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Sony's crazy expensive RX10 IV superzoom gets a speed boost
Sony's camera theme over the last year has been "speed," especially with the arrival of its ultra-fast RX100 V compact. That notion continues today with the launch of the RX10 Mark IV, a 24-600mm f/2.4-f/4 superzoom, which gets a big shooting speed bump from 14 fps to a top-notch 24 fps. All that extra speed is thanks to the BionZ X image procesor mated to the RX-100 V's 1-inch, 20.1-megapixel Exmor RS CMOS stacked image sensor, which has a built in DRAM chip to buffer all those frames.
James Cameron: High frame-rate cinema is 'a tool, not a format'
Sadly, James Cameron is going to probably retire making Avatar sequels that focus more on technology than story or his trademark action-flick set-pieces. Armed with $2.8 billion in box office receipts from the first movie, Cameron's been on a technology sojourn. He's been extremely vocal about his support for high frame-rate (HFR) cinema and stereoscopic 3D for filmmaking in the past, but it seems like he's changing his tune slightly these days.
Canon 50D gains video recording through Magic Lantern RAW hack
It may be time to dust off that Canon 50D you purchased back in 2008. The folks behind the Magic Lantern firmware add-on have pulled yet another rabbit out the proverbial hat (or is it lantern?) by enabling RAW video recording on the APS-C-based DSLR. What's even more impressive is that the 50D lacks video support out of the box, so this new-found functionality is truly magical. This hack comes hot on the heels of the Magic Lantern team coaxing the Canon 5D Mark II / III into capturing 24 fps RAW video. With the firmware add-on installed, the 50D is capable of shooting video up to 1592 x 1062 pixels at 30 fps. There are some caveats, though. First, there's no audio recording since the camera lacks a microphone input and associated electronics. Second, capturing RAW video requires fast CF cards (at least UDMA 6). Third, we now fully expect to see the 50D skyrocket in value on the used market. Hit the break for a few sample videos.
Canon 5D Mark III now captures 24 fps RAW video thanks to Magic Lantern firmware add-on (update: Mark II also)
It's no secret that Canon's 5D Mark III is the go-to DSLR for videographers the world over, but things are about to become a whole lot more interesting. The people behind Magic Lantern have successfully coaxed the 5D Mark III into shooting 24 fps RAW video at resolutions up to 1,920 x 820 pixels using 1000x speed cards. If you're not familiar with Magic Lantern, it's an open source firmware add-on that brings additional functionality to Canon EOS cameras. The ability to capture RAW video at 24 fps improves dynamic range and resolution -- it also provides extra flexibility during post-production. According to the team at Magic Lantern, more work is required before the feature is ready to be deployed. So until then, you're invited to follow the via link below and watch the RAW vs. H.264 videos after the break, or if you're feeling brave, check the source for download locations. Update: We just received news from Magic Lantern that Canon's Mark II is now also a go for 24 fps with the new firmware. Nic from the development team said "After some further testing it is clear the older, cheaper Mark II should be able to record at least resolutions of 1880x840 in full-frame mode (with line skipping)."
Red posts high frame-rate video demonstration to smooth out misconceptions
If you're still unsure about what you'll be getting into if you see the 48fps version of "Hobbit," Red has jumped into the fray with an article on its website and, most importantly, high quality HFR (high frame-rate) videos. It delves into all the aspects of the tech, starting with a primer on the minimum frame rate required to perceive motion, illustrated by a pair of clips to show the threshold. From there it details "judder" when panning at 24 fps versus 60 fps, motion blur, the possibility of brighter projection with HFR in 3D and of course, action at slower versus faster frame speeds. Finally, it demonstrates the hated "TruMotion" soap opera-esque interpolation method on modern TVs, and why that's different from true fast-frames. Sure, Red has a vested interest in seeing upcoming HFR films from its Epic camera succeed, but a little education might be what's needed to break old habits.
Peter Jackson unfazed by 'Hobbit' footage pushback, but will stick to 24 fps for trailers
Calm down, cinema-goers. It just takes time to "settle in" to the strange new ultra-realistic world of high frame-rates, according to Peter Jackson, who's been responding to audience's rather strong panning of 48fps rough cuts from his upcoming 3D epic, Hobbit. Viewers' main beefs were the surprising appearance of the higher cadence footage, which almost looked like it was shot on video, as well as blemishes on actors and sets which were all-too-visible without the crutch of motion blur. But Jackson insists that the footage lacked special effects and color correction, and that the showing was perhaps too short to judge the frame-rate -- which is why he also says there'll be no 48 fps trailer. He even adds that he's now "very aware of the strobing, the flicker and the artifacts" when he's watching regular 24fps cinema -- so the real struggle for audiences might not be adjusting to the new way, but going back to the old.
E Ink dashes hopes of a next gen display in 2011, but pencils in full-motion video for 2012
E Ink Holdings is brazenly making us wait until 2012 before producing a successor to its popular Pearl electronic paper display. One of the company's VPs dropped into CNET's offices to spill the bad news: developing and testing a next-generation display "takes some time", apparently, and it is sticking to a two year product cycle. Perhaps E Ink has shifted its focus to the LCD screen in Amazon's rumoured tablet. Or maybe it's still working on the Triton color e-ink display that left us so underwhelmed at CES. Either way, the monochrome Pearl has been knocking around in the Kindle and other e-readers for a while now and although it has better contrast than earlier iterations, it is still ripe for a revamp -- especially a faster refresh rate. But the E Ink VP did hint at some brighter news: the next-gen display, when it does finally arrive, could sport full-motion video. So far e-ink video has failed to go beyond a slightly jittery 10-15fps, so full-motion 24fps or 30fps could definitely be worth the wait.
