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Sony's 135mm f/1.8 G Master full-frame lens is all about bokeh
Last year at Photokina 2018, Sony said it had big plans to keep growing its E-mount lens portfolio. The company revealed back then it was working on 12 new lenses for its Alpha mirrorless cameras, which would increase the number of native glass for those shooters from 48 to 60. And Sony is staying true to its word: It has announced the FE 135mm f/1.8 GM lens, the latest addition to its G Master lineup for full-frame mirrorless cameras. This telephoto prime is intended to be a beast for shooting portraits, offering a fast, accurate and quiet autofocus, as well as shallow depth of field for intense bokeh effect. Sony says that the FE 135mm f/1.8 GM's control and ergonomics are designed for both still photography and movie shooting, and it promises "superior performance plus mobility and reliability" compared to any other 135mm full-frame lens on the market. If you're interested, Sony's FE 135mm f/1.8 GM is set to arrive in April for $1,900. Until then, see below for some sample images taken with the lens mounted on an A9 full-frame mirrorless, which turned out to be super sharp and bokeh-laden. To view our sample images in full resolution, click here.
Sony is working on 12 new lenses for its Alpha mirrorless cameras
Now that Canon and Nikon are eager to get a piece of the mirrorless camera market, Sony is letting it be known that it isn't slowing down its efforts in the space anytime soon. The company announced at Photokina 2018 that it has 12 new E-Mount lenses in its roadmap, which will increase the number of native glass for its Alpha shooters from 48 to 60. Just last week, Sony introduced the FE 24mm f/1.4 GM, a full-frame format lens priced at $1,400.
Hobbyist builds the first Sony E-Mount film camera
Sony is the one major imaging company that has never built a film camera, having leaped straight into DSLRs in 2006 after buying Minolta. A hobbyist named Alexander Gee has just pulled off a neat trick then, by creating what might be the world's first Sony E-Mount 35 mm film camera. Called the LEX, it's the result of a year's worth of work, and when it's finished, you might be able to buy one and even build it yourself.
Sony's 4K security camera can spot intruders in the dark
What do you give to the person who has everything? The world's best security camera to watch over it, we guess. Sony's latest Alpha product, the 850,000 yen ($7,500) SNC-VB770, may fit the bill. It's a 4K mirrorless, E-mount network camera that can capture "clear color video at 30fps, even when the subject is almost invisible to the naked eye," according to Sony. It features a full-frame 12.2-megapixel sensor that sounds a lot like the one Sony uses in its crazy Alpha A7S II mirrorless camera. As such, it can capture 4K in dark night conditions as low as .004 lux.
Sony's new A7R II brings more than just a resolution bump
Sony's A7 range of full-frame mirrorless cameras has only been around for just under two years and yet there are already six members in the lineup. The company has wasted no time in filling the series with models tuned for different uses -- from low-light performance to high-megapixel applications. The A7R II, with its 42.4-megapixel full-frame sensor, certainly falls in that latter category with specs that place it roughly in the same league as heavy hitters from Canon and Nikon. Still, bullet points on a page are one thing; using it in the field can uncover something entirely different. I spent a month with the expensive shooter ($3,200 for the body) and it turns out Sony's latest megapixel monster can hold its own among the big boys.
Sony's next smartphone-mounted camera will let you change lenses
If you're looking to rule Instagram, Sony's about to give you the ultimate smartphone weapon, judging by a leak from Xperia Blog. The site posted several purported images of the Sony ILCE-QX1, a lens camera system that'd work with interchangeable E-Mount style lenses. Sony's niche-oriented lens camera lineup is currently fixed-lens only with the QX10 and QX100 models. The QX100, for instance, is based on Sony's fantastic RX100 camera and priced for serious smartphone photographers at $500. Assuming the rumor pans out, the QX1 would have an even larger APS-C (26.7mm) sensor and take compatible E-Mount lenses. There are no other specs, but as before, we'd expect that your smartphone will control the QX1 and capture images from it, with a mount that adapts to a wide variety of handsets. It'll also likely have a built-in memory card. There's no pricing yet, but as a rule, interchangeable-lens cameras are usually more expensive than fixed-lens models. Then again, Sony tends to break that rule. Update: Oh, and yes, that phone in the images appears to be the alleged Xperia Z3 that we spotted back in July.
