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AMP camera records 1080p HDR video, you probably can't have one
We've already seen cameras that let you pretend you live in a radioactive apocalypse shoot HDR video, combining overexposed and underexposed images into one surreal composite. But so far, that kind of dystopian trippiness has been relegated to experiments and rigs using two lenses. But here we have AMP, a portable-enough five-pound camera that splits the light into three sensors, giving it a range of 17.5 stops to "reveal reality" in our drab, incomplete lives. The single-lens camera shoots 1080p video at 24fps or 30fps, records raw, uncompressed data to an SSD, and works with Nikon F-Mount-compatible lenses. To give you some perspective on the amount of sheer storage required, AMP promises a 256GB SSD can hold 30-plus minutes of footage, with 24fps video consuming less space than the 30 fps variety. It'll be available later this summer for some unknown sum, but not as a mass-produced product. Rather, it'll end up in the hands of a select few prosumers who add themselves to a waiting list. Assuming you won't be one of the chosen, you can get your fill of reality in a pair of demo videos after the break.
D-Link's Amplifi networking suite keeps the whole mansion connected
Between our TVs, PCs, game consoles, and even refrigerators, most every room of our homes have devices needing an on-ramp to the information superhighway. To keep these gadgets connected, D-Link has debuted its Amplifi home networking equipment to bathe every square foot of your abode in ample bandwidth. There's the $150 HD Media Router 1000 that does 802.11n WiFi at 300 Mbps and has QoS technology to make sure your HD video streams and games are lag-free, plus four Gigabit Ethernet ports and an SD card reader. The Whole Home Router 1000 is $120 and sports similar specs sans the SD slot, but also packs D-Link's SmartBeam technology that tracks devices and "focuses beams of bandwidth" to keep you connected in every room. D-Link's $160 WiFi Booster also uses SmartBeam tech to extend your network's range via the 2.4 and 5 GHz bands and put four more Gigabit Ethernet ports anywhere you choose. Lastly, the Powerline AV 500 Adapter ($100) and Gigabit switch ($200) give you screaming 500Mbps speeds from any electrical outlet. Interested? Well, they're all available now, except for the laggard Whole Home Router 1000, which isn't available until August. PR's after the break.
Panasonic's new suite of colorful camcorders hits stores this July, gets priced right now
When Panasonic introduced us to its Skittles-like array of candy-coated camcorders, they gave us a taste of the little things, but left us hanging on price and availability. Well, if you've been slobbering over the specs since February, you can sate your appetite soon, because the HM-TA20, HM-TA2, HX-WA10, HX-DC10, and HX-DC1 will hit stores starting in early July. The Flip-style, 1080p HM-TA20 rings in at $200, while its less rugged little brother, the HM-TA2, will run you $170. The upright and rugged HX-WA10 will do 1080p video and 16-megapixel stills for $350, and you'll drop $280 on the HX-DC10 for the same functionality without the weather-proofing. For the same look at an even lower price, you can shoot 14-megapixel stills on the HX-DC1 for $200. Hungry for more? Full PR awaits you after the break.
Zoom Q3HD Handy Video Recorder: Review and comparison with iPhone 4 video
Podcasters and broadcasters have used the Zoom H2 and H4n digital audio recorders from Samson Technologies with great success for a few years. These very portable recorders are perfect for capturing high quality stereo sound in digital formats that can be easily edited by a variety of Mac audio apps. Now they've added HD video capture to a small handheld device, the Zoom Q3HD Handy Video Recorder (available through online retailers for about US$299). Since it's the beginning of the Northern Hemisphere summer vacation season, I thought it would be a good time to review this new device and compare its audio and video quality with another compact video recorder a lot of you may own: an iPhone 4 For many people who might want to capture HD video on the run, the iPhone 4 is perfect. You have it with you all the time, and you can edit the video on the device using iMovie. Zoom appears to be marketing the Q3HD to Mac owners who are looking for better video and audio quality than the iPhone 4 can offer. How does it do compared to the video capture capabilities of the iPhone 4? Read on for a full review and actual video clips for your comparison.
