CinemaCamera
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Blackmagic's new $1,295 compact shoots 4K RAW movies
As it teased, Blackmagic Design has unveiled a 4K version of its popular portable RAW camera at NAB 2018. The Pocket Cinema Camera 4K packs a full-size, dual native ISO Micro Four Thirds sensor and can internally record 4K HDR RAW at 4,096 x 2,160 and 60 fps in 12-bit RAW or 10-bit ProRes. Best of all, it costs $1,295, nearly half the price of Panasonic's video-oriented GH5s, making it the cheapest 4K RAW camera available by a long ways.
RED reveals a 5K camera sensor designed for outer space
In a bit of a surprise, RED Camera unveiled its most light-sensitive Super 35 sensor to date for the Epic-W cinema camera. The 5K Gemini sensor, much like the one on Panasonic's GH5s, has a dual-ISO mode that lets you choose between dynamic range and light-sensitivity. "Images exposed at ISO 3200 in low-light mode will be just as clean as images exposed at ISO 800 in the standard mode," said RED in a YouTube video (below) explaining the tech.
Red launches the Scarlet-W, an entry-level 5K cinema camera
Shooting a film or commercial with the same high-end equipment as a Peter Jackson or David Fincher just got cheaper. Red just revealed the $9,950 Scarlet-W and Scarlet-W Monochrome, cameras that shoot 5K RAW video and 2K ProRes with the company's Dragon sensor. For slo-mo, the 3.5-pound camera can handle 60 fps in 5K widescreen, 150 fps at 4K, and 300 fps at 2K resolutions. The model sits between the high-end $29,000 6K Epic model and the recently launched $5,950 Raven. Red's Jared Land told No Film School that the Raven is intended for drone or gimbal work, while the Scarlet-W is an entry-level main camera. "All of our [latest] cameras have the Dragon sensor in common, so intercutting footage between the entire line is pretty seamless."
Red reveals its most affordable 4K camera, the $5,950 Raven
Red, the company best known for professional cameras used on films like The Hobbit, has just launched a camera for producers with more modest budgets. Called Raven, it can produce 4,096 x 2,160 4k RAW video at up to 120 fps, and 2,048 x 1,080 ProRes at 60 fps max. Red has priced it at $5,950 for the body only, though you'll likely need to spend $10,000 or more before you can shoot anything. You'll get the same Red Dragon sensor that's on the company's $29,000 Epic, albeit a smaller version that's between APS-C and Micro Four Thirds sizes.
Canon's new $30,000 video camera can see where you can't
Canon is already competing with the Arri Alexa and Red cameras of the world, but it's about to take this one step further. Meet the ME20F-SH, a high-end video shooter that features a sleek, subtle and somewhat compact design. Most importantly, Canon's new camera can deliver an ISO equivalent of more than 4 million, instantly making it a prime option for people who need to capture footage in super-dark settings -- like a moonless night sky. The company believes its ME20F-SH is also great for production companies making films, reality television and documentaries. However, there are some limitations here. It only does 1080p, for one, which doesn't bode well in terms of being future-proof -- Canon says that had to be done to "achieve the highest possible low-light sensitivity," which would otherwise be reduced if it went with a higher resolution and, consequently, smaller photosites.
Blackmagic now shipping its Production Camera 4K for $1,000 less than expected
So far, all of Blackmagic Design's cinema cameras have suffered through various shipping delays, and the new RAW-capable Production Camera 4K is no exception. But if you plunked four grand down to order one quite awhile ago, there's a double-shot of good news: It's finally shipping out and now costs $1,000 less. From now on, the 4K super-35 sensor, global-shutter equipped model is priced at $2,995 instead of $3,995, making it the cheapest 4K pro camera on the market right now. That may change when Panasonic's 4K Lumix GH4 starts shipping for (likely) less money and with footage that, while not RAW, also looks very promising. Either way, at least there's a choice -- there were exactly zero sub-$3,000 4K cinema cameras on the market a week ago.
