DigitalCamera
Latest
We're live from CP+ 2012 in Yokohama, Japan!
As Macworld continues on its path towards irrelevance, another post-CES trade show is gaining heat on the other side of the Pacific. This is our first year at the CP+ Camera & Photo Imaging Show, taking place at Pacifico Yokohama, just a short from JR train ride away from the hustle and bustle of Tokyo. While the show itself is little known outside of Japan, it's prompted a barrage of camera announcements over the last few weeks. In addition to the dozens of new consumer models that are set to hit the market, CP+ also gives us another chance to fire off some flagship professional DSLRs, including the Canon 1D X, and the Nikon D4 and D800. We're also expecting to take a behind-the-scenes look at some new sensor tech -- and who knows, we may even find ourselves standing below an RC photo chopper or two -- so check back often to get your fill from what's shaping up to be one of the biggest photography trade shows of the year.
Olympus unveils SZ-31MR camera: 16 megapixels, 24x optical zoom
Japanese camera manufacturer Olympus has just introduced the successor to its SZ-30MR compact shooter. The new snapper not only sees a minimal increment on its stage name, SZ-31MR, but it also keeps the same 16-megapixel backlit sensor as its predecessor, as well as an identical 24x (25-600mm) optical zoom. Though, the newcomer does get a fresh image processor, making the jump from a TruePic III to a TruePic V, thus bringing along better low-light performance, scene enhancements and keeping high-quality shots while using the zoom feature. Amongst other traits, the device is packing a 3-inch (920,000-dot) LCD, 6400 ISO and 1080p video capture at 30fps. Olympus is also implementing a new technology dubbed iHS (Intelligent, High-Sensitivity and High-Speed), which the company claims will produce sharper and more vivid images. All this can be yours for a mere $399 this April when it's released, but if you want to know more before parting with that cash, check the pic gallery below and the PR after the break.
Olympus OM-D E-M5 Micro Four Thirds camera preview (video)
Olympus has embraced the camera designs of yesteryear for several generations, from its first Micro Four Thirds models to last year's E-P3. But now the Japanese camera maker is stepping up its retro game, announcing a brand new line of Micro Four Thirds cams. Meet the OM-D. A dramatic departure from the more modern-looking PEN cameras, this new line of mirrorless models, specifically the E-M5, in many ways duplicates the design elements of the 1970s-era OM System. The first consumer camera in that SLR lineup, the OM-10, served as clear inspiration for the slightly boxy, black or silver and black magnesium alloy digital model we have today. We were able to spend some time with the Olympus E-M5 before tonight's announcement, and were very impressed with what we saw. Jump past the break for our impressions and an Olympus-guided video walkthrough, and thumb through the gallery below for a detailed look at the company's answer to the Fujifilm X-Pro1.
Olympus updates its Tough lineup, intros TG-820 ruggedized shooter
Olympus isn't planning on staying far behind its competition in the ruggedized camera department. That's why it's taking the wraps off its TG-820. The newest addition to the Tough lineup brings along predictable traits for a shooter of its kind, such as being waterproof up to 33 feet, shockproof, freezeproof and crushproof. All the "proofs" aren't the only set of features present amongst its offerings, the Tough TG-820 comes sporting a 12-megapixel, back-side illuminated CMOS sensor (compared to the 14-megapixel CCD on its predecessor), 1080p video recording capabilities, as well as a 5X optical and 4X digital zoom. Also included in the package is a 3-inch, HyperCrystal LCD, plus a plethora of shooting modes to choose from, some of which include: Panorama, Sensor-shift IS, Backlight HDR and a Pet mode. Olympus' new rugged shooter will hit shelves next month for $299, in the meantime you can pick which color best suits you by checking out the press shots below.
Pentax refreshes its rugged camera lineup with the Optio WG-2 series
Exactly twelve months after the unveiling of the Optio WG-1 family, Pentax is now introducing the successors to its colorful and ruggedized shooters. And while its macho design hasn't changed much, the newcomers usher in a host of predictable spec bumps. The new all-terrain shooters are sporting a 16-megapixel, back-illuminated CMOS sensor, 1080p (30fps) movie mode, micro-HDMI for when you feel like sharing your adventures and a 3-inch, 460,000 -dot LCD to help you frame your shots. Of course, this wouldn't fall under the rugged category if it couldn't handle anything you threw at it, which is why any WG-2 is waterproof up to 40 feet, shock-resistant and dustproof. If you're thinking about taking one of these on the trails with you, be ready to unleash around $350 for the unguided model or about $50 more for a GPS-enabled number. Neither will be available until March, so you'll have to wait a while, but in the meantime we've got the full PR below along with some press shots.
