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Canon’s next full-frame mirrorless camera is the EOS RP
Well, it looks like the recent rumors were spot on: Canon is getting ready to launch a compact version of its EOS R camera. And here it is. Meet the EOS RP, a full-frame mirrorless shooter that costs a reasonable $1,299 (body-only). For those of you keeping track at home, that's $1,000 less than the EOS R, which just arrived in October of 2018.
Canon's latest DSLRs are the EOS 77D and Rebel T7i
Canon is adding two new members to its EOS DSLR lineup, the 77D and Rebel T7i (aka EOS 800D). The former is designed to be a step above the Rebel series but below the 80D, which was introduced nearly a year ago. It features a 24.2-megapixel (APS-C) CMOS sensor with a Digic 7 processor, Dual Pixel AF, 6fps continuos shooting, max ISO of 25,600 and a 45-point autofocus system. There's also Bluetooth, NFC and WiFi connectivity for controlling the camera remotely, while video-recording is limited to 1080p at up to 60fps.
Canon expands its mirrorless lineup with the EOS M6
In case the EOS 77D and Rebel T7i weren't enough for you, Canon has also announced the EOS M6. The company's new mirrorless camera is basically an M5 without a built-in electronic viewfinder, since it features the same 24.2-megapixel APS-C CMOS sensor, Digic 7 processor and 100-25,600 ISO. In addition to that, you get Bluetooth, NFC and WiFi for sharing photos or controlling the camera remotely via Canon's Connect app for iOS and Android. And because selfies are so important, the 3-inch LCD now tilts to help you take some beauty shots of you and your friends -- but only if the optional EVF isn't attached.
Canon's EOS M5 is a mirrorless camera with a DSLR feel
It's been almost a year since the debut of the EOS M3, arguably Canon's best mirrorless camera to date. And now the company is expanding its compact series with the M5, a high-end shooter with a DSLR feel to it. We're not saying it'll replace your DSLR, by any means, but the M3 does borrow a number of features from Canon's prosumer-focused 80D. There's the Dual Pixel CMOS autofocus, for instance, which helps you track moving subjects accurately in video mode. Additionally, you have the same 24.2-megapixel APS-C sensor and 100-25,600 ISO.
A first look at Canon's EOS 5D Mark IV
The long-awaited EOS 5D Mark IV is getting ready to hit retailers later this month. And, as expected, it is a worthy successor to one of Canon's most popular DSLRs, the 5D Mark III. At least based on specs. It features a massive 30.4-megapixel CMOS sensor, a Digic 6+ processor and, perhaps most importantly, 4K video at 23.98, 24, 25 and 30 fps. Additionally, the 5D Mark IV comes with a 61-point autofocus system, an ISO range of 100-32,000 a built-in digital lens optimizer, NFC and WiFi. We had the chance to check it out for the first time at an event in New York City and, not surprisingly, it looks nearly identical to its predecessor.
Canon's new entry-level DSLR is good enough for its target audience
As meaningful as professional cameras like the EOS-1DX Mark II are to Canon's business, the company knows it has to dominate the beginner market as well. Now, with the new $500 EOS Rebel T6, Canon has designed a DSLR that sits alongside the T6s and T6i -- two of its most popular entry-level shooters. Not counting the aging T5, the T6 is the cheapest DSLR in Canon's lineup. And while its specs won't blow your mind, they should be decent enough for most aspiring photographers.
With the EOS M3, Canon finally has a worthy mirrorless camera
Canon's entry into the mirrorless space started with the EOS M in 2012. Unfortunately, the company's first interchangeable lens camera failed to impress, due to its sluggish performance, a tedious user interface and subpar battery life. A year later, the improved (and mostly faster) M2 was introduced, but Canon only ended up selling it in China, the UK and its home country of Japan. Fast-forward to today and the EOS M3 is set to ship in the US next month, despite being announced in February and having been available overseas for almost as long. But now it's here. And, unlike the original EOS M, this one was actually worth the wait. Canon, it seems, has finally figured out the right formula to building a satisfying mirrorless shooter.
Canon's 120-megapixel camera plumbs the depths of your pores
In case you thought current cameras didn't expose your physical flaws enough, this week's Canon Expo featured a prototype of the company's EOS series packing a whopping 120 megapixels. For contrast, Canon's current offerings top out around 20 to 50 megapixels. But 120? That's enough to capture every pore, wrinkle and even distinct reflections in a person's eyeball.
