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    FCC approves Nexstar’s $6.4 billion acquisition of Tribune Media

    by 
    Christine Fisher
    Christine Fisher
    09.16.2019

    The long, drawn out saga over Tribune Media Company's fate could soon come to an end. Today, the Federal Communications Commission (FCC) approved the sale of Tribune to Nexstar Media Group. The $6.4 billion deal will create the nation's largest local TV broadcaster and local media company, Nexstar said previously.

  • Livestream's tiny dongle lets any HDMI camera broadcast online

    by 
    Mat Smith
    Mat Smith
    03.01.2015

    If you were itching for a way to stream live footage from your existing video cam (or action cam), Livestream's Broadcaster Mini might offer what you need, without having to get another camera. Priced at $295, and a third of the size of the company's full-fat Broadcaster streamer, it can stream up 1080p resolution video with controls and setup all done through a companion app on either iOS and Android. Controls on the device appear simple enough, with one button for power and other to switch the streaming video, delivered through HMDI, live.

  • Livestream and Verizon team up to launch Broadcaster with built-in 4G LTE

    by 
    Edgar Alvarez
    Edgar Alvarez
    01.08.2013

    The Livestream Broadcaster has been available since May of last year, and while the streaming add-on's had LTE capabilities since its debut back in April, something like a USB dongle was required to get such internet connectivity. Soon, however, that's about to change, as Livestream announced today that it's teamed up with Verizon to offer a new version of the Broadcaster. Essentially, the appropriately named Livestream Broadcaster LTE will boast the same features as the previous revision but with the obvious inclusion of a 4G chip using Verizon's speedy network. What's more, the novel unit also replaces the need for AA batteries with one that's built in, while support for 5.4GHz WiFi can be found aboard the refreshed Broadcaster as well. There's no specific pricing details (or availability, for that matter) as of yet, but Livestream did tell us we can expect its Broadcaster LTE to ship later in the spring of this year.

  • Logitech announces $200 Broadcaster WiFi webcam for iPhone, iPad and Mac (video)

    by 
    Steve Dent
    Steve Dent
    10.16.2012

    After trying (and failing) to surreptitiously shepherd it through the FCC, then seeing it leak out anyway, Logitech has formally outed the HD WiFi Broadcaster webcam. The 720P shooter (not 1080p as we hoped) allows wireless transmission from 50 feet away to any Mac computer, iPhone or iPad, instant broadcasting on Ustream and the ability to toggle between your device or computer's built in camera with a button push. The hard plastic carrying case with a magnetic lid doubles as a stand to elevate the cam, which Logitech says will "play nicely" with apps like iMovie, Final Cut Pro and FaceTime. Broadcaster is already up for preorder for $200 in the US and €180 in Europe, so if you want to show that you're doubly beautiful with a multi-cam Skype call, the PR and video are after the break.

  • FCC votes in favor of rethinking spectrum holding rules, goading broadcasters into wireless selloffs

    by 
    Jon Fingas
    Jon Fingas
    09.28.2012

    FCC meetings can be momentous occasions under the right circumstances, although it's seldom the case that we see the agency pass two potentially far-reaching measures in one sitting, like we just saw on Friday. To start, regulators have voted in favor of a proposal that will review spectrum sale rules and might drop the case-by-case determinations in favor of a more consistent screening mechanism. The reexamination will also consider a change to the ownership rules surrounding wireless frequencies that treats bands below 1GHz differently than those above -- the better to address a chorus of smaller carriers that don't like all the prime spectrum going to the companies with the most existing clout, namely AT&T and Verizon. FCC Chairman Julius Genachowski argues that reform could spur innovation through more competition, although dissenting Commissioner Robert McDowell is worried that consistent rules will somehow create "uncertainty." Side-by-side with the review, the FCC is proposing an incentive-based reverse auction strategy to have TV broadcasters voluntarily give up their spectrum for cellular and data use. The multi-phase approach would have TV providers set the price at which they're willing to sell their spectrum to the FCC; those that just can't bear to part with their airwaves would be corralled into a tighter band range to make for larger available frequency blocks in the auction that follows. As with other FCC proposals, there's likely to be a long interval between the auction vote, the review and any definitive rulemaking, let alone an impact -- auctions by themselves can take years to play out. Still, any success with the measures could head off spectrum crunches while simultaneously preventing any solutions from consolidating too much power and creating their own problems. [Tower photo via Shutterstock]