Bigger is definitely better: shooting with Sony's Alpha 7 and 7R full-frame mirrorless cameras
See those gorgeous twins up there? The ones with retro-styled magnesium bodies and massively megapixeled sensors? Known as the Alpha 7 and Alpha 7R, they're the latest objects of desire from Sony's imaging wizards, and I got to spend a few days shooting with both of them. Sony's betting big on its mirrorless camera business. The company helped to grow the market for these compact Interchangeable Lens Cameras (ILCs), releasing regular (and significant) NEX updates since their introduction a few years back. To date, those compact models have been limited to APS-C sensors -- image quality was quite good, but the camera maker recently began pushing the limits, sprinkling much bigger, full-frame sensors elsewhere into its lineup. Now, it's finally time to meet Sony's new full-frame ILCs. But are they worthy of our affection, particularly when you consider that the 24.3-megapixel A7 will cost $1,700 and the 36.4-megapixel 7R will go for $2,300 (both prices for the bodies only) when they hit stores next month? Read on to find out.
Sony unveils 16.1MP NEX-5T with NFC and WiFi, available this September
We assure you, the camera pictured above is not the NEX-5R. Announced today alongside three new E-mount lenses and the A3000, it's actually Sony's new NEX-5T. This shooter's unique feature is the addition of NFC for tap-to-device transfers of videos and photos -- a nice complement to the WiFi connectivity. Aside from that, it's pretty similar to its predecessor. Internally, you'll find the same 16.1-megapixel APS-C sensor with a maximum ISO sensitivity of 25,600 and hybrid phase-/contrast-detect autofocus for still images. The outside houses the familiar 921k-dot 3-inch touchscreen (with 180 degrees of rotation), a rear-set navigation dial and a function button (both programmable) adjacent to the shutter button. Photographers and videographers alike should be pleased with 1080/60p video capture and continuously focused 10-frames-per-second burst shooting. This NEX can also handle Sony's various Play Memories Camera Apps for extended versatility. The NEX-5T is set to launch this September in white, black and silver for $700 with a 16-50mm pancake powered-zoom lens, and $550 for just the body. For now, grab a better glimpse by checking out the embedded galleries. Full press release after the break.
Sony's rumored ILC-3000 E-mount camera flaunts Alpha-like form factor in leak
Rumors of Sony's ILC-3000 or A-3000 E-mount camera have been floating in the wind for a while, but so far nothing of substance has touched down. Now, a contributor at Dyxum.com has spotted Sony advocate Gustav Kiburg with a model that seems to fit the bill. Though it looks more like an Alpha DSLR than a NEX, the E-mount camera is purported to have no mirror and a 20-megapixel APS-C sensor that maxes out at 16,000 ISO (not to mention, captures 1080p video). Amazingly, it also apparently sports a reasonable, £300 ($450 or so) price tag. We'll soon find out whether any of that is true if yet another rumor proves accurate -- it's supposedly set to arrive early tomorrow morning in Europe.
Fotodiox brings 140-megapixel images to your NEX, medium format lens not included
Fotodiox has a new take on E-mount lens adapters that'll give you 140-megapixel images by performing an interesting trick: moving the camera. The rather spendy device uses an interchangeable lens mount that accepts either Pentax 645, Mamiya 645 or Hasselblad V medium format lenses, coupled with a moveable platform to mount your Sony NEX. When ready to fire, you check the built-in exposure screen to frame the shot and the system moves the NEX around to grab images at predetermined, "precisely-positioned" locations in the lens' field of view. After stitching it all together in Photoshop or similar software, the result is either a panorama or medium format photo (depending on camera orientation) -- 140-megapixels' worth in the case of a Sony NEX-7. Besides the $500 adapter, the aforementioned medium format lens and a tripod, you'll likely require a healthy dollop of patience to use it, too -- and forget about video, of course. Check the PR after the break for more.
