AVCHD
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Sony to release XAVC 4K video spec, licensees include Apple, Adobe
Sony has announced that it'll release an SDK to 4K developers this month for its recently launched XAVC video format used by the new F5 and F55 CineAlta camcorders. The new specification uses MPEG-4 AVC/H.264 video compression, which allows up to 12-bit color depth, 60 fps shooting speed at 4k and 180 fps in HD. So far, fourteen companies including Adobe and Apple have signed on as licensees, and Sony says the format may come to consumer products as well. Details of the program along with an SDK will arrive this month, just in time for a possible Ultra HD onslaught.
Future Panasonic G camera's 72Mbps movie-making prowess teased through speedy drama (video)
If Panasonic didn't have attention from movie producers before, it just might as of this week. Joining the quickly developing tradition of camera makers producing elaborate short movies as technology demos, the company has let cinematographer Philip Bloom wield (and tease) a "brand new G camera" to record Genesis, a fast-paced mini-drama showing a man's race to meet his love before it's too late. While Bloom can't talk much about the hardware in question until the 17th, he's allowed to confirm that the upcoming Micro Four Thirds body relies on a "superb" 72Mbps All-I codec for video -- letting it capture a sprint through the streets without the compression artifacts of the AVCHD format used by most mirrorless cameras. Panasonic's upcoming shooter also touts "much improved" results in the dark, Bloom says. It all sounds very tempting, especially if it turns out that Panasonic's inadvertent leaks are for the same camera we see in action here. The full movie is available after the break, and Bloom has the behind-the-scenes details at the source link.
Sony VG900 leaks, packs full-frame sensor into a NEX camcorder
Sony must have a fixation on stuffing full-frame sensors into small spaces this year. A fresh photo and details slipping out to Sony Alpha Rumors show what's billed as the VG900, the first NEX-branded camcorder with a sensor larger than the APS-C spec -- the first NEX camera of any kind, for that matter. While there's only a light smattering of details, we're told the device has a 24-megapixel sensor (likely the same as in the RX1 or A99), records video in AVCHD 2.0 and should ship with an A-mount adapter for Alpha lenses. Not much else is on display, although you may want to take a pass if you're just looking to record a family wedding: at a rumored $3,300 price for the purportedly imminent launch, the VG900 isn't an impulse purchase for anyone short of a pro videographer.
Canon announces EOS C100 cinema camera, confirms October shipping for the C500
Canon already gave those looking for a full-frame DSLR plenty to think about recently, and now it's stirring up the movie-maker's pot. It's just announced a new member to its EOS digital cinema collection -- the EOS C100 -- and given us a better idea of when we can expect that C500 to land. The C100 essentially offers a new prospect for those with pockets not quite so deep. Unlike its 4K sibling, the C100 offers 1,920 x 1,080 AVCHD via its Super 35mm 16:9 CMOS sensor, has an ISO range of 320 to 20,000 and sports the EF mount system. Other features of interest include a push auto iris function, one-shot auto focus, a multi-angle 3.5-inch LCD and a locking HDMI output. The C500, meanwhile, has now been tipped for an October debut with that princely $30,000 price-tag. But, if the C100 sounds more your jive, then you can scoop one up in November for a slightly less tax-deductible $7,999. Canon also took the opportunity to offer up two new cinema lenses: the CN-E15.5-47mm T2.8 L S/SP wide-angle and the CN-E30-105mm T2.8 L S/SP telephoto. Care to know more? Focus on the PR after the break.