  • BBC News Channel conducts live video interview over smartphone, goes where satellites can't (update with video)

    by 
    Jon Fingas
    Jon Fingas
    09.27.2012

    We usually associate smartphones in news reporting with citizen journalism, not full-time journalists. However, a confluence of events has just led to the BBC's Nick Garnett becoming a pioneer for mobile broadcasting on the professional level. When a shortage of satellite trucks prevented Garnett from getting the usual video feed for the BBC News Channel, he successfully arranged the British network's first live video interview piped through a smartphone. The key, Garnett says, was Dejero's Live+ iPhone app: while live streaming apps are already commonplace, Dejero's let him merge the 3G and WiFi connections together, getting enough bandwidth to make a TV-worthy broadcast in a country where LTE is still very new. Combined with some very ad hoc staging and help from the BBC's technical teams, the coordination resulted in a surprisingly smooth interview about flooding in northeastern England with relatively few hints of the extra-tiny recording equipment involved. It's unlikely that broadcast crews will reach to their pockets for live coverage solutions before anything else, but the BBC is actively testing Dejero and other apps that could make smartphones as much a part of the field reporting arsenal as a camcorder and an eye for a good story. As we can't embed the clip, check the source link to see it for yourself. Update: We've now managed to embed the clip after the break.

  • Sony broadcasts three-chip PMW-200 XDCAM with Android or iOS remote control app

    by 
    Steve Dent
    Steve Dent
    07.26.2012

    If you're the reporter and camera operator for K-STIX, Sony's got good news: they just unveiled the PMW-200 XDCAM, and you can control it with your smartphone. The camcorder features a broadcast-friendly 50Mbps data rate drawing from three half-inch CMOS sensors -- bigger than any other broadcast handheld cam, according to Sony -- though that size is still a far cry from its own super-35 filmmaking cams and others on the market. The Japanese company claims the chips provide "exceptional" low-light powers, and other features include 30fps at 1080P or 60fps at 720P, a 14x zoom lens, 3.5-inch 852 x 480 LCD display and a 15 second pre-record cache. The camera will be available by September, but the aforementioned WiFi adapter for Android or iOS remote control won't fly in until the end of the year. Pricing has yet to be announced, but if you need an easier way to multitask or the approving nod from that rigid broadcaster, check the PR for all the specs.

  • 4K TV already being trialed by one UK broadcaster

    by 
    Sharif Sakr
    Sharif Sakr
    05.29.2012

    4K in the UK? It could happen sooner rather than later, if viewers give a thumbs up to feedback tests currently being conducted by a British broadcaster. According to a senior figure at a company that is directly involved in the experiments, people are being asked if they can spot the difference between 4K and regular 1920 x 1080, which will help to decide whether the format is worthy of immediate investment. Our source refused to reveal which broadcaster is running the show, beyond saying that it has complete control over its pipeline right down to the set-top box, which hints at Sky or perhaps Virgin being likely candidates. When asked how 4K TV might be transmitted as a mainstream service, given that it contains four times the resolution of Full HD, he simply replied that the broadcaster would "compress the hell out of it," which surely only cements his credibility. Next stop, 8K.

  • Hauppauge announces StreamEez to broadcast live HD video

    by 
    Anthony Verrecchio
    Anthony Verrecchio
    04.18.2012

    Hauppauge, not satisfied with only bringing DVR-like functions to the Broadway this week -- has unleashed a new box called the StreamEez that links your HD video camera to your computer for live broadcasts. HDMI or component video hook it up on the cam side, USB on the computer side. It uses H.264 video compression and is compatible with sites like USTREAM that require the RTMP protocol. The box plus Windows software starts at $299. Everything but the price probably sounds pretty familiar since the incredibly similar Livestream Broadcaster is also just about on the scene, though, it'll run you about $195 more. Take a gander at the PR after the break.

  • Livestream Broadcaster hands-on

    by 
    Richard Lawler
    Richard Lawler
    04.17.2012

    According to CEO Max Haot the logical next step for Livestream -- now well established as a reliable service for bringing live video feeds to the internet -- is just to get more people distributing live video by any means necessary. To that end, the company is jumping into the hardware business with this palm-sized Livestream Broadcaster unit that just went up for preorders a few days ago. With a subsidized price of $495, it connects to video cameras directly over HDMI then reencodes and uploads the video on the fly to the company's servers (unlimited streaming costs $45 per month, each encoder comes with three months free) via Ethernet, WiFi or a 3G / 4G USB dongle. Even on the wireless-internet challenged LVCC floor it was sending several streams and enabling user control via buttons on the unit itself, or remotely from a PC or iPhone / iPad. These boxes are still on target to ship at the end of May and and showed off everything those without the backing of a tech / media conglomerate (cough), like small businesses or independent bloggers, would need to make their productions available for viewing as they happen.