Canon EOS 5D Mark II 2.0.3 firmware yanked due to audio issues, fix is on the way
It's not déjà vu, it's just all happening again. Just over a year after Canon had to bow its head in shame due to a black dot / banding issue that plagued the EOS 5D Mark II, along comes yet another heartache surrounding one of the company's finest DSLRs. The v2.0.3 firmware update that was issued earlier in the week is apparently causing audio problems for some users, with the actual quirk going a little something like this: "Recently we have discovered a malfunction that occurs with Firmware Version 2.0.3, in which the manual recording levels for C1/C2/C3 are changed and the camera becomes unable to record audio if the power is turned off (or if Auto power off takes effect) after registering "Sound Recording: Manual" in the camera user settings. We apologize very sincerely for the inconvenience, but we are going to stop making this firmware available for download. For customers who have already updated to the new firmware, when using the camera with the mode dial set to C1/C2/C3, please either set the sound recording settings to Auto." In the meanwhile, Canon has pulled the update from its support site while it works on a new firmware version to patch things up, but aside from a promise of "soon," there's no way to tell when exactly the new file will hit the pipes. [Thanks to everyone who sent this in]
Canon EOS 5D Mark II firmware 2.0.3 arrives at last to free us from frame rate hell
It's been obvious from day one that it was possible, but after a couple of years of oh-so-painful 30 FPS recording on the EOS 5D Mark II, Canon is finally coming through with its long-promised 2.0.3 update that brings 29.97 FPS and 24 FPS (23.976, to be precise) 1080p recording at last. Even the VGA mode has been swapped to a 29.97 actual rate, and PAL mode has a flat 25 FPS and 23.976 FPS as well. Additional tweaks include a manual volume adjustment (as opposed to the automatic gain the cameras usually employ), a brightness or RGB histogram display (this function, like some of these other features, has been available for a while as a hack), shutter and aperture priority modes have been added for movie shooting, and the audio sampling ramp has been bumped from 44.1KHz to 48KHz. The bad news: now you don't have any excuses for not shooting that heartwrenching mumblecore masterpiece you've been telling everyone you're working on. Hit up the source link for the download instructions. [Thanks to everyone who sent this in]
First Canon EOS-1D MKIV footage on display, 5D MKII will join the fun with new 24 / 25 fps firmware next year
Double good news on the Canon front. First off we've got sample footage shot with a brand new Canon EOS-1D Mark IV, which does a good job of showing what the camera can handle under low lighting conditions, as well as serving as a poignant morality tale for skaters, who should never get in cars with strangers. But perhaps even more exciting is word that Canon is developing its own firmware update for the 5D Mark II that will take it into the indie filmmaker-friendly territory of 24 fps and 25 fps -- something that's always been assumed doable since the camera already shoots at 30. Details are scarce, and the firmware won't hit until the "first half of 2010," but if anything it should up the resale value on that 5D of yours while you claw against your credit limit for an EOS-1D Mark IV. Read - First Canon EOS-1D MKIV movie from Vincent Laforet Read - Canon EOS 5D Mark II to get 24 and 25fps in a firmware update!
Canon EOS 7D 24p footage tries to make indie filmmakers / chain smokers out of us all
Want a really good excuse to spend $1,700 on a DSLR? Check out the 24fps "Dublin's People" short after the break, shot with one of those fancy new 7D DSLRs from this little company named "Canon" that you may have heard of. The verdict? Filmmaker Philip Bloom loves the new hardware, and says the rolling shutter problems of the 5D Mark II have been slightly reduced (at a cursory glance, anyway). Still, he's hoping Canon also releases a firmware update for existing 30fps-limited 5D Mark II owners -- he owns two.[Via planet5D]
Nikon D300s officially announced -- 720p/24 movie mode with autofocus and mic input
Well well, Nikon managed to keep the big secret about the new D300s under wraps even as everything else was leaked in the past few weeks: the new $1,799.95 body will shoot 24fps 720p video with contrast-detect autofocus and offers an external mic input. That's basically every would-be DSLR videographer's major wishlist right there -- sure, 1080p would have been nice, but we'll take better sound over a couple more lines of resolution any day. Other highlights include a 12.3 megapixel DX sensor, 51-point autofocus, and 7fps burst shooting, as well as those dual CF and SD card slots and a 920k pixel screen. Yeah, it's looking like a real beast -- that DX sensor probably doesn't have Canon 5D Mark II fans worried, but if you're looking to get into DSLR video this looks like the new cam to beat. Update: Digital Photography Review has a brief hands-on with the camera, clarifying that the contrast-detection autofocus isn't the quickest, and like we learned with the Olympus E-P1 you'll need to use an external mic when shooting to avoid the ever-present "shhhk" sound. Also of note is continuous shooting, which has been given a boost to seven frames per second -- eight if you have the battery grip -- compared to D300 and that it has the same memory card door as the D700.
Toshiba's 52- and 46-inch REGZA H3300 120Hz LCD televisions
What better way to start the day than with a pair of big-azz 120Hz LCD televisions with integrated HD recorders? Meet the new 52- and 46-inch REGZA H3300 sets for Japan. Each features a bevy of tuners and 300GB slot loading disk with a hunger for more via eSATA expansion. With support for 1080p (60p/24p) frame rates over 2x HDMI, Tosh's 120Hz panels will surely make the most of your native 24fps programming (read: Blu-ray or HD DVD films) without any messy frame doubling or interpolation (24 x 5 = 120, after all). But it's your world, and we're just a squirrel trying to get a nut, so the ¥620,000 (about $5,099) for the 52H3300 or ¥520,000 (about $4,276) for the 46H3300 makes us want to move our butt. Everybody dance now! Um, sorry for that. [Via Impress]