Sigma unveils three new MFT and Sony E-Mount lenses
Despite the raves that recent micro four-thirds and Sony E-Mount cameras have received of late, there's still a dearth of lenses for the fledgeling systems compared to their more entrenched counterparts. Luckily, Sigma's just added to the pool of autofocus-equipped models for each system: updated 19mm F2.8 DN and 30mm F2.8 DN models along with an all-new 60mm F2.8 DN telephoto lens. Each Japan-made model has a "telecentric" optical design to minimize CMOS color issues, a metal exterior with silver or black color options, and a linear autofocus motor that Sigma claims is quiet enough to use for video. Meanwhile, the imaging outfit also announced an updated 30mm, F1.4 DC HSM model for Canon APS-C, Nikon DX and its own Sigma mount. All that's great news, though we're still waiting for an AF/electronic F1.4 or faster lens for E-Mount (there's only one on MFT as well) -- though this might tide us over, in the meantime. See the PR after the break for more info.
Metabones Speed Booster promises faster EF lenses when mounted on NEX cameras
There aren't too many lens adapters that catch our eye, but the $600 Metabones Speed Booster has so many tricks up its sleeve that we can see it tempting a lot of serious NEX camera users -- like us. Big words, but what it purports to do is nothing short of mind-boggling. First off, it adapts your Canon EF (full-frame) lenses to E-Mount, which is nice enough since there's still a paucity of high-end glass for NEX users. But it gets better: the Speed Booster also makes your lens wider by a factor of 0.71x, shrinking an 85mm lens to 59mm, for instance -- effectively making your NEX nearly full-frame. Other adapters can do some of that, but its final trick is the piece de resistance: increasing the speed of a lens by a full stop. That may sound impossible, but it apparently works by concentrating the extra light-gathering area of a full-frame lens down to the smaller E-mount sensor area, turning an f4.0 lens into an f2.8 lens, for instance. The adapter allegedly increases sharpness on top of all that, and brings "auto-aperture, image stablization, EXIF and (slow) autofocus support," for late model EF lenses, according to Metabones. Skepticism reigns until we can scope it for ourselves, but the adapter came out shining on Philip Bloom's video and photo tests so far, judging by his samples (below the break). The $600 price tag will likely dissuade casual users, but light-deprived indoor shooters (like us) or those shopping for new glass -- who already have a bagful of EF-lenses -- might take to it like a sugar addict to Trix. Metabones said they'll start shipping the Speed Booster this month, and will come out with MFT and Fuji-X mount options, along with support for lenses from Nikon and Leica, among others. Check the source to see how to grab it, but the line forms behind us.
Sony 16-50mm retractable zoom lens to ship in February for $349
Sony NEX-6 kit owners have been shooting with it for weeks, but the company's 16-50mm retractable zoom lens isn't quite yet available as a standalone purchase. That's set to change early next year -- reps have told us that the lens should hit stores by mid-February, while the optic's own product page now lists an estimated ship date of February 3rd. The lens, which ships with the NEX-6 for a $150 premium (compared to the $850 body-only price), delivers a focal range similar to that of Sony's larger 18-55mm optic, matching that version's f/3.5-5.6 aperture as well. It's compatible with E-mount cameras, including select Handycam camcorders and discontinued models like the NEX-C3. It was also slated to ship as part of an NEX-5R kit for $800, but the company has scrapped plans for that particular package. For now, you can hit up Sony's site at the source link below to hop on the pre-order list.