OmniVision's new 12MP CMOS sensor shoots RAW pics and 1080/60p video, looks for smartphone home
So what if Apple looks set to abandon OmniVision in favor of Sony with its next round of portable device cameras? The company that currently provides the none-too-shabby 5 megapixel imager inside the iPhone 4 has just announced a new 12 megapixel sensor and it's a bit of a beast. The OV12825 pairs the goodness of backside illumination with the ability to shoot RAW stills and 1080p video at a bodacious 60fps. Funnily enough, neither feature is a novelty for OmniVision, which has already given the world the option to shoot RAW and to crank Full HD video at 60fps, but nobody has yet been willing to maximize the previous sensors' capabilities. Now that we're finally seeing efficient dual-core solutions making it to smartphones, maybe the time has come? After all, there's gotta be something else to look forward to after 1080/30p, right? OmniVision is offering samples to interested companies right now and expects volume production in the second quarter of the year. Full PR after the break.
Nikon D5100 and ME-1 external mic coming April 21st, we go hands-on (video)
Okay, so Nikon kind of spoiled the surprise with this one, but we can now enlighten you with the full details of its upcoming midrange (or "advanced beginner" as Nikon calls it) DSLR refresh. The D5100 takes the spot of the venerable D5000, but follows the previous generation's recipe for success pretty closely. The D5000 was a stripped-down D90 in a simpler, smaller package that came with an articulating LCD, and the D5100 just so happens to feature the same mighty 16.2 megapixel sensor as the D7000 (Nikon's current high-end consumer DSLR) augmented with a flipout screen. Having the D7000's internals helps the new shooter churn out 1080p video at 24fps, 25fps, or 30fps, depending on your preference for up to a maximum of 20 minutes. The D5000 is only capable of five-minute bursts of 720/24p video and isn't able to continually autofocus, which the D5100 can. The D5100 also betters its predecessor in terms of physical fitness, coming in at a healthy 10 percent lighter and smaller, while a good number of the physical controls have been repositioned in order to allow for a new horizontal opening mechanism. That'll be a well appreciated tweak for tripod users. The new screen's also 17 percent thinner, we're told, and steps up to a 3-inch diagonal with a 920k-dot resolution. Solid stuff. After the break you'll find a full spec sheet along with some video action with the D5100. Pricing for this camera is set at $800 / €777 / £670 for the body only or $900 / €904 / £780 for the body plus an 18-55mm VR kit lens. The ME-1 external mic introduced alongside it -- did we not mention the D5100 has an external mic input -- will cost $180 / €139 / £120 and both are expected in stores on April 21st. %Gallery-120375% %Gallery-120376% %Gallery-120374%
iPad 2 video quality looks good, sounds great
We all know that the iPad 2's rear camera will capture 720p HD video and 3.1 stereo sound, but what does this actually translate to in real life? Settimio Perlini of Macity.net was at the European rollout of the iPad 2 in London last week and managed to capture some video at the event with the device. The video, which is on the next page, was shot under low lighting conditions and then uploaded to YouTube. That means that it has been compressed, with a resulting loss in quality, but the video still looks and sounds quite good. If the new device can capture video that's this good under less-than-optimal conditions, it's probably going to do very well in well-lit scenes. Add to that the ability to do video editing on the device with iMovie for iOS, and you have a capable (although awkward) way of shooting and composing HD video in the field. [via MacStories]
Apple's Digital AV Adapter also works with iPhone 4, fourth-gen iPod touch, and first-gen iPad
In case you're wondering whether Apple's forthcoming Digital AV Adapter is worth your $39, you might be pleased to know that said HDMI dongle is also compatible with the latest crop of iOS devices before the iPad 2. This includes the iPhone 4, fourth-generation iPod touch, and even the first-generation iPad. Alas, both movies and slideshows will be capped at 720p output from these older devices, whereas the iPad 2 goes a little further with screen mirroring of up to 1080p -- we're guessing the beastly dual-core A5 chip is what makes the magic happen here, though movie output's also limited to 720p. And hey, we're only a few months away from finding out if the next iPhone will also get some 1080p love, so no pressure on buying this dongle just yet.
