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Canon EOS 60Da: the DSLR for that astrophotographer in your life
What if all the answers to the universe resided in the stars? What if your real home was in space? What if you had a camera engineered specifically to capture the beauty of the night sky? You do. Canon has just outed the proper successor to the EOS 20Da, with the 60Da "catering to astronomers and hobbyists" who'd rather spend their clicks on galaxies than flowers and Earthlings. According to Canon, there's a "modified infrared filter and a low-noise sensor with heightened hydrogen-alpha sensitivity" -- something that presumably means the world to astronomers. In more understandable terms, it's packing an 18-megapixel CMOS sensor (APS-C), a 3-inch Clear View LCD (you know, the flip-out kind), a nine-point autofocus system and TV-out support. The Silent Shooting feature that we already praised on the EOS 5D Mark III is here as well, as is a native ISO ceiling of 6,400 and an expandable range that reaches 12,800. Canon also throws in its RA-E3 remote controller adapter -- a vital accessory for those looking to shoot timed exposures greater than 30 seconds -- as well as an AC adapter kit for those all-night sessions. It'll hit select dealers later this month for $1,499, and no, this is not a joke.
Fujifilm X-Pro1 packs for business class: $9000 lens suitcase revealed
Nestled at the head of Fujifilm's FinePix camera family, the X-Pro1 has now been coccooned in luxury. If you baulked at the $1,700 body-only price tag, you probably won't be interested in this limited edition Globe-Trotter case kit. The tan leather suitcase houses a complete X-Pro1 system, including an external flash, 18mm f/2, 35mm f/1.4 and 60mm f/2.4 lens. As is often the case with these pricey collections, there's just 12 sets to go around and you'll have to charter your private jet for London -- they're only available at Harrods.
Samsung considering Android-based digital camera
Android on a mainstream digital camera? Yes, you could live to see the day. We're at Samsung's Korean headquarters this week, where we had an opportunity to sit down with the company's research and development team to talk about the past, present and future of digital imaging. One interesting bit of discussion: Samsung is considering an "open" camera operating system. It's still early days and nothing is confirmed but, given the company's support for Android on other platforms, that OS would be a logical choice. What we know is that Samsung R&D has been researching bringing Android to its digital cameras -- a move that would be far from shocking, considering that development teams do tend to collaborate, and the company clearly has experience with the Google OS. And while there are likely to be such open OS prototypes buried deep within Sammy HQ, they're mere experiments at this point -- at least from a production perspective.What exactly would an OS like Android mean for digital camera users? It could be a major breakthrough from a usability standpoint, opening up the in-camera ecosystem to third-party developers. We could see Twitter and Facebook apps that let you not only publish your photos directly with a familiar interface, but also see photos shared by your friends. A capacitive touchscreen would let you type in comments directly as well. You could publish to web-based services, utilize apps that enable post-capture creativity or receive firmware updates directly over WiFi. That hotshoe or USB port could accommodate a variety of different accessories, like a microphone or 4G modem that could be used with several models, including those from other manufacturers. While there's nothing making Android integration impossible from a technical standpoint, there are obvious disadvantages as well -- especially for camera makers. Stability would become an issue -- your camera could need a reboot just as often as your smartphone -- and such a powerful imaging device could theoretically cannibalize tablets and smartphones, though on a limited scale. Sadly this is merely educated speculation at this point, pending a product announcement from Samsung, though we wouldn't be surprised to see it come to fruition -- perhaps even before the next CES.Update: Samsung reached out to us asking to clarify that this is simply something under consideration; nothing is confirmed yet. We've updated the post above to match.
Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB?
With both its 1D and 5D-series models already confirmed for 2012, today's Canon teaser hints at something slightly different -- and, according to our sources, a major announcement. The event is set for April 15th -- during the National Association of Broadcasters (NAB) show in Las Vegas -- further confirming that whatever imaging device we'll see will likely be geared towards the motion picture and television communities. So, what could it be? A new Cinema EOS cam with a 1D form-factor? A lower-priced model poised to compete with the RED Scarlet? We have but a month to wait for confirmation, so if you haven't already placed your C300 order, it might not be a bad idea to hang tight until after Canon's Tax Day reveal.