Olympus OM-D E-M5 leaks continue, 'super fast' AF and 3D tracking system on the way?
A certain purported Olympus Micro Four Thirds shooter has been anything but shy prior to its official unveiling (whenever that happens). Now, 43 Rumors is keeping the intel flowing with tidbits it received from a "super European source." The fresh bits suggest the E-M5 could sport a "super fast" autofocus and 3D tracking system, an external "weather-sealed" GN10 flash and additional filters. And, if rumors are to be believed, you'll be able to see the effects of the image stabilization through the electronic viewfinder. Though your skep-alarm should be on high alert, we can't keep you from believing, so hit up that source link to find the rest of the alleged details.
Canon welcomes ELPH 530 HS / 320 HS, SX260 HS and D20 to PowerShot lineup
Alongside the new additions to Canon's A-Series of digital cameras, the company is also giving more demanding consumers a similar outpouring of love with four additional shooters in the PowerShot family, which sport a diverse array of features such as WiFi connectivity, 20x optical zoom and rugged designs. Leading the charge for the ELPH lineup is the 530 HS. Along with the 320 HS, it features the ability to wirelessly upload images to Canon's online portal, where users may then post their latest captures to Facebook, Twitter and YouTube. The ELPH 530 HS features a 12x optical zoom lens paired with a 10 megapixel sensor and is expected to retail for $349 in April. Meanwhile, the 320 HS delivers a 5x optical zoom lens and a 16.1 megapixel sensor. It'll carry a $280 price tag and is set to hit stores in March. Both ELPH models feature Canon's DIGIC 5 image processor, capture 1080p video and include a 3.2-inch LCD touchscreen.Those who roll Rear Window style may want to check out Canon's new SX260 HS, which packs a 25mm wide-angle lens that boasts up to 20x optical zoom. Like the latest ELPH's, it also offers the DIGIC 5 processor and captures 1080p video. Unique to the SX260 HS, it features GPS for location tagging and a burst shooting mode that captures a continuous 10.3 frames per second. It'll be available in March for $349 and is set to come in black, green and red finishes. Lastly, the D20 offers up a few ruggedized features for outdoor enthusiasts. It features underwater shooting abilities (including a specific macro mode), and is also said to be shock-proof and freeze-proof -- no mention of it tolerating heat, though. The D20 incorporates a 12.1 megapixel sensor, captures 1080p video and features a 5x optical zoom lens. It also offers GPS, but unlike the other cameras here, it uses the DIGIC 4 image processor. If you're considering the D20 for your next adventure, it'll be available in May for $349. You'll discover more about these four additions in the PR, after the break.
Nikon confirms 36.3-megapixel D800, we go hands-on
Thirty-six megapixels. That's the native resolution of Nikon's long-awaited FX-format digital SLR. The D800 was designed with all professional photographers in mind, but with 36.3-megapixel captures (yes, that also means 36.3 megapixels in RAW, or 15.4 in DX format), the Japanese camera maker's latest DSLR output is likely to far exceed the needs of many. It also limits low-light shooting capabilities -- the D800 is a full-frame camera, but even so, with a standard sensor capturing 36.3 megapixels, its high-ISO performance is unlikely to match the likes of the D4, or Canon's new 1D X. It's for this reason that Nikon limited the camera's top native sensitivity to ISO 6400, or 25,600 in Hi2 extended mode. Want to see more? Thumb through the gallery below and jump past the break for a closer look at the latest full-frame DSLR to hit the market.
