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Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-on
Remember the Lumix GF1? It was one of Panasonic's first Micro Four Thirds cameras, setting the bar quite high for models to come. But the GF1's successors -- the GF2 and GF3 -- did not live up to expectations, with the company gradually shifting the series towards transitioning point-and-shoot users, and away from early adopters who grew accustomed to the performance and build quality offered by that beloved early mirrorless cam. Now that familiar look and feel is back, in the form of the Lumix DMC-GX1. The 16 megapixel ILC includes a Live MOS sensor and Venus engine, with a maximum ISO of 12,800. Like other Panasonic G-series cameras, the GX1 uses a Micro Four Thirds mount, and is compatible with both Panasonic and Olympus lenses, including the standard 14-42mm zoom that ships with the $800 kit, or the Lumix G X Vario PZ 14-42mm retractable lens that comes packaged for $950. Existing lens owners can pick up just the body for $700. What we really missed was the solid feel of the GF1 -- everything from the housing to the controls felt well-made, while the design of later GF models, was... underwhelming. Picking up the GX1 helped to restore our confidence in the series -- it was a pleasure to hold. There's quite a bit of power under the hood, too. We weren't able to test the GX1, which is expected to hit stores in mid-December, but Panasonic promises autofocus speeds of 0.09 second -- you can focus simply by touching your subject on the 3-inch, 460,000-dot touchscreen. There's also an external EVF option, which attaches to the camera's hot shoe and offers a 1.44 million-dot display with 100-percent field of view. Movie buffs can capture 1080/60i HD video, with either MP4 or AVCHD compression. It goes without saying that the GX1 can shoot in RAW, and offers the complete gamut of advanced shooting modes. Of course the features don't stop there, so jump past the break for the full PR from Panasonic.%Gallery-138523%%Gallery-138519%
Panasonic GF3 reviewed: aging 12 MP sensor, good upgrade for current compact users
When the Lumix GF1 was released less than a year after Micro Four Thirds first made its debut, it made a huge splash for its size, image quality, and versatility. Problem is, Panasonic set the bar very high for future GF-series models, and has sadly come up short with its latest update, positioning the GF3 ($600 with 14-42mm kit lens) as an upgrade for compact camera owners while leaving enthusiasts longing for much more. DPReview took the GF3 to task, publishing a very comprehensive review while finding that while Panasonic's latest ILC is a good fit for some photographers, more advanced users will likely be disappointed -- especially if they're expecting a rangefinder-like successor to the GF1. We spent a few hours with a pre-production GF3 earlier this summer, and weren't blown away by its performance. When testing against the class-leading Sony NEX-C3, we found the Sony camera to offer faster focusing, better high-ISO performance, more accurate white balance, and better image quality overall. So unless you're really gunning to save 50 bucks on an ILC with a kit zoom (or you already have a collection of Micro Four Thirds lenses), the $650 C3 is definitely the better bet.
Panasonic Lumix GF3: sample photos and video
We already gave you some hands-on impressions of Panasonic's new Lumix GF3, but we just had a chance to shoot video and stills with the Micro Four Thirds cam at an event in NYC, leaving with a couple hundred photos and a small handful of video clips. There's no question that this GF2 successor was designed with interchangeable lens camera (ILC) newbies in mind, with no dedicated mode dial, a touchscreen display, and a boatload of auto settings, along with the usual spattering of effects modes. Panasonic chose a mock wedding scene as the centerpiece of its demo today, complete with bride, groom, and celebrity cake designer (a rather enthusiastic Ron Ben-Israel). Weddings mean colorful flowers, well-dressed subjects, and food -- but also dim lighting and chaos -- a perfect environment for showing off a camera's strengths shooting in low-light, assuming it can actually deliver. The GF3 probably won't be the camera of choice for our next celebration, however.%Gallery-127453% First up was a balcony shot with bride and groom. As expected, the backlit scene presented an incredible challenge for the GF3, which had trouble focusing and compensating exposure to properly light our subjects -- even the professional wedding photographer on hand had difficulty focusing his GF3 at times. The position-adjustable flash allowed us to light our subjects at an angle, or to bounce light off the ceiling, which didn't seem to work well in the cavernous room. As we progressed through the morning, additional scenes highlighted new shortcomings. Jump past the break for a sample video and more impressions, or check out the gallery above for sample images -- the first four shots highlight different positions with the adjustable flash.
Panasonic plans to expand GF line, return to serious shooter roots
We know some of you have been a little disappointed in Panasonic's GF line of Micro Four Thirds cams as they've shed advanced features and become more "consumer friendly" -- terrifying words for any serious user to hear. But, we've got some good news, at some point in the future the GF line will split with a more professionally-minded model sold alongside the more simplistic GF3. That's straight from the mouth of Ichiro Kitao, the head of Panasonic's camera division, who spoke to PhotoRadar about the company's plans. When the GF1 will finally get a spiritual successor isn't exactly clear, but we're glad to hear the pocketable Micro Four Thirds series will finally get another serious shooter.