Nikon D4 hands-on with sample images, video
Remember when we were in a tizzy about the Nikon D4, way back in January? We got to play with this tank of a DSLR a bit, but sadly weren't permitted to actually publish any of the photos or video that we shot with the thing. Sure, we've seen some samples of it in action, but it's not quite the same. Thankfully, the company made our late-February that much better, allowing us to take the D4 on a jaunt around the city, a couple of weeks ahead of its mid-March launch. We strolled around Washington Square Park and 6th avenue, with the beast of a camera in-hand, shooting tourists and scenery, before popping by a subway station to have a go with the camera's purported excellent low-light capabilities that we've been hearing so much about. Click on through to take a look at some sample video.%Gallery-149058% %Gallery-149055%
Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April)
If a ship date pops up on Amazon for a date in the not-so-distant future, we're typically inclined to listen up -- after all, the world's largest e-tailer probably has a fairly good idea of when its products will first leave the warehouse. This time, it's the Olympus OM-D E-M5, which just appeared on the distributor's Japanese site with an estimated release date of March 31st. There's no mention of a date on the company's U.S. site, however, so it's still unclear whether or not the Micro Four Thirds cam will hit North American shores on the 31st as well. Still, unless a trip to Japan is in the cards for the end of Q1, your best bet for getting early access to the highly-anticipated mirrorless cam would probably be to get your pre-order on at our coverage link below.Update: We're now seeing US retailers listing the device with an April 10th release date. Check the More Coverage links below.
Sony announces quartet of Cyber-shot cams, boasts of slim profiles and tough skin
The Cyber-shot family just keeps growing and growing, with its latest litter focused on keeping slim and staying active. The quartet's most rugged machine, the $330 16.2 megapixel DSC-TX20, promises to be tough as nails by tolerating water up to 16 feet under, bouncing back from five foot falls and braving freezing tundras as cold as 14 degrees Fahrenheit. The $350 DSC-TX66, on the other hand, forgoes the armor in favor of a 18.2 megapixel sensor, a 3.3-inch "Xtra Fine" OLED touch screen and 1920 x 1080 video recording. The outfits 18.2 MP DSC-WX150 and 16.1 MP DSC-W690 claim the titles of "world's thinnest 10x optical zoom cameras," (excluding the lens) according to Sony, and are priced at $250 and $180, respectively. Read on for Sony's official press release and all of the rough, tough and svelte details, as well as Sony's own hands-on look at the new Cyber-shot lineup.
Kodak gets court approval to borrow $950 million, end theater sponsorship
Kodak took another step along the road to recovery yesterday, after receiving court approval to borrow $950 million in restructuring funds. Nearly a month after the camera maker filed for Chapter 11 bankruptcy, US Bankruptcy Judge Allen Gropper granted Kodak's request on Thursday, allowing the company to continue operations during its ongoing transition. Gropper's decision, handed down in a Manhattan court, follows a series of negotiations between Kodak and its lenders, and adds an extra $300 million to the $650 million awarded during January's Chapter 11 filing. The company is also allowed to end its sponsorship of the Kodak Theatre in Los Angeles, after successfully arguing that doing so would be in the best interest of Kodak and its creditors. Under the deal, Kodak is obliged to pay $72 million over the course of 20 years. It currently shells out $3.6 million per year and still has $38 million in outstanding payments, but Kodak's lawyers argued that the agreement was too costly. Kodak Chairman and CEO Antonio Perez issued the following statement in response to yesterday's decision: "Today's agreement is another step towards ensuring that Kodak is positioned to execute on the goals the Company set out last month: Bolster our liquidity in the U.S. and abroad, monetize our non-strategic intellectual property, fairly resolve legacy liabilities, and enable Kodak to focus on its most valuable business lines."
Apple wants to file patent lawsuit against Kodak, fully aware that Kodak's bankrupt
Poor Kodak just can't catch a break these days. Nearly a month after filing for Chapter 11 bankruptcy and mere days after shuttering its digital camera business, the sputtering company now finds itself the target of no less a behemoth than Apple. Yesterday, Cupertino's legal team asked a US Bankruptcy Court for permission to go after Kodak on two legal fronts: with a patent infringement lawsuit in a Manhattan district court, and a corollary complaint in the ITC. According to Bloomberg, Apple's patent suit focuses on technologies that Kodak uses in its line of digital cameras, printers and digital picture frames. Unfortunately for Kodak, printers are one of the product areas it recently decided to focus on, as confirmed in last week's restructuring announcement. Salt, meet wound.These two companies, of course, have been involved in an ongoing ITC battle over Kodak's image transfer technology, with the latest salvo coming last month, when the camera company launched a fresh batch of litigation against both Apple and HTC. If the bankruptcy court grants Apple's request, the company will head straight to court, in the hopes of obtaining a block against Kodak's allegedly infringing products. Kodak, meanwhile, could file a request to hold off the district level case until the ITC ruling comes through, though Apple said yesterday that it would press forward, regardless. The company was also quick to point out that it's not legally bound to request permission to sue a court-protected bankrupt company, but did so "out of an abundance of caution," which is really considerate, if you think about it.
