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Olympus' PEN E-PL8 is a stylish Micro Four Thirds camera
It wasn't too long ago that Olympus introduced its PEN-F camera, and now the company is following that up with a less expensive retro-looking model. Meet the PEN E-PL8, a Micro Four Thirds shooter with a 16.1-megapixel Live MOS sensor, a new TruePicTM VII sensor, 3-axis image stabilization and an ISO range of 100-25,600. Since it is an entry-level PEN, the E-PL8 doesn't capture videos in 4K, although you can record 1080p at 24 and 30 fps. You also have WiFi connectivity, which will let you transfer images to a smartphone or tablet through Olympus' mobile app. It'll hit stores in October for $550 body-only, or $100 for the kit with a 14-42mm lens. Not bad if you want a stylish, compact camera.
Olympus PEN-F camera takes you back in time with its looks
Olympus had a busy 2015, having introduced a number of cameras for people with different levels of expertise. This year, the manufacturer's first announcement was its Stylus TG-870, a ruggedized compact shooter that offers niche characteristics. And now Olympus is introducing the PEN-F, which is bound to turn some heads. Other than the retro looks it brings to the table, it's sporting a new 20-megapixel Live MOS sensor and TruePic VII processor, as well as built-in 5-axis image stabilization and an ISO 80 equivalent in low mode -- that's going to help with night shots.
Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on)
We've been very impressed with Olympus' first OM-D camera, the EM-5. That model's 5-axis image stabilization and super-fast autofocus won us over, while the retro design appeased nostalgics as well. Now, it's time for that speedy shooting to make its way to the company's other Micro Four Thirds models -- the E-PL5 and E-PM2. Both models, announced today, offer nearly identical specifications, with notable differences on the form-factor front. The E-PL5 is the premium model of this bunch, coming in at $700 with a 12-42mm f/3.5-5.6 lens or $650 for the body only, while the E-PM2 will run you 100 bucks less for both configurations. Both cameras include 16.1-megapixel Live MOS sensors, top ISO of 25,600, 3-inch 460k-dot touch-enabled LCDs, 1080i video and an 8fps continuous shooting mode. The EM-5's five-axis stabilization is absent here, though a three-axis version should suffice in low light. Each model also includes an external flash and a rebate offer for a free Toshiba FlashAir 802.11b/g/n card, which enables connectivity with the OI Share apps for Android and iOS. We had a chance to check both cameras out just before Photokina, and were quite pleased with the design, along with that OM-D-like focusing performance, which really is as speedy as Olympus claims. The camera focused instantaneously with almost all of the lenses we tried, though it was a bit sluggish, understandably, when paired with the 60mm f/2.8 macro. The displays were equally sharp, though the PL5 packs a nifty articulating version, which can tilt up, down or face forward for self-portraits. We also enjoyed shooting with the super-slim 15mm f/8 body cap lens, which features a tiny front element with a slide-over cover -- while it's limited on the aperture front and includes fixed focus, it's arguably more useful than a traditional cap (Olympus hasn't confirmed pricing for that optic, though it'll likely come in below the $100 mark). That aforementioned dust-and-splash-proof macro will retail for $500 in early October, while a new 12mm f/2 lens will ship during the same time for $1,100. The "Mini" E-PM2 will be available in silver, black, white and red, while the E-PL5 will ship in silver, black and white -- both versions will be available in October. You can take a closer look at each of the offerings in the gallery below, then jump past the break for the full rundown from Olympus.%Gallery-165432%
Kipon preps Canon EF lens adapters for Micro Four Thirds, NEX cameras with electronic control
Adapters to fit Canon's EF lenses on Micro Four Thirds and NEX camera bodies most definitely aren't new. Without any electronic link, though, that Lumix GX1 or NEX-F3 owner has had to focus by hand, sometimes without any aperture control -- what year is it, 1930? Kipon wants to make sure you'll never have to stoop to that level again through a pair of new adapters that keep the electronic controls working. As always with these parts, there's likely to be catches: we don't know the prices and ship dates, for one, and lens conversion can still hurt the autofocus speed. Even so, anyone who's been hoarding (or simply envious of) Canon glass now doesn't have to eye an EOS-M just to get a mirrorless camera with the lens adapter they crave.
