InterchangeableLensCamera
Latest
Fujifilm outs the X-T10, an $800 interchangeable lens camera
If you've been holding out for a cheaper model of Fujifilm's X-Series flagship, the X-T1, today is your lucky day. The company has just revealed the X-T10 interchangeable lens camera, featuring a 16.3-megapixel APS-C X-Trans CMOS II sensor (with built-in phase detection autofocus), an EXR Processor II and compatibility with Fujinon lenses -- that's great news for people who are already invested in the ecosystem. It will also pack the revamped AF system Fujifilm announced last week, which is said to be speedier and more accurate overall, particularly in low-light conditions and when trying to capture moving subjects. Most importantly, perhaps, Fujifilm is pricing its X-T10 at a reasonable $800 (body-only), or you can shell out an extra $100 for the XC16-50mm kit.
Sony updates 'lens camera' lineup with QX30, interchangeable-lens QX1
At last year's IFA in Berlin, Sony announced its first two "lens cameras," a pair of point-and-shoot cams that clip onto your smartphone. You use your phone's display to control the camera, and while you can technically fire off shots using the integrated zoom toggle and shutter release, there's no built-in LCD. Given the limitations, they're not for everyone, but there's apparently been enough interest for Sony to keep the QX line going, with a 30x zoom version and a unique interchangeable-lens model that accepts any E-mount optic now making their debut here in Berlin.
A week with Leica's T, the most beautiful mirrorless camera money can buy
Leica's cameras have always been good-looking, and they've always been expensive. You might expect the German camera maker's most visually stunning model yet to cost more than a pretty penny, and it does, but at $1,850 (body only), it's also one of the company's most affordable interchangeable-lens cameras to date. The Leica T, machined from a single block of aluminum and hand-polished for 45 minutes, is not going to be produced by the millions and marketed around the world. And considering the nearly $2,000 you'll pay for each of the camera's brand-new lenses, you can definitely invest in a more capable camera system for less. But the T is a work of art, and people will pay ridiculous sums for a desirable piece. This one just also happens to take pictures.
Samsung Galaxy NX review: an overpriced Android-powered mirrorless camera
Samsung's flagship interchangeable-lens camera, the NX300, is by far the company's most impressive shooter to date. It offers stellar hybrid-autofocus capabilities, excellent image quality and integrated WiFi, and it retails for a hair over $550. For all intents and purposes, it's a very competitive option, if not one of the best deals on the market today. It's frustrating, then, that Samsung opted to price the Galaxy NX -- an Android-powered camera based on the NX300 -- at an obscene $1,700, lens included. If you're not a deep-pocketed early adopter, it's absolutely a dealbreaker. But I still enjoyed my two-week test with the Galaxy NX, and if you manage to overlook the MSRP, you might just fall in love.
Samsung refreshes NX300M mirrorless camera with 180 degree rotatable display
Samsung's original NX300 mirrorless camera came with little to shout about beyond its gimmicky 3D capability. This refreshed NX300M brings something more useful to the table, however: a 3.31-inch AMOLED touch display that can now flip around 180 degrees instead of just 90, making it possible to easily frame up your selfies. Other features remain unchanged from the original, like the 20.3-megapixel APS-C sensor, 100-25,600 ISO range, 8.6fps continuous shooting, dual-channel WiFi with SmartShare and NFC capability. Users in Korea will be able to grab one now in white, black and brown with an 18-55mm kit lens for 890,000 won (about $839). There's no word on US pricing or availability, but that shouldn't be too far behind.
