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Hasselblad cuts H4D prices by up to 23 percent, might let you afford rent
Hasselblad is typically known for everything but price cuts, and sometimes goes in the opposite direction. As such, we're more than a little caught off-guard by a round of price cuts on what's usually considered the definitive medium format camera line. The 'entry' H4D-31 has been cut down by as much as 23 percent; we're not sure we'd call it a steal at $11,995 without a lens, but it's now an option if you think even a Nikon D800's full-frame sensor is puny. Price slashes aren't reserved for the bargain models, either, as even the 200-megapixel, status symbol H4D-200MS shaves enough off the cost (now $35,995) to be a worth look for those sitting on the fence. You can get the full details at the source link, and you won't have to survive on ramen noodles for a year to shoot billboard-sized photos.
Engadget Primed: Why your camera's sensor size matters
Primed goes in-depth on the technobabble you hear on Engadget every day -- we dig deep into each topic's history and how it benefits our lives. You can follow the series here. Looking to suggest a piece of technology for us to break down? Drop us a line at primed *at* engadget *dawt* com. The first thing I look for when purchasing a camera is something most aren't even aware of. It's not the brand name or the quality of the lens, the touch screen technology or the LCD screen size, and not the array of functions it offers or shooting presets available – it's the size of the image sensor. As a 20-year pro photographer who's captured over a million images during my career, I'm the guy who admires the parts of the engine instead of falling in love with the flashy exterior or high-end sound system. The image sensor is where the rubber meets the photosensitive diodes. In writing my first installment for Primed, I'll give a few definitions to clear things up a bit when it comes to a camera's image sensors and size, explain in detail the parts of a sensor, how it alters the photos (or video) you capture, where it came from, and why it's important to consider its size – I'll cover the meat and bones, get to the heart of the matter, the nub, the crux, the nuts and bolts, get down to the brass tacks, all while exhausting our thesaurus. Let's dive in, shall we?
Hasselblad's 200 megapixel H4D-200MS camera now shipping, breaks your bank
Hasselblad's H4D-200MS is yet another upgrade to its H4D camera line that we want badly, but wouldn't have a need -- or a budget -- for. This latest piece of kit is nearly identical to the 50 megapixel H4D-50MS externally, but internally adds an astonishing 150 more megapixels to the mix -- yes, that's an astounding 200 megapixels! Don't feel forgotten just yet if you have the older model, though, as Hasselblad can upgrade your sensor for €7,000 (roughly $10,000) -- a great deal considering the full kit costs €32,000 (about $45,000). With that said, we should note that details are null on the medium-format sensor's native resolution -- similar to the multi-shot feature on the 50MS, the new 200MS combines six shots to create ridiculously detailed 200 megapixel still images, and it handles less intensive photos with a four-shot 50 megapixel still mode. Should you dare to venture outside the studio, there's a 50 megapixel single-shot live mode for quick shots as well. Excuse us while we wrap our heads around the sheer number of pixels; you'll find more info after the break in the meantime.
Is this Samsung's first medium format digital camera?
Look closely at that photo above. Those, friends, are digital cameras from Samsung. That's right, even that boxy one that looks quite a bit like an old-school medium format film shooter. This photo was quietly inserted into a blog post from Sammy about lens design, without so much as a caption to clarify what our curious eyes were seeing. Might this be a future model meant to compete in the highest-ends of the digital camera market? Or is it something cooked up in the lab and abandoned for a more practical and mainstream design? There was a rumor kicking around last summer that Samsung was working on a medium format CMOS sensor and this could be a test rig for just such a slice of silicon. Whatever it is, we're intrigued and we'll be keeping an ear out for more info on what the Korean company has brewing.
