SLR
Latest
Canon ends film camera sales for good
Canon stopped building film cameras eight years ago, but it had still been selling them from old stock. Now, it has quietly announced that it will end sales of its last film SLR, the EOS-1V, marking an end to an era that started in 1934 with its first camera, the Kwanon. "By the way, we finally decided to end sales for the film single lens reflex camera 'EOS-1V,'" it said in an apologetic statement.
The Reflex 1 is the first manual film SLR in decades
Written off not long ago as dead technology, film has recently been embraced by instant photographers and filmmakers like Quentin Tarantino and Christopher Nolan. A company called Reflex has capitalized on that trend by launching the manual focus, 35mm Reflex 1 SLR, "the first newly designed manual SLR system in over 25 years."
Nikon's full frame D750 packs a tilting LCD and WiFi for pros on the go
Rumors of the full frame Nikon D750 have been floating around for a little over a month now, and where there's smoke there's usually a fire. To wit: Nikon just officially pulled back the curtain on its latest SLR, and it packs quite a bit of oomph into a body that's only $2299. The D750's foundation is awfully solid with its 24-megapixel FX format CMOS sensor, an Expeed 4 image processor (the same one seen in bodies like the much pricier D810), a more light-sensitive 51-point autofocus system, and an ISO range that stretches from 100 to 12,800. Oh, and did I mention it packs better battery life and some carbon fiber trim to keep the weight down? What might really put the D750 over the top for some of you, though, are some of the firsts that it boasts.
Nikon's new D810 SLR favors evolution over revolution
It's been two years since Nikon's D800 and D800E SLRs hit the scene, and that's just about an eternity for gadget nerds. What exactly has Nikon been doing since then? Well, aside from working on top-tier beauties like the D4 and D4S, it's also been working on a proper successor to the D800 line. Surprise, surprise: it's called the D810, and it's about the sort of leap forward you'd expect from a modest model number jump.
Samsung will give you a new camera for your aging DSLR, for one day only
If you like free stuff, you're gonna want to make your way to Times Square on Wednesday, June 4th. Samsung's hosting a "Ditch Day" event from noon to 6PM, letting you trade in a digital SLR (any DSLR) for a brand-new NX30 mirrorless camera, "while supplies last." Samsung reps were unable to confirm the number of cams on hand, so if you want the best chance of getting $1,000 worth of free loot, you might want to queue up early. Alternatively, if you can't get your hands on a DSLR worth "ditching," you'll still be able to walk away with a coupon for 50 bucks off a Samsung cam, such as the NX Mini or Galaxy Camera 2, both of which will be on hand for you to try out at the event in NYC. Update: The event will take place at 42-43 Broadway Plaza in Times Square beginning at noon. According to Samsung's official terms and conditions, only 250 cameras will be on hand. Additionally, Samsung's provided more information regarding which DSLRs qualify for the trade-in, which you'll find below.
Nikon D5300 is the company's first DSLR with built-in WiFi, ships this month for $800 (hands-on)
Nikon's been peddling a variety of wireless adapters throughout the last few DSLR refresh cycles. Little dongles like the $50 WU-1a enable WiFi connectivity for photographers who really need it, but it's hardly an elegant solution. Now, we finally have a Nikon digital SLR with 802.11 built in. It's a mid-range model, the D5300, designed for consumers looking for an everyday interchangeable-lens camera with good performance and solid image quality. This camera replaces the D5200, adding a new 24.2-megapixel sensor without an optical low-pass filter, an EXPEED 4 processor for 1080/60p video and 5 fps stills and boosted battery life, letting you capture about 700 shots per charge, compared to 500 with the previous model. For current D5200 owners, the addition of WiFi is the most appealing feature here. You can pair with Nikon's Wireless Mobile Utility app for Android and iOS, letting you shoot from a smartphone or tablet and transfer images as well. Despite the addition, the camera's weight has been reduced to 530 grams (1.17 pounds), from 555 with the D5200. There's a 25,600 top ISO, a larger 3.2-inch 1.04M-dot articulating display, built-in GPS and a more defined grip. The D5300 is expected to hit stores later this month in black, red and grey for $1,400 with an 18-140mm f/3.5-5.6 kit lens or $800 body-only. The camera and lens were comfortable to hold during our quick demo, but Nikon reps didn't permit us to power the DSLR, so we can't speak to performance. We did, however, manage to snag some body shots -- you'll find those in the gallery just below.