Canon Cinema EOS-1D C hits stores in Japan today, expected stateside later this week
At $11,999, this latest Canon 1D is hardly set to become a DSLR bestseller, but there are certainly a few pro shooters willing to line up for an incredibly versatile 18-megapixel 4K cam, with EOS lens compatibility and a full-frame sensor. We were expecting Canon's top-of-the-line beast to sell for just shy of $15,000, so this new sub-$12k sticker is a pleasant surprise. You'll also need to invest in a battery of high-speed (at least 100MB/s) CF cards -- the 1D C captures 4096 x 2160 video at 24 frames per second with an approximate file size of 3.76 gigs per minute of footage, according to the camera's instruction manual, which you'll find, along with a purchase link, at the source link below. The EOS-1D C is expected to hit stores in the US later this week, but a few lucky shooters have been out and about capturing demo reels for the last few weeks -- you'll find some of that footage after the break, along with a few more clips at the coverage links below.
Canon announces Q3 2012 results: operating profit down 42 percent to $908 million
Canon just released its Q3 2012 earnings reported, and things aren't looking peachy right now for the camera maker: revenue is down 13 percent to $10.3 billion from last Q3 last year, while profit tumbled by 42 percent. The Japanese company directed the blame toward the "negative impact of economic deterioration" in Europe and emerging markets like China, as well as the strong yen (again). DSLR sales fell over last year, with Canon mentioning that its launch of new models like the EOS 5D Mark III didn't help to shore its camera figures up. Other units within the company didn't fare much better, with printer sales falling and business-to-business numbers flatlining. The company doesn't see a bright fourth quarter either, and is projecting that sales will stay in lockstep with the sluggish economy, resulting in a 6 percent decline in operating profit for the year. It may not want to count so much on the new mirrorless offering pulling it out of the mud, though -- it got fairly mixed reviews.
Canon EOS M review: was Canon's first mirrorless ILC worth the four-year wait?
More Info Leaked EOS M photo looks like Canon's long-awaited mirrorless camera Canon unveils EOS M mirrorless: 18 MP APS-C, EF compatibility, $800 in October with 22mm lens Canon EOS M mirrorless camera hands-on It's here. Finally. Well, that is, if you happen to live in Japan. Canon's very first mirrorless interchangeable lens camera should be hitting shops the world over just as you begin to make room for that decked-out evergreen conifer, but the EOS M is already making the rounds in Canon's home country. It's available at select Japanese retailers for ¥109,900 (about $1,410, including sales tax). That lofty price will net you the EOS M in black, white or silver (the glossy red model remains elusive), complete with 55mm f/2 and 18-55mm f/3.5-5.6 EF-M optics, a Speedlite 90EX external flash and the EF-M Lens Adapter, enabling full compatibility with any and all of your EF and EF-S lenses. The US variant, which comes bundled with only the black 22mm "pancake" STM lens, should run you $799 when it appears stateside beginning October 15th, though neither country's model carries a particularly competitive price tag, especially considering how diverse (and well-equipped) the mirrorless ILC market has become. You might argue that Canon is borrowing a play out of Nikon's book when it comes to pricing the EOS M -- had the camera offered full DSLR functionality, including an advanced user interface, a $799 sticker might be justified. But the company has crippled its new compact shooter so as to avoid cannibalizing its still-successful full-size APS-C DSLR lineup, which includes models ranging from the Rebel T3 (about $475) to the EOS 7D (about $1,350). Appropriately, the EOS M falls right in the middle in terms of capabilities, with the added benefit of a new, nearly pocketable design that should win over more than its fair share of amateurs. That said, there's a reason larger SLRs remain on the market, and Canon very much wants to retain that solid footing. The EOS M isn't for everyone, and that's by design. But is it the right pick for you? Join us past the break as we try it on for size.
Canon EOS 6D full-frame DSLR hands-on (video)
Nikon just announced its D600, a $2,100 DSLR with a full-frame sensor. Now, just four days later, we have a similar (and identically priced) offering from Canon. Coincidence? Not likely. Industry backchannel conspiracies aside, however, it's only to our advantage to have a choice -- if you're looking to upgrade your digital SLR without taking out a second mortgage, you can now pick Nikon's model, or the EOS 6D from Canon. The latter flavor, which offers built-in WiFi (the D600 requires an adapter), packs a 20.2-megapixel CMOS sensor, and it's 20 percent lighter than the 5D Mark III, which will remain on the market, targeting professional users. The camera features a sensitivity range of ISO 100 through 102,400, it can shoot 4.5 fps stills and offers 1080/30p video capture. It also has an optical viewfinder, paired with a 3.2-inch 1.04-million-dot LCD on the rear, which looks just as sharp as you might expect. What really blew us away, though, is the new camera's size and weight. It's more compact than the 5D and even the 7D, an APS-C camera, weighing in at 690 grams -- a 20-percent decrease from that larger pro model. 20 percent may not sound like a tremendous improvement, but it's certainly noticeable, boosting the 6D's versatility, and making it an ideal choice for street and travel photography. We haven't had a chance to shoot with the new high-end DSLR just yet, but it felt quite solid in hand, despite the more compact design and significant weight drop. Take a closer look in our gallery below, followed by our hands-on video after the break.