Hasselblad H4D-40 Stainless Steel medium format camera: limited to 100 units, priced at €13,990
Wondering just how large a premium that Ferrari badge was adding to Hasselblad's Ferrari-branded H4D? Oh, around €7,500 (if not more). Hot on the heels of the aforesaid announcement, Hasselblad has just revealed yet another variant of the famed H4D-40, with the Stainless Steel edition offering a classy, classic motif and another limited run item for collectors to snatch up. Only 100 of these will be produced, with each one selling for €13,990 ($18,497) sans lens or €14,990 ($19,809) with the HC 2.8/80 mm. If this guy's more "within reach" than the Italian-inspired alternative, hit up your local dealer as soon as humanly possible... or just before your 100 closest friends, anyway.
Hasselblad's Ferrari-branded H4D camera: now available for just €21,499
Now that you've wasted precious moments of your life saving $10 here, $8 there and $6.23 in your local Target, how's about a Black Friday deal that you'll never forget. Hasselblad's Ferrari-branded H4D medium format camera, which we saw unveiled earlier this year at Photokina, is now shipping to the affluent, the zany, and the select few that happen to be both. So far as we can tell, this is just an H4D with a Ferrari-approved design scheme, and neither point helps to make this thing anywhere near affordable. A grand total of 499 are being made available today, with each one to run €21,499 ($28,425) + tax. Who knew you'd be buying something today that's only purchasable via your Centurion card -- puts a whole new spin on Black Friday, huh?
Hasselblad intros Ferrari-branded H4D camera, refuses to talk pricing (hands-on)
The big news out of Hasselblad this morning was the new entry(ish)-level H4D-31 at just under €10,000, with the CFV-50 adding yet another option in the higher-than-high-end category. But what really caught our eye was the flashy red version that popped up just as the press conference was concluding. We were told that Hasselblad had teamed with Ferrari in order to create a limited run of Ferrari-branded H4D medium format cameras, and the model on-hand had just received approval from Ferrari's paint squad yesterday. Yeah, it's like that. As for detailed specs? Fuhgetaboutit. And as for pricing? "You'll have to speak with Ferrari on that" was that line that we were fed. Only 499 of these beauties will ever be produced, and czars you never knew existed are phoning in their orders from the Seychelles right now. But hey, at least we had our camera (a lowly D3S) ready when it was unlocked from its carbon fiber box for a grand total of 30 seconds, right? Indulge yourself below -- but don't go getting too cocky, okay?
Hasselblad CFV-50 adds 50MP digital sensor to your V-System camera
We know you're a hardy crowd and aren't impressed by mere megapixels, but how about this: the 50MP sensor inside Hasselblad's new CFV-50 digital back is physically twice as large as a full-frame imager. Yeah, now we've got your attention. Intended as the attachment that finally makes film shooters break down and go digital, the CFV-50 comes with Hasselblad's DAC lens correction features that'll hunt down and ruthlessly obliterate any distortion, vignetting, lateral chromatic aberrations, or stray feelings of buyer's remorse. Yours for only €11,990 ($15,750) plus whatever taxes your local bureaucrat elects to slap on top. Full press release and a closeup of the CFV-50 await after the break. Update: We managed to stop by the outfit's booth here at Photokina and snag a quick hands-on. Man, does this thing feel retro.
Hasselblad H4D-31 cuts the entry price for medium format excellence to $13k
It might cost as much as a small car at €9,995 ($13,132) before tax, but believe it or not, the H4D-31 represents one of Hasselblad's most affordable offerings to date. Promising to bring all the goodness of the H4D-40, but at a more reasonable price point, this new shooter offers 31 megapixels of resolution and a choice of either an 80mm prime lens or a CF-lens adapter to let you attach V-System gear you've already got in your inventory. As such, it's attempting to perform the fine balancing act of appealing to both system stalwarts looking to go digital and DSLR enthusiasts tempted to step up to a larger sensor. We're still in love with Nikon's D3S, but you've got to admit, that H-embossed focusing ring sure looks sexy.