Sony unveils NEX-EA50EH pro camcorder with nary a dog or pony (video)
Sony is continuing to build out its NXCAM video camera line with the new interchangeable lens NEX-EA50EH, a surprise entrant that's aimed firmly at the run and gun professional crowd. It sports the same APS-C Exmor CMOS sensor as other cameras in the NEX line, and has notably added a rocker-style zoom lever for its brand new SEL18-200PZ 11x E-mount Servo Zoom Lens. That item is one of the first large sensor servo zooms we've seen, and packs continuous variable isis, auto focus and "Optical Steady Shot" active image stabilization. Another eyebrow-raiser is the model's still photo flair, with the ability to shoot 16MP RAW stills, a mechanical shutter with its own release button and a flash hot-shoe all squeezed in. Video is recorded up to 60fps at 1080P in AVCHD 2.0, presumably at 28 or 17 Mbps, to SD/SDHC/SDXC cards, Sony Memory Sticks or Sony's dedicated external SSD unit, which attaches to the camera. All that is topped off by an onboard shotgun microphone, a shoulder mount form factor and $4,500 price point (which has already changed twice on B&H). That means a lot of event or ENG pros who want large sensor results -- without all the DSLR foibles -- may be sorely tempted. See the PR and video after the break for all the details.
JVC's 2012 Everio 1080p camcorder lineup gains WiFi, enables geotagging and remote control via smartphone
JVC's 2012 Everio lineup was just launched, containing seven new models with 1080p recording based on the AVCHD format. There's also a UXP mode with a 24Mbps sampling rate, an HDMI output and a built-in WiFi module in four of the units. We've seen wireless support pop up on cameras in recent months, and even a few pocket camcorders have managed to get cozy with 802.11b/g/n, but it's not everyday you see a legitimate, Full HD shooter with the stuff. We're told that a free app will be made available for Android and iOS devices, enabling users to wirelessly transfer video and stills to a smartphone for quick sharing via the internet. It also allows the phone to be used as a remote control for the Everio and offers geotagging of video and photo files in conjunction with the smartphone's GPS. Not surprisingly, the video email function only allows clips of up to 15 seconds (and the resolution is capped at 640 x 360) to be sent directly from the Everio to up to eight email addresses, but at least the Live Monitoring functionality allows real time monitoring on a smartphone or computer of images taken with the cam. Prices for the lineup range from $229.95 to $899.95, with the whole lot shipping in Q1 of this year; the real question, however, is whether or not there's still a meaningful market for these things.
Panasonic refreshes HD camcorder range: 3MOS, 1MOS and Waterproof offerings
Alongside its new Lumix snappers, Panasonic just dropped a bunch of new HD camcorders at CES. It's the 1MOS models that get the most vigorous make over, with six new 1920 x 1080 shooting cams in total. The HC-V700 and HC-V700M are the new top of the 1MOS line; armed with a proprietary High Sensitivity Sensor, promising better indoor and night-time shots, there's also 3D capture when used with the new VW-CLT2 conversion lens, plus a 21x optical and 46x "high-powered' (we guess digital) zoom. The mid-range HC-V500/M cameras have a 2D to 3D image conversion function (also found in the V700s) as well as Natural, Pop, Dynamic & Classical special effects modes and 38x optical / 50x digital zoom. For the less feature-fanatical are the HC-V100 and HC-V100M which have lower power consumption for longer shooting despite a smaller 2.028 x 2.343 x 4.429 inch form. If you were wondering what makes the M models different, the answer would be 16GB built-in storage. Three other single models also got a trotting out, starting with the HC-X900M, for those who find just one MOS simply isn't enough. The HC-X900M is Panasonic's new full HD 3MOS video shooter and is the follow up to last year's HDC-HS900. Full 1080p at 28Mbps is complemented by Panasonic's new 3MOS System Pro imaging system, which it claims reduces noise by 40 percent over the HDC-HS900. To round out the features we have 32GB onboard storage (with SD expansion), improved O.I.S., zoom mic functionality (linked to the zoom action) and a 1,150,000-dot 8.8-cm / 3.5-inch LCD. Next up is the waterproof HX-WA2, which will survive a three meter dip in the pool (or nine feet, eight inches). Other treats for adventurous types include 14 megapixel stills shooting, a panoramic mode (simply pan the camera up,down,left and right) and 15x zoom. Oh and will it will be available in blue or orange, of course. Last, and kinda least is the HC-V10, a compact HD cam for those on-the-go moments. With iA auto mode and pre-rec function -- that starts recording when you aim at a subject -- this model is clearly built with those OMG youtube moments in mind. You also get a crazy 63x optical zoom and a choice of colors: black, silver or red. There's no word on price or availability yet, but Panasonic tells us it'll part with these crucial details at least 30 days prior to when the devices finally ship. In the meantime you can check the full PRs below for more info.
