digitalrights
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Sony Music taps Dubset to monetize samples in remixed songs
It's tough enough for artists to make sure they're paid for every stream of their songs, but what about remixes? There is a system in place from Dubset called the MixBank Rights Management Platform, and it helps rights holders identify samples in songs that belong to them. Apple Music and Spotify already use the platform to help pay sampled artists for their contribution to streaming remixes. Sony Music has just opted into the system, making it the first major label to use Dubset's platform. This enables Sony to manage its massive catalog and monetize the use of samples on streaming services.
PBS draws link between digital music ethics and magic spells, somehow makes it look simple (video)
AAC files and the arcane don't have much in common on the surface. After some digging, however, PBS' Idea Channel has found that magic is an uncannily good analogy for digital music rights and explaining the thorny ethical issues that come with them. Both music and spells stem from grassroots cultures that give away their content for free, but (at least until an anti-magic clampdown at eBay) have since become businesses. That nature poses a key ethical question: when we're used to a free experience and can copy songs or spells as much as we like, what does it take to keep us as honest customers? As show host Mike Rugnetta suggests, it's a matter of personal responsibility -- if we want more of either, we have to think of the commerce as showing support for future work. You can catch Mike's clever train of thought after the break, and ponder what constitutes DRM for a potion while you're at it.
Netflix snags classic BBC shows in UK deal
Netflix's British charm offensive continues, in preparation for its launch in there early next year. The latest signing is with BBC Worldwide and offers up classic BBC shows like Torchwood, Spooks and Fawlty Towers in return for an undisclosed sum deposited into the public broadcaster's coffers. The license only covers streaming rights to viewers in the UK and Ireland, but Netflix US already has some of the BBC's back catalog and iPlayer should hopefully bring fresher material our way soon. PR after the break.
iPod as a catalyst for DMCA reform?
CNET News has a really interesting perspective piece highlighting the video iPod's potential for being a catalyst for DMCA reform, specifically: the (outlandish) portion that makes it illegal to sell or distribute DVD-ripping software.The idea behind the article is that, until now, these measures of the DMCA haven't really hit the radar of an audience outside the comparatively small segment of digital-rights advocates. Declan McCullagh, the articles author, believes that the video iPod could finally be the spark large enough to get a much greater portion of consumers interested in (and angry about) the non-DVD-ripping limits on today's software. While McCullagh mentions a few DMCA-reform bills that are already floating around, he's also quick to point out that none of them, at present, have a very bright future.The video iPod, according to McCullagh's logic, might be able to help all of this. With its wide popularity, he thinks more and more users are going to start questioning why it's so easy for iTunes to rip a CD to their library (and iPod), and yet the software balks at a DVD movie. Yes - before you start firing up the comment form, there are still ways of getting a DVD off a plastic disc and onto your favorite media player, iPod or otherwise. But for the greater community of users out there, DVD ripping is still a thing of mystery and magic.I recommend you check out the full article as I think it's a really interesting read, but there's one thing I want to add to the discussion; a factor that neither the industry nor these politicians seem to examine: price. I wholeheartedly believe that if these companies cleaned all of their "market research" and "value perception" statistics out of their ears, they would realize that people are stealing content because they know the providers are taking them for a ride - and they won't put up with it anymore. Everyone knows CDs cost pennies on the dollar, and DVDs cost even less than VHS tapes to produce, yet they retail for a far higher price. The rampant (and as-yet unstoppable) success off the iTMS is real world proof that people will pay for the content, maybe even more content, as long as it has a fair price.But alas, as with all other political affairs, our ability to copy DVDs that we own will only change at the speed of bureaucracy.