Leaf Aptus-II 12 snaps 80 megapixels of awesome on the back of your pro shooter
You ever wonder how CSI sleuths can keep enhancing their images all the way until they see what brand sneakers the perp is wearing? Well, they probably had a pre-release version of one of these Aptus-II 12s from Leaf. This new digital back can fill a staggering 80 million pixels with imaging data, thanks to its 53.7mm x 40.3mm-sized CCD sensor. It comes strapped with a 3.5-inch touchscreen on the back, 80 to 800 ISO range, 1.5 0.6fps capture rate, and a mind-boggling 480MB max file size per image. Should you have the imaging gear to match up to such might, you'll want to know that the Aptus-II 12 is shipping now from Leaf Partners worldwide with a price tag just under €24,000 ($31,387), or you could grab the 12R version -- which features a rotating sensor allowing you to shoot portrait shots without having to turn your camera sideways -- for €31,995 ($41,850). That's actually pretty decent value for your money, considering you'd have had to spend the same amount on the Aptus-II 10 only six months ago -- and that only had a measly 56 megapixel sensor!
Mamiya churns out 33 megapixel RZ33 digital camera: yours for $18k
It's sort of affordable by Mamiya standards, but the $17,990 asking price affixed to the outfit's new RZ33 large-sensor digital camera kit is still apt to detract all but the most professional of professionals. Boasting a 33 megapixel CCD sensor, CompactFlash support and a promise to produce mind-blowing images, this beast-of-a-digicam is said to offer "cable-free digital operation [that's] just as smooth and trouble-free as shooting with film." As you'd expect, it's fully compatible with all RZ system lenses, viewfinders and (most) accessories, and you'll also find rack and pinion bellows focusing, inbuilt vertical-horizontal rotation and an optional interchangeable power winder. Hit the source link for the nitty-gritty, but only if you've got the cheddar to cover the biggest impulse buy of your life.
Hasselblad creates 40 megapixel H4D-40 medium format camera, wants $20k for it
Tough though it may be to believe, Hasselblad's 39 megapixel H3D II actually came out in 2007. Yeah, last decade. In other words, it's about time we saw a true successor hit the market, and with PMA just about ready to get going in Anaheim, the bold and beautiful H4D-40 is making its grand entrance. Boasting a 40 megapixel sensor, this medium format behemoth -- which we spotted in a leak late last month -- also features a "True Focus" AF system and ships with an 80mm lens and a viewfinder. The kit is said to be shipping now across the globe for $19,995 (or €13,995 / £12,995 on that side of the pond), which should make choosing between a new shooter and a public college education remarkably difficult.
Mamiya's DM22 is a medium format digital camera for the Walmart type at sub-$10k pricepoint
It can't be easy being the cost-cutter in a game as insanely expensive as digital medium format cameras, but after teaming up with Phase One for a $5990 medium format shooter (without lens), Mamiya is taking its own crack at the market with the $9,995 DM22. It comes with a Mamiya 80mm f/2.8 D Series lens, has a 22 megapixel sensor and can pump images straight out over FireWire if you think your RAW files are too good for a lowly CompactFlash card. It's also being introduced with a $14,990 sibling, the DM28, which has a 28 megapixel sensor and handles higher ISO shots. [Via Gear Diary]
Phase One 645DF medium format unveiled, its invasion set for Q4 2009
To think, it's been the better part of five months since Phase One teased us with some professional-grade photography equipment, and here to satiate our cravings yet again is the new 645DF medium format camera. Along with perennial partner Mamiya Digital, the pair created what they're claiming is flash sync speeds of up to 1/1600th of a second, as well as the option to dial between predefined modes. Additionally, three new leaf shutter lenses will be released alongside, available in 55mm, 80mm, and 110mm varieties and all f/2.8. Both are available for order now but not shipping until Q4 2009, with the camera body starting at $5990 and the lenses at $2490 each -- the perfect stocking stuffer for you and your very, very much loved ones [warning: read link is a PDF]. Show full PR text Announcing the PHASE ONE 645DF Medium Format CAMERA The Perfect Body for your Perfect Back COPENHAGEN, September 28, 2009 – Phase One, the world's leader in open-platform