Leica rehashes Panasonic's Lumix Fz150 as the V-LUX 3, because 'image' matters
Leave it to Leica to rebrand a recent Panasonic camera, tack on its iconic red dot and then likely charge a premium. Such is the case with its "new" V-Lux 3 digital superzoom, which is essentially its take on the venerable Lumix FZ150 we spent some hands-on time with back in August. To recap, this shooter features a 12.1 megapixel CMOS sensor, Leica's DC Vario-Elmarit 4.5 - 108 mm f/2.8 - 5.2 ASPH lens (that's 25 - 600mm for you full-frame buffs), 1080p AVC HD video recording at up to 60fps with stereo sound and an a77-like 12fps continuous burst mode (albeit using manual focus). On back, you'll find an articulating 3-inch LCD loaded with a 460K pixel resolution and a 0.2-inch EVF, both of which feature nearly 100% frame coverage. While there's no word price, you can surely expect the V-Lux 3 to cost a few Benjamins more than its Lumix counterpart when it hits shelves in January. Hey, at least you can say it's a Leica, right?
Sony Alpha NEX-5N on sale, NEX-7 available for pre-order
Our network of eagle-eyed tipsters have given us the heads-up that Sony's $700 NEX-5N is ready to buy online, and curious camera fans can check out last month's hands-on before deciding to part ways with that much cheddar. The company is also taking pre-orders for the monstrous NEX-7, which costs $1,350 -- slightly more than we'd expected. This camera has a 24.3-megapixel sensor, can shoot AVCHD video and stills up to 10 fps and can probably see the turn of the universe, or something. This one will make its way to homesteads in November, giving you just enough time to learn how to record everyone's disappointed faces -- come Christmas morning -- in eye watering detail. [Thanks, Sammy]
Panasonic Lumix GF3: sample photos and video
We already gave you some hands-on impressions of Panasonic's new Lumix GF3, but we just had a chance to shoot video and stills with the Micro Four Thirds cam at an event in NYC, leaving with a couple hundred photos and a small handful of video clips. There's no question that this GF2 successor was designed with interchangeable lens camera (ILC) newbies in mind, with no dedicated mode dial, a touchscreen display, and a boatload of auto settings, along with the usual spattering of effects modes. Panasonic chose a mock wedding scene as the centerpiece of its demo today, complete with bride, groom, and celebrity cake designer (a rather enthusiastic Ron Ben-Israel). Weddings mean colorful flowers, well-dressed subjects, and food -- but also dim lighting and chaos -- a perfect environment for showing off a camera's strengths shooting in low-light, assuming it can actually deliver. The GF3 probably won't be the camera of choice for our next celebration, however.%Gallery-127453% First up was a balcony shot with bride and groom. As expected, the backlit scene presented an incredible challenge for the GF3, which had trouble focusing and compensating exposure to properly light our subjects -- even the professional wedding photographer on hand had difficulty focusing his GF3 at times. The position-adjustable flash allowed us to light our subjects at an angle, or to bounce light off the ceiling, which didn't seem to work well in the cavernous room. As we progressed through the morning, additional scenes highlighted new shortcomings. Jump past the break for a sample video and more impressions, or check out the gallery above for sample images -- the first four shots highlight different positions with the adjustable flash.