Olympus OM-D E-M5 Micro Four Thirds camera review
More Info Olympus OM-D E-M5 Micro Four Thirds camera preview (video) Cameras, Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video) Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April) Stepping across the great DSLR divide into the land of mirrorless cameras always requires some compromise. Focusing speed, image quality, lens compatibility and battery life are frequent casualties, but for everyone except professional shooters, the size and cost benefits of swapping a full-grown beast for a compact ILC surely help soften the blow. The latest Micro Four Thirds model from Olympus, the OM-D E-M5, adds functionality that expand that list of betterments even further, allowing more versatility than larger DSLRs have to offer. These perks include a water-resistant design, for starters, along with a nifty lens that offers macro shooting and both manual- and powered-zoom in one compact package. One area where the 16-megapixel E-M5 does match the footprint of its full-size brethren is in price: you'll drop a cool grand for the body alone, while the 12-50mm f/3.5-6.3 lens kit will bump that tag up another $300. Make no mistake, the E-M5 is a fantastic camera, but $1,300 is mighty steep for any mirrorless model, especially one with a Micro Four Thirds sensor. This, however, is no ordinary MFT camera. As the first model in Olympus's OM-D line -- taking design cues from the company's popular line of OM film cameras -- the E-M5 is in a class of its own, at least as far as Olympus's portfolio is concerned. Besides physical appearance, perhaps, the most notable selling point is its focus speed: press the shutter release, and your subject comes into clarity with rapid-fire precision, whether you're shooting in bright sunlight or a dark restaurant. But though the E-M5 has already received accolades for its powerful focusing, you might be wondering how the whole package performs. Meet us past the break to find out.
Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April)
If a ship date pops up on Amazon for a date in the not-so-distant future, we're typically inclined to listen up -- after all, the world's largest e-tailer probably has a fairly good idea of when its products will first leave the warehouse. This time, it's the Olympus OM-D E-M5, which just appeared on the distributor's Japanese site with an estimated release date of March 31st. There's no mention of a date on the company's U.S. site, however, so it's still unclear whether or not the Micro Four Thirds cam will hit North American shores on the 31st as well. Still, unless a trip to Japan is in the cards for the end of Q1, your best bet for getting early access to the highly-anticipated mirrorless cam would probably be to get your pre-order on at our coverage link below.Update: We're now seeing US retailers listing the device with an April 10th release date. Check the More Coverage links below.
Olympus black E-M5 Micro Four Thirds camera and internals eyes-on
By now we're quite familiar with the Olympus E-M5's attractive external appearance, but what does it look like on the inside? The company carefully disassembled its new flagship model, and displayed the components in ten layers for us to examine at CP+ in Yokohama, Japan. The image sensor module is perhaps the most impressive component, due in part to its five-axis sensor-shift image stabilization. We can also spot the magnesium alloy shell, main system board and top plate. Another display encased a compete E-M5 kit, with a lens, split right down the middle. You'll find a variety of views in the gallery below, along with a special treat: the all-black version of the E-M5, in all its smooth metal glory.
Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video)
Olympus's inaugural OM-D mirrorless interchangeable lens camera, the E-M5, boasts the world's fastest autofocus and a pretty fantastic design, but it's also the first camera to implement a new five-axis sensor-shift image stabilization technology, that allows the lens to compensate for camera shake. The company was on hand at CP+ 2012 to demo the new sensor, which really does shift every which way to keep your photos and video still. We'll of course need to spend some time shooting photos and video with the E-M5 before labeling the five-axis sensor a success, but from the demo we saw today, it looks pretty darn promising. Jump past the break for a video hands-on, and scroll through the photos below for an up-close view of Olympus's latest Micro Four Thirds masterpiece.