medium format camera systems and solutions, today announced the Phase One 645DF camera. Engineered in partnership with Mamiya Digital Imaging for superior quality image capture and ease of handling, it sets a new standard for high flash sync speeds – up to 1/1600 of a second. Also today, Phase One announced the availability of three new high performance leaf shutter lenses, 55mm, 80mm and 110mm, all f/2.8 and all designed with the Phase One 645DF camera in mind. The lenses are a result of close collaboration with Mamiya Digital Imaging and Schneider Kreuznach (see today's related announcement). "Our patent-pending flash sync breakthrough eases working with wide open apertures and fill-in flash on location," said Jan H. Christiansen, Phase One marketing director. "We already offer the most flexible exposure times ranging from 1/4000 of a second to one full hour. Setting new performance standards is all about expanding creative options for photographers." The 645DF camera is the only 645 medium format camera which supports both focal plane and leaf shutters, expanding photographers' innovative possibilities by leveraging the two shutter technologies seamlessly for world class photography, whether this involves ultra-fast flash sync speeds or extremely flexible exposure times. The new camera introduces many performance improvements over its predecessor. Capture responsiveness and autofocus speed is highly improved giving photographers up to 5 times faster performance in a typical fashion set up. The 645DF also offers a breakthrough workflow improvement -- custom-shooting modes. For the first time in a medium-format camera, photographers can "dial up" a pre-defined mode, where the camera is instantly set up for a given shooting scenario, e.g. product, portrait or landscape photography. Other workflow enhancements include new tactile buttons, a fully sealed eye-cup eliminating ambient light, improved viewfinder masks, and customizable audio feedback e.g. on focus lock. Several custom functions have been enhanced, without compromising simple navigation. Freedom to choose the best back for you Phase One builds flexible, open photographic systems to support a professional's style, needs and working preference. The Phase One 645DF camera supports the world's finest digital backs, ensuring freedom of choice and investment protection for years to come. It is compatible with digital backs designed for the Phase One / Mamiya AFD mount, including backs from Phase One, Leaf, Mamiya and others. Pricing and Availability The Phase One 645DF camera body starts at $5990/€4290 and is expected to ship Q4, 2009. The new leaf shutter lenses start at $2490/€1790 and are expected to start shipping Q4, 2009. All equipment can be ordered now from Phase One and Leaf dealers (for the dealer near you, please see: http://www.phaseone.com/partners and http://www.leaf-photography.com/dealers.asp). About Phase One Phase One is the world's leader in open-platform based medium format camera systems and solutions. Phase One medium format cameras, digital backs and lenses are designed to deliver superior quality image capture and investment value. Phase One's Capture One software helps streamline capture and post-production processes for both medium format and DSLR cameras. Phase One products are known for their quality, flexibility and speed enabling pro photographers shooting in a wide range of formats to achieve their creative visions without compromise. Phase One is an employee-owned company based in Copenhagen with offices in New York, London, Tokyo, Cologne and Shanghai. For more information about the products, visit the Phase One web site on www.phaseone.com. Phase One is a registered trademark of Phase One A/S. All other brand or product names are trademarks or registered trademarks of their respective holders. [Via Photography Blog]
Microsoft's Vexcel Imaging announces 92-megapixel UltraCamLp
Microsoft's Vexcel Imaging division hasn't exactly caused a whole lot of fanfare during its short time in existence, but it has managed to carved out a nice little niche for itself in the field of aerial cameras, and it's just kicked out its latest model in the form of the 92-megapixel UltraCamLp. Apart from that boost in megapixels, this one looks to be mostly identical to the medium-format UltraCamL that it's based on (pictured above), although it does make use of a smaller 6 μm CCD array that makes that increase in image format possible. Otherwise, you can expect a 1:2.2 pan sharpen ratio, and the ability to collect RGB and NIR in parallel with forward motion compensation by TDI, which will let you use the camera in a whole host of applications ranging from orthophoto production to corridor mapping to lidar integration. No word on price just yet, but it looks like existing UltraCamL users will be eligible for a free upgrade when the UltraCamLp rolls out in November.[Via GIM International, thanks Thijs]