Panasonic Lumix GF3 official: 12.1 MP, 1080i video, no hot shoe in sight (hands-on)
Last week, we caught a glimpse of the Lumix DMC-GF3, a new addition to Panasonic's ever-growing family of Micro Four Thirds shooters. Turns out, the camera we spied in that YouTube video was legit: the company just made it official and yes, it's missing a hot shoe. Available in four colors with 12.1 megapixel resolution, it uses Panny's latest imaging processor, shoots 1080i AVCHD video, and has a 3-inch touchscreen, ISO range of 160 to 6400, and the usual array of intelligent Auto enhancements. Unlike the GF2 -- which isn't going anywhere, by the way -- it's designed with the greenest of novices in mind, which means it forgoes things experienced photogs might like, such as a hot shoe and viewfinder. This one has a mono, not stereo mic, and swaps in a simple scroll wheel on the back side. Panasonic also rejiggered the touch UI to make certain settings easier to find and added a miniature art filter -- already a staple on Olympus' PEN series. Oh, and as a beginner-friendly camera, it looks more like a point-and-shoot than a DSLR -- it's 15 percent lighter than the GF2, and 17 percent smaller. The GF3 will be available in July for $699 with a 14mm lens, to be followed in late August by a $599 kit that comes with a 14-42mm lens. In the meantime, head on past the break and check out our impressions after spending a few minutes with a not-final unit and a 14mm lens. We only got to play with it in a fluorescent conference room, alas, but hopefully our handful of test shots will give you a taste of what you can do with the depth of field should you spring for the higher-end of the two kits. %Gallery-126203% %Gallery-126204%
Panasonic Lumix DMC-G3 ups the interchangeable lens ante with fancy new touchscreen
Right on schedule, Panasonic's gone and made its thinly-veiled Lumix DMC-G3 Micro Four Thirds shooter official. The camera succeeds the G2 with a 16 megapixel sensor, support for 1080p AVCHD video recording with stereo audio, 4fps burst shooting at full resolution, and an articulating, 3-inch touchscreen that supplants some of the dials adorning the last-gen model. In addition to poking around menus, you can touch that display to focus on your subject, and slide your finger to tweak exposure, white balance, and depth of field -- all in all, not unlike how you might interact with a smartphone camera. And, at 11.8 ounces, the aluminum-clad body weighs about ten percent less than its predecessor. Look for it in June for $700 in brown, red, and white -- in addition to your garden-variety black. In the market for something more compact? Panny also trotted out the Lumix-FH7, a 16 megapixel point-and-shoot with 4x optical zoom and 720p movie recording. Oodles of photos below with a press release after the break. %Gallery-123430% %Gallery-123421%
Panasonic Lumix GH2 review roundup: impressive video recording, murky still images
In case you're still wondering if Panasonic's mirrorless Lumix GH2 is worth your $900, we've rounded up a handful of reviews to provide a pointer for your next big purchase. While most reviewers agree that this Micro Four Thirds camera appears to be very similar to its predecessor, they universally praise the subtly improved ergonomics, speedy liveview autofocusing, and refined image quality, especially with its 1080p AVCHD video recording (although Digital Camera Resource Page did notice some artifacting in its clips). Noise is also a non-issue up to about ISO 800 or 1600, though it's apparent that the 16 megapixel stills are comparatively dull and, like those from many other MFTs, aren't quite on par with DSLRs -- expect plenty of manual processing work here, as demoed by the good folks over at Digital Photography Review. All in all, the GH2 is a great kit for high quality video capturing, bundled with a pretty good still performance that requires some extra TLC afterwards -- kinda ironic in a way, but hey, this isn't a problem for lovers of video bokeh. Head over to the links below for some in-depth analysis and walk-through before you leave a small dent on your bank account. Read - Digital Photography Review Read - Photography Blog Read - Camera Labs Read - Digital Camera Resource Page Read - Let's Go Digital
'Filmy' PS3 app lets you view and organize video captured by Sony cams
We should clarify -- the new PS3 app lets you view and organize video from your Sony-branded digital camera, not the footage captured by the Sony cams hidden throughout your home. As you know, those are designed to detect the arrival of new, exciting games and then send notice of a new firmware update just as you're putting in the disc. There's no need for a disc when accessing "Filmy," the sounds-like-a-cute-mascot video app that becomes available on the PlayStation Store today. Once downloaded and installed, it allows viewing of AVCHD-encoded video from any USB-connected Sony camera that supports the format. Videos can be searched quickly and organized into digests based on camera metadata (such as "Face Detection") or geographical tagging, if the camera has a GPS. If you've been anywhere remote and/or remotely interesting, you'll be able to find those clips marked on a fancy representation of our space-faring orb. There's a free version of Filmy that allows full feature operation for fifteen minutes, but the less curtailed version will run you $5. You could probably earn that back by turning your camera on the bedroom, recording a spooky message written on a fogged-up mirror and then selling the whole thing to a Hollywood studio as "Abnormal Happenings."