Blackmagic drops Cinema Camera price to $1,995
Do you like the prospect of shooting 2.5K video with Blackmagic's Cinema Camera, but turn pale at spending $2,995 for the privilege? We have good news: Blackmagic just dropped the pro video camera's price to $1,995. While that isn't exactly impulse purchase territory, it's low enough to put the greater-than-HD shooter in the same price bracket as semi-pro DSLRs. Think of the discount as consolation for delays in launching the Production Camera 4K.
Watch the first footage from Blackmagic's Pocket Cinema Camera (video)
Noted Blackmagic Design shooter John Brawley has released the first footage from the company's upcoming $995 Pocket Cinema Camera that might leave your DSLR green with envy. Though it's always tough to judge compressed web footage, to our eyes it looks completely untouched by the moire, aliasing and compression artifacts that tends to plague other digital cameras. While not specifying whether he used the compressed RAW setting or not, Brawley said he shot it using a Panasonic 12-35mm f/2.8 Micro Four Thirds lens with image stabilization turned on, meaning that feature's likely to be enabled on the camera when it arrives in late July. He also said he was "literally grabbing shots whilst I was shopping," which bodes well for serious filmmakers with a bit more time to spare. Head past the break to admire the video.
IRL: Bluelounge Messenger and the Blackmagic Cinema Camera
Welcome to IRL, an ongoing feature where we talk about the gadgets, apps and toys we're using in real life and take a second look at products that already got the formal review treatment. How do you make our one-man French bureau really, really happy? Obviously, the answer is to give him sparkling wine, a baguette and maybe a striped boatneck shirt. And also, hand him a $3,000 camera to tinker with. If you're at all interested in the three-grand Blackmagic Cinema Camera, Mr. Steve Dent has some detailed impressions (and complaints) after the break. And if you're not, we're still on the hunt for the perfect gear bag.
Phantom's latest camera blasts through 1000 fps at 4K (video)
Vision Research just upped the 4k speed barrier by a near order of magnitude with the launch of its Phantom Flex4K cinema camera at NAB. Starting at $110K, it builds on its Phantom Flex predecessor with up to 1,000 fps in 5-second bursts at 4K, 2,000 fps in 2K and 3,000 fps at 720p resolution -- speeds that'll net you almost three minutes of 4K video when played back at 24 fps. The full 16:9 Super 35 sensor-equipped model can be had with PL, PV Canon EOS or Nikon F/G mounts and will capture RAW or compressed footage in an "industry-standard," but as-yet-unspecified format. The Flex4K will also be available with a Phantom Cinemag IV, which will hold up to 2TB of data, or nearly 2 hours of RAW 4K footage at normal recording speeds. Other features include a Bluetooth transmitter and handheld Phantom RCU for remote operation, 12+ stops of dynamic range, HD-SDI video output and a camera control interface and form factor that hews to industry norms, according to Vision Research. If you're still reading after seeing the six-figure price tag, check the videos or More Coverage link after the jump for more.
Sony unveils price for PMW-F55 and PMW-F5 CinaAlta 4K camcorders
Looking for a hearty new camera rig to spice up your next indie film? Start saving: Sony finally went live with pricing for its PMW-F5 and PMW-F55 CineAlta PL-mount cameras. Following an LA screening of professionally shot 4K and HD footage, Sony mentioned that the high-end camcorders can be had for $34,900 and $19,400, respectively. The steeper priced PMW-F55 has a sharper edge, of course, and can natively shoot 4K, 2K or HD footage through a global shutter. The (comparatively) less expensive F5 can handle 4K video too, but needs the help of the AXS-R5 RAW recorder (a $6,300 add-on) to pull it off -- it also has a narrower color gamut and a rolling shutter. Roll on past the break for a full list of prices and accessories.