Lomography reinvents Petzval lens for analog and digital SLRs
When it was invented in 1840, the Petzval lens revolutionized photography thanks to its f/3.6 aperture. It's legendary for producing images with super sharp centers and unique backgrounds with a whirly bokeh -- as such it's particularly well suited for shooting portraits. Most Petzval lenses today are defective because of age and not optimized for modern cameras, so Lomography set out to reinvent the lens for the 21st century. The company just launched a Kickstarter campaign to bring the Petzval lens back for $300 -- it's teaming up with Zenit to manufacture high-quality lenses for analog and digital SLRs with Nikon F and Canon EF mounts. Lomography's Petzval lens is made of brass, features a gear rack focusing mechanism and comes with a Waterhouse aperture set (f/2.2, f/4, f/5.6, f/8, f/11 and f/16). Are you as intrigued as we are? Follow the source link below for the full campaign details.
Lomography intros Konstruktor: craft your own film SLR for $35 (video)
It's easy to build your own camera if you're determined to capture images on the cheap; it's another matter if you want something just slightly more refined. If that's the case, Lomography has you covered with its new Konstruktor kit. The pack gives DIY types everything they need to build their own 35mm film SLR, including a removable 50mm f/10 lens and customizable panels. There's no control over aperture or shutter speed, but Lomography's retro-inclined crowd will like the quick toggle for long exposure shots. They'll also like the $35 price -- it's possible to buy 100 Konstructors before matching the cost of just one EOS 5D Mark III. Should that kind of math be too much to resist, you'll be glad to hear that the camera is already on sale at Lomography's shop.
Nikon patents digital sensor back for old-school 35mm film cameras
Can't let go of that aging 35mm SLR accustomed to a strict film-only diet? Nikon seems to be toying with the idea of feeding its older models digits instead, judging by a Japanese patent application published last week. It was filed just last year and shows a digital back designed to be swapped out easily, complete with a screw adjustment to fine-tune the all-important focal distance. The patent was scoped by prolific Japanese blogger Egami, who pointed out that a different design would be required for each of Nikon's film SLR models, which all have different backs -- but an actual product coming to market seems quite a stretch anyway, at this point. Such devices are commonplace on medium format cameras though, and Leica even offered one for its R8 and R9 35mm SLR cameras as recently as 2007. Still, a pure digital version of our classic F2? Yes please.
Sony Alpha firmware updates bring record button disabling on NEX-7, DSLR lens improvements
Sony's NEX-7 may be fast approaching its first birthday, but that doesn't mean the company's ready to give up on pushing out updates. The camera's first new firmware version, 1.01, should be hitting today, bringing with it the ability to disable the Movie Record button to avoid accidental taps (finally!), boosted image quality with a wide-angle lens, improved audio playback and expanded EV bracketing. An option to disable the EVF eye sensor doesn't appear to be included with this revision, unfortunately. Other updates hitting at the same time include E-mount lens firmware v.01 that'll enable NEX-5R/NEX-6 Hybrid AF functionality with older lenses, A65/A77 firmware v1.06 and A37/A57 firmware v1.03, both of which deliver the ability to enable/disable the movie record button while also adding a variety of lens compensation options for select Alpha optics. All of these updates should now be live -- head over to the source link below for the hook-up.
Pentax K-5 II and K-5 IIs hands-on (video)
Everyone loves a sequel, right? This here is the K-5 II, the new DSLR from Pentax, making an appearance on the show floor, here at Photokina in Germany, alongside the rather similar, if somewhat pricier K-5 IIs. Let's start with differences between the K-5 and the K-5 II, shall we? Megapixel-wise, we're still talking 16.2, though the II models have the new SAFOX X AF sensor, which delivers the promise of better low-light sensitivity and quicker auto-focus. On the rear, that 3-inch, 925k LCD promises a sharper image and better image angles -- both looked pretty good in our time with the camera. As for differences between the K-5 II and IIs? Well, you wouldn't be able to distinguish between the two, if it weren't for the difference model names on there front. So, what are you paying that extra $150 for? Well, the premium ditches the low-pass filter, promising sharp images (though you're losing anti-aliasing in the process). On the top of both, you got a big monochrome display and a somewhat tricky function wheel that makes you press down a button to turn. Both of these guys are coming to a camera store near you next month for $1,200 and $1,350, respectively.