Canon unveils EOS 6D DSLR: full frame sensor and WiFi for $2,099 in December
Used to be, to get a full-frame sensor in a Canon camera, you had to shell out big bucks for a pro rig like the 5D Mark III or 1D X. No longer. Canon's just unveiled its EOS 6D, the smallest, lightest and cheapest full-frame DSLR it's ever made. Weighing 690g, the 6D is 20 percent lighter than the 5D Mark III, and at $2,099, it's a full $1,400 less than its heftier stablemate -- which also puts it directly in line with Nikon's recently released full-frame shooter, the D600. In addition to that mammoth sensor, the 6D's the first EOS camera to have built-in WiFi. When paired with the company's free iOS and Android apps, you can use your phone to change the 6D's settings, take and geotag photos using the live remote function, and even transfer those shots to your handset wirelessly. The 6D packs a 20.2-megapixel CMOS sensor and DIGIC 5+ image processor that shoots stills at 4.5fps, does HDR (though it only saves the composite image, not the individual shots), and 1080p 30fps video in 29 minute 59 second clips. Its sensitivity runs from ISO 100 up to 102,400 (extended) and has an 11-point autofocus system with an EV -3 sensitivity rating for better low light performance. There's a 3-inch, 1.04 million dot ClearView LCD on the back to supplement the optical viewfinder, plus it's got a stereo mic jack to ensure the audio matches the quality of your HD videos. To store your imaging masterpieces, the 6D has a single SD card slot that's SDHC and SDXC compatible. When it goes on sale this December, the 6D will be sold in two configurations: $2,099 for the body only, and a kit that throws in a 24-105mm f/4L USM zoom lens for $2,899.
Canon EOS-1D X field review
Just before Halloween in 2009, Canon announced its most powerful DSLR to date. The $5,000 professional-grade EOS-1D Mark IV was the company's answer to Nikon's market-leading D3S, which rang in just shy of $5,200. On the basis of price alone, Canon won that round. Then, after two years of silence, the company launched its new flagship, the 1D X. The date was October 18th, 2011 -- roughly 10 (or "X") years after the very first model in the series was announced, way back in 2001. A decade ago, Canon priced that introductory 1D at $5,500 -- a princely sum considering the 4.15-megapixel CCD on board. Now, the 1D X, which is arguably the most powerful sub-five-figure camera available, commands 6,799 of your hard-earned dollars, or $800 more than the D4, Nikon's $6,000 equivalent. All this talk of price may seem to skirt the camera's long list of lust-worthy features, but when the cost of any piece of hardware approaches a year's tuition at a public university, a purchase decision deserves thorough consideration. A camera in this league is absolutely to be used as a professional tool. And while deep-pocketed amateurs may pick one up -- in the way folks with cash to burn may build a collection of overpowered two-seaters -- the vast majority will live in $30,000-plus kits, where they'll reach six-figure shutter counts, and will likely change hands several times before their eventual retirement. Right now, you're probably researching the 1D X as exhaustively as you would a new car -- in fact, you may have even lined up a test drive, through the company's Canon Professional Services group. Many months after it was first announced, we've had an opportunity to take the new eXtreme model for a spin ourselves, and it's every bit as impressive as its price tag suggests. Canon's top model isn't any smaller or lighter than its predecessors, the 1D Mark IV or 1Ds Mark III -- but is all that bulk justified, despite strong contenders like the workhorse 5D? Buckle up and join us in the field (ahem, after the break) to find out.%Gallery-163255%
Canon recalls 68,200 EOS Rebel T4i DSLRs, says rubber grips can lead to skin rash
We've covered our fair share of product recalls over the years, but this one almost certainly takes the cake when looking at pure zaniness. Canon has recalled its EOS Rebel T4i -- some 68,200 units -- "due to a risk of allergic reaction." You read that right. As the story goes, a chemical used in the camera's rubber grips "can result in a reaction that changes the grips from black to white and poses a risk of skin irritation to the consumer," and while the company has only received a single report of a consumer developing a "minor rash" after contact, that's obviously enough to issue to recall. It involves T4i units with a 12-digit serial number that contain a second digit that is a "3" or "4" and a sixth digit that is a "1." If that's you, you're advised to stop using the camera and ping Canon USA to have replacement rubber grips installed free of charge. Specifically, you can ring 855-902-3277 and be prepared to be placed on hold for the better part of your adult life.