Samsung's Android-powered Galaxy NX hits UK retailers at a weighty £1,299 ($2,000)
We expected the Samsung Galaxy NX camera to cost a bundle when it was first announced, and if pricing from UK retailer Jessops proves accurate, we aren't going to be "disappointed." The Android-powered mirrorless model will run £1,299 ($2,000 or so) with an 18-55mm kit lens, more than Canon's fearsome EOS 70D and pushing Panasonic's flagship GH-3. As you may recall, the Galaxy NX is the first-ever interchangeable-lens camera to run Android, and packs 3G / 4G LTE radios along with a 20.3-megapixel APS-C sensor, 8.6fps shooting speed, WiFi, 16GB built-in storage, and 1/6000 shutter speed. We noted such strange bedfellows might make it a hard sell, especially considering some shortcomings for demanding photographers, like a slow start-up time and lack of manual dials. Jessops is showing the model in stock, while another retailer called Wex merely has it up for pre-order, so we're not sure which has it straight. In any event, if you're one of the few who thought high-end cameras really needed an Android OS, hit the sources.
Panasonic GX7 specs and images leak, show tiltable 2.76 million dot EVF
Prolific leaker Digicame Info has just showed off new images of Panasonic's likely new 16-megapixel Lumix GX7, along with full specs that place it squarely in the high-end, if accurate. Those include a 2.76 million dot EVF that can be tilted 90 degrees, 1/8000th of a second shutter speed, and in-body image stabilization -- all of which exceed the company's $1,500 GH-3 flagship. Other features include a 25,600 max ISO, silent mode shooting, NFC, WiFi, focus peaking, an 80-degree tiltable LCD and full HD, 60 fps video. If 43 Rumors is to be believed, all of that will cost around €1,000 in Europe for the body only (around $1,325). There's no word on an official arrival yet, but if you're in the market for a GH-3 and were hoping for something lighter (and cheaper), you may want to hang on. Head after the break to see the tilt EVF, or check the source for more pics.
Olympus execs: E-5 sequel due in 2013, mates Micro Four Thirds with Four Thirds
Photographers invested in the Four Thirds system haven't had many options lately, most of all if they prefer Olympus camera bodies -- the E-5 arrived in 2010, and hasn't really had company since. Olympus imaging president Haruo Ogawa and the company's Spanish lead, Miquel Angel Garcia (seen above), are both promising interviewers an E-5 sequel by the end of 2013, but it may not be what some expect. Both executives say the camera will support Micro Four Thirds lenses, yet take full advantage of the Four Thirds system. Based on earlier remarks and patents, DSLR Magazine speculates that it's a Micro Four Thirds camera that can mount the larger glass through a converter. Garcia may have hinted as much by telling Quesabesde that the mystery shooter ends a "transition period" that began in 2009: when nearly all of the company's interchangeable lens-based lineup has shifted to Micro Four Thirds over that time, there's only so much room left for interpretation. There's months to wait before we know precisely what's underway, but the clues suggest Olympus may bid farewell to the traditional DSLR within a year's time. [Image credit: Quesabesde]
Nikon 1 V2 unveiled: 14.2 megapixel ILC shoots 15fps stills for $899.95 in November
It was just over a year ago when Nikon first dipped its toe into mirrorless waters with its first two 1 System cameras, the V1 and J1. Now, the company has released the V1's successor, the aptly named V2. Like its elders, the V2 has a 1200fps slo-mo capture mode, a 3-inch LCD display on the back, a high-res (1.4 million dot) electronic viewfinder, and does 1080/30p and 1080/60i video capture (Alas, 4K recording capability didn't make the cut). Unlike the V1, the V2 comes in only black or white and uses an upgraded 14.2-megapixel CMOS sensor with an ISO range of 160-6,400. It also packs a new Expeed 3A image processor in tandem with Nikon's Advance Hybrid AF to deliver higher speed shooting. That autofocus system is comprised of 73 phase detect sensors and 135 contract detect sensors, which enables the V2 to capture stills at up to 15fps for 45 continuous frames -- and it can shoot 60 frames continuously using fixed focus.%Gallery-169057% The camera itself looks quite a bit different from its brethren, with a magnesium chassis, a bulked up grip and a built-in flash, plus command and shooting mode dials up top. It's a layout not unlike Sony's NEX-7, with one dial enabling easy switching between auto and manual exposure modes and a second providing access to secondary shooting controls like exposure compensation. The camera also has a stereo mic on board along with an external mic jack for recording audio. Would-be V2 owners can grab one with a 10-30mm kit lens for $899.95, and Nikon will add 30-110mm glass to that package for $250 more when it goes on sale in late November. Want to know more? Check out our hands-on with the V2 to see the new shooter in action, and Nikon's full PR awaits after the break.