Nikon unveils lightweight, full-frame D600 DSLR -- hands-on and low-light samples (video)
We've been watching out for the D600 since images leaked a couple of months ago, and today it's been made official: a full-frame DSLR that's priced ever-so-slightly closer to the reach of mortals (read: "high-end enthusiasts") who perhaps can't claim everything off their tax. At just shy of $2,100 (update: €2,150 in Europe), the 24-megapixel camera's US list price is significantly lower than that of the 36-megapixel D800, and undercuts Canon's rival EOS 5D Mark III and Sony's brand new full-frame Alpha A99. What's more, aside from the resolution, you're getting something pretty close to the D800 -- including a weather- and dust-resistant magnesium alloy build, fast Exspeed III processor, and AF that works down to f/8 -- but here it's all contained in a body that sheds a full 15 percent off the D800's weight. It feels great to hold a full-frame DSLR like this, which is barely any heavier or more conspicuous than an APS-C shooter like the D7000. Nikon is also making a big deal out of the fact that the D600 handles wireless transfers and triggers using the new WU-1b widget, which is identical to the familiar WU-1a we reviewed on the D3200 except that it plugs into the camera's USB port rather than the HDMI port. There's an Android app to allow your mobile device to communicate with the camera, and an iOS app is set to land by the end of September. Read on a few more initial impressions and a quick look at the D600's high-ISO performance.%Gallery-165042%%Gallery-165026%
Sony reveals the Alpha A99, its first full-frame flagship since 2008's A900 (hands-on)
It's not every day that a digital SLR manufacturer releases a new full-frame camera -- in fact, it's not even every year. Sony's last top-end model, the A900, was first released four years ago, so you better believe its successor offers an overflowing boatload of enhancements. The Alpha A99 is a flagship if ever there was one, crushing every other Sony still camera in terms of capability, both when it comes to stills, and in the HD video realm as well. With this $2,800 behemoth, the company is targeting both professional photographers and leading filmmakers, with plenty of features that will appeal to both. The centerpiece is an all-new 24.3-megapixel Exmor sensor (nope, it's not the rumored 36MP chip you might be expecting), which features an increased photodiode area for boosted low light quality (up to ISO 102,400). The camera also features what Sony's calling the "world's first dual-AF system," which includes two different phase-detect AF systems, including the same 19-point system on the A77, plus an additional 102 points on the imager itself. Video shooters will find 1080/60p and 24p options with AVCHD 2.0, including uncompressed output through HDMI (with simultaneous output to a monitor) and phase-detect focus support in video mode. There's also a 6 frames-per-second burst mode, 14-bit RAW output for stills, the same 921k-dot Xtra Fine twilt-and-swivel LCD included with the A77 with WhiteMagic and TruBlack, and the same OLED viewfinder found on the A77, NEX-6 and NEX-7, that offers slightly boosted functionality thanks to the full-frame sensor, letting photographers snag a realtime depth-of-field preview without dimming the finder. It also offers a 34-degree viewing angle and color tone adjustment control. Because the A99 offers a translucent mirror, Sony was able to eliminate the pentaprism to keep the size and weight at bay, making the DSLR lighter than the Nikon D800 and Canon 5D Mark III. Jump past the break for our hands-on.%Gallery-163051%
Sony A99 rumored specs leak: 24.3 megapixels, 921k-dot LCD and 14 bit RAW output
Sony's not unleashed a full frame camera for some time, so when a purported spec-sheet for the upcoming Alpha A99 breaks cover, we're elbowing our way to the front to see it. According to Sony Alpha Rumors, it'll be a 24.3-megapixel CMOS Exmor sensor with an ISO range of 100-25,600, 14 bit RAW output and a 1/8000 maximum shutter speed. Other nuggets of interest include a 102 point AF system, full 1080p HD video recording (at 60fps) and a 921k dot LCD (like that seen on the A77 pictured). When might we see this come to market? According to the rumor-mill, sometime in October, with an official unveiling in early September. Along with everything else, it seems. Head on down to the source for the full spread.
