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Adgadget: Fantasy fembots market male products
Ariel Waldman contributes Adgadget, a column about the intersection of advertising and technology.Technologically better equipped than booth babes, fantasy fembots seem to be popping up everywhere in ad campaigns these days. Alcohol seems to be popular with the fembots -- they're employed in ads from both Heineken and Svedka -- but Philips is utilizing them in a campaign for an electric razor as well. It's pretty easy to be creeped out by the influx of ready-to-serve robots -- and not just because these fembots could be the beginnings of the Singularity in disguise. (C'mon, what more suitable "smarter-than-human brain-computer-interface" would be better to take over the human race than one that offered kegs and clean shaves as a "gift from the Greeks"? And who better to be behind the downfall of society than advertisers?) Misogynist undertones run rampant throughout all the ads, so it's no shock that feminine cyborgs are used exclusively in advertising targeting young males -- they tap right into stock fantasies of complete feminine subservience.
Adgadget: Apple - flattered and photocopied
We're pleased to introduce a new column today, Adgadget, a periodic editorial by Ariel Waldman about the advertising behind consumer technology: Functioning to flatter, Apple's marketing department continues to imitate their inspiration. While a bit lack-luster, Apple's recent commercial for the up and coming iPhone is a far cry from the originality of the product itself. As some may have seen, it was soon found that the iPhone commercial that had originally aired during the Oscars was a cut and dry ripoff of a film that had come out more than a decade earlier. While seemingly scandalous, this incident was no coincidence. Apple had approached the filmmaker earlier for permission to use the concept; no stranger to being turned down -- and similarly to the battle with Cisco over the very name of the product -- Apple went ahead and used it anyway. This time the muse happens to be experimental artist / musician Christian Marclay, who in 1995 produced Telephones, an abstract film of absurd and fragmented conversations cut up from phone scenes in movies. The film focused to comment on the relationship between sound and image by way of video; intrigued by the phone-movie mashup, Apple approached Marclay to use his work. Marclay, of course, refused Apple's advances, but Apple took advantage anyway. Since asking the source had short-circuited, Apple instead took to using extremely similar footage, making the iPhone commercial nothing short of a complete color copy of Telephones.Reminiscent of the earlier Intel chip commercial outcry that clearly ripped out scenes from Postal Service's "Such Great Heights" music video, content confiscation is nothing new to Apple. There was also the iPod incident in 2005, where blogs everywhere threw up screen grabs and expressed shock over the extreme similarity between the then recent Eminem iPod commercial and a Lugz commercial from 4 years before. But it wasn't always this way.