  • Livestream Broadcaster pre-orders available now, shipping at the end of May for $495

    by 
    Edgar Alvarez
    Edgar Alvarez
    04.13.2012

    A vivid memory of Cisco's would-be FlipLive streaming camera is all we've got, but thankfully there's existing devices out there like the Livestream Broadcaster to help fill that void. Priced at a whopping $495, Livestream's Broadcaster allows it to be paired with an array of shooters via HDMI and used to stream live high-def vids to any Livestream-equipped device over Ethernet, WiFi, or with a 3G / 4G USB dongle. Aside from being capable of sending out 1080i waves, the Broadcaster can also push 720p and 480i resolutions (in case you don't feel like being a bandwidth hog), while all video and audio encoding is done with H.264 and ACC, respectively. It's also worth noting that the near 500 bucks includes a three-month sub to Livestream's service, which usually costs an extra $45 per month. For now, this bright red streamer's only available to Euros and Americans, with shipping set to commence by May 31st.

  • Sony PMW-100 camcorder brings 50Mbps bitrate in an itty-bitty package

    by 
    Sharif Sakr
    Sharif Sakr
    04.03.2012

    When is full 1920 x 1080 footage not really HD? When a broadcaster rejects it for not meeting its 50Mbps bitrate criteria. There's only a few handheld cameras that can capture video with such gentle compression, and a lot of those require a third-party add-on recorder to achieve it -- but not Sony's new XDCAM shooter, the PMW-100. It has a 1/2.9-inch Exmor sensor sitting behind a 40-400mm (35mm equivalent) zoom lens and outputs 1080p, 1080i, and 720p at up to 50Mbps using MPEG HD422 compression. SxS cards are the primary media, but there's HD/SD-SDI output too should you still need it. Sound recording is equally data-heavy, letting you hear interviewees dodge questions in four channels of glorious 24-bit uncompressed 48kHz audio -- unless of course your diminutive kit fools them into thinking you're harmless. The PMW-100 should start shipping in May for an as yet undisclosed price, but in the meantime you'll find more specs in the PR after the break.

  • CRTC won't regulate Netflix as a broadcaster in Canada

    by 
    Donald Melanson
    Donald Melanson
    10.05.2011

    Netflix may be a streaming company, but that doesn't make it a broadcaster -- at least, not in Canada, and not according to the CRTC. Despite calls from existing broadcasters to the contrary, the agency today opted not to regulate Netflix and other so-called "over-the-top" services -- which would have, among other things, made them subject to the same Canadian content requirements that broadcasters must comply with. While it hasn't completely closed the door on changing its tune in the future, at the moment the CRTC says that there's no evidence the services are harming traditional broadcasters, and that regulating them could in fact discourage innovation and make it difficult for Canadian companies to compete outside of the country.

  • Networked 'On Air' light illuminates when webcast begins, dims when it ends (video)

    by 
    Darren Murph
    Darren Murph
    03.08.2011

    We won't get into the myriad ways to impress one's audience while engaging in a live video podcast, but here's one that slides into the 'surefire' category. The crafty folks over at MAKE decided to construct an automated On Air light for their new live sessions, and rather than automating it with a human hand flipping a switch at a predetermined time, they decided to wire it up to receive signals from a UStream API. In essence, the light is programmed to turn on when the podcast shows 'online,' and turn off when that status changes to 'offline.' It's a beautifully simple concept, and yet, so illuminating. See for yourself after the break.

  • Want to know what the analog shutoff looks like on site?

    by 
    Richard Lawler
    Richard Lawler
    05.06.2009

    The digital TV transition is (finally) almost here (again,) but as frustrating as it's been for us watching TV, there's been considerable planning and equipment in place for broadcasters that is where the actual change happens. Check out this YouTube video (embedded after the break) of CET Cincinnati signing off of analog broadcasts for the last time just a few days ago. It's safe to assume this is the most excited you'll see people about a button press/lever pull all day.[Thanks, Matt]

