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Pioneer takes on Korg with its first analog synthesizer
If you want an analog synthesizer, but don't have a lot of floorspace, then Korg's Volca range is for you. Maybe hold that thought a sec. Until now, Pioneer has focused on the club crowd with its ubiquitous DJ decks and controllers. The company branched out into general music production with its Toraiz SP-16 sampler last year; today it's stepping further into music-making with the Toraiz AS-1 analog sound machine.
MIT's LiquiGlide could spell the end of slow-moving ketchup nightmares (video)
A team from MIT has decided to end slow-pouring ketchup problems once and for all with its LiquiGlide project. Instead of karate-chopping the 57 logo on the bottle's neck, a super-non-stick coating is sprayed on the inside of its glass container. It's so good that even highly viscous liquids like ketchup and mayonnaise roll out of the bottle and onto your dinner as if it was water. All the chemicals used are already FDA approved, meaning that it's already safe to be used in food production. If adopted, it'd save around one million tons of trapped sauce from being wasted every year. Since we already have finely-honed ketchup-fu skills, we're hoping the LiquiGlide technique also finds its way into peanut butter jars.
Synth pioneer Roger Linn shows us his new analog drum machine, Tempest (video)
We were wandering around the crowded, noisy halls of this year's NAMM show when a particularly freaked-out drum pattern struck our eardrums. We followed the sound and encountered a gray-haired, bespectacled gentleman tapping and tweaking knobs so professionally that we couldn't help checking out his name tag. Imagine our delight when we saw it was no less than Roger Linn, designer of the Linndrum and Akai's MPC60. If you're not familiar with those terms, no matter: let's just say that Dr. Dre and any other producer who's banged out a synthetic beat on a box owes this guy their entire career. Mr. Linn has partnered with Dave Smith Instruments to create the Tempest, a 16-pad beauty with enough knobs, buttons, and sequencing muscle to keep you inspired for endless hours in the studio. And the sound on this thing! It does include digital samples like a traditional MPC, but where it really shines is in the analog synthesis and effects department. It takes a lot for a drum machine to feel unique and valuable these days -- especially at the $2000 they'll be asking for it in June -- but the Tempest, from our brief time with it, sounds like it'll be well worth the investment for serious producers. Video of Mr. Linn's demo after the break. %Gallery-114437%
Dave Smith's Mopho keyboard prototype wows analog fanboys at NAMM (video)
Dave Smith's name is as revered in the synth business as those of Tom Oberheim and "Handsome Ron" Casio. Having had his hands in everything from the Prophet 5 synth to developing the MIDI specification to his own company (Dave Smith Instruments), the man has given electronic musicians plenty to be thankful for. The boutique's latest, the Mopho Keyboard (seen here in prototype form at NAMM 2010) takes the existing Mopho synth module -- a pretty sweet deal with its sub-octave generators, audio input (you know, for modulating stuff), and feedback options -- and adds a thirty-two key keyboard and a whole mess of controls. Like original, this new Mopho has a 100 percent analog signal path, ships with a sound bank editor for both Windows and Mac, and it sounds pretty, pretty bad ass. Look for it in the near future for around $800. Video after the break.