Sony goes Red-hunting with PMW-F55 and PMW-F5 pro CineAlta 4K Super 35mm sensor camcorders
Having seen some of its high-end cinema camera thunder stolen by the likes of Red and Arri, Sony has just launched a pair of CineAlta PL-mount cameras with brand new Super 35mm sensors: The PMW-F5 and PMW-F55. Though both pack 4K CMOS imagers, there are some major differences -- the higher-end PMW-F55 has a global shutter, wider color gamut and can capture 4k, 2k or HD video internally, while the PMW-F5 records 2k and HD natively with a rolling shutter (4k requires an optional RAW recorder, as discussed below). Depending on the level of quality you want, there are several ways to capture video to each camcorder. MPEG-4 H.264 video or Sony's SR MPEG-4 SStP can be recorded onto Sony's new SxS PRO+ media, or if RAW quality is desired, there's the new AXS-R5 Access Memory System for 2K / 4K RAW capture -- which will also work with the current NEX-FS700. Using the latter system, the PMW-F5 is capable of grabbing up to 120fps slow motion RAW HD video, while the PMW-F55 can capture 240fps at 2k, putting it squarely in Epic-X territory. The new camcorders will arrive in February 2013, and while Sony hasn't outed pricing yet, it'll likely be well under the flagship 4k CineAlta F65's formidable $65k sticker. Check the PR after the break to get the entire technical skinny. %Gallery-169619%
Sony teases '4K, HFR' F-series pro camcorder for October 30th event
Sony recently teased its high-end CineAlta brand and 'TheNewF,' implying a high-end PMW-F3-like camcorder could be coming at an October 30th event. It's now taken some of the suspense out of the announcement on Facebook, saying the upcoming camera will have 4k resolution, broadcast-level 50Mbps data rate, 4:2:2 color space and high frame-rates. That means it'll likely be a professional product on par with the last F-model, but we'll have to wait and see if it'll retain features like the PL lens mount and $16k price tag. We'll be there on the 30th for the full scoop, so stay tuned.
Canon Cinema EOS C100 hands-on (video)
Late last month, Canon added yet another model to its Cinema EOS line -- the C100 captures 1080p video, rather than the 4K clips enabled with the C500, but it also costs a heck of a lot less, at just shy of eight grand. It also offers some other nifty features, such as a pair of built-in mics and a duo of XLR inputs at the front of the top handle, SD card slots on the rear and a new autofocus button -- it's not a continuous solution, offering only single-shot, but it sure beats not having the feature at all. The camera is surprisingly lightweight, given its size and capability, and can be held quite comfortably with a single hand, as we did during our hands-on at Photokina earlier today. With a modular design, the camera featured a 3.5-inch 920k-dot LCD in its current configuration, and offers the standard suite of ports, including HDMI output with embedded time code. It also includes an ISO range of 3200 to 20,000, a maximum shutter speed of 1/2000 second and a built-in ND filter. The C100 is expected to hit stores in November for $7,999, but you can take a closer look right now in our gallery below and the hands-on video just past the break.
Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K
Blackmagic Design has thrown its Cinema Camera MFT into the Micro Four Thirds arena, but it will only work with lenses that have manual iris and focus capability. The shooter is otherwise identical to the original Cinema Camera, with a 2.5k, sub-MFT sensor; CinemaDNG RAW, ProRes and DNxHD capture formats; built-in SSD; capacitive touchscreen; and an included copy of DaVinci Resolve color correction software. That means cineasts already on board that format will have another mount for their glass, and MFT's mirrorless aspect will also permit other lens formats, like PL or Nikon, to be added with third party adapters. So, if the relatively low price, claimed 13 stop dynamic range, higher-than-HD resolution and new mount is enough to push your "start" button, check the PR for the entire skinny.