Olympus confirms new high-end Four Thirds DSLR 'currently under study' following vague Facebook post
Visitors to Olympus' UK Facebook page were met with some "BREAKING NEWS!!" on Friday. According to the post, the camera maker is developing a new DSLR that would theoretically offer focusing performance on par with the OM-D, while providing native compatibility with the company's high-end Zuiko Digital ED lenses, such as the 90-250mm f/2.8. We reached out to Olympus reps in the US, who added the following: "A new camera body is currently under study to complement our line of Zuiko Digital Specific Four Thirds lenses. However, Olympus has NOT issued a press release on this new camera body." With Photokina just a month away, it's unclear whether or not this new mystery DSLR will make its debut there, but it's certainly a possibility. As for looks -- that's anyone's guess, though the company's social media arm opted to include a picture of the E-5, which serves as Olympus' current full-size flagship. You'll find the full Facebook post at the source link below.
Insert Coin: Radian lets you use your camera, iPhone and Android device for time lapse projects (video)
In Insert Coin, we look at an exciting new tech project that requires funding before it can hit production. If you'd like to pitch a project, please send us a tip with "Insert Coin" as the subject line. We've seen our fair share of time lapse tools at Insert Coin, ranging from last year's Triggertrap to the more recent Timelapse+ and Genie rig. Now we're throwing in another Kickstarter project into the mix, a motion time-lapse gadget called the Radian. Shaped like an oversized hockey puck, the Radian works with any camera that has a trigger-release input and can be used with or without a tripod. The device can be programmed through either an Android or iPhone app and lets you disconnect your smartphone once you've got your settings dialed in. Otherwise, you can use the Radian to take time-lapse photography with your iPhone or Android smartphone as well. A pledge of $150 gets you the standard Radian, while ponying up extra moolah nabs you a charcoal-colored variant as well as other goodies. If successful, delivery is slated for January. For more details, check out the video and source link after the break.
Sony NEX-F3 review
Just shy of a year ago, we reviewed the Sony NEX-C3, a mirrorless camera that quickly became our benchmark when it came to entry-level interchangeable lens cameras (ILCs). We praised its excellent image quality, generally consistent performance, overall solid design and, best of all, its $600 price tag -- including an 18-55mm kit lens. Since then, the landscape has shifted drastically for this particular type of compact shooter, with the Olympus OM-D E-M5 raising the bar for focusing performance, Nikon's cute J1 winning the hearts of many (likely due to a heavy marketing budget and adorable design) and the Fujifilm X-Pro1 pushing the envelope when it comes to price and body size. For its part, Sony also attracted plenty of attention with its flagship NEX-7, which appears to have been the inspiration for the company's brand new NEX-F3. More Info Sony NEX-F3 hands-on and sample shots Sony NEX-C3 review Sony NEX-7 review Based on its price tag and release schedule, you might have assumed that the NEX-F3 is here to dethrone Sony's NEX-C3. That may or may not be the case (we're hoping for the latter) -- the F3 is much more a scaled-down version of the NEX-7 than an update to the C3. Sure, designs can change drastically from one year to the next, but we were quite fond of last year's model, and many of you were, too. From a specification perspective, the F3 has a new APS-C sensor (though resolution remains unchanged), with a higher top ISO setting of 16,000, a 3-inch LCD that can flip 180-degrees to face completely forward, a new NEX-7-esque pop-up flash and a bulkier design. But does bigger mean better in this case? Click past the break for our take.%Gallery-156455%
Padcaster / Lenscaster lets you mount SLR lenses on iPad, we go hands-on at NAB (video)
Think people look ridiculous shooting stills or video with an iPad? Try throwing an SLR lens into the equation as well. Manhattan Edit Workshop founder Josh Apter developed the Padcaster as an inexpensive solution for mounting an Apple iPad on a tripod. And why would you want to do such a thing? With 1080p video capture, built-in LTE and a on-board editing suite, such a device makes for an excellent on-the-go all-in-one, letting you shoot, cut and transmit video with a single package. One major aspect of visual storytelling that the tablet doesn't excel at, however, is emphasizing details with blurred backgrounds, along with magnifying your subject with optical zoom. Enter the Lenscaster. This universal lens mount lets you use a standard 35mm adapter to attach any SLR optic to the iPad camera, enabling a small variety of hardware-driven optical effects, including shallow depth of field, manual focus and a zoom option that doesn't result in detail loss. Apter took the Padcaster and Lenscaster along on a demo shoot in New York City's Union Square, interviewing passersby with a Cinevate 35mm lens adapter, 85mm f/1.4 Carl Zeiss lens and a Sennheiser MKH-60 shotgun mic, all mounted to a Padcaster-equipped new iPad. The mounting duo may note be visually appealing from a physical perspective, but the resulting footage does look convincing -- you can see it in full after the break. The Padcaster's aluminum frame even doubles as a DSLR cage, letting you assemble a pro rig complete with camera, lens, mic and lights after removing the urethane iPad insert. The designer is also working on an iPad insert, though the tablet-sized contraption may prove to be overkill when paired with a pocketable smartphone. The Padcaster will be available soon for "about $200," while the Lenscaster attachment should ship for an additional 60 bucks. You'll also need to factor in a magnification optic to compensate for the distance between the iPad and the lens, along with a 35mm adapter, both of which are not included. The device is also unable to take full advantage of the iPad's resolution, creating black borders around the image, which you'll notice in the sample video, positioned just below our hands-on video right after the break.