Panasonic Lumix GH2 and 3D interchangeable lens hands-on
(function() { var s = document.createElement('SCRIPT'), s1 = document.getElementsByTagName('SCRIPT')[0]; s.type = 'text/javascript'; s.async = true; s.src = 'http://widgets.digg.com/buttons.js'; s1.parentNode.insertBefore(s, s1); })(); Digg To say the Micro Four Thirds / mirrorless battle is heating up would be understating things greatly. It's certainly the segment getting the most focus here at this year's Photokina, and with Panasonic cranking out yet another, we don't see any signs of it slowing down. The newfangled Lumix DMC-GH2 made its official debut yesterday, bringing with it an impressive list of specifications and compatibility with an oh-so-curious 3D lens that we peeked in prototype form back at IFA. When speaking to booth representatives here in Cologne, we learned that said lens will actually save both a 3D and 2D version of each picture you take, making it a far more viable option for someone who is just looking to test the 3D waters without giving up entirely on 2D. The camera itself felt sufficiently light, but it doesn't seem much more compact than the GH1 before it. And at $900, we've got our hearts set on a bona fide DSLR -- sorry, but it's true. Anywho, hit the gallery below if you're itching for a closer look at your maybe-possibly-probably next shooter (along with glimpses at the trio of lenses that were also revealed here at the show).%Gallery-103017%
Sony 'Advanced Model' (Alpha A77?) DSLR emerges at Photokina, E-mount firmware coming soon
We've heard Sony use the term "Advanced Model" when dealing with concepts before, and it seems that it's using said code once more to disguise what may end up being the A77. Rumors have been flaring over the past few weeks, noting that this particular Alpha DSLR would be showcased at Photokina before being officially unveiled at CES 2011. Few details were given, but we're able to tell that it'll shoot HD video in AVCHD and will be compatible with a vertical grip. Moreover, it'll ship with a translucent mirror (as found in the A55 and A33) and an Exmor APS HD CMOS sensor. At the company's Photokina press conference, an executive noted that the cam will be "far more powerful than the a55," and that it'll be aimed at "serious enthusiast photographers." A slew of concept / prototype lenses were also encased (including a comically large 500mm f/4 cannon) at Sony's booth, not to mention a few that'll definitely be available from 2011 and 2012. Back at the presser, we were informed that a grand total of ten A-mount (Alpha DSLR compatible) lenses will be on sale by 2012, and it's also considering working with a number of partners in order to develop third-party E-mount lenses for the NEX range. Moreover, a firmware update is slated for mid-October to bring autofocus support to A-mount lenses used on E-mount cameras, aperture control in video mode and customizable keys, while the NEX-VG10 Handycam will see an A-mount lens firmware update in November. Speaking of E-mount cameras, Sony's also developing its own micro flash for use in low(er)-light situations, and considering that it recently grabbed a full 50 percent of the mirrorless market share in Europe, we'd guess it's nowhere near slowing down on the innovation. Smiles all around, right? %Gallery-102896% %Gallery-102902%
Leica slaps D-Lux 5 badge on Panasonic LX5, hitches up the price (update)