Olympus OM-D E-M5 Micro Four Thirds camera preview (video)
Olympus has embraced the camera designs of yesteryear for several generations, from its first Micro Four Thirds models to last year's E-P3. But now the Japanese camera maker is stepping up its retro game, announcing a brand new line of Micro Four Thirds cams. Meet the OM-D. A dramatic departure from the more modern-looking PEN cameras, this new line of mirrorless models, specifically the E-M5, in many ways duplicates the design elements of the 1970s-era OM System. The first consumer camera in that SLR lineup, the OM-10, served as clear inspiration for the slightly boxy, black or silver and black magnesium alloy digital model we have today. We were able to spend some time with the Olympus E-M5 before tonight's announcement, and were very impressed with what we saw. Jump past the break for our impressions and an Olympus-guided video walkthrough, and thumb through the gallery below for a detailed look at the company's answer to the Fujifilm X-Pro1.
Olympus OM-D E-M5 shots orchestrally maneuver out of the dark
Would you look at that? According to PhotoRumors, that chunk of retro beauty is purportedly a full-on snap of Olympus' new OM-D Micro Four Thirds shooter (from an Amazon Japan listing that's since been pulled) affixed with its optional battery grip (adding what appears to be a secondary shutter button). That, or someone knows exactly what makes us go "Oooh." The chunky '70s stylings make us fear we'd abandon our career to go become a war photographer if one of those was placed in our hands. 43Rumors believes the unit will hold a 16.1 megapixel EDR CMOS, beefier than the 12.3 sensor inside the PEN E-PL3, but we hope this new body (however beautiful it is) doesn't spell the end for the dinky PEN series. If that wasn't enough, that Amazon listing we mentioned also pointed out a 1.44-megapixel electronic viewfinder, a tiltable OLED display on back and a total weight of 454 grams with its kit lens attached. We've got a few more shots in the gallery below, with others rocking some serious cropping, but each is more deliciously teasing than the last. Joe Pollicino contributed to this report.
Olympus PEN E-PL3 Micro Four Thirds camera review
Look, the Olympus PEN E-PL3 is cute. Adorable, even. In fact, those swayed by looks alone may be sold after whisking through our hands-on gallery below. But for those interested in more than a highly-capable fashion accessory, it's worth taking a deeper look into the latest member of the PEN Lite family. We'd strongly recommend reading over our PEN E-P3 review before continuing on, as a lot of what we found true there also applies here. 'Course, that's not at all unexpected given the wealth of shared resources: a new 12.3-megapixel Live MOS Image Sensor, TruePic VI Image Processor, an ISO range peaking at 12,800, a reengineered autofocus system, full 1080i HD video with Dolby Digital sound recording, newly designed user interfaces and a variety of Art Filters / built-in creative features. Now that you're in the know, let's continue. %Gallery-130070%
Sony Alpha NEX-C3 review
Traditionally known as DSLRs, interchangeable lens cameras (ILC) have always promised excellent image quality, speed, and versatility. But their enormous size and weight, lofty price tags, and intimidating design have forced casual photographers to focus on compact and superzoom point-and-shoot cameras instead, often leaving those bulky, confusing monstrosities to the pros. Enter mirrorless models, which scrap an optical viewfinder in favor of shrinking both body size and price tag, have provided the rest of us with a welcome mat to the world of powerful sensors, high-speed shooting, and swappable lenses -- with relatively little sacrifice along the way.The 16-megapixel Alpha NEX-C3 builds upon the successes of its predecessor -- the NEX-3 -- sporting a slimmer body and redesigned APS-C sensor. It also adds a reported 20-percent boost in battery life, improved low light performance, and a slimmer, more attractive design. We spent well over a month using the NEX-C3 as our primary camera for product shoots, trade shows, hands-on videos, and vacations, and were blown away by its performance as both a versatile still snapper and a powerful video camera. It's important to note that while the C3 does capture 720p video, it can't shoot in 1080p, so you'll need to look elsewhere if you need full HD. Like all mirrorless cameras, there's also no optical viewfinder, nor is there a traditional hot shoe. Instead, Sony included the same propriety connector found on the NEX-3 and NEX-5, enabling connectivity with a dedicated external microphone and a limited variety of external flashes, including the compact strobe that ships in the box. While some photographers may find the NEX-C3 inadequate for their needs, we absolutely loved shooting with it, and we think you will too. Jump past the break to see why.%Gallery-128646%