  • First Look: Ustream for jailbroken iPhones

    by 
    Cory Bohon
    Cory Bohon
    03.16.2009

    Since the initial launch of the iPhone in 2007, people have wanted some type of video recording or streaming application. Of course, the iPhone SDK agreement doesn't allow this type of integration with the iPhone, but some developers have already gone ahead with creating these applications, and releasing them to iPhone owners with jailbroken devices. One such company is Ustream, who released their broadcasting application for the iPhone just a few weeks ago.With a jailbroken iPhone and the Ustream Broadcaster, you have the same options as if you were sitting in front of your computer logged into Ustream broadcasting. Once you enter your Ustream credentials, the application will automatically log you in each time you open it. Once it determines you have a sustainable Internet connection, you will get a split pane view: the upper pane will show your live video, while the lower pane will show the live chat. Across the bottom you have a broadcast button, which will set your video live online, a record button, and a mute button. There is also an "ask viewers yes/no" button; tapping this button will pop-up yes and no buttons on your viewers screen where you can poll them for a specific question. You have a myriad of options in the Broadcaster preferences. You can choose the video quality by selecting either High (auto) or low quality. You can also choose whether or not to broadcast audio, auto record, or send location. At the bottom of the preferences section you have the ability to send a Twitter message letting viewers know when you go online. In all, I found this application to be extremely useful for broadcasting to Ustream while mobile. The frame rate and quality is also high enough that your viewers won't be bored to tears waiting for the next frame -- I was actually surprised at how good the quality for the viewer was. I only had one major complaint with the application: when you are connected via the cell tower, the application doesn't automatically switch you to low quality for EDGE; instead you get a message saying that frames are being dropped and you might want to switch to low quality. Other than that, this app is stellar and well worth jailbreaking your phone if you must have it. You can find the download instructions for Ustream Broadcaster on the Ustream website. %Gallery-47760%

  • Netherlands' SBS seeking nominal yearly fees to pay for HD broadcasts

    by 
    Darren Murph
    Darren Murph
    01.15.2009

    No one ever said the spoils of high-definition came free, and no one knows that better than Dutch commercial broadcaster SBS. The outfit is reportedly holding its hand out and covering its face while asking for payments between €2 to €3 per year, per subscriber, from cable operators in order to pay for HD broadcasts. That's according to Eric Eljon, MD of SBS Productions, who hopes to begin high-def simulcasts within a few months should a deal be reached. In The Netherlands today, there is no license fee at all, with the public broadcasting system paid for out of the general budget; additionally, there's currently no way to recoup the massive increase in cost when switching to HD via advertising alone. C'mon, cable carriers / consumers -- just think of the HD starved children.[Thanks, Wouter]

  • HBS director scolds European broadcasters for shunning of HD

    by 
    Darren Murph
    Darren Murph
    12.12.2008

    Finally, someone with a little sense. It's no secret that we aren't fond of the way European carriers are treating high-def. Rather than investing in more HD channels / bandwidth and waiting for the rush of subscribers, they seem to be waiting for the rush before coughing up any loot. Peter Angell, director of Production & Programming at Host Broadcast Services, has come forward to confess that he is "disappointed that UK and European broadcasters have not embraced HD; flat-panel sales have gone through the roof, [but] the bit that's missing is the broadcasting [of signals]." He continued on to urge these very broadcasters to look to MPEG-4 / H.264 distribution systems to combat the bandwidth dilemma, though we've no clue how much impact one man will have. In somewhat related news, we're also told that 3D for the 2012 London Olympics is "a possibility," but we'll go ahead and warn you not to bet the farm on that one. No harm in hoping, though![Image courtesy of Hexus]

  • Dutch public broadcasters hitting the HD switch in 2009

    by 
    Darren Murph
    Darren Murph
    11.15.2008

    Now here's a trend we can really get behind. Just weeks after four French national channels decided that the grass was greener (or at least clearer) on the high-def side, a trio of Dutch broadcasters have announced their intentions to follow suit. Beginning in Q2 2009, Nederland 1, 2 and 3 will begin broadcasting in high-definition, and initially 15% of all primetime content will be shot in HD; the rest will "upscaled to HD," which frightens us just a wee bit. We're also told that carriage negotiations are already underway with "all major distributing platforms including cablers UPC and Ziggo," but only time will tell if anyone is willing to sacrifice the bandwidth for the sake of high quality.

  • TV broadcasters pleased with MPH mobile TV test results

    by 
    Darren Murph
    Darren Murph
    11.12.2008

    The world needed another mobile TV standard about like it needs another hole in the ozone layer, but regardless of that, we've still got broadcasters backing MPH. We originally heard that said protocol was being tested by Raleigh's WRAL back in July, and since then, a whopping 800 local stations (which make up the Open Mobile Video Coalition) have joined in to work out the kinks. Currently, the general consensus is one of satisfaction, with the group now hoping to "prove the viability of the proposed system before the ATSC." If all goes well, a candidate standard will be ready to present next month, which "would keep handset manufacturers on schedule to have commercial devices available by the holiday 2009 shopping season." OMVC is also planning a multi-station demo at CES in January, so you can bet we'll be there giving it a run for its cheddar.[Via RCRWireless]