Nikon 1 V2 mirrorless camera hands-on! (video)
If you followed the launch of Nikon's J2 interchangeable-lens compact recently, then waking up to today's announcement of a higher-specced V2 probably won't come as a huge surprise. Nevertheless, whereas the J2 was frustratingly incremental compared to the J1, the V2 will likely represent a more significant upgrade when it lands on shelves at the end of November. For a start, the magnesium alloy camera has been bestowed with a sizable grip, which makes a vast difference to its ergonomics -- it feels much more secure and manageable in the hand, without hurting the small and lightweight appeal of this form factor. Nikon has found room for a pop-up flash too, which is certainly nice to have. The mode dial has moved to the top of the camera and now includes the four main shooting modes (P/S/A/M) -- a change which, in one fell swoop, helps the entire remainder of the control system to become more intuitive and accessible. A new processing engine allows the camera to shoot 15 fps with continuous focus (versus 10 fps with the V1), with Nikon claiming that AF speed has been improved as well. And as for the bad news? It's waiting for you after the break.
Sony Alpha NEX-6 sample shots and video
Sony's fourth member of the acclaimed NEX family of cameras, the NEX-6, predictably slots in between the 5N and 7 in its mirrorless product lineup. We've seen the 6 hardware a few times, and now we've gotten to take some pictures with the thing. Want to know how its 16.1-megapixel APS-C sensor performed? Check out our gallery below and head on past the break for a video sample and our impressions.
Canon EOS M review: was Canon's first mirrorless ILC worth the four-year wait?
More Info Leaked EOS M photo looks like Canon's long-awaited mirrorless camera Canon unveils EOS M mirrorless: 18 MP APS-C, EF compatibility, $800 in October with 22mm lens Canon EOS M mirrorless camera hands-on It's here. Finally. Well, that is, if you happen to live in Japan. Canon's very first mirrorless interchangeable lens camera should be hitting shops the world over just as you begin to make room for that decked-out evergreen conifer, but the EOS M is already making the rounds in Canon's home country. It's available at select Japanese retailers for ¥109,900 (about $1,410, including sales tax). That lofty price will net you the EOS M in black, white or silver (the glossy red model remains elusive), complete with 55mm f/2 and 18-55mm f/3.5-5.6 EF-M optics, a Speedlite 90EX external flash and the EF-M Lens Adapter, enabling full compatibility with any and all of your EF and EF-S lenses. The US variant, which comes bundled with only the black 22mm "pancake" STM lens, should run you $799 when it appears stateside beginning October 15th, though neither country's model carries a particularly competitive price tag, especially considering how diverse (and well-equipped) the mirrorless ILC market has become. You might argue that Canon is borrowing a play out of Nikon's book when it comes to pricing the EOS M -- had the camera offered full DSLR functionality, including an advanced user interface, a $799 sticker might be justified. But the company has crippled its new compact shooter so as to avoid cannibalizing its still-successful full-size APS-C DSLR lineup, which includes models ranging from the Rebel T3 (about $475) to the EOS 7D (about $1,350). Appropriately, the EOS M falls right in the middle in terms of capabilities, with the added benefit of a new, nearly pocketable design that should win over more than its fair share of amateurs. That said, there's a reason larger SLRs remain on the market, and Canon very much wants to retain that solid footing. The EOS M isn't for everyone, and that's by design. But is it the right pick for you? Join us past the break as we try it on for size.