What has a 1/1.63-inch CCD sensor capable of 10.1 megapixel stills, a 3.75x DC Vario-Summicron lens, and 720p AVCHD Lite video? The Panasonic LX5? Why yes, it does, and so does this carbon copy that Leica just unveiled, the D-Lux 5. Much as with the identikit LX3 and D-Lux 4 before them, the new 5 models share pretty much everything apart from brand name, accessories bundled in the box, and that all-important price tag. If you opt for the red circular logo above, you'll have to dish up £630 ($983), whereas the LX5 -- which was criticized for being pricey at launch -- can now be had for around £355 ($554). Feel free to peruse our gallery of D-Lux 5 shots below while pondering the "value" on offer here. Update: We just got word that Leica's already priced the D-Lux 5 for a stateside release -- find it for the slightly-more-reasonable-but-not-quite price of $799 when it ships this October. %Gallery-102818%
Panasonic's $900 Lumix GH2 officially debuts: 16MP, 1080p movie mode, 3D interchangeable lens
Well, would you look at that? The rumor mill nailed it once more, and we couldn't be happier about it. Here at Photokina, Panasonic just removed the veil from its glistening Lumix GH2, a followup camera that looks to be worth every penny it'll cost you to upgrade. There's a 16 megapixel Live MOS sensor, SD / SDHC / SDXC memory card slot, Micro Four Thirds mount, 23 points of auto focus tracking, face detection and so, so much more. Like what, you ask? Like an ISO range from 160 to 12800, hot shoe accessory mount, 3-inch rear LCD, mini HDMI output, USB 2.0 connectivity, a 2.5mm remote / external microphone input and a 1080/60i movie mode. Read on for more... %Gallery-102870%
Panasonic GH2 expected to have 16 megapixel sensor, maybe even 1080/60p video
It was almost exactly a year ago that we asked you how you'd change the Panasonic GH1, and the consensus response was that the camera's biggest flaw was its stratospheric price. Well, Panasonic's about to help you out there, as it seems a GH2 successor is all but assured to debut at this year's Photokina exhibition, which is sure to put a little downward pressure on GH1 levies. The new shooter is rumored to be making mostly evolutionary upgrades, with 16 rather than 12 effective megapixels squeezed into its sensor, expanded ISO range up to 12,800, faster autofocus performance with the kit 14-140mm lens, 5fps burst shooting, and 1080/60i video recording at 24Mbps. Where things get interesting is the suggestion that the GH2 will be capable of 1080/60p, but that the AVCHD recording format -- whose current spec doesn't include 60 frames of 1080p goodness -- is forcing it to store data in the 60i mode. That'd be a pretty sweet new addition if true and we're inclined to believe it given the additional rumor of three processing cores inside the GH2. We'll know how much of this is legit by the middle of next week, Photokina isn't a place famed for keeping secrets -- quite the opposite, actually.
Panasonic announces AF105 Micro Four Thirds camcorder, interchangeable lenses not included
The splicing of video and stills cameras continues unabated today, as Panasonic has just outed a serious-looking piece of photographic hardware. The AF105 (AF100 in Europe) is the world's first camcorder to offer a Four Thirds-sized sensor and provides 1080/60i or 1080/30p AVCHD video recording skills, while matching up to the growing selection of glassware for the company's Micro Four Thirds mount. SDHC and SDXC storage cards are accepted and there's a note that "cinema" lenses can also be fitted on via an extra adapter. The price is set at ¥837,900 (about $9,960) and launch is expected this December. Update: We've now got video of the AF100/105 and a tentative European price of €4,900. American pricing can probably be expected somewhere around the $6,000 range. Thanks, James!
