MysteriumX
Latest
RED EPIC-M stars in gorgeous vid, RED ONE jealously shoots the footage (video)
By now you're probably familiar with the $58,000 RED EPIC-M and what it can do, but it's hard to properly admire its hand-machined beauty from a distance. We can't ship you a unit, of course, but we've got the next best thing: close-up footage of the compact 5K beast shot with another RED camera -- the original 4K RED ONE M-X. Lousiana post-production company Digital FX lovingly fondled EPIC-M #98 on camera, not to mention goodies like the Bomb EVF and 5-inch touchscreen LCD, and you can watch, drool and share your oh-so-envious thoughts with us right after the break.
RED One Mysterium X cameras now available for all
Got a spare $25,000 burning a hole in your pocket and a passion for 4K resolution? Then you'll be pleased to know RED's next generation Mysterium X camera is now available to all potential buyers, after initially being released exclusively as an upgrade for RED One owners seven months ago. Just because the better low-light capturing goodness is more accessible though doesn't mean this bad boy will be gathering dust on the shelf. Instead, thanks to high demand, budding Neill Blomkamps will have to put down a 10 percent deposit to reserve one and should expect waits of roughly a week for it to arrive. If for some reason you were still hoping to snag the original Mysterium sensor that window is also now closed -- unless you're one of the few still waiting on a reserved model. As excited as we are though to see the new RED gear in action, we still wouldn't watch a sequel to Knowing filmed on it.
Viv magazine iPad concept is sin city, man (video)
Want to get our attention in a hurry? Tip us on a digital magazine concept for the iPad that combines footage captured by a prototype RED Mysterium-X sensor from inside of a Frank Miller style, noir hellscape. Of course, just because it was created for the iPad doesn't mean that the concept isn't applicable to any of the hundreds (not an exaggeration) of tablet devices destined to arrive over the next year. The feature concept, created by Alexx Henry and Andrew Grant together with co-directors Cory Strassburger and Ming Hsiung, redefines the art of infotainment. And make no mistake: as mainstream media fights for eyeballs this is blood for blood and by the gallon. These are the old days, the bad days, the all-or-nothing days. They're back. There's no choice left. And publishers are ready for war. See the video (and making of) after the break. Update: While the making-of video says the footage was shot using a "RED Epic M-X Sensor" a screen grab of the actual camera shows that it's a RED ONE (with M-X sensor), not an Epic. Image after the break.
ARRI Alexa joins RED to kill celluloid in 2010
Got 50k to spend big daddy? Good, then meet Alexa from ARRI, a German company founded in 1917 that just happens to be the world's largest motion picture equipment manufacturer. Alexa is ARRI's answer to the RED ONE digital, so don't be held captive by your consumer-based experience of what a camera is or what it should look like. ARRI has a trio of cams slated for release in 2010 offering a 3.5k pixel count, 800+ El equivalent sensitivity, 1 to 60fps frame rate, electronic viewfinder and on-board HD recording. The A-EV Plus model adds uncompressed on-board recording and wireless remote control to the 16:9 aspect ratio shooting A-EV. The A-OV Plus switches things up to a 4:3 aspect and adds an optical viewfinder to the mix. The rest of the details will arrive during an April 6th launch event where ARRI will reveal the complete media, format, and what's promised to be a "super fast workflow." Until then, check a side-by-side test done by the cats over at Animation World Network pitting a prototype Alexa against a RED One equipped with a new MysteriumX sensor and software. AWN was so enthusiastic by the results of the two cams that it proclaimed, "2010 is the year that celluloid died." Jim Jannard, RED CEO, graciously responded to the test by saying, "We had expected the images to be very similar and it appears that this test confirms that." He then added the following: "We have believed, since IBC last year, that these two platforms would be the ones standing for the future. We are very proud to be in such good company. But for the moment, we tip our hats to Arri." Now hit the source links for the full read because the future of film looks set to become historic.
RED ONE getting Mysterium-X sensor upgrade next week
RED may be busy talking up and showing off its new EPIC-X and Scarlet cameras these days, but it's not about to leave its loyal RED ONE users behind, with it now announcing that they'll be able to upgrade their camera to the new Mysterium-X sensor starting January 22nd.. That's the same sensor that will come standard on the EPIC-X, and promises a range of improvements for the $5,750 it'll cost you -- not the least of which is improved low-light performance (one of the few knocks against the original sensor). Along with it, you'll also get a new version of REDCINE-X to handle the improved video, and those interested in stepping up to the EPIC-X beta program can expect to get a $1,250 credit if they qualify and join at the first or second stage.