Aptina unveils 1-inch sensor with 1080p video at 120FPS, we suspect Nikon wants 1
Part suppliers sometimes telegraph their customers' plans months in advance: when you're the only provider for a key piece of technology, it's not hard for others to read the tea leaves. Aptina might have just given us one such peek into the future by unveiling its 1-inch AR1011HS camera sensor this week. As the Nikon 1 series is one of the few current, mainstream camera lines to use Aptina's 1-inch sensors, it's quite possible that we're looking at a template for one or more of Nikon's tiny interchangeable-lens shooters. The 10-megapixel CMOS sensor and low-light sensitivity aren't surprises. We're more interested in the wild levels of video capture support -- the AR1011HS can record 1080p footage at 120 frames per second, oversample movies at that resolution or scale up to quad HD. There's no guarantee any or all of the features will make the cut, especially given a dearth of 4K TVs, but it's not hard to imagine Nikon playing to the 1's high-speed strengths with an even quicker upgrade. Mass production starts in the first quarter of 2013, and while neither Aptina nor Nikon has confirmed any plans, Aptina's emphasis on top-tier companies in the "performance-oriented" mirrorless camera world leaves few other choices for a partnership.
Fujifilm X-E1 hands-on (video)
Sure the XF1's nice to look at, but the real star of Fujifilm's 2012 Photokina lineup has to be the X-E1. The X-Pro1's little sibling offers up most of the functionality of its bigger, pricier brother -- save for its inclusion just an electronic viewfinder -- into a body that's roughly a third smaller. That said, this is hardly a compact mirrorless -- the X-E1's still got a bit of girth and weight to it, compared to some of the smaller entries in the field. Still, it feels nice in the hand and isn't likely to weigh down your shooting -- particularly for those accustom to using a larger DSLR. It's also worth pointing out, right off the bat, that the retro-styled interchangeable lens camera is significantly cheaper, running you $700 less than the X-Pro-1. Flip the camera over and you get a 2.8-inch 460k-dot LCD. Just above the display is a devoted button that will pop up the retractable flash directly above. The X-E1 will be hitting stores in November, carrying a $1,000 price tag. Buy a kit with a lens and you'll still come in $300 under the X-Pro1's $1,700 price tag, making for a full-featured and great looking little mirrorless for a lot less money.%Gallery-165702%
Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on)
We've been very impressed with Olympus' first OM-D camera, the EM-5. That model's 5-axis image stabilization and super-fast autofocus won us over, while the retro design appeased nostalgics as well. Now, it's time for that speedy shooting to make its way to the company's other Micro Four Thirds models -- the E-PL5 and E-PM2. Both models, announced today, offer nearly identical specifications, with notable differences on the form-factor front. The E-PL5 is the premium model of this bunch, coming in at $700 with a 12-42mm f/3.5-5.6 lens or $650 for the body only, while the E-PM2 will run you 100 bucks less for both configurations. Both cameras include 16.1-megapixel Live MOS sensors, top ISO of 25,600, 3-inch 460k-dot touch-enabled LCDs, 1080i video and an 8fps continuous shooting mode. The EM-5's five-axis stabilization is absent here, though a three-axis version should suffice in low light. Each model also includes an external flash and a rebate offer for a free Toshiba FlashAir 802.11b/g/n card, which enables connectivity with the OI Share apps for Android and iOS. We had a chance to check both cameras out just before Photokina, and were quite pleased with the design, along with that OM-D-like focusing performance, which really is as speedy as Olympus claims. The camera focused instantaneously with almost all of the lenses we tried, though it was a bit sluggish, understandably, when paired with the 60mm f/2.8 macro. The displays were equally sharp, though the PL5 packs a nifty articulating version, which can tilt up, down or face forward for self-portraits. We also enjoyed shooting with the super-slim 15mm f/8 body cap lens, which features a tiny front element with a slide-over cover -- while it's limited on the aperture front and includes fixed focus, it's arguably more useful than a traditional cap (Olympus hasn't confirmed pricing for that optic, though it'll likely come in below the $100 mark). That aforementioned dust-and-splash-proof macro will retail for $500 in early October, while a new 12mm f/2 lens will ship during the same time for $1,100. The "Mini" E-PM2 will be available in silver, black, white and red, while the E-PL5 will ship in silver, black and white -- both versions will be available in October. You can take a closer look at each of the offerings in the gallery below, then jump past the break for the full rundown from Olympus.%Gallery-165432%