Red introduces $42K Epic-M Monochrome cinema cam, on sale October 1st
Red Camera promised to stop hyping products that weren't ready to ship, and true to its word, just announced the Epic-M Monochrome, surprising even its rabid user base. Packing an all-new black and white-only Mysterium-X sensor, the new cinema cam follows in the footsteps of the Leica M Monochrom still shooter, right down to a similar moniker. Red claims the dedicated CMOS sensor means no color debayering, yielding a one-to-one pixel count and 15-20 percent bump in effective resolution compared to its chromatic cousin. It also touted a sensitivity gain as another advantage, asserting that the Monochrome will have a native ISO of 2,000 (while using the retro-sounding "ASA" term), more than double that of the Epic-M or X. The camera will have a new low pass filter to account for the higher resolution, and buyers who plop down $42,000 to get one on October 1st will be upgraded, gratis, to a new Dragon Monochrome Sensor next year. Like the Leica, if you have to ask why you'd pay such a sum for a camera that doesn't speak color, it may not be for you -- but it is for David Fincher, says Red, who's already shooting his next feature on one.
Blackmagic Design starts shipping Cinema Cameras in limited quantity
Remember that $2,995 Blackmagic Cinema Camera that shoots full-res 21:9 16:9 video? It's now hitting shelves, or maybe we should say "a shelf," because the initial shipment was "rather small," according to the company. The arrival date was pushed back earlier, and now the 2.5k, 12-bit RAW, sub-four-thirds video camera won't roll out in volume until the "parts supply ramps up." Meanwhile, B&H got a handful along with several other dealers, but if you just decided to order one for tomorrow's shoot, you may wanna cool your ardor -- there's quite a back order to get through, first.
Blackmagic Cinema Camera pushed back a few weeks, new footage shown
Unfortunately, there's a delay for cinéastes anxiously awaiting their 12-bit RAW Blackmagic Cinema Cameras, but the news isn't all bad. The camera is "in the final stages of Thunderbolt certification and internal testing" and manufacturing will follow as soon as that's done -- probably in the second week of August, according to the company. It will still hit the market with the $2,995 price tag, Canon lens mount, 15.6 x 8 mm sensor and built-in SSD recorder intact. In more positive news, the company has identified the cause of aliasing noticed by some viewers and blames it on the workflow used. It's posted a few new videos to back up the claim, which can be viewed at the source link below. Considering the company might soon have similar competition, it's probably best to work out any bugs before shipping a boatload out to finicky cinema clients.
Canon reports slightly higher profits in Q1, teases new compact cameras on the way
Canon reported its Q1 2012 earnings this week, and things certainly appear to have gone better than the last time we checked in when it replaced the company president. While revenue declined slightly, net profit reached 61.54 billion yen ($766 million), up 11 percent from a year ago. There's no executive moves to report, however on the earnings call executive VP and CFO Toshizo Tanaka noted a unit sales increase of 30 percent for SLR cameras including the new EOS 5D Mark III as well as the cheaper T3i, Mark II and 60D models, combined with strong sales for WiFi-connected point-and-shoots. As far as new products, while its new cinema cameras got a glancing mention the plan this year includes compact cameras "offering the image qualities that approaches SLR cameras", with improved design and network connectivity features. All the numbers and earnings call talk are in black and white at the links below, although we prefer to spend our time speculating about the future of mirrorless cameras.
Blackmagic Cinema Camera packs 'feature film' 2.5K quality, touchscreen for $2,995
While Canon, Sony and Red have already stolen the show with new camera announcements here at NAB 2012, Blackmagic Design is trying to carve out a niche for its new Cinema Camera. Priced at $2,995, where the company sees this as differing from the competition is its ability to capture film quality video on its 2.5K sensor and output it to CinemaDNG RAW, ProRes and DNxHD file formats. That camera housing can take Canon or Zeiss lenses on the front, contains a built-in SSD within and has a capacitive touchscreen display for control and metadata entry. Once you've captured the video, the included copy of DaVinci Resolve can take care of all color correction needs, while the video can be pulled from the SSD over a variety of high speed ports including BNC SDI and Thunderbolt. Check out a few in-person pics in our gallery below and more specs in the press release after the break.