RED's Digital Still and Motion Camera System now official
After a morning of drip-fed images, RED just went official with its DSMC (Digital Stills and Motion Camera) System. The system starts with your choice of the professional Scarlet or "master professional" EPIC brains which can then be bunged into about 2,251,799,813,685,248 possible camera configurations, RED only half-jokingly chides. The brains are built upon Mysterium-X and Mysterium Monstro sensors which start at 2/3-inch and end at a whopping 6x17-cm -- when a new sensor comes out you just upgrade the brain. Scarlet will launch in 4 choices ranging from $2,500 (and possibly less) to $12,000 with a variety of lens mounts (yes, Canon and Nikon) capable of shooting 3K @120fps on up to 6K @30fps. Epic will offer similar mounts with capabilities spanning 5K @100fps ($28k) to 9K @50fps ($45k) -- a 28K system hitting 25fps is expected in 2010 for $55k. Still image resolutions will range from 4.9 megapixels to a freakish 261 megapixels. The first Scarlet systems could come as early as Spring of 2009 while EPIC should arrive by summer. Of course, the brain is just the beginning of the costs. RED also introduced a 3D camera configuration today in true, "one more thing" fashion. See all the details in the gallery below, 3D camera after the break.%Gallery-36771%
Official RED Scarlet and EPIC pics are sure to induce drool [Updated with OMG]
var digg_url = 'http://digg.com/gadgets/RED_s_amazing_DSLR_shoots_5K_video_amazing'; While the announcement isn't scheduled for another 7 hours and change, RED's Jim Jannard is whipping his fanbase into a frenzy with a steady stream of fragmented pictures. The one above looking every bit the 5D Mark II-killer we've been expecting. Jim's even dropping facts about Scarlet and EPIC being "completely modular and upgradeable in every way." What's more, he's offering hope to RED ONE owners who might feel cheated by today's introduction of Scarlet and EPIC. After all, he did promise to make "Obsolescence Obsolete" with his modular approach to camera building. So in addition to a TBD upgrade price for RED ONE owners to make the jump to a Mysterium-X sensor, owners will also have the option of trading in their cams for a $17,500 value towards the purchase of "any EPIC" (there's more than one?) or keep the RED ONE and receive a 12% credit on a Scarlet system. Nice... expensive, but nice. Check the gallery for all the images including one that looks like a telephoto lens for a RED DSLR.P.S. Jim confirmed that, "Scarlet and RED EPIC are part of the same DSMC system." While you may not know what DSMC stands for, we're pretty sure that Canon and Nikon are well aware that DSMC means Digital Still & Motion Camera.Update: Three-pound Scarlet and four-pound EPIC Mysterium-based "brains" capable of shooting 3K and 5K video, respectively, pictured after the break -- choose the brain then build a system around it. What look to be final (and complete!) product shots added to the gallery.%Gallery-36762%
More details on RED's DSMC (Digital Still & Motion Camera)
You heard that Nikon busted out a DSLR with a 720p movie mode, right? Even that is going to pale in comparison to RED's alternative, or at least that's what RED would have you to believe. In a recent post over at the REDuser forums, Jannard points out that its DSLR "replacement" should be ready to rock by late 2009, and while an official name has yet to arrive, it's going by DSMC (Digital Still & Motion Camera) for the time being. Also of note, Jannard casually mentioned that this piece would be more advanced than Nikon's D90 and an undisclosed 1080p DSLR from Canon; that's the first we've heard of such a beast, but given the natural progression of technology, we suppose it fits. C'mon guys, 3K 4K 5K shooting in a DSLR, we know you can do it.
RED's next move: Monstro super DSLRs
Red CEO, Jim Jannard, is stirring up trouble in the RED User forums, J. Wong-style. His latest volley discusses the new Mysterium "Monstro" sensor program, the next evolution (and future free upgrade) to the Mysterium X sensor slated for RED's 5k Epic. The most interesting revelation though is this little nugget: in addition to Epic, RED plans to place Monstro into, "another camera aimed squarely at the DSLR market." He later adds, "Future cameras will shoot ultra-high resolution stills and motion..." Now, considering that the second generation, full-frame, ~25 megapixel Mysterium X is already a serious challenge to 35mm film, we can only imagine what this DSLR with a third generation RED sensor might offer. Hear that Nikon? Your D90 is just the beginning of this story. Let's just hope that televisions and monitors, already struggling to reach 4k, Quad HD can keep pace.[Thanks, Jundai]