Olympus E-PL5 and E-PM2 interchangeable lens cameras leak into view
Secrets have been hard to keep in the camera world lately, and now Olympus has undergone its second leak in as many days, but this time with a couple of higher-profile actors -- the E-PL5 and E-PM2 mirrorless cameras. Both will use the Olympus E-M5 sensor with TruePic VI image engine and touchscreen, and are reported to be priced at €399 ($520) for the E-PM2 with a 14-42mm kit lens (in silver, below the break) and €599 ($780) for the E-PL5 with the same lens, shown above. That follows earlier leaks from Sony, Fujifilm and others, along with two upcoming lenses from Olympus that were also outed ahead of time. Hopefully, there'll still be a couple of surprises left when Photokina rolls around next week. [Image credit: Digicam Info]
Sony NEX-6 mirrorless cam squeezes in between 5R and 7 with WiFi, EVF and dedicated mode dial (hands-on video)
Does the NEX lineup need another model? Sony reckons it does. Meet the NEX-6. The company's latest mirrorless camera looks nearly identical to last year's top-of-the-line NEX-7, with the exception of a new dedicated mode dial, that lets you switch between aperture- and shutter-priority, manual, or scene modes with a hardware control rather than a need to jump into the menu. It offers the same pop-up flash (with a bit more power), a 3-inch 921k-dot TruBlack tilting LCD, an identical 2,359k-dot OLED electronic viewfinder and a strikingly familiar design. And that's where the similarities screech to a grinding halt. The NEX-6 is a hybrid camera of sorts, merging the best of the NEX-7 and the new 5R into a compact ILC that Sony says is its first to offer "full DSLR functionality." You won't be able to snag full-frame captures, as with Sony's brand new Alpha A99, but the 16.1-megapixel APS-C Exmor CMOS sensor should get you well on your way. There's also low-light shooting through ISO 25,600, 1080/60p video, a 10 frames-per-second continuous shooting mode, the new Fast Hybrid autofocus system first introduced with the NEX-5R and a new Multi Interface Shoe that lets you interface with a bunch of new accessories, including a hot shoe-mounted XLR mic input rig ($800). Join us past the break for our impressions and hands-on video.%Gallery-163053%
Pentax launches Q10 interchangeable lens camera, K-5 II and K-5 IIs flagship DSLRs
It's not every day that a camera company launches two major models the same day, but Pentax has done just that with the Q10 mirrorless interchangeable and the K-5 II / IIs cameras. The Q10 joins its equally tiny stablemate, the Q, to round out its line of mini-sensored, playing-card-sized cams that still let you change lenses. The new model boasts the same bokeh control and effects dial of the original Q, but adds a new grip and several color options, like the now-ubiquitous red shown above. Other features include a K-mount lens adapter, an included 15-45mm zoom telephoto, improved AF performance, full HD video recording, anti-shake technology, 5 fps continuous shooting capability and a pop-up flash. The new mini-shooter will go on sale in October at around $600 with the kit lens. If you have bigger (and deeper) pockets for something more sporty, Pentax has also announced its top K-5 II and K-5 IIs models to replace the popular K5, which has been around since 2010. The weather- and cold-resistant, dustproof DSLRs retain the same 16.2-megapixel resolution of their predecessor, but Pentax claims the new SAFOX X AF sensor has improved sensitivity in low-light conditions and improved auto-focus. The K-5 IIs eschews the anti-aliasing filter found on its sibling, but is otherwise the same, with a 3-inch, 925k LCD, 7fps burst mode, magnesium alloy / stainless steel body and RAW data retrieve function. These models will also appear in October and dent your wallet to the tune of $1,200 and $1,350 for the K-5 II and IIs, respectively. All that might address some of the AF and light sensitivity beefs we heard before, but we'll have wait for the next round of reviews to find out.