Sony Alpha NEX-7 mirrorless camera review
Remember the NEX-7? Ever since a days-long shooting session back in September, Sony's prized mirrorless cam has eluded us -- and the rest of the world. As you may recall, the flagship Alpha ILC was hit by the Thailand floods, resulting in delay after delay, eventually missing the holiday shopping season entirely before resurfacing late last month. Another week later and our beloved Sony Alpha NEX-7 has finally arrived, ready to take on the streets of New York City. So what exactly is the NEX-7, and why does it cost as much as a mid-range DSLR? First off, the 24.3-megapixel APS-C ILC captures, well, 24.3-megapixel images, offering the highest resolution of any mirrorless model on the market. Its APS-C sensor is identical to the one found in Sony's A77 DSLR, measuring larger than Micro Four Thirds and on par with most full-size digital SLRs.If having the ability to capture mural-size images ranks fairly low on your digicam wish list, you may take comfort in some of the NEX-7's other features, such as its gorgeous and durable magnesium alloy body, built-in XGA OLED electronic viewfinder, 3-inch, 921k-dot articulating LCD and unique tri-navi control interface that enables direct access to key settings adjustments, including both aperture and shutter speed in manual mode. There's also 1080/60p HD movie capture with full manual control and microphone input support, a 10 frames-per-second continuous shooting mode (with exposure and focus locked) and a BIONZ image processor that's capable of delivering low-noise images all the way through ISO 16,000. These features combine to make the NEX-7 one of the most powerful mirrorless cameras to date, but are they enough to justify the $1,200 body-only price tag? Join us past the break to find out.
Fujifilm X-Pro1 shows up on Amazon, confirms $1700 price (update)
Oh Amazon, why must you tease us so? Not content on leaking the Fujifilm X-Pro1's lenses before the mirrorless ILC was even announced at CES, the retailer just confirmed the camera's price. It appears you'll have to plunk down a hefty $1700 to get your dirty little mitts on this high-end rangefinder-ish 16 megapixel APS-C shooter -- and that's just for the body. As a reminder, you'll also be able to purchase the 18mm (27mm equivalent) f/2.0 and 35mm (53mm equivalent) f/1.4 lenses for $500 each, and the larger 60mm (91mm equivalent) f/2.4 macro lens for $600. This camera may not be quite a sexy looking as its fixed-lens cousin the X100, but it sure looks more than up to the task of taking beautiful pictures. Guess we'll have to wait until late February to find out for sure. Update: Looks like Fujifilm has confirmed the info we reported on above. You'll find all the details in the press release after the break. [Thanks, Amad]
Nikon outs new Coolpix trio: L810 with 26x zoom, waterproof S30 and Intelligent Auto L26
Point-and-shoot refreshes may not get you all hot and bothered like some new, networked DSLRs might, but Nikon's doing its best to reinvigorate the category. Announced today, the new line of Coolpix digital cameras crams an assortment of dedicated features -- Intelligent Auto, ultra-zoom and ruggedization -- into a spread of budget-friendly, 720p HD-capable offerings. The leader of this updated bunch, the L810, combines a 26x (22.5mm-585mm) lens, 19 exposure settings and a 3-inch LCD screen with VR image stabilization for users who want to get up close and personal without compromising detail. While the bar-lowering L26 makes the art of imaging a bit simpler and removes that pesky need for photographic know-how, capturing pictures using a 5x Zoom-NIKKOR lens in tandem with its array of automatically-selected scene modes. And for the accident prone amongst you amateur Ansel Adamses, the company's S30 packs a 10.1MP sensor and 3x wide angle lens into a drop-resistant, waterproof shell. These three digital imaging amigos are available starting this February in an assortment of colors, with the L810 retailing for $280 and its category siblings pegged for $120 each. Head on past the break to peruse the official presser and get the lowdown on the extended feature set.
Nikon unveils Coolpix P510 42x superzoom, P310 with f/1.8 lens
This evening's Nikon post is presented in partnership with the letter P. The Coolpix P-series welcomed a new pair today, with point-and-shoots that "pack a potent punch... and powerful performance" -- and a plentiful portion of P, as you'll notice in the press release past the break. The Coolpix P510 "breaks the zoom barrier" with a 42x 24-1000mm optically stabilized lens. It features a 16.1 megapixel BSI (backside illuminated) CMOS sensor, a 921k-dot 3-inch vari-angle LCD, can shoot 1080p HD video with stereo sound and supports ISO 100-3200 shooting with Hi1 (ISO 6400) and Hi2 (ISO 12800, monochrome) options. GPS functionality is also included, with support for tracking and photo geotagging.Those of you seeking a more-pocketable P-series may want to consider the Coolpix P310, which offers the same 16.1 megapixel BSI CMOS sensor, a 921k-pixel 3-inch LCD, a native sensitivity range of ISO 100-3200 (Hi1 of ISO 6400) and a 4.2x 24-100mm f/1.8 (maximum) optically stabilized zoom lens. As Nikon's high-end pocketable model, the P310 offers advanced exposure modes, including program, shutter- and aperture-priority, along with a full manual mode. There's also 1080/30p video capture with stereo sound and in-camera editing. Both cameras will be available in February, with the Coolpix P510 shipping in black and red for $430 and the black-only P310 running you $330. Oh, and don't forget about that plenary P-PR past the break.
