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Canon EOS C300 to hit Japanese stores on the 31st, PL version coming in March
Do you have deep pockets? And do those pockets happen to be located in Japan? Well if you're also in the market for Canon's EOS C300 cinema camera, you might be in luck. The company has confirmed that its motion-picture-shooting flagship will be available in Japanese retail stores by January 31st -- exactly one week from today. As the story goes with expensive electronics in Japan, pricing is "open" at this point, meaning you might have to hit up a retailer for an amount before making two dozen trips to the ATM. But if money's no object (just that pesky release date), you should be on your way to making Cinema EOS magic before the month is out. And if your kit is best suited for the PL-mount version, expect that to ship in late March, "open" pricing in tow.
Panasonic Lumix DMC-GX1 Micro Four Thirds camera review
It's no surprise that the mirrorless interchangeable lens camera category is continuing to grow at a rapid pace. These compact, pro-featured ILCs undoubtedly have a strong future, with mass consumer appeal and a widening assortment of price points. We're particularly taken with the technology's compact footprint -- we're focusing our camera reviews on mirrorless models, and even outfitted our entire CES team with Sony's NEX-C3. But long before the likes of Sony and Fujifilm launched their first cameras, Olympus and Panasonic dominated the then-infant mirrorless category, developing the Micro Four Thirds sensor standard, that, for better or worse, has failed to catch on among other manufacturers. Surprisingly, Panasonic's pioneering days were far stronger than those of recent past, with the company's GF1 melting the hearts of compact-seeking professionals. But following that successful first model, Panasonic opted to take the GF series in a different direction, launching a dumbed-down GF2 (and later GF3) in what was likely an attempt to appeal to the much larger amateur category. This left the GF1 faithful without a worthy successor -- until now. Panasonic's Lumix line gets a lot more crowded Panasonic Lumix GX1 Micro Four Thirds camera surfaces in leaked photos Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-onThe Panasonic Lumix DMC-GX1 looks pretty standard on paper: there's a 16-megapixel Live MOS sensor, a choice of body colors, RAW shooting, HD video and a top sensitivity of ISO 12,800. Just as it did with the GF2 and GF3 body designs, Panasonic took a different direction with its new X-series lenses, swapping the traditional manual zoom for a motorized version, enabling a much more compact footprint. The difference when positioned alongside the NEX-C3's 18-55mm zoom is staggering, but Panasonic didn't arrive at this slick design without compromise, particularly noticeable when it comes time to swallow the $950 kit price. Still, one look at the hardened matte black metal body is all it takes to know that this is no GF4 -- this is it, the long-awaited successor to the GF1 has finally arrived. So, will the GX1 be our new top pick for the mirrorless category? Join us past the break to find out.
Olympus teases with leaked image of OM-D camera, saves the best for last?
Some would say that "one picture is worth a thousand words," but all we're visualizing here are a few camera-driven buttons and a small portion of Olympus branding. Though, 43 Rumors is claiming that this is indeed the soon-to-be new addition to the OM series, which is expected to get unveiled next month. Olympus is no rookie in the Micro Four Thirds game, so it shouldn't come as a surprise for the rumored specs to be a decent upgrade in comparison to its PEN shooters. Allegedly, the rig may sport a magnesium chassis, 16 megapixel sensor with HDR optimization, up to 25600 ISO and a 3-inch OLED swivel display (because Olympus knows you love gadgets with rotating screens), amongst other features. Tickle your fancy? Well, best start saving now, as word on the web is that it'll set you back a cool $1,100 when it's revealed.
Engadget's gear of CES 2012
We see an enormous number of gadgets each year at CES, and while the veil comes off a handful of notebooks, cameras and smartphones during the show, the gear that really makes the week for Engadget is our own. In each editor's gear bag, you'd likely be able to find a notebook, camera with external microphone, an Android / iOS / Windows Phone device, an AT&T LTE USB modem and enough bottled beverages to make trips to the "posh restroom" as routine as checking email. Pizza, pasta, chips and beef jerky keep us going during 20-hour days in the trailer, where a stable (and pricey) Ethernet connection let us bring you dozens of posts each hour without interruption. Jump past the break for a look at our gear in a bit more detail.