Fujifilm grows X-series mirrorless lineup with 16.3-megapixel X-E1
Didn't jump at the chance to own a Fujifilm X-Pro1? Considering the camera's relatively massive footprint and $1,700 body-only price tag, we can hardly blame you. Fortunately, things are looking up for the company's high-end X-series of mirrorless cameras --- a new model just stepped into town. The X-E1 features the same 16.3-megapixel APS-C X-Trans CMOS sensor as the much pricier X-Pro1, but in a body that's 30 percent smaller. Better yet, this latest flavor, which will ship in two-tone black and silver or solid black "classic designs," will carry a body-only retail price of $1,000. A cool grand will buy you an interchangeable lens camera with a sensor that, according to Fujifilm, is "capable of delivering resolution that is superior to other APS-C sensors, and equal to even some full frame sensors found in popular DSLR cameras." (Sayonara, Canon EOS-1D X.) Like its larger sibling, the X-E1 ditches the low-pass filter typically found in DSLRs in favor of a color filter array, which serves to minimize moire while yielding more accurate colors. A 2.36-million-dot OLED EVF is included for eye-level framing, or you can use the 2.8-inch 460k-dot LCD. The camera boasts a sensitivity range of ISO 100-25,600, packs a pop-up flash, it can capture 1080/24p video and includes a microphone input so you can add external audio sources. The camera is compatible with M lenses using an optional M Mount Adapter, or you can take advantage of Fujifilm's current selection of three X-mount primes. There will also be two new lenses launching alongside the X-E1 in November, including an XF 18-55mm f/2.8-4 and a 14mm f/2.8 prime, priced at $900 and $700, respectively -- you can save $500 by snagging that first lens in a kit with the camera for $1,400. Head past the break for the full PR.%Gallery-164351%
Sony announces 16.1MP NEX-5R with Fast Hybrid AF, WiFi and downloadable apps (hands-on video)
Sony's entry-level NEX-C3 was recently updated with the NEX-F3, so it was only a matter of time before the company's mid-range mirrorless model scored a successor of its own. Keeping in line with its familiar naming scheme, the NEX-5R includes a new 16.1-megapixel sensor that's based on the version packaged with the 5N, and boasts low-light sensitivity through ISO 25,600. The new model offers a bevy of new features, however, with many stemming from its new-found ability to connect to the web, as Sony's first mirrorless camera with built-in 802.11 b/g WiFi. Standard remote functionality is included, via the Smart Remote Control app that lets you use an Android or iOS device to snap photos, as is Direct Upload for sending media to the web, and a typical suite of sharing features, including PC and DLNA access. The 5R takes connectivity leaps further with PlayMemories Camera Apps, letting you download applications directly to the device, including tools that assist with retouching and sequential shooting. (Sony hasn't confirmed whether firmware updates will be pushed wirelessly as well, but it's a possibility.) With the 5R, the camera maker is targeting current DSLR users who are ready to upgrade but would consider a switch to mirrorless. Digital SLR-like controls will help ease the transition, including a new dial near the shutter release. There's also a new Fast Hybrid AF, which pairs 99 phase-detect AF points with a 25-area contrast system, resulting in noticeable improvements with any lens. There's also 1080/60p video, along with a 10 frames-per-second continuous shooting mode (with AF tracking!). If you were fond of the front-facing self-portrait LCD mode on the F3, you'll be happy to know it's here as well, complete with the downward-facing option included with previous-gen NEX models, but notably absent from the F3. We took Sony's latest ILC for a quick spin, and noticed improvements immediately, especially when it came to the focusing system -- going side-by-side with the C3, the newer camera was able to focus much more quickly and accurately in low-light, even with the standard (and generally unimpressive) 18-55mm kit lens. Touchscreen functionality was present as well, just as it was on the 5N, though you can navigate all of the menus with dedicated controls, should you wish. We weren't able to test WiFi functionality, but it sounds promising in theory, especially considering the optional apps. We'll be taking a much closer look once Sony releases its NEX-5R in mid-October -- the camera will ship in black, silver or white for $650, or $750 with the standard 18-55mm f/3.5-5.6 kit lens. For now, you can take a closer look in our gallery below, or the hands-on video after the break.%Gallery-163052%