Hasselblad announces Lunar mirrorless camera, fancies up Sony's NEX-7 for 5,000 euros
The bar's pretty high when your company is behind the first camera in space. Hasselblad's looking to build on that theme with its new Lunar mirrorless, which according to the company "revives the timeless charm" of 1957's 500c -- and if nothing else, the camera's got a curvy, space age body, built out of high grade aluminum with either a carbon fiber (available in black, silver or titanium colors) or wood (beech, olive, pear or mahogany) grip. Inside, you'll get a Bionz processor and an APS-C 24.3 megapixel sensor. The Lunar has a 10 frames per second burst mode, full HD recording and sports a 100 to 16000 ISO range. On the rear, you'll find a swiveling three-inch display. All of that's packed into a body that weighs roughly a pound. Update: While we didn't quite realize it at first, the layout of the camera and its specs are clearly that of a rehashed NEX-7. As SonyAlphaRumors points out, the shooter accepts Sony's e-mount lenses and is part of new partnership between the two photography giants -- looks like we're soon to have even more Sony cameras re-purposed as Hasselblad's, similar to Leica and Panasonic. While the NEX-7 itself will run you roughly $1,100 to 1,200k (body-only vs. with a kit lens), SAR has the Lunar pegged at $5,000 Euro (about $6,530, or six NEX-7s). That's almost $1k more than Leica's utilitarian M-E and about as much as an M9 for, those keeping count -- but hey, at least the lunar can shoot video, right? Joe Pollicino contributed to this post.
Sony announces NEX-VG30 and full-frame NEX-VG900 Handycams, we go hands-on
A full-frame camcorder for roughly 3 grand? Meet the Sony NEX-VG900 Handycam -- the company's first 35mm HD video camera. Taking cues from its Alpha A99, which was just announced today, Sony brought that camera's 24.3-megapixel full-frame sensor to a camcorder form factor, delivering shallow depth-of-field and much improved low-light sensitivity in a more practical package. The VG900 is compatible with E-mount lenses, and it's a fine stills shooter (like the A99, it's capable of 14-bit RAW captures), but it's best suited for high-end video production, where it offers 1080p recording at 24 or 60 frames-per-second through a sensor that features 45 times the area of a conventional camcorder. This model even adds some of Sony's picture effects from the stills line, such as soft focus and miniature mode, while certain filters, like partial color and high-contrast monochrome can even be added to video. Also on order for today is the NEX-VG30 -- the successor to the VG20 -- which offers many of the same features, but with a 16.1-megapixel APS-C CMOS sensor instead. If you're looking for a capable Handycam and don't want to spring for full-frame, this is your match. Both models include 270-degree swivel 921k-dot touch-enabled TruBlack LCDs and XGA OLED eye-level electronic viewfinders, along with Sony's new Multi Interface Shoe, which enables XLR microphone inputs through an optional accessory. The Handycams offer a new zoom seesaw level with multiple speeds for smooth, silent lens adjustments. There's also digital zoom functionality, which is likely to be more appropriate for the VG900, since that model's full-frame sensor has the pixels to spare. That flavor is quite costly, coming in at $3,299 without a lens, though an LA-EA3 mount adapter is included so you can attach full-frame-capable A-mount lenses. The VG30, for its part, will retail for $1,800 body only, or $2,700 when paired with Sony's new 18-200mm f/3.5-5.6 OSS power zoom lens -- a $300 savings, considering that optic's $1,200 standalone price tag. The VG900 is slated to ship beginning in late October, while the VG30 will hit stores in November, but you can take a closer look right now in our hands-on gallery below.%Gallery-163055%
Sony VG900 leaks, packs full-frame sensor into a NEX camcorder
Sony must have a fixation on stuffing full-frame sensors into small spaces this year. A fresh photo and details slipping out to Sony Alpha Rumors show what's billed as the VG900, the first NEX-branded camcorder with a sensor larger than the APS-C spec -- the first NEX camera of any kind, for that matter. While there's only a light smattering of details, we're told the device has a 24-megapixel sensor (likely the same as in the RX1 or A99), records video in AVCHD 2.0 and should ship with an A-mount adapter for Alpha lenses. Not much else is on display, although you may want to take a pass if you're just looking to record a family wedding: at a rumored $3,300 price for the purportedly imminent launch, the VG900 isn't an impulse purchase for anyone short of a pro videographer.