Red Epic-X gets disassembled, photographed by FCC
What do you find when you tear open (read: carefully disassemble) a Red Epic-X? Well, a whole lot of red, as it seems. Wireless Goodness has posted a hearty collection of teardown shots that it acquired from the FCC, revealing the camera's Mysterium-X sensor and Red 1242 processor. Sure, the Epic-X has been on the market for quite a few months now, but as you might imagine, those lucky enough to actually get their hands on the somewhat-elusive $34,500 rig probably don't list a warranty-crushing teardown at the top of their to-do lists. Ready to take a peek inside? Hit up the source link for 57 gloriously detailed shots from the other side.
Canon PowerShot G1 X hands-on (video)
This week, Canon reinforced its commitment to not producing a mirrorless interchangeable lens camera by launching the PowerShot G1 X. The company's latest G-series camera is by far the most powerful, and most expensive model, ringing up at $799.99 -- approaching (and in some cases exceeding) DSLR territory. Its pricing and spec list imply that the G1 X could be a DSLR competitor, but is it? No, not by a long shot. Instead, the company's most powerful compact cam is designed to be a companion to cameras in Canon's DSLR line, acting as a second, third or fourth shooter to professional photographers. The G1 X includes a 1.5-inch (18.7 x 14mm) 14.3 megapixel sensor -- which puts it in almost the same class as APS-C models, but with a fixed 4x, 28-112mm optical zoom lens and a compact camera form factor, it's a completely different beast. So is the G1 X able to justify its nearly $800 price tag? Join us past the break to find out.
Canon unveils PowerShot G1 X: huge 14.3 megapixel sensor, 12,800 ISO, $800 price tag (updated)
You were expecting Canon to announce a mirrorless interchangeable lens camera, weren't you? Well, we're not getting that today -- if ever. Instead, Canon has introduced a large sensor model to its PowerShot G-series of cameras. The G1 X joins (but doesn't replace) the G12, which previously held the title as the company's largest point-and-shoot. While the camera itself is not any smaller, the G1 X's 1.5-inch 14.3 megapixel CMOS sensor is what really makes it unique, offering a sensor size nearly as large as the APS-C found in larger mirrorless models and many full-size DSLRs. Larger sensors require larger lenses and therefore larger body sizes, but for professional and advanced amateur photographers, the benefits typically outweigh the inconvenience associated with carrying a bulkier model.With a large 1.5-inch (18.7 x 14mm) sensor, the Canon G1 X should theoretically be able to capture higher quality images in low light (with sensitivity boosted to ISO 12,800), and with more shallow depth of field -- the 4x 28mm lens has an aperture range of f/2.8-16, making it ideal for everything from sports action to landscape shoots. The "EOS-like" feature set includes 1080p video, 14-bit RAW and JPEG capture and full compatibility with Speedlite flashes and other accessories. A 3-inch 922k-dot LCD is on the rear with full tilt and swivel, and a mode dial up top provides direct access to shooting modes, including full manual. The G1 X is scheduled to ship in February for $799.99, but check back here next week for the hands-on, live from the show floor at CES. Update: The G1 X has landed in our hands, you can check out the full post here.
Fujifilm updates F, S and HS lines of superzoom cameras ahead of CES bonanza
We hope you like cameras, cause Fujifilm has more digital shooters than you can possibly keep track of. We'll have to wait to get our hands on the company's latest until next week, but it was kind enough to send over some PR ahead of time. On the superzoom front we're looking at the FinePix HS30EXR and HS25EXR, a pair of 16-megapixel cams with half-inch CMOS sensors and 30x (24mm-720mm) optical zoom lenses. Both also sport three-inch tilting LCDs and can capture full 1080p video at 30 frames a second. If resolution can take a backseat to speed, then you're free to shoot clips at 320fps. Both will be landing in March for $500 (HS30) and $400 (HS25). But we're not done yet -- a sextuplet of other magnification focused devices await after the break.