Canon EOS M mirrorless camera hands-on (video)
There have been plenty of false alarms in recent months, but Canon's first mirrorless interchangeable lens camera (ILC) is finally here -- in fact, we're holding it in our hands. The EOS M is clearly reminiscent of a point-and-shoot, such as the company's high-end PowerShot S100. Sure, Canon could have added some of the dedicated controls that its professional user base would demand, but photojournalists aren't the target here, for a few reasons. Canon's primary motivation, at least from an official perspective, was to create a camera that serves to bridge the gap between pocketable compacts and full-size DSLRs with a simple user interface designed to educate, not intimidate. Also key, however, was avoiding cannibalization of the company's low-end and mid-range Digital SLR models, which clearly still have a place in the lineup one tier above this ILC. Consumers willing to sacrifice hardware controls for a touchscreen-driven UI won't be missing out on much else -- functionally, the EOS M is a near-clone of Rebel T4i with the same 18-megapixel APS-C CMOS sensor, DIGIC 5 processor and 3-inch touchscreen. Even the advanced two-stage focusing system has made its way from the T4i, which utilizes both phase-difference and contrast AF in order to achieve focus more efficiently when capturing video. The housing design and lens mount are unlike any other that Canon has produced, however, combining features from other models without completely eliminating the need for a DSLR, or a compact for that matter. If you can get by without granular controls, you'll do just fine here -- the design really is spectacular. With an $800 price tag, the EOS M falls within the upper tier of the mirrorless category, and it remains to be seen whether it will be an obvious pick when it finally hits stores in October, a month after competitors tease their own products at the massive Photokina expo in Germany. How does it fare today? You'll find our impressions just past the break.%Gallery-160939%
Canon unveils EOS M mirrorless: 18 MP APS-C, EF compatibility, $800 in October with 22mm lens
Rumors of a Canon mirrorless camera have circled the web since long before Nikon's foray into the compact ILC space. And while that manufacturer's model fell far short of some expectations, it appears that Canon's iteration may in fact have been worth the not-so-insignificant wait. Unlike the Nikon 1 Series, Canon's new EOS M isn't a drastic departure from the company's existing mid-range DSLR lineup. In fact, under the hood it's quite similar to the Rebel T4i, with an 18-megapixel APS-C CMOS sensor, DIGIC 5 processor, 3-inch 1.04MP smudge-resistant touchscreen and the T4i's new hybrid autofocus system, which pairs both contrast and phase-difference AF for speedier, more accurate performance. Externally, however, the EOS M looks more like a cross between the PowerShot G1 X and S100, tipping the scale at 14.2 ounces with the included EF-M 22mm f/2 STM kit lens, compared to 27.4 ounces for the T4i, and 19 for the G1 X. It's physically smaller than the G1 X as well, and only slightly larger than the pocketable S100. The camera offers a sensitivity range in line with the competition, ranging from 100 to 25,600 (extended) in still mode and 12,800 (extended) when shooting video -- captured in 1920 x 1080 format at 24, 25 or 30 progressive frames per second. There's also a continuous shooting mode at 4.3 frames per second with fixed focus and exposure. The EOS M's control layout should be more familiar to Canon point-and-shoot owners than DSLR users -- as one component of the size compromise, dedicated buttons are replaced with touchscreen options and a bit of menu diving. There's also no electronic viewfinder, though a full-size hot shoe is included with full support for Canon's lineup of Speedlite flashes, including the new $150 90EX strobe and ST-E3-RT Transmitter, and the GP-E2 GPS Receiver. Though the camera lacks certain direct controls, it still supports full manual shooting, even in video mode. There's also a built-in stereo mic with manual level adjustment. In addition to that 22mm kit optic, Canon is offering an EF-M 18-55mm f/3.5-5.6 IS STM lens for $300, or you can add the $200 EF-EOS M mount adapter to enable use with existing lenses. The $800 EOS M kit is set to ship in October, and will be available in retail stores in black, though Canon's online store will also stock a white model (which will be paired with the same black lens). You can peek at both configurations, along with the new lenses and accessories in the gallery below. Then shoot past the break for the full PR from Canon. Michael Gorman contributed to this report.