Sony NEX-6 spotted in the wild, electronic viewfinder and mode dial in tow
We've had furtive glances of Sony's upcoming NEX-6 before, but only in the very clinical space of a government test lab. Apparently, no mere agency can confine it: photography workshop director Vincent Kang has posted a photo of the pre-release mirrorless camera on Weibo for all to see. Posing next to 24mm and 50mm lenses, the NEX-6 looks to be very much the in-between camera we suspected it was, without as much dedicated control as the NEX-7 but still carrying an electronic viewfinder, a pop-up flash and a dedicated function key near the shutter release. The dedicated mode dial is also more conspicuous -- there's no question that Sony wants to free up controls on the back for the future camera's more experienced target audience. Between the new design and the already known inclusion of WiFi, it's looking as though the NEX-6 may hit the sweet spot for shooters who want more control than the NEX-5R without sacrificing all its newer features. We just need to wait for official launch details to make it all real.
Kipon preps Canon EF lens adapters for Micro Four Thirds, NEX cameras with electronic control
Adapters to fit Canon's EF lenses on Micro Four Thirds and NEX camera bodies most definitely aren't new. Without any electronic link, though, that Lumix GX1 or NEX-F3 owner has had to focus by hand, sometimes without any aperture control -- what year is it, 1930? Kipon wants to make sure you'll never have to stoop to that level again through a pair of new adapters that keep the electronic controls working. As always with these parts, there's likely to be catches: we don't know the prices and ship dates, for one, and lens conversion can still hurt the autofocus speed. Even so, anyone who's been hoarding (or simply envious of) Canon glass now doesn't have to eye an EOS-M just to get a mirrorless camera with the lens adapter they crave.
Sony NEX-F3 and A37 cameras hands-on and sample shots
Sony's newest NEX and DSLR have already graced these pages -- albeit in decidedly unofficial fashion -- but the time has come for this duo of shooters to be revealed to the world with the blessing of their maker. In case you didn't catch the earlier leaks, the NEX-F3 is the replacement for the much-beloved NEX-C3 as the entry-level ILC from Sony, while the A37 slots in the same place in the company's Alpha DSLR lineup. Sony's also rolling out fresh glass for each this July, in the form of an E-mount 18-200mm, F3.5-6.3 zoom lens for $850, and an 18-135mm F3.5-5.6 A-mount telephoto unit that'll set you back $500. Both the NEX-F3 and A37 will come with kit 18-55mm lenses and cost $600 when they go on sale in June, which makes them quite competitively priced as compared to their competition. An enviable pricing position, to be sure, but can they deliver the imaging goods? Well, we spent time with each on a tour of San Francisco recently, so join us after the break for our impressions and some sample photos.%Gallery-155474%
Sony's Alpha A37 and NEX-F3 pose for the camera, reveal more angles, details
Well, well, talk about déjà vu! It was just yesterday that a corner of Sony's 16.1 megapixel NEX-F3 leaked onto the interwebs and now more photos have surfaced, along with a previously unannounced shooter, the Alpha A37 SLT. The pictures come courtesy of Yang Canggih, which says it had a chance to demo the two devices yesterday at Sony's Partner's Conference in Jakarta (curiously, the NEX-F3 post isn't live as of this writing, but Sony Alpha Rumors has the images up). Starting with the F3, the mirrorless camera has lost a smidgen of the curves found on its older sibling, the C3, adopting a slight bit of the angular edges that once made the NEX-7 the badass standout in the lineup. You'll notice that the shutter button and grip have an uncanny resemblance to the 7's, not to mention that it's clearly gained a pop-up flash -- a first for the lower-end NEXs. Past that, the rumored -- and self-portrait friendly -- 180 degree tilt-screen is also present, which'll likely give the C3 an edge over its siblings when it comes to composing shots. Also worth note, some of the buttons on back have been slightly repositioned. Moving along, those hoping for a successor to the A35 will apparently have their wish granted with the 16.1 megapixel A37. According to Yang Canggih, it features the articulating display from the last generation of NEX cams, Auto Portrait Framing (first introduced with the A57), four more effect modes than the A35 (up from 11) and an ergonomic grip in the vein of the A77. Sadly, that's about all that's currently known, so hopefully we'll get an official introduction to the cameras soon. Head past the break for a shot of the A37 and then check out the links below for even more of both.