Canon restores camera production in Japan, hints at mirrorless model in 2012
There's no question that Canon and Nikon still dominate the interchangeable lens camera (ILC) market, but with Olympus, Panasonic, Sony, and now Pentax all launching compact, inexpensive, mirrorless models in recent years, the legacy manufacturers have some catching up to do. In an interview confirming the restoration of pre-quake production levels in Japan, Canon camera division head Masaya Maeda told Reuters that the company is "considering the technical aspects" of creating a mirrorless camera, following up by saying "we will launch an interesting product next year." The comment doesn't exactly make a mirrorless Canon a sure thing, but it's as solid a commitment as we can expect for now. One possible concern for Canon is that entry into the new ILC category would cannibalize the company's higher-end point-and-shoot offerings, which likely offer higher margins. But if mirrorless models gain market share over traditional DSLRs and Canon doesn't have its own cam to match, the company could find itself racing to catch up, rather than dominating the ILC category as it has done in the past. Competition from Canon isn't likely to start a price war, since there isn't much elasticity at this point, but it could put pressure on other manufacturers to push the limits with image quality, accessory selection, and perhaps even lead to a future lens standard -- though we're probably more likely to see a Pentax Q that can actually capture DSLR-quality images far before manufacturers decide to adopt a universal lens mount.
Olympus E-PM1's petite frame outed before launch
On the eve of its rumored launch, we've spotted what looks to be a leaked press shot of Olympus' new teensy micro-four-thirds camera. According to the folks at 4/3 Rumors, the miniature shooter is pegged to debut (alongside the E-PL3 and E-P3) with a 12 megapixel sensor and TruePic VI engine. Not making the jump however, are its brother's OLED screens, leaving the emaciated light-box to make do with just a regular LCD. Interest piqued? Start pinching those pennies now -- we hear tomorrow isn't far away.
Is this the Olympus E-P3?
There's only one way to make leaked blurrycam images appear even less legit: shoot 'em in black and white. That's exactly what we have here with the claimed leak of a new Olympus camera -- the E-P3, according to Photo Rumors -- in all its Micro Four Thirds glory. The camera appears to be a hybrid of both the E-P2 and E-PL2, including a P2-style button layout, but with a pop-up flash and sloping top plate reminiscent of the PL2. The new cam is also rumored to include a new 12 megapixel sensor, a max sensitivity of ISO 12,800, a high-res touchscreen, much-needed AF improvements, and an updated UI. Photo Rumors expects Olympus to announce the E-P3 on June 30th, along with an E-PL3 and E-PM1. That last model would be the first in the rumored Pen Mini series. We don't expect the E-PM1 to best the new Pentax Q's record-breaking small size, but with a significantly smaller sensor, the Q will be no match for any of Olympus's new Micro Four Thirds offerings. Update: Andrea wrote in to tell us that Mirrorless Rumors now has a much clearer publicity shot. Isn't it lovely?
Olympus E-PL2 camera gets reviewed, deemed worthy to carry on the E-PL1's torch
Olympus's E-PL2 only surfaced on the public radar just last month, and already reviews are rolling in indicating The Schwartz is quite strong with this latest Micro Four Thirds entrant. Interestingly enough, both Photography Blog and Popular Mechanics saw the improved MSC 14 to 42mm f/3.5-5.6 kit lens as the most important change to the new rig. That's because it's been retooled to be lighter, slimmer, and shorter, adding to the overall compact feel of the camera. A new internal focus is also apparently much faster and nearly silent -- making it more appealing for video shooting. Outside of the lens changes, both saw the camera's new 3-inch, 460,000-dot LCD, faster max shutter speeds, and greater ISO sensitivity as welcomed additions to the solid foundations laid by the E-PL1, resulting in a highly recommended rating from PB. Reviewers at Popular Mechanics also futzed around with the new Bluetooth-enabled photo sharing PENPal accessory and found it great for transferring photos to a phone -- but lamented how it blocked the camera's hot shoe in the process. To dive into all the juicy review details for yourself hit up the source links below.