First DSLR 4K video from prototype Canon EOS-1D C reportedly emerges
If you've been wondering what kind of eye candy Canon's EOS-1D C is capable of, you might be in luck. The crew over at EOSHD have apparently snagged some 4K sample footage from an early prototype of the unreleased, professional-grade DSLR. The clip looks slick to us, albeit lacking in the scenery department. Even so, EOSHD comments that while a "massive step up for image quality compared to all previous DSLRs" the video footage isn't as sharp as stills from the 1D X (the 1D C's less-endowed sibling) and "not near what true 4K should look like." (Of course, anyone looking for true 4K is advised to step up to Sony's $70k F65 CineAlta, so we guess you get what you pay for). You can check out the minute-long clip, unfortunately scaled to a Vimeo-friendly 1,920 x 1,080, after the break. If your discerning eye demands the raw footage, however, why not grab the few seconds available at the source link and let us know your thoughts? That's what the comments are for, after all.
Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on)
There wasn't much reason to upgrade with last year's T3i, but that's certainly not the case with the Canon EOS Rebel T4i. This new entry-level DSLR packs a redesigned 18-megapixel APS-C CMOS sensor with brand-new focus capabilities, enabling the camera to use both phase- and contrast-detection autofocus when paired with one of two new STM lenses. The center portion of the sensor uses traditional phase-detection technology, while points nearer to the perimeter aid by recognizing contrast in a scene, enabling a more accurate autofocus technique for both stills and video shooting. On the video front, the new lenses -- an EF-S 18-135mm f/3.5-5.6 IS STM for $550 or the EF 40mm f/2.8 STM "pancake" for $200 -- allow for much more silent zoom and focusing during video capture, so you don't need to worry about those sensitive stereo mics picking up mechanical noise. The camera still did a bit of focus hunting while recording video during our hands-on, but autofocus performance was quite impressive while capturing stills, even in low light. On the spec front, there's an articulating 3-inch Clear View smudge-resistant glass LCD, with a 1.04-megapixel resolution and new capacitive multitouch functionality, letting you pinch and zoom pictures and tap your way through menus just the same -- you'll still have the full array of physical controls if you'd prefer to go that route. There's the same bounty of video modes available with the T3i and T2i, including 1080 at 30p, 25p and 24p, 1080/60i and 50i, and VGA at 30 and 25 frames-per-second -- there's also a stereo mic on board, along with a dedicated microphone input jack on the side. In burst mode, the T4i can snap up to 5 consecutive frames per second. The camera also includes the same LP-E8 battery pack as previous Rebels, with a 1120mAh capacity. The Rebel T4i will be available in a body-only configuration for $850, $950 with the 18-55mm kit lens or $1200 with the new 18-135mm STM optic, all of which are set to ship later this month. If you feel that the new features don't justify the price, you'll rest easy knowing that Canon has no plans to pull the T3i from store shelves -- that T2i, however, is destined for retirement.%Gallery-156563%
Canon Cinema EOS-1D C 4K camera hands-on (video)
It's been but half a year since Canon first entered the motion picture market, and the company is already back with its second and third professional video rigs. The Cinema EOS-1D C marks the most drastic departure from the C300, which launched last November at an elaborate Hollywood event at Paramount Studios. It was at this spectacle that we were first introduced to the 1D C, which was then but a glass-protected prototype. Now, far sooner than expected, the (relatively) compact camera is making its return to the spotlight, in more polished form. Like the 1D series bodies that bear similar monikers and appearances, including the yet-to-ship EOS- 1D X, the C model is a very capable still shooter, offering the same core functionality of the $6,800 X. It also brings 4K capture to the table, however, prompting Canon to price the camera far above its less-abled counterpart. At $15,000, we don't expect to see red C logos popping up in many a photojournalist's gear bag, but for deep-pocketed professionals with a need to capture 4K clips, this may be a worthwhile acquisition.We took a closer look at the 1D C at Canon's pre-NAB event in Las Vegas. As the pictures and spec sheet imply, it's the 1D X's clone in nearly every way. In fact, beyond the headphone jack and C logo, there's not much distinguishing the pair externally. You'll need to hop into the menu before you'll really notice a difference, in the form of several unique 4K shooting modes, including 8-bit 4:2:2 24fps captures to a CF card or 8-bit 4:2:2 clips in an uncompressed format over HDMI. Otherwise, the C looks and feels just like the X -- a model pro snapper that we've already managed to fondle on three continents under Canon's watchful eye, but still has yet to ship. Both cameras are gorgeous externally, with slight design tweaks yet no drastic overhaul, dating back to the very first EOS-1D. If you haven't had a chance to gawk at either model, you'll at very least be able to check out the 1D C at Canon's booth this week at NAB . We're hoping to see both cameras hit the market sometime in 2012, and who knows -- this Cinema EOS could even be the first next-gen 1D to ship. Take a closer look in the gallery below, and in our hands-on video after the break.