Samsung NX200 interchangeable lens camera review
There are some cameras that we absolutely love, some we find downright disappointing and others that get the job done, albeit with mediocre results. Samsung's digital imaging devices typically fall within that last category -- they're moderately innovative, generally affordable and often well-designed, but when it comes to image quality and performance, we're left... underwhelmed. So, when we first had a chance to try out the CE giant's new NX200 at IFA in Berlin, we weren't expecting a mind-blowing imaging device. The NX200 is Samsung's latest entrant into the interchangeable lens (ILC) category -- it's a mirrorless model, to be more precise, and a fairly impressive one at that -- at least when you glance at the spec sheet. It's the company's latest ILC to use an APS-C size sensor, which is the largest we've seen in a mirrorless cam. This sensor type implies that the NX200 may have a chance at competing with Sony's NEX-C3, which has been our top pick in the category, and its 20.3 megapixel rating suggests that Samsung wants to be taken seriously here, with a true contender on its hands. But has Samsung delivered a winner? Jump past the break for our take.%Gallery-141618%
Canon C300 cinema camera hands-on (video)
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot. The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.%Gallery-138415%
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa
Well, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success. Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video) Canon C300 cinema camera hands-on (video)Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.%Gallery-138391%%Gallery-138405%Christopher Trout contributed to this post
The Canon Hollywood event liveblog!
Lights, check! Camera? Well, it soon might be a Canon. We're live from the red carpet at Canon's Hollywood launch event, where we're expecting the company to reveal its first cinema camera. We'll be watching the action live as it hits the silver screen in SoCal, but you can catch it all from home right here! Things get started at 3PM local time, translated into times for your locales below. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th) Photos by Zach Honig.
The Canon Hollywood event is tomorrow -- get your liveblog here at 6PM ET!
Canon has been incredibly tight-lipped about its upcoming announcement, with only a few vague details leaking out since the event was announced in September. What we do know is that the imaging company plans to unveil a product that represents a "commitment to play a larger role in the film and television community," and that Martin Scorsese will be on hand -- and we assume he's not there to announce that Sinatra will be shot exclusively with the 5D Mark II. Curiously, Red has scheduled an event for tomorrow evening as well, just a few blocks away from the Canon venue. We'll be coming to you live from Hollywood tomorrow evening, and if the hype is any indication, legacy cinema camera manufacturers have but a few hours left of industry domination. The curtain comes up at 3PM local time, and we've included a handy list of round-the-world start times below. Bookmark this page right here and find out as it happens. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th)
Canon EOS-1D X first hands-on (video)
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa Nikon D5100 DSLR surfaces with 16.2 megapixel sensor, 1080p video recording Canon's EOS-1D Mark IV gets unboxed, high ISO modes tested Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X -- the latest in a series that dates back to 2001 with the EOS-1D. As you've probably noticed, the company's new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We've been anxiously awaiting an opportunity to check out Canon's new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company's Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.%Gallery-137442%
Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag
Stick a piece of gaffer tape over the unmistakable X, and Canon's latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon's phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging processors, which also help drive a 61-point high density reticular AF system, a top ISO setting of 204,000 (51,200 native), a 252-zone metering system, a 14 fps JPEG (or 12 fps RAW) burst mode and a built-in wired gigabit LAN connection, for remote shooting and image transfer. The camera's curious single-letter name represents a trio of industry milestones: the X is the 10th generation Canon professional SLR (dating back to the F1 in the 1970s), it's a crossover model, filling in for both the 1D Mark IV and 1Ds Mark III (which has been discontinued), and, well, it sounds to be pretty darn "Xtreme." The 1D X is being marketed to every category of professional photographer, from commercial studio shooters to newspaper photogs. It's familiar, with a similar control layout, yet different, thanks to its completely redesigned system menu -- accessed using the 3.2-inch, 1,040,000-dot LCD. There's also an incredibly sharp intelligent optical viewfinder, with an on-demand grid, AF status indicator, a dual-axis electronic level and a shooting mode readout. Video shooters can choose between 1080p video capture at 24 (23.97), 25 or 30 fps, or 720p at 50 or 60 fps. Canon has also eliminated the 4GB clip limit, though individual clips are limited to 29:59, in order to avoid European tax rates affecting HD cameras that can capture single HD video clips longer than 30 minutes. We're anxiously awaiting a chance to go hands-on with the EOS-1D X, and you'll have to wait until March before adding this $6,800 beauty to your gear collection, but jump past the break for the meaty rundown from Canon, and click through the rather thin product gallery below.%Gallery-136722%
Fujifilm's X10 offers up vintage-style snapping for $599.99 in early November
We've already sorted through the specs, and laid our hands on its rather sexy frame, now Fujifilm's offering up a more palatable price tag than we expected for its throwback X10 shooter. Starting sometime in early October, the X100's more affordable little brother will set nostalgic point-and-shooters back $599.99 -- about $100 bones less than the estimated $715 to $860 ballpark we threw out back in September. If you'll recall, the X10 packs a 12 megapixel EXR CMOS sensor, f/2-2.8, 28-112mm manual zoom lens, up to 12,800 ISO sensitivity, 1080p video, an optical viewfinder, and pop-up flash. No word yet on a final release date. Full PR after the break.
Canon S100 gets early October estimate from Amazon, likely to ship ahead of November release
Canon's high-end PowerShot S-series is a mighty special breed, so we've been rather excited about the company's new S100, which we were told to expect in November with a $430 sticker price. Now it looks like the S95 successor may slip out of the warehouse a month earlier than promised, with Amazon estimating ship dates as early as October 3rd. In an industry where delays are much more prevalent than quiet early releases, this is certainly welcome news for the highly anticipated pocket cam, which packs a 12.1 megapixel CMOS sensor and f/2.0 (variable) zoom lens. Shipping estimates are always subject to change, so don't count on any miracles until that FedEx tracking number hits your inbox. [Thanks, Don]
Canon plans Hollywood event, ready to roll out the red carpet on November 3rd
Oh, what's this, Canon? You want your turn in the spotlight as well? Well, we suppose a hint of an announcement is better than a non-announcement, so bring it on! The imaging company just sent us word of a presumably star-studded SoCal event on November 3rd, giving its cameras a chance to walk the red carpet in a rather surprising Hollywood role reversal. We're not sure exactly what Canon plans to unveil that night -- a new mirrorless camera, or perhaps some fancy pants camcorder, destined for Hollywood's elite? But assuming the company isn't crying wolf, we'll be there with a live report from the red carpet.
Canon unveils PowerShot S100 and SX40 HS high-end point-and-shoots
Today, we've got a pair of Canon point-and-shoots to show you. The S100 is the successor to the highly regarded S95, while the SX40 HS takes on the super-zoom market with its 35x lens. Both cameras use the company's new DIGIC 5 image processor, which brings high-speed burst shooting and 1080p video to the party. The S100 features improved low-light performance thanks to its f/2.0 lens and new, larger 12.1 megapixel CMOS censor (gone is the CCD of yore). It also has a GPS receiver for embedding location data in your photos. The SX40, more or less, slaps the new processor and sensor into last year's somewhat disappointing SX30 IS. Hopefully, those internal upgrades will solve some of the SX line's problems with image quality and noise. Both cameras will cost $430, with the S100 set to ship in early November and the SX 40 HS in late September. Check out the gallery below as well as the PR after the break. %Gallery-133892%