Olympus E-PL2 camera leaked, Penpal Bluetooth dongle to share photos via smartphone
CES 2011 is just around the bend, and while LG's 72-inch monstrosity will undoubtedly see its fair share of attention, Olympus is hoping to shake things up in the camera realm. Or so we're led to believe. The shot above is purportedly the first leaked image of the outfit's forthcoming E-PL2, the Micro Four Thirds followup to the E-PL1. The real question here is this: did Olympus' engineers take your advice on how to change it? According to 43 Rumors, this guy will ship with a new 14-42mm f/3.5 - 5.6 kit lens, a 'direct movie' button, high-res 3-inch display, an ISO ceiling of 6400 and an intriguing Bluetooth module as an option. Cleverly dubbed Penpal, this is essentially the most sensible method of sending photos you snap on your camera to the web, be it on Facebook, Flickr or any other social network. If you've got the apparatus plugged into the hot shoe, you can sync it with your BT-enabled smartphone (Android or "Windows Mobile," we're told) and use its cellular connection to complete the upload. Definitely a more logical approach than shoving a 3G chip into a digicam, and undoubtedly a trend we expect to see take off in 2011. Regrettably, there's no pricing or release information to share, but all should be revealed in a matter of days.
Lensbaby rolls out Composer with Tilt Transformer kit for Micro Four Thirds, Sony NEX cameras (hands-on)
We've already gotten our hands on Lensbaby's basic Composer lens, but the company has now gone and expanded its bag of tricks even further with its new Composer with Tilt Transformer kit. The key bit there is the Tilt Transformer (also available separately), which can also accommodate any Nikon mount lens and tilt it up to twice the amount of standard tilt-shift lenses. Have a Panasonic Lumix G Micro System or Olympus PEN Micro Four Thirds camera? Then you can get the kit now for $350 or just the Tilt Transformer for $250 -- Sony NEX camera users will have to wait until October 28th to get in on the act. Full press release is after the break, and our hands-on from the Photokina show floor is just below. Enjoy. %Gallery-103089%
Olympus E-P2 dons all-black garb for limited edition pancake lens kits
Olympus has just made a pair of new, limited edition kit options official for its PEN E-P2 shooter. Both include an M. Zuiko Digital 17mm F2.8 prime lens and an all-black paintjob, with the choice for the buyer being between a Special Black (or just black, if you're talking to humans) EVF Edition that brings you the V-F2 viewfinder, and an equally noir Flash Edition, which will enrich your life with the FL-14 external flash. Prices are €1,079 ($1,371) and €1,049 ($1,332), respectively, and launch is scheduled for October of this year. As the old saying goes, you don't have to be crazy to buy these, but it'd help.
Olympus dishes silver PEN E-P2 Micro Four Thirds camera
Look, we're not saying Olympus' original all-black PEN E-P2 had no retro whatsoever in its blood, but you'll be hard-pressed to convince us that this newer, silver-er model doesn't have a whole lot more. Nearly six months after the (admittedly overpriced) Micro Four Thirds camera got pushed through the ringer, Olympus has decided that the world needs a second color option, though outside of the hue, there's no difference whatsoever between the two models. It'll ship later this month in Europe for a still-lofty €799 ($1,016), but at least that scores you a M. Zuiko Digital ED 14-42mm 1:3.5-5.6 lens! Ah, who are we kidding -- that removes precisely zero pain from the sticker shock.