Panasonic Lumix GF5 looks identical to its predecessor, offers similar specs for $100 more (hands-on)
It's been a bumpy ride for Panasonic's GF line of Micro Four Thirds cameras. The GF1, an excellent mirrorless camera for its time, was soon replaced with a less-capable entry level model, the GF2. Then another, the GF3. And now, it's time to say hello (again) to the GF5. For better or worse, the GF3 won't be going away -- it'll sit tight at its new $500 price point (with a 14-42mm kit lens), ready to confuse consumers looking to purchase its nearly identical, yet $100 pricier, pseudo-replacement. Both cameras come equipped with 12.1-megapixel Live MOS sensors, though the newer model adds a "High Picture Quality" distinction -- it's been dubbed a 12.1-megapixel "High Picture Quality" Live MOS sensor. So, naturally, we're going to expect some pretty incredible images. Panasonic has also added an ISO 12,800 "extended" mode (the GF3 topped out at a native ISO 6400). There has been a jump in the video department, with 1080/30p MP4 recording joining the 720p mix. Burst mode capabilities have seen an increase as well, from 3.8 frames-per-second to... 4. Finally, it's slightly larger, due to a more substantial (and more comfortable) grip, though battery life has dropped from 340 shots to 320, likely due to a new processing technique aimed at further reducing noise in low-light captures. The GF3 and GF5 look so similar that we mistakenly photographed the former for a minute or two, only realizing the error when we flipped on the LCD. The 5 has a much-improved touchscreen, with a 920k-dot resolution (460k dots on the GF3). It looks gorgeous by comparison, but amateurs making the switch from a point-and-shoot may not take notice. The features they'll appreciate most relate entirely to the GUI, and include a highlight window for selection options, 14 filters with a realtime preview option, a background image that appears on the main menu and a filter recommendation while in Intelligent Auto. This feature works by suggesting that you apply the Expressive or Toy Effect if you're taking a macro shot, for example. Other additions include a stereo microphone for video capture, though the left and right mics are positioned oddly near each other -- on either side of the word "MIC" on the top of the camera, with the right mic angled towards the left -- so we can't image that you'll be getting a true stereo effect. Like its predecessor, the GF5 is clearly designed with beginners in mind -- more advanced photogs should consider the GX1 -- but with a $599 sticker price (with 14-42mm lens), it's sure to be a hit.
Nikon offers cashback on D3100, D5100 and D7000 in the UK and Ireland
If you're still poring over the specs of Nikon's current DSLR consumer models, then you've managed to dally just long enough to snag a tidy cashback offer. At least, that's if you're in the UK or Ireland and can make your purchase before the end of May. Nikon has confirmed to us that this is a local promotion, but we're on the case to see if a similar deal is coming to the States. In the meantime, these discounts range from £30 ($50) on the D3100, £50 ($80) on the flip-screen D5100 (shown above) and £80 ($130) on the D7000 when purchased body-only, or slightly more if you pick up a Nikkor lens at the same time. On the other hand, if you're casting about more generally for a kit upgrade, and if you can bear to stall just a little longer, then this could potentially hint at new models coming soon -- although it's not the first cashback offer to hit this range. You'll find further details after the break.
