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WoW Moviewatch: Theory of a Death Knight
Warning: Not safe for work! While it's all in a good fun, there's definitely cursing and loud, riotous music.This is the new short video from Myndflame, titled Theory of a Death Knight. Rumor has it that the creator went to herculean effort to get the video published. While I hate to see someone go to that kind of pain, I do have to say that it was worth it. "Theory" is one of those rare unique pieces that show why Clint is a stand-apart machinimator.The premise of the video is pretty simple. The scene opens to a Death Knight rocking out in a music studio. A Belf stops the performance, demanding to know why they always have to sing such harsh stuff. In the ensuing conflict, the Death Knight shortly finds himself fired. He then has to go out and make his own way in the big wide world.The first thing that struck me about this video was, ironically, the colors. While I've been exposed to vibrant imagery before, this whole thing felt like someone made it out of a paint bucket. They're bright, gorgeous, and vivid. The strong colors emphasized the frenetic pace of the Death Knight's music. The final gag in the movie had me laughing out loud. I wasn't expecting it, and it seemed like a perfect finale to the video.If you have trouble seeing the player above, you can catch the movie here.
Clint Eastwood edges closer to shooting in HD
Sure, we'd expect a legend like Clint Eastwood to stick to his theoretical guns when it comes to manhandling the cameras on the sets of Flags of our Fathers and the forthcoming Iwo Jima, but when HD camcorders almost win out against the tried and true 35mm film approach, we can't help but take notice. Eastwood admits that he, alongside a bevy of experts, ran a series of tests between scenes shot in HD versus film, and while he couldn't quite "reach the black levels" nor "control the atmosphere" as well as he wanted with HD cams, even he admits they came awfully close. He claimed the biggest dig against current HD rigs was their size, citing a need for ultra-fine HD capturing machinery that's uber-small as well before he could shoot an entire film with it. Still, he was able to utilize a series of Sony HVR-Z1U HDV cameras inside "prop 50-caliber machine-gun ammunition cases" after ruling out Panasonic's HVX-200 due to a lack of FireStore availability, and eventually blended a good bit of that content into the feature film. Mr. Eastwood admitted that HD wasn't quite where he needed it to be just yet, but felt very hopeful about its future in the motion picture industry, and if we had to guess, we'd say it won't be too much longer before HD technology will be "making his day."[Via DVGuru]