Scalado Remove clears up your photos, we go hands-on (video)
It's a familiar scenario. You're traveling with a friend and she poses in front of a famous monument. You're ready to take her picture with your phone but there's a constant stream of people and vehicles getting in and out of your shot. What are your options? You could wait for the right lull in traffic to press the shutter key or you could use Remove -- Scalado's patented new object removal technology. Remove captures several images in a row, analyses them and automatically creates a composite photo devoid of unwanted details. Better yet, it highlights potential objects and lets you eliminate them manually. The folks at Scalado -- best known for such camera innovations as zero shutter lag and Rewind -- are planning to showcase Remove at Mobile World Congress later this month but luckily for you, we got an exclusive first look at an early build of the Remove app for Android. We installed the app (designed for Gingerbread) on two of Samsung's flagship devices -- our Galaxy Nexus HSPA+ and our global Galaxy S II. The primary UI is simple and looks pretty much like any other basic camera app. Just tap the on-screen shutter key and Remove quickly takes several pictures in a row (the Nexus is about twice as fast as the GS2 here, interestingly). You can touch a second time to stop capture or let the app finish on its own. Remove then magically displays the resulting composite shot which you can save to the gallery by tapping the checkbox at the top right corner of the screen. There's also a toggle in the same location which lets you switch to a secondary UI that allows you to pick which unwanted details to remove (or keep) from each frame. Of course you can load and re-tweak previous captures at any time to restore (or eliminate) objects after the fact. Remove introduces a completely new way to capture that special moment, and while we experienced occasional issues with the responsiveness of the UI and noticed a couple minor bugs, the app is relatively intuitive and works rather well for a prototype. Take a look at our gallery of sample images and screenshots below and hit the break for the full PR treatment, including Scalado's concept video.
Barbie gets a camera implant to snap photos in style, we go hands-on
Speechless? We can't blame you and, although this fashionable shooter might not be up your alley, we're willing to bet your kids -- or any other young member of the fam -- would snatch her up in a heartbeat. Dubbed Barbie Photo Fashion, she might not be too computer savvy or a filmmaker, but this stylish doll's got traits of her own to flaunt. Photo Barbie's carrying a 5-megapixel camera between her shoulder blades and a thumb-size LCD in her synthetic guts. She's got 15 built-in effects to give your pics a little sweet spice too. Speaking of, the $50 Barbie holds up to 100 shots and is powered by a rechargeable battery that should give you enough juice to get through a few sessions. When it's time to charge up or unload your images, just jack into her tramp stamp mini USB port. Barbie was kind enough to join our photoshoot, so hit up the gallery below to check out the rest of the shots. Terrence O'Brien contributed to this report.
CP+ Camera & Photo Imaging Show wrap-up
It's never easy to leave Japan -- the friendly people, incredible food, cutting-edge tech, clean streets and efficient public transit network mean we never hesitate when given an opportunity to visit this incredible country. But sadly, our latest adventure has come to an end. This year's CP+ Camera & Photo Imaging Show brought thousands of photography fans to Yokohama, a metropolis just a short train ride away from Tokyo. And while CP+ is still primarily a Japanese trade show, it served as the global launching ground for dozens of top camera models, including the Nikon D800, Olympus E-M5 and Pentax K-01, just to name a few. Bag and tripod manufacturers could be found spattered amongst the Japanese camera giants, but overall this show was more about the latest cameras than gimmicky accessories. There was still plenty of entertainment to be found on the show floor, so scroll through our gallery below for an inside look at life at CP+, or jump past the break for a roundup of our hands-ons and related news stories. Sayonara!
Sony 500mm f/4 G SSM lens hands-on (video)
You don't see many lenses pop up 'round these parts, but Sony's new 500mm f/4 G SSM optic is impressive enough to warrant some hands-on attention. We spotted the new A-mount telephoto mounted on an Alpha A77 at Sony's booth at CP+ 2012, and queued up for a chance to take some shots. The lens focused surprisingly quickly, especially given its massive 500mm fixed focal length. Moving from subject to subject at varying distances, we were typically able to achieve focus in a fraction of a second. Long lenses have traditionally been tricky on the focus front, but this guy handled it like a champ, with speeds that appeared to rival far shorter primes. The SAL500F40G, as it's to be known, will be hand built to order beginning in March, with a yet-to-be-confirmed (likely sky-high) price tag. Click on past the break to see just how quickly we can zero in on some wild CP+ show floor action.