The iPad 2
Apple has just made its second-generation iPad official! It features a 1GHz dual-core A5 chip and, finally, cameras, both on the front and rear. The new CPU is said to be up to twice as fast, with graphics performance up to nine times better than on the original iPad, while power requirements have been kept the same. Battery life is, consequently, unaltered, with Apple promising 10 hours. Pricing, too, has been left unchanged, starting at $499 for a 16GB WiFi-only iPad 2 and stretching up to $829 for a WiFi + 3G SKU with 64GB of storage. The new tablet will come with an HDMI output capable of 1080p -- which will set you back $39 for the requisite dongle, called an Apple Digital AV Adapter -- but there will sadly be no rumblings of Thunderbolt connectivity here. What you will get is an enlarged speaker grille on the back, as expected, and the same 1024 x 768 resolution and IPS LCD screen technology as on the original iPad.Update: We've gotten our first hands-on with the iPad 2 and, boy oh boy, it's fast!720p video recording at 30fps will be on tap from the rear-facing camera, which can also do a 5x digital zoom if you're into that kind of thing, whereas the front-facing imager will record at a more modest VGA resolution, also at 30fps.There's a new cover for the device, which is best defined by Steve Jobs himself: "We designed the case right alongside the product. It's not a case -- it's a cover." Basically, it's a magnetic flap that protects the front and automatically wakes and puts the device to sleep according to whether it's open or closed. Guess we know what that proximity sensor was about now. These Smart Covers will cost $39 in plastic or $69 if you opt for leather.The iPad 2 is 33 percent thinner than its predecessor, at a mind-melting 8.8mm, and a little lighter at just over 600g, while paintjob options have been expanded: you'll get a choice between white and black. It'll be available on both AT&T and Verizon, and all variants start shipping on March 11th. Apple Retail Stores will start sales at the unusual hour of 5PM, which will probably make online pre-orders the fastest way to get yours.%Gallery-118170%In terms of new software, Apple's launching iOS 4.3 alongside the new iPad and bringing with it much improved Safari performance as well as FaceTime, Photo Booth, iMovie and GarageBand (the latter two costing $4.99 a piece) apps specifically for the newly camera-enriched iPad. Personal Hotspot capabilities are also arriving in the latest version of the OS, but they'll be exclusive to the iPhone 4, so you won't be able to share your 3G iPad's connection. The minimum compatible version of iTunes for the new iPad 2 will be the freshly released 10.2.%Gallery-118177%You'll find Apple's official PR and some slick promo videos below, or you can keep your mouse clicking and check out our first hands-on with the iPad 2.
Boxee names Viewster as first global VOD provider, still no word on Netflix
It looks like Boxee may be punting its deadline for Netflix integration again, but it did throw global users a small bone via a new partnership with Viewster to add "premium VOD content." If the Viewster brand doesn't ring a bell, don't worry, we didn't know much about it either. A little sleuthing on its parent company site, though, revealed the service provides access to hit movies and TV shows (some in 720p), as well as day-and-date releases and ad-supported content "wherever possible." The site also boasts the library has 5,000 plus titles, licensed from over 100 suppliers like iTunes, Hulu, Sony, and ironically Netflix -- but that includes short content clips too. Naturally, we wanted to check out available titles for ourselves, but quickly learned that the library can only be browsed on Viewster-compatible devices after registering and providing payment details upfront, which set our scheme sensors a ringin'. Specifics on when Viewster access will appear on Boxee or what pricing will be like is also unknown, so for now feel free to join us in being vaguely underwhelmed after reading the full PR below. [Thanks, PJ]
LG Optimus 2X 1080p video surfaces, captures a slow day at the docks
Since we reported that the Tegra 2-based LG Optimus 2X was slated to hit Korea and Europe this month, we've been dying to check out its 1080p video recording capability. Lucky for us, someone in Greece has uploaded a video to YouTube that was apparently recorded on the smartphone, and the results, well, decide for yourself. While we're impressed by the video quality (digital zoom excepted) the subject matter leaves something to be desired: a shaky camera slowly pans a port full of docked fishing boats. Sure, we'd like to see some more action, but this sample still has us excited about getting our hands on our very own Optimus 2X. HD video after the jump.