Panasonic introduces Lumix DMC-ZS20 and ZS15 compact superzoom cameras
We've seen Panasonic's 2012 lineup of ruggedized and entry-level point-and-shoot cameras, but now the Japanese-based manufacturer is unleashing a pair of compact "Traveler Zoom" cams to the 2012 mix. The Lumix DMC-ZS20 and ZS15 include 20x (24-480mm) and 16x (24-384mm) optically stabilized zoom lenses, respectively, 3-inch 460k-pixel LCDs, 1/2.3-inch High Sensitivity MOS sensors and a 10 fps burst shooting mode (5 fps with continuous AF). The higher-end ZS20 features a 14.1 megapixel sensor and 1080/60p video shooting while the ZS15 captures 12.1 megapixel stills and 1080/60i HD clips. Both cameras include 0.1-second "Light Speed Autofocus" and top sensitivity levels of ISO 3200, though you'll need to opt for the ZS20 to take advantage of GPS with map logging and a noise-canceling stereo mic. The pair will ship in March, with a black, red, white or silver ZS20 running you $350, compared with a $280 price tag on the black or silver ZS15. As always, you'll find the full PR after the break.
Sony grows Cyber-shot family by three with DSC-WX50 and WX70, ultra-thin TX200V
Far more svelte than its lengthy product name, the Cyber-shot DSC-TX200V is Sony's new point-and-shoot flagship, packing an 18.2 megapixel Exmor R CMOS sensor, 26mm 5x optical zoom lens, 1080/60p video capture and a 3.3-inch Xtra Fine TruBlack OLED touchscreen. Sony claims that the cam's BIONZ processor can help it capture stills and video with extremely low noise, and an improved focusing system can deliver speeds of about 0.13 seconds in daylight and 0.25 seconds in lower-light conditions. Its reflective durable housing enables waterproof shooting down to 16 feet, and can protect the camera from dust and freezing temperatures of 14 degrees Fahrenheit.If price is more important to you than an ultra-thin design and top-of-the-line spec list, then the DSC-WX70 and DSC-WX50 might be of interest. Both cameras include 16.2 megapixel Exmor R CMOS sensors, 25mm 5x optical zoom lenses, 12 megapixel stills during video capture, and 1080/60i HD shooting. There are nine "Picture Effects" options, adopted from the NEX series and also found on the TX200V. Both the WX50 and WX70 have a nearly identical list of features, though the first model includes a 2.7-inch display, compared to a 3-inch touchscreen on the WX70. All three cameras are expected to ship in March in a variety of colors. The TX200V will be available in silver, red and violet finishes with a retail price of $500, while the WX70 and WX50 will run you $230 and $200, respectively. Hit up the press release just past the break for the full list of colors and specs.
Nikon D300s and D700 hitting stale status, make way for the next generation
There comes a time when you must clear out the old and make way for the new, and that's exactly what Nikon has in store for its D300s and D700 shooters. According to Electronista, the Japanese camera giant added both of its aforementioned DSLRs to the "old products" section on its motherland site. Given how often we see products get refreshed, it shouldn't come as a huge surprise -- especially when we've seen the D700's expected successor hanging out in the wild many times before. Keep in mind that Nikon recently took the wraps off its D4, so perhaps it's just a good ol' sign the new more-compact flavors are looming just around the corner. Needless to say, we'll let you know as soon as it happens.
Canon EOS C300 to hit Japanese stores on the 31st, PL version coming in March
Do you have deep pockets? And do those pockets happen to be located in Japan? Well if you're also in the market for Canon's EOS C300 cinema camera, you might be in luck. The company has confirmed that its motion-picture-shooting flagship will be available in Japanese retail stores by January 31st -- exactly one week from today. As the story goes with expensive electronics in Japan, pricing is "open" at this point, meaning you might have to hit up a retailer for an amount before making two dozen trips to the ATM. But if money's no object (just that pesky release date), you should be on your way to making Cinema EOS magic before the month is out. And if your kit is best suited for the PL-mount version, expect that to ship in late March, "open" pricing in tow.