Canon PowerShot ELPH 530 HS WiFi iPad transfer hands-on (video)
Sure, your iPad 2 has a camera, but that doesn't mean you should be using it to take pictures. One of the biggest point-and-shoot trends to pick up speed in 2012 is built-in WiFi, letting you capture higher quality stills and videos with your dedicated imaging device and transfer them directly to the web, or to a smartphone or tablet on the same WiFi network. The PowerShot ELPH 530 HS is Canon's latest pocket shooter to employ this feature, and the company had a few samples on hand at CP+ 2012 in Yokohama, Japan to demonstrate how it works.We took the 530 HS for a cordless spin, connecting the iPad to the camera's Ad-Hoc (point-to-point) network and launching the Canon CameraWindow app. After a few seconds (and quite a few taps on the 10-megapixel cam's 3.2-inch LCD), we had the two devices communicating, with a final click sending the image from the ELPH directly to the iPad's screen. That seconds-long connection delay may be inconsequential when transferring a day's worth of photos, but it's a slight inconvenience if you're only trying to transfer a single image. The camera also includes built-in Twitter and Facebook upload functionality, though, bypassing the Apple middleman entirely. The $349 ELPH 530 HS won't be shipping until April, at which point you may be refreshing your tablet as well. Jump past the break for a quick video demo.
Canon PowerShot D20 ruggedized point-and-shoot camera hands-on (video)
Remember the Canon PowerShot D10? The company's first ruggedized underwater cam was a solid snapper, but its bulky submarine-like design made it impractical for most surface-based shoots. The PowerShot D20 offers a drastic improvement over its predecessor in the appearance department, more closely resembling a compact point-and-shoot than a subaqueous vessel. We can't speak to the cam's image quality just yet, but assuming its on-par with the D10, we'd say the latest D model is worth some serious consideration as an upgrade, even for a reduction in footprint alone. The D20 includes a 12.1-megapixel HS (high-sensitivity) CMOS sensor, a bright 3-inch LCD and a 5x 28mm optically stabilized zoom lens. It's waterproof to depths of 10 meters (33 feet), can survive drops from a height of 1.5 meters (5 feet) and can operate in temperatures ranging from 14 degrees to 104 degrees Fahrenheit. There's also a top sensitivity of ISO 3200, and a built-in GPS.We spent a few minutes with the D20 at Canon's booth at CP+ 2012 in Yokohama, Japan, and were quite impressed with the improved design. Naturally, it's a solid-feeling point-and-shoot, with protected components and airtight port covers. Company reps didn't bat an eye when we unintentionally tested the camera's durability with a mild drop. There's a standard-issue PowerShot interface, with a fairly straightforward menu structure, and the camera felt plenty snappy, focusing and firing off an image almost instantaneously. It's noticeably larger than the company's more compact land-limited models, but there's no reason you wouldn't feel just as comfortable using this to shoot your child's first birthday party as you would their first scuba lesson. The $349 PowerShot D20 won't be hitting stores until May, but you can jump past the break for a quick look in the meantime.
Canon EOS-1D X and Nikon D4 ISO 204,800 shooting hands-on (video)
With mirrorless cameras offering high-resolution APS-C sensors and consecutive shooting speeds of up to 10 frames-per-second, what's left to make a $6,000 full-frame DSLR a compelling purchase, especially for amateur photographers? Low-light performance, for one -- the Canon EOS-1D X and Nikon D4 are both capable of capturing images at up to ISO 204,800, letting you snap sharp photos in even the dimmest of lighting conditions. The benefits of a top sensitivity of ISO 204,800 are significant -- jumping from one ISO to the next doubles your shutter speed. So an exposure of f/2.8 at 1/2 second at ISO 400 becomes 1/4th at ISO 800, 1/15th at ISO 3200, 1/60th at ISO 12,800, 1/250th at ISO 51,200 and a whopping 1/1000th at ISO 204,800 -- fast enough to freeze a speeding car.Both Canon and Nikon have yet to allow us to take away samples shot with the 1D X or D4 -- the companies even taped CF card slots shut to prevent show attendees from slipping their own card in -- but we were still able to get a fairly good idea of high-ISO performance from reviewing images on the built-in LCDs. At the cameras' top sensitivity of ISO 204,800, noise was visible even during a full image preview. Zooming into the image revealed significant noise, as expected. However, within each camera's native range of ISO 100 to 25,600, noise was barely an issue at all. Both cameras are still pre-production samples at this point, so we'll need to wait for production models to make their way out before we can capture our own samples, but based on what we saw when reviewing ISO 204,800 images on the built-in LCDs, that incredible top-ISO setting may actually be usable. Scroll on through the gallery below to preview some top sensitivity shots on the Canon EOS-1D X (camera poster) and the Nikon D4 (Japanese model), and join us past the break for an even closer look in our video hands-on.
