appear simple enough, with one button for power and other to switch the streaming video, delivered through HMDI, live.

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Let's say for a moment that the experimental Oculus VR movies that came out of Sundance didn't do anything for you, but that Icelandic songwriters totally float your boat. You're in luck because Björk's upcoming video for "Stonemilker" will be available for Oculus Rift, according to an interview with Fast Company. She says that the platform is "almost more intimate than real life" and finds it exciting in general, citing its "crazy panoramic" abilities. Don't go thinking this means she'll release an entire album for it, similar to what she did with 2011's Biophilia being released as an app, though:

"I only did that album because I felt like I had content that made sense, that could relate to the technology. It can't just be working with the gadget for the sake of the gadget. But also it's about budgets. You can do apps cheaply. Apps was kind of punk, actually. It was like starting a punk band again. Filming for Oculus Rift is not."

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Netflix TV

Ready for a blast from the past? Ten years ago, Walmart's plan to undercut Netflix on DVD-by-mail rental pricing failed, and the retail giant turned that part of its business over to the movie service in exchange for a cut of the revenue, referral bonuses and Netflix promoting Walmart's DVD sales to rental customers. A class action lawsuit against the two followed in 2009, with customers alleging they illegally restrained trade and kept prices high. Walmart settled the case for $27 million in 2011, which will turn into about $12 (paid out in gift cards or cash) for the 1.2 million people who filed claims. While the deadline to file has long passed, the payout has been held up due to appeals in the 9th Circuit Court in San Francisco against Walmart and Netflix -- until now.

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LEGO Star Wars

There isn't a way to turn back time and prevent the Star Wars prequels from ever releasing (just ask Cher), but maybe Disney XD's upcoming crack at them could make the flicks palatable. You see, the channel is prepping the launchpad for The Force Awakens' December release with a Lego retelling of the entire story so far. The Hollywood Reporter notes that Lego Star Wars: Droid Tales will recount the narrative in five, 22-minute episodes, as told from the viewpoint of chatterbox C-3PO and his stubby companion R2D2 in a "brand new story."

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An Uber database containing the names and driver's license numbers of 50,000 current and former drivers was accessed by an outside party in 2014, the company announced today. Uber discovered the breach on September 17, 2014, and an investigation revealed one instance of unauthorized access on May 13, 2014. This means the information has been in the wild for nearly a year, though Uber drivers haven't reported anything fishy and the database is now secure, the company said.

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Smile for the camera -- and for the TV, and during the walk to the store, and while you're sitting in the living room, in the dark, all alone. Smile, because if you don't, they will come for you. That's the story behind the first trailer for We Happy Few, the new game from Compulsion Studios, maker of PlayStation 4 launch game Contrast. We Happy Few features a "drug-fueled, retrofuturistic city in an alternative 1960s England," filled with citizens with permanent smiles literally affixed to their faces. It's creepy, unsettling and cheerful all at the same time. Think BioShock with a splash of V for Vendetta and a smattering of picture-perfect Stepford.

"I will say that Bioshock wasn't a direct inspiration, it's just that our interests have kind of always aligned with Irrational's games (people made the same comparison with Contrast)," Compulsion marketing director Sam Abbott says. "It's a pretty daunting comparison, given that we're less than one-tenth their size."

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