Panasonic Lumix DMC-GX1 Micro Four Thirds camera review
It's no surprise that the mirrorless interchangeable lens camera category is continuing to grow at a rapid pace. These compact, pro-featured ILCs undoubtedly have a strong future, with mass consumer appeal and a widening assortment of price points. We're particularly taken with the technology's compact footprint -- we're focusing our camera reviews on mirrorless models, and even outfitted our entire CES team with Sony's NEX-C3. But long before the likes of Sony and Fujifilm launched their first cameras, Olympus and Panasonic dominated the then-infant mirrorless category, developing the Micro Four Thirds sensor standard, that, for better or worse, has failed to catch on among other manufacturers. Surprisingly, Panasonic's pioneering days were far stronger than those of recent past, with the company's GF1 melting the hearts of compact-seeking professionals. But following that successful first model, Panasonic opted to take the GF series in a different direction, launching a dumbed-down GF2 (and later GF3) in what was likely an attempt to appeal to the much larger amateur category. This left the GF1 faithful without a worthy successor -- until now. Panasonic's Lumix line gets a lot more crowded Panasonic Lumix GX1 Micro Four Thirds camera surfaces in leaked photos Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-onThe Panasonic Lumix DMC-GX1 looks pretty standard on paper: there's a 16-megapixel Live MOS sensor, a choice of body colors, RAW shooting, HD video and a top sensitivity of ISO 12,800. Just as it did with the GF2 and GF3 body designs, Panasonic took a different direction with its new X-series lenses, swapping the traditional manual zoom for a motorized version, enabling a much more compact footprint. The difference when positioned alongside the NEX-C3's 18-55mm zoom is staggering, but Panasonic didn't arrive at this slick design without compromise, particularly noticeable when it comes time to swallow the $950 kit price. Still, one look at the hardened matte black metal body is all it takes to know that this is no GF4 -- this is it, the long-awaited successor to the GF1 has finally arrived. So, will the GX1 be our new top pick for the mirrorless category? Join us past the break to find out.
Olympus teases with leaked image of OM-D camera, saves the best for last?
Some would say that "one picture is worth a thousand words," but all we're visualizing here are a few camera-driven buttons and a small portion of Olympus branding. Though, 43 Rumors is claiming that this is indeed the soon-to-be new addition to the OM series, which is expected to get unveiled next month. Olympus is no rookie in the Micro Four Thirds game, so it shouldn't come as a surprise for the rumored specs to be a decent upgrade in comparison to its PEN shooters. Allegedly, the rig may sport a magnesium chassis, 16 megapixel sensor with HDR optimization, up to 25600 ISO and a 3-inch OLED swivel display (because Olympus knows you love gadgets with rotating screens), amongst other features. Tickle your fancy? Well, best start saving now, as word on the web is that it'll set you back a cool $1,100 when it's revealed.
Canon EOS C300 cinema cam gets pre-order status, ships at month's end for $16,000
Back in November we joined Martin Scorsese and other Hollywood luminaries at Paramount Studios for the unveiling of Canon's latest cinema video camera, which is now available for pre-order. The EOS C300, that aims to compete directly against the Reds of the world, carries a Super 35mm CMOS sensor capable of up to 4K resolution 1080p capture, and should be helped in large part by the company's top-shelf lenses; like the 14.5 - 60mm and 30 - 300mm. When we first met the C300 we told you it'd be priced at a hefty $20,000, but that's no longer the case, instead it'll cost a less painful $16,000 for the body only. The camera will begin shipping "after January 30th," and if it seems like a little too much for you, at least you can still watch our precious hands-on time with it. Update: We've updated to clarify that while the sensor is 4K the camera only captures in 1080p.
Engadget's gear of CES 2012
We see an enormous number of gadgets each year at CES, and while the veil comes off a handful of notebooks, cameras and smartphones during the show, the gear that really makes the week for Engadget is our own. In each editor's gear bag, you'd likely be able to find a notebook, camera with external microphone, an Android / iOS / Windows Phone device, an AT&T LTE USB modem and enough bottled beverages to make trips to the "posh restroom" as routine as checking email. Pizza, pasta, chips and beef jerky keep us going during 20-hour days in the trailer, where a stable (and pricey) Ethernet connection let us bring you dozens of posts each hour without interruption. Jump past the break for a look at our gear in a bit more detail.