Sony DSC-TX100V and the rest of the Cyber-shot posse hands-on
Sony announced a heap of new Cyber-shot cameras earlier this week, and after spying the entire line posing Miss America-style at Sony's CES booth, we decided to go hands on. The DSC-TX100V's OLED screen, which is a Cyber-shot first, was definitely impressive in terms of clarity, brightness and color reproduction -- despite only viewing a fellow convention goer obstructing the booth. The DSC-TX10 is also one the classiest looking ruggedized camera we've ever seen and thankfully lacks accents such as excessive rubber detailing. Sony wasn't really down with us testinghow much grief it could actually take though. Similarly, we had hoped to check out the DSC-WX10's 1920 x 1080 60fps video capture mode -- since it's the only digital compact to support it -- but that idea got shut down the moment a few Sony VIPs arrived. Still, we did manage to take a few shots of each in the wilds of the convention center which you can check out in the gallery below. %Gallery-113428%
JVC announces the GS-TD1 full HD 3D consumer camcorder, we go hands on
2011 is shaping up to be the year consumer-grade 3D camcorders take off. Now JVC is in the mix with its new GS-TD1 full HD 3D camcorder which it touts as a world first. Thanks to twin 3D HD GT lenses, two 3.32 megapixel CMOS sensors and a newly announced Falconbrid 3D image chip, the device can record both left and right streams of 1920 x 1080i simultaneously. It also features 5x zoom and 64GB of flash memory that can be expanded via an SD card slot. Besides the full HD mode, the camera supports the more common side-by-side format AVCHD 3D as well as AVCHD 2D. For better in-field review, the device packs a 3.5-inch glasses free 3D touch panel screen. Outside of 3D video, the camera is additionally equipped to record so-called 3D sound using BIPHONIC sound processing. Pricing is pegged at just under $2,000 and is expected to be available for purchase this March. For the full details check out the PR after the break. %Gallery-113043%
Sony reveals 3D capturing Cyber-shot cameras, includes world's first compact capable of 1080/60p video
Sony has announced the DSC-TX100V, DSC-TX10, DSC-HX7V, DSC-WX10 and DSC-WX9 16.2-megapixel Cyber-shot cameras here in Las Vegas, which are the world's first compacts to include a 3D still capture feature using just one lens and imager. This is made possible via a special shooting mode that takes two consecutive shots in different focus positions that are then combined to produce a 3D effect. All also feature so-called Dual Rec technology borrowed from the Handycam line that enables users to capture three megapixel stills while recording video. Outside of what they have in common, several of the models have a few noteworthy details. The DSC-WX10 is the only digital compact to support full 1920 x 1080/60p video capture. Speaking of firsts, the DSC-TX100V is the first Cyber-shot to to feature a 3.5-inch OLED touch screen. Less revolutionary (but still drool-worthy) is the DSC-HX7V's ability to record the location and direction of a particular photos thanks to a built-in GPS and compass, while the DSC-TX10 is ruggedized to be waterproof, dustproof, shockproof and freeze-proof. All of these models will be available this March, and cost between $220 and $380. For more details be sure to check out the full PR after the jump. %Gallery-112852%
Liquid Image Xtreme Sport Cam goggles hands-on
When you're racing down the slopes, scuba-diving somewhere exotic, or zipping around on your motorcycle, the last thing you probably want to think about doing is shooting video. But if you're the type who just has to capture every adrenaline-pumping moment, Liquid Image has you covered with its new line of camera-equipped goggles. The $349 Scuba camera mask supports depths up to 100 meters, and does stills and video in 720p. The $400 Impact series also does both still and video, but it bumps the resolution up to 1080p. All of these goggles have a microSD slot, as well as buttons along the side for switching between the respective modes. Beware, once you start recording, you'll no longer be able to tell your friends you're in the Black Diamond Club when you really just spend all day on the bunny slope. Press release is after the break. %Gallery-112571%
Iain Sinclair Poco Pro: little camcorder, big expectations
The Poco Pro from Iain Sinclair, manufacturers of fine tiny things, is said to be "the world's thinnest" 1080p HD pocket camcorder. Poco's specs tout dimensions of 54 x 85.6 x 5mm, much smaller than JVC's Picsio, Samsung's HMX-E10, and even Toshiba's Camileo, but we are definitely wary of image quality on a sensor as small as this one. We're not entirely sure we get the purpose of its optional WiFi capabilities, either -- the site claims they're for "wireless data transmission," but we don't know if that's to a PC or some sort of service. If you're dying to find out, you can reserve a Poco of your own for £100, or about $155, but be patient, this little guy won't hit the market until June.
RED Scarlet fixed lens camera shown in public (video)
It may never ship at a price point we peons can stomach, but we're no less thrilled to see RED's fixed lens Scarlet being handled by a mere mortal on video. One Tonaci Tran was fortunate enough to brush into Jarred Land at a 3D workshop, and he just so happened to have a fully functional Scarlet on his person. Tori noted that the unit was a touch lighter than the Epic, and the top-mounted 5-inch touchscreen was obviously rather captivating. We'd bother going on (and on), but chances are you've already clicked through to catch the video. And if not... why? [Thanks to everyone who sent this in]
Apple TV 4.1 update is apparently resulting in loss of 720p output for some unlucky souls
We've been monitoring a growing thread on Apple's support discussion forums where users are complaining about their recently acquired Apple TV only outputting 480p after updating the OS to 4.1 last week. That's obviously a big step down from the 720p resolution touted at launch, and if the plight of these posters is indicative of anything, it seems the perpetrating update has somehow changed the HDMI resolution negotiation of the device -- which rears its ugly head in specific setups. Speaking of setups, though the issue was originally shared by a user who directly connected the device to their TV via HDMI, it appears the vast majority of posters are using an HDMI-to-DVI cable. This latter complaint offers an easy out for Cupertino since the Apple TV's fine print clearly states DVI isn't supported -- meaning if it worked perfectly with the previous OS, it was just a lucky coincidence. So how bout' it readers? Are any of you experiencing this issue with your shiny new hockey puck without involving DVI? Let us know in the comments below.
Rugged POV.HD video system captures 1080p through anything, for a price
The POV.HD video system is a new offering from V.I.O positioned as a more professional-grade alternative to other film-through-hell helmet cameras such as the GoPro HD or Drift Innovations HD170. Its two-ounce IP67 certified camera sports a six-element glass lens and a native 1080p CMOS sensor that can capture a 142 degree field-of-view -- claimed to be the widest on the market -- in full HD at 30fps. The head unit can also be adjusted to record 720p at 60fps with a 92 degree FOV for faster shots. A separate recording unit features Texas Instruments' latest Da Vinci DM368 processor and supports a real-time video pipeline while storing up to 4.3 hours of 1080p H.264 video footage on a 32GB of SDHC. It's also equipped with a two-inch LCD viewing screen with exposure and footage tagging controls. Priced at $600, V.I.O is currently accepting pre-orders, which if made between November 15th through December 17th, are guaranteed to arrive by December 22nd -- just in time for your family's' homebrew holiday response to Jackass.
Aliens Blu-ray screenshots re-stir our appetite for upcoming anthology, not a hole in the chest
Watching the Alien Anthology Blu-ray trailer definitely left us itching for the epic sci-fi collection's Blu-ray release on October 26th. But seeing Sigourney Weaver all HD'd up without an SD reference point did make it hard to tell how much effort has gone into the transfer process. Screenshots leaked on AVSForum of the Cameron-supervised remastering of Aliens for Blu-ray though show that the king of the world has clearly been busy de-graining his work to shine in 1080p. The SD to HD shot-for-shot comparison in the gallery below however does highlight some heavy use of blue filtering, hinting James' time on Avatar may have left him with permanent Navi goggles. Still, making the Alien Queen slightly more smurf-ish doesn't mean she's any less scary -- or gooey for that matter. To see for yourself, hit up the gallery below. %Gallery-104699%