Sony Cyber-shot TX300V inductive charging camera and dock hands-on (video)
You may have thought that Sony's Cyber-shot TX200V was the company's most powerful point-and-shoot to date, but that's not exactly true. The company has a Japan-only version of the TX200V called the TX300V, and it's quite a compelling upgrade. The camera's most appealing addition comes in the form of a wireless charging and transfer dock -- it refuels your pocket snapper through inductive charging while also wirelessly transferring images to your computer using TransferJet. It can also draw power from your computer's USB port (no AC adapter required). Oh, and it ships in the camera box.Sadly, there aren't any plans to sell this iteration outside of Japan, and Sony's mum on pricing and availability. The camera transferred images and charged without issue during our demo (the Charge indicator lit up, at least -- we didn't stick around to watch it charge the camera). We went hands-on with the TX300V and its charging dock at CP+ in Yokohama, and you can check the camera kit out in all its glossy black glory just past the break.
Olympus black E-M5 Micro Four Thirds camera and internals eyes-on
By now we're quite familiar with the Olympus E-M5's attractive external appearance, but what does it look like on the inside? The company carefully disassembled its new flagship model, and displayed the components in ten layers for us to examine at CP+ in Yokohama, Japan. The image sensor module is perhaps the most impressive component, due in part to its five-axis sensor-shift image stabilization. We can also spot the magnesium alloy shell, main system board and top plate. Another display encased a compete E-M5 kit, with a lens, split right down the middle. You'll find a variety of views in the gallery below, along with a special treat: the all-black version of the E-M5, in all its smooth metal glory.
Pentax K-01 mirrorless camera doesn't feel as cheap as it looks, we go hands-on (video)
After Pentax boasted about the performance of its incredibly small Q mirrorless cam, we're certainly justified in approaching the company's latest ILC with a bit of skepticism -- especially given its blatant toy-like appearance. But after spending a few minutes with the K-01 at Pentax's CP+ booth, we can confirm that the compact camera doesn't feel nearly as cheap as its looks may imply. The camera includes a brand new 16.28-megapixel APS-C CMOS sensor -- a far cry from the 12-megapixel 1/2.3-inch imager included with the petite Pentax Q. There's also a bright 920k-dot 3-inch LCD, a sensitivity range of ISO 100-25,600 (!) and 1080/30p video capture. It's also, believe it or not, compatible with Pentax's range of K-mount DSLR lenses.The K-01 is a bit hefty for a mirrorless camera -- it dwarfs the near-pocketable Pentax Q -- and has a weight to match its rather large footprint. The cam actually feels quite durable, though we're definitely not sold on its "fun" Michael-Graves-meets-Fisher-Price design (think smooth corners and bright colors). There's a built-in pop-up flash, along with a hot shoe positioned just over the lens. There's also -- much to our surprise -- a microphone input. We can't imagine pairing this thing with a pricey external mic rig, but if you're not too embarrassed using this for professional applications, the included audio input may come in handy. Jump past the break for a quick video walkthrough from Japan, and keep an eye out for the camera closer to home -- the $750 (body only) K-01 is expected to hit stores next month.
Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video)
Olympus's inaugural OM-D mirrorless interchangeable lens camera, the E-M5, boasts the world's fastest autofocus and a pretty fantastic design, but it's also the first camera to implement a new five-axis sensor-shift image stabilization technology, that allows the lens to compensate for camera shake. The company was on hand at CP+ 2012 to demo the new sensor, which really does shift every which way to keep your photos and video still. We'll of course need to spend some time shooting photos and video with the E-M5 before labeling the five-axis sensor a success, but from the demo we saw today, it looks pretty darn promising. Jump past the break for a video hands-on, and scroll through the photos below for an up-close view of Olympus's latest Micro Four Thirds masterpiece.