Pentax's 30 megapixel 645 Digital on track for 2010 release
Got an itch that only a 30 megapixel shooter can scratch? Not really kosher on anything offered up by Hassleblad? For those odd, eccentric souls who somehow managed to answer "yes" to both of those inquiries, you'll be elated to know that Pentax's long awaited 645 Digital -- which was once rumored as canceled altogether -- is on track to be released next year. According to an update on the company's Japanese website, the device will boast 30 megapixels and will play quite nicely with the FA645 55mm f/2.8 lens that should launch simultaneously. Start saving those tax credits right about now -- we can say with absolutely certainty that you'll need every spare dollar you can find to afford this sucker.[Via DigitalCameraInfo]
Mamiya announces DL33 for those who need more than 28 megapixels
Facing a little bit of competition from the hands of Nikon, and finding its earlier 28 megapixel DL28 to be something of a success (despite its $15,000 price tag), medium format master Mamiya is introducing a new model set to drive the megapixel wars to new heights. The DL33 sports similar specs to the DL28, including a 3.5-inch touchscreen on the back, but bests its successor with a 36 x 44-millimeter, 33 megapixel sensor. That means 16-bit capture, 12-stop dynamic range, and ISO settings from 50 to 800. Other tweaks include a faster autofocus motor and an improved UI, but with image files clocking in at 67 - 190MB you'll probably need some improved storage, too. The camera will be available starting next month for $19,999 including a 55mm f2.8 or 150mm f3.5 lens -- but only if you act now.[Via Topix]
Hasselblad bringing 60-megapixel H3DII-60 in April 2009
Hasselblad's doing a fine job of pimping its mildly fresh 50-megapixel H3DII-50 at Photokina 2008, but being that we're hardly ever satisfied with the here and now, we've latched onto a few juicy tidbits flowing from the lips of CEO Christian Poulsen. Reportedly, the exec made clear at the show that a 60-megapixel version of the camera (H3DII-60) would be made available in April of 2009, and while it would demand a £4,000 ($7,393) premium over the £14,750 ($27,261) H3DII-50, that increase would pay for a sensor that provides 94% full-frame coverage. It's okay, your D40 is still bombastic in its own right.
Kodak rolls out new image sensors at Photokina, one for Leica's S2
We noticed that the writeup for Leica's newly unveiled S2 made mention of a new Kodak sensor, but we'll leave it to Kodak to do the boasting. Sure enough, the outfit responsible for this atrocity has rolled out a few new image sensors at Photokina 2008, one of which -- the KAF-37500 -- proudly resides in the aforementioned S2. The company is showcasing sensors for medium format rigs such as the Sinar HY6-65 (KAF-31600) and Hasselblad H3DII-50 (KAF-50100), though quite honestly, it spends more time gloating about what manufacturers it's partnering with than describing the technology. Oh well, so long as it keeps Kodak from focusing on its pathetic point-and-shoot lineup, we'll keep smiling.
Leica debuts S-system, 37-megapixel flagship S2 camera
Is it Photokina time, or what? Joining the host of other camera manufacturers with sparkly fresh announcements this week is none other than Leica, which just announced a trio of new cams a few days back. This introduction, however, stands alone, and Leica's making some pretty remarkably bold statements about its new S-system. The first device to take advantage is the 37-frickin'-megapixel S2, which sits between Canon's EOS 5D and EOS 1Ds MkIII in terms of body size. The company designed the camera to provide "the quality of medium format and the handling and flexibility of 35mm," and the outfit also has nine S-system lenses on tap. As for expectations? Leica says it'll perform "twice as fast as Hasselblad H-series cameras," and if that wasn't straight-up enough, the firm's David Bell proclaimed that "[Leica] thinks it has the best professional camera system in the world with this."[Thanks to everyone who sent this